Archive for Dune

HORROR ACTRESS OF PSYCHOMAGIC

Posted in Art, Chaos Magic, Film, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , on June 4, 2015 by FAUSTUS CROW

goetia_girls_lilith's_harem_ipos_witch_actress_film_cat_woman_succubus_of_faustus_crow

The Twenty-Second Succubus archetype of the Fallen Anima is Ipos, otherwise called Iposi. She is a Great Countess and a Mighty Princess and appears in the visionary form of a most beautiful and noble Woman.

She will speak of her ‘Lioness’ Objective, her ‘Goose’ of an Obstacle and that of her Hares ‘Method’ in regards to her Acting, for she is an Actress who can make her Director of a conjurer witty and bold.

But only when she to ride and be ridden by him upon the Casting Couch within those most Erotic lucid dreams she will induce after evoking her Succubus archetype of the Fallen Anima. She also knows of all things Past, Present and to come of Futures beckoning back. She Governs over Thirty-Six Legions of Anima archetypes likened to herself of Actresses.

goetia_girls_lilith's_harem_addams_family_uncle_fester_succubus_evocation_art_book_grimoire_by_faustus_crow

When a heterosexual male practitioner conjures Iposi, he can assume the alternate persona of a famous Actor within a lucid dream, which Iposi will empower. Those of other sexual orientations will change the gender of the archetype as required, who will note that the classical Playgirl grimoire depiction of Ipos is an archetype of the deified Animus made as a God and and a Devil.

What is required in order to achieve the assumption of an alternate persona is that you have to see yourself as a famous Actor, strutting the stage of life, between the entrance of birth, and the exit of death. This is engaged in of a prior active imagination exercise. You are essentially engaging in visualising yourself via your third eye of a camera, Acting within an inner film you are in turn directing as its Director.

Whereupon you first construct your character to Act out, by researching those successful Actors who you admire, in regards to their Acting abilities corresponding to your seven planetary sphere Chakras of emotional armoured seals to unseal, to thereby assume, as an archetype, ruling over one of the ten Cabbalistic domains.

goetia_girls_lilith's_harem_hellrasier_cube_succubus_of_faustus_crow

Iposi will then weave a corresponding lucid dream around you, which will then reflect back the assumption of your character, to Act out, with whom she is intimately engaged. Should your lucid dreams be intense enough, the dream experiences will then imprint your subconscious mind, and in turn your nervous system.

Your nervous system cannot tell the difference between a real or a vividly imagined experience; wherefore, an intensely experienced conjuration of the Succubus Iposi within a lucid dream will imprint your nervous system, whereby awakening your own Acting skills to come to conscious fruition.

goetia_girls_lilith's_harem_faustus_crow_succubus_evocation_grimoire_occult_demon

You can likewise utilise the character of a Director to assume, if you prefer; wherefore you see yourself directing a big budget movie, which in essence, is that of your own life story to thereby transform by your psycho-magic conjuration of Iposi.

Iposi will inform her Director of a conjurer in depth about the Stanislavski ‘system’ approach to Acting, which the author Carlos Castaneda otherwise termed as the ‘stalking’ procedures of a sorcerer, whereby Iposi fuses the two approaches together of exercise.

goetia_girls_lilith's_harem_sasha_markina_lucid_dream_succubus_of_faustus_crow

The term of stalking is used in various different ways in Castaneda’s work. Castaneda uses stalking in reference to the warrior’s virtues as a sorcerer who has consummate forbearance and timing, which is a prerequisite for an Actor playing the part of an archetype.

Whereby you have the meaning of ‘Waiting for the Opening,’ which is implied by Castaneda’s understanding of stalking. This becomes quite clear within the context of confronting those ‘Petty Tyrants’ of your life to overcome; whether it be that of negative situations within society, to that of individuals who cause you grievance.

goetia_girls_agares_schoolgirl_tank_ girl_rusalka_succubus_of_faustus_crow

The ensuing adversity facilitates the evolution of your personality and character,  if you become aware of its existence, betwixt and between the Ida and Pingala nerve channels of your Autonomic Nervous System.

goetia_girls_lilith's_harem_Alejandro Jodorowsky_sorcerer_holy_mountain_succubae_of_faustus_crow

Stalking implies far more than a hunter’s skill and patience in relation to any external situation. The same, or similar approach can be taken towards that of the Internal predator of an addiction. You can deliberately irritate this part of yourself by not giving into its habits and demands. Your ‘predator’s mind’ becomes quite obvious under stress, whereby you stalk your own self in order to transform of symbolic alchemy.

