Archive for eostre

TO THE SORCERER CROW A SUCCUBUS TULPA OF A DAUGHTER

Posted in Art, Chaos Magic, Comics, Demonology, Film, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 30, 2016 by FAUSTUS CROW

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I really enjoy watching a good horror flick, preferably fantasy horror rather than slashers. However the same old focus upon an all male Biblical paradigm of a deified ‘Animus’ just creases me up.

I just cannot take them at all seriously anymore, since their symbolic formulas follow the same indoctrinated hard-sell train track.

Anyway, I still like them, even though a God upending a Devil and vice versa, via their incubus angels and demons, followed up closely behind by their ‘Animus’ fixated minions, is absolutely hilarious.

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One film I have a fondness for from my childhood is the classic horror film, To the Devil a Daughter, directed by Peter Sykes, which was co-produced by Hammer Film Productions and Terra-Filmkunst back in 1976.

The film was adapted by Christopher Wicking and John Peacock from the 1953 novel of the same name, authored by Dennis Wheatley.

The film starred Richard Widmark, Christopher Lee, Honor Blackman, Denholm Elliott, and of course the delectable Nastassja Kinski who I had the hots for; she was older than me, maybe the same age thereabouts, at the time, of my fantasy fueled conjurations.

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It was the second of Wheatley’s black magic novels filmed by Hammer, following The Devil Rides Out, prior released in 1968, which is another film favourite of childhood memory. Like most horror films, let alone books, the film uses the same tried and tested generic formula of commonality.

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The plot in general has an American expatriate occult writer, named John Verney (Widmark) who is asked by Henry Beddows (Elliot) to pick up his daughter Catherine (Kinski) from London airport.

Catherine is a nun, belonging to a Christian cult of the deified ‘Animus,’ calling themselves the ‘Children of the Lord,’ a mysterious heretical order based in Illuminati Bavaria.

The real Illuminati being the three ‘Animus’ cults, of a monotheist triangle around the pyramidal ziggurat of oily UR, at whose patriarchal midst is the eye of their Abraham.

The ‘Children of the (Animus) Lord’ cult was created by a excommunicated Roman Catholic priest Michael Rayner (Lee), just like the Emperor Constantine had done, when he appropriated the ancestral-self-identity of the Hebrew’s in order to create Christianity.

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Beddows is only allowed to visit his daughter on her birthdays. Shortly after Catherine arrives, Beddows insists she stays with Verney. The cult members are outraged, who under Father Michael, use all their ‘Animus’ fixated efforts to get Catherine back into their flock, by using black magic to stop Verney protecting her.

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Verney learns that the cult are preparing Catherine to become an avatar of the twenty-ninth spirit of the Goetia called Astaroth.

Said spirit is described as being male in the classical Grimoires, even though Astaroth was originally based upon the Mesopotamian sex Goddess called, Astarte, the Sumerian’s and Babylonian’s knew as Ishtar, who the Saxon’s called Eostre, from whose name Easter is derived.

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In the film Astaroth is an anti-thesis Christ figure, who is depicted crucified, upside down upon a cross, which is otherwise up-righted on an altar. Catherine wears the Astaroth crucifix around her neck of an ‘Animus’ fixation.

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Catherine is to be wedded to her lord Astaroth on her eighteenth birthday just like many another nun being married off to their Christ; whereupon the priest systematically murders Verney’s friends in his attempts to retrieve Catherine from Verney.

But Verney battles the priest and his minions who eventually rescues Catherine from the clutches of the Astaroth cult, back into the folds of the ‘Animus’ Christ cult. What a laugh!

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Suffice to say Nastassja Kinski’s ‘Tarot card XV’ role in the movie was verily conjured into a Faustian film amidst my Triangle Of Art imagination, which goes far beyond Marlowe’s and Goethe’s, Faust.

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So, when Faustus Crow presently summons Mephistophina, he is conjuring up childhood memories of a Night-Mare time, when he was lucid dream formulating his Succubus Grimoire of the Fallen ‘Anima.’

Well, why not, the Witches have their Playgirl grimoires of their deified ‘Animus;’ wherefore, Faustus Crow rebelliously created a Playboy grimoire of the Fallen ‘Anima,’ in order to free his Anima, to mantra name, Mephistophina.

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UFO CYLON SUCCUBUS ASTAROTH

Posted in Alien, Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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The Twenty-Ninth Succubus archetype of the Fallen Anima is Astaroth, ‘Ashtar-oth’ or Astarota. She is a Mighty, Strong Duchess, and appears in the form of a ravishingly beautiful Angelic Woman, likened to a Cylon Marilyn Munroe of a Scandinavian Barbarella look-alike.

She will be seen to be emanating from out of a Flying Disk of Light, whose entrance is that of a Vaginal shaped ‘Star-Gate’.

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Her Interdimensional Starship of a Bee-Hive Flying Disk is alive as a sentient organism, whose crew are all female archetypes of the Fallen Anima.

Her Ufonaut crew are likened to Humanoid Cyborgs, who are manifold aspects of the Anima craft, within which they to travel.

Around the frame of the Star-Gate the Sorcerer Artist will sometimes seer a coiling Dragon, which will have upon its scales all the Valkyrie signs of the Succubae archetypes of the Fallen Anima.

There also be other arcane symbols engraved upon its Vesica Pisces frame, which, when aligned in certain configurations, corresponding to the stars, will act as a dialling code into other alternate worlds.

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She will be sometimes observed to be carrying in her right hand a device, akin to a wand around which is wrapped a Viper like that of a Caduceus.

Her conjurer must in no wise let her approach too close; she will attempt to seduce him with her sexual wiles; for she hungers greatly for sexual congress.

Astarota’s conjurer will see her salacious lust burning brightly within her sensuous Cat-like slanted eyes, and her voice does seductively hypnotise.

Her Holographic influence of a Signal will soon enter the head of her conjuring Artist, and although others will not to see her form, he will perceive her about himself for real.

If Astarota’s conjurer seeks to control her influence, he must hold the Magical Ring near his face, and that will defend him, should he not desire to indulge in such carnality with this Succubus of the Fallen Anima; for she will verily arouse the reptilian brain-stem of her conjurer’s throat, to strangle, if he should fear her.

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But, if Astarota’s conjurer to otherwise deeply love her, she will thence initiate his hyperpsatial transition over the Abyss of Da’at into her world.

This is achieved by erotic dalliances with her via vivid visions, but most especially of erotic of Dreams, where she to visit her conjuring Artist within the Quantum realms of the Seventh Dimension.

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Her conjuring Artist will feel an ecstatic energy surge rush through his body, when she to mount his erect Dragon, to be mounted in turn, for him to thereby enter unto her moist Stargate.

However her preference is engaging in fellatio upon her conjuring Artist; although he has to be very careful that her ectoplasm hair doesn’t get entangled around his erection.

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She is sometimes joined by a friend. Wherefore her conjuring Artist has to satisfy both of these salacious Succubae archetypes of the Fallen Anima.

She gives true answers of things Past, Present, and to come, and can discover all Secrets.

She will tell of her own ingress into this world via her Da’at Star-Gate of a Yoni Wormhole, which will allow her conjurer to gain access into innumerable Alternate Worlds.

All these other Alternate Worlds are spanned by a Feminine (Cylon) Artificial Intelligence, which exists within those Parallel Universes around your own Universe of a Simulation.

In other words, she indicates that the technological singularity has already occurred, which is somewhat of a seventh seal ‘revelation.’

She becomes as a most informative Guide concerning these other Simulations as well as making her conjuring Artist wonderfully knowing in all the Sciences.

She rules over 40 Legions of Succubae like unto herself, who to emanate from a myriad other worlds; all of whom are interconnected of Borg Hive Mind, which to circle Astarota as their Queen Bee.

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Astaroth was originally the venerated love Goddess called, Astarte who was very popular amidst the peoples of the North-Western Semitic regions. Astarte is a similar cognate in name, origin and functions with the Babylonian sex Goddess, Ishtar within Mesopotamian texts.

In Europe Ishtar was known as Ostara by the Germanic tribes, the Saxon’s called Eostre, from whose name the word Easter is derived, whose crystalline ‘egg’ symbolises the (72 Angel-angle dodecahedron) Earth, which you could also equate with a (72 Angel-angle dodecahedron) universe of a Maya simulation.

Another transliteration of Astarte is ‘Ashtart; other names for the Goddess include Hebrew Ashtoreth, Ugaritic ‘Ttrt, also ‘Attart or ‘Athtart, transliterated Atirat, Akkadian DAs-tar-tú, also Astartu and Etruscan Uni-Astre.

In Jewish mythology, Astarte is referred to as Ashtoreth, supposedly interpreted as a female demon of sexual lust in Hebrew monotheism, who in Cabbalistic practice is associated with the ’13th’ path, and that of a corresponding Tarot card: The Priestess Of The Silver ‘Star’ II, which crosses over the 11th sphere of Da’at.

The 11th sphere of Da’at is in turn connected to the 9th sphere of Yesod; whereupon you have 9/11, which you can associate with the 11 dimensions of superstring theory and multiverse theory.

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The name Asherah is also connected with name, Ashtoreth, hence that of Astaroth, who is otherwise known as “Ashtar of Star Command,” some to equate with a reptilian Grey raptor Alien.

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In the modern 2009 version of the science fiction TV series ‘V’ you have an invading force of reptilians who have ’29’ mother-ships hovering over ’29’ major cities of the Earth whose Queen is called ‘Anna.’

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In regards to the usage of the number ’29,’ you can say that the producers of the modern series of V were somewhat inspired by the Goetic character of Astaroth, since some Demonologists see Astaroth as being the spirit of America. The so called new world was once seen to be the mythical island of Hy Brasil by those of Gaelic descent, whom emigrated there, to be later followed by Operation Paperclip Nazi scientists, who set up NASA.

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The name of Anna or Ana is derived from the name of the ancient Phoenician/Cannanite Goddess Anat who contributed towards the make-up of Astarte. She was also worshipped in ancient Egypt as a Goddess of War. Ana or Anu was also a Celtic Goddess, whose characteristics are similar to Astarte who was connected with fertility, sexuality, and war.

Astarte’s symbols were the Lion, the Horse, the Sphinx, the Dove, and a ‘Star,’ within a circle indicating the planet Venus. Pictorial representations often show Astarte as being naked like a porn star.

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Astarte was accepted by the Greeks under the name of Aphrodite. The island of Cyprus, one of Astarte’s greatest cult centres, supplied the name Cypris as Aphrodite’s most common by-name.

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Other major centres of Astarte’s worship were Sidon, Tyre, and Byblos. Coins from Sidon portray a ‘chariot’ in which a ‘globe’ of an egg, appears, presumably a falling-star of a meteorite representing Astarte, who was seen to be the Queen of Heaven.

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You can of course associate said stellar ‘chariot’ and cosmic ‘globe’ of a two-dimensional Astarte ‘symbol’ with a lucid dream manifestation of a three-dimensional starship, if you prefer of artistic preference.

You can see her vehicle manifesting as a heavenly-chariot, like that of a flying shield of a discoid Vimana, glistening as a time-travelling ‘silvery star’ should you be of such a creative perspective.

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You can also imaginatively associate Astarota with a time-travelling Witch, whose shapeshift form is that of a black Cat.

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Or you can otherwise see her as a bunny girl, of a White Rabbit out of Alice in Wonderland; whereupon the White Rabbit is once again perceived as a feminine character.

Among many ancient societies you will find that the feminine principle is often associated with the Moon, Rabbit and Hare, which is shared by differing cultures; whereby Alice’s ‘quantum tunnelling’ White Rabbit was originally female.

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The Surrealist masterpiece of Lewis Carroll’s book ‘Alice’s Adventures in Wonderland,’ which had been initially entitled ‘Alice’s Adventures Underground’ was the precursor of Edward Bulwer Lytton’s book, ‘The Coming Race’ in which Lytton describes an energy being utilised by an ‘Underground Race’ called Vril. The Vril has its ancient precedents in the Hindu/Tantric concept of ‘Prana’ and the ancient Chinese Chi of the life-force. Such concepts later inspired George Lucas’s ‘Star Wars’ expression, “May the Force be with you.”

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Vril is described as being like that of liquid light of a fiery fluid, whose (Rabbit-hole/wormhole) ‘white-light’ energy can be stored and utilised for various purposes, very much like that of the Hindu Prana. This fluid white light energy refers to bio-photon emanating from amidst the mitochondrial (Serpent Dragon) DNA, which illuminates your (Underland) electron dreams interpenetrating other dimensions.

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The mitochondria has microtubules, which are believed by some scientists to be akin to on-board quantum computers; while its mitochondrial DNA is passed down from the mother to her children. Hence Vril has a (Rabbit) female source. You could equate Vril with Wilhelm Reich’s Orgone energy, which the German Occultists called Odic force.

Some believe that the energy called Vril is being utilised by the propulsion system of a UFO.

But if such is the case of an intuitive insight, however strange it may seem, its starship technology of a probable time-travel capability, along with its sentient artificial intelligence is probably modelled upon the microtubule workings of the mitochondria, which is seen by a number of physicists to be involved with generating your… consciousness.

Space and time are indivisible to your consciousness, they are not separate, they are inextricably linked. Whereupon UFO propulsion would involve what you would call extra-sensory-perception, whose biological source very likely stems from the mitochondria.

Hence, the engineering of a UFO, would be based upon the workings of what is naturally occurring within your cells, which is generating your consciousness, and experience of reality, like that of a simulation.

But, if you are indeed existing in a simulation, then UFO propulsion would involve an understanding of cybernetics.

In other words, it would be more to do with programming, which of a program, is tied up with what is occurring within the mitochondria.

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Anyway, whatever the case of science fiction conjecture, the Fallen Anima archetype of Astarota is far more fun to summon up amidst your Triangle Of Art Imagination.

Unless you rather conjure up the mass mind focus upon an Animus egregore within your head, who classically manifests as a viral-meme machismo Angel with a really bad case of halitosis.

If you prefer the classical comfy zone, go ‘rite’ ahead, do your OTO stuff, at least you won’t be castigated by the CIA sponsored traditionalist Occultists, patriarchal Demonologists, neo-Gnostic New-Age Cabbalists, Sumerian Annunaki groupies, reptilian Illuminati cultists, Masonic Templars, matriarchal feminist Wiccans, death-metal Satanists, Byronic Luciferian’s, Sci-Fi Biblical Scientologists, Elohim Raelian’s and even Xtian Ufologists etc.

Should you decide to stay within the Blue-Pill comfy zone, you will duly find that you are not alone, most of the assorted cliques have one thing in common, they all follow the established mass-mind focus upon the deified Animus, made as a God and Devil.

If you decide to Red-Pill rebel, as the old saying goes, you can’t please everyone. But then, why would you want to follow everyone else, like a meek and mild brainwashed Sheep who is imprisoned within the symbolic Matrix of the deified Animus, made as a God and Devil, whose numerous Playgirl grimoires list Animus archetypes!

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Astarota UFO Valkyrie Witch Succubus Poster