Stalking is also used to describe Death, which constantly ‘stalks’ your awareness. Death as a predator stalks humanity, setting it up, and keeping all stressed, of highly reactive mode, whereby you are faced with constant new crises in order to stay one step ahead, which elicits a predictable emotional reaction from your animal self, stalked by a predator.

goetia_girls_succubus_evocation_trance_skull

The only release is to be within the ‘eternal moment’ to perceive death as your advisor, like that of a martial artist who is thereby not afraid of entering the stage of life’s gladiatorial arena in front of a mortal audience.

The Stanislavski ‘system’ of pre-Castaneda Sstalking procedures was developed by Constantin Stanislavski, a Russian Actor, Director, and Theatre administrator at the Moscow Art Theatre founded in 1897, around the same time that Karl Marx’s, Das Kapital was published, which made the workers to dance, the aristocracy to fear.

goetia_girls_wednesday_addams_acid_succubus

Stanislavski’s system is the result of many years of intensive research, observations, and efforts to determine how a human being can control in their performance the most intangible and uncontrollable aspects of human behaviour, such as emotions, and artistic inspiration.

The most influential Acting teachers in America, including Lee Strasberg, Stella Adler, Harold Clurman, Robert Lewis, Sanford Meisner and Uta Hagen have all traced their pedigrees back to Stanislavsky, his theories, and that of his numerous disciples who ‘stalk’ their own selves upon a mirroring synchronicity.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

LILITH’S HAREM, PARALLEL UNIVERSES, ALTERNATE EARTH’S

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 30, 2015 by FAUSTUS CROW

goetia_girls_stolas_stolos_steampunk_girl_dorothy_succubus_of_the_wizard_of_oz_faustus_crow

Did Robert Monroe, also known as Bob Monroe, (October 30, 1915 – March 17, 1995) experience accessing an alternate Earth, whose technology is right out of a Steampunk novel? Sounds like pure science fiction doesn’t it. Well, he did reveal, that he had actually done so, when consciously journeying into the quantum realms of the dream, who was an idiosyncratic pioneer of out-of-the-body experience (OOBE) research, which in turn encompasses lucid dreaming. His 1971 book, Journeys Out of the Body, is credited with popularizing the term, out-of-body experience.

Munroe’s full name is Robert Allan Munroe, who was originally a radio broadcasting executive who became best known for his research into altered states of consciousness and founding The Monroe Institute. Many an individual who has had an OOBE, invariably investigates Monroe’s experiences in order to come to some understanding of their own out of body experiences along with gaining an insight into lucid dreaming.

Munroe’s research into altered states of consciousness, began during the straight laced 1950’s, just prior to the psychedelic 60’s, when his shamanic work really took off. Munroe produced evidence that specific sound patterns have identifiable, beneficial effects upon our capabilities.

For example, certain combinations of frequencies appeared to enhance alertness; whereas others induce sleep; and still other (song/icaro/mantra) sound combinations evoke expanded states of your consciousness, which at the level of the ‘electron’ dream has the ability to ‘slide’ through inner doorways, into other realities.

goetia_girls_dr_john_c_lilly_altered_states_of_consciousness

His extensive research was professionally assisted by specialists in psychology, medicine, biochemistry, psychiatry, electrical engineering, physics, and education, which led to the development of Hemi-Sync, a patented audio technology, which is claimed facilitates enhanced performance of your ‘quantum computing brain.’

Monroe was very precise when describing the methods, which he had developed for ‘Sliding’ into the astral worlds of the ‘Electron’ dream.

He assiduously described the dream realms in great detail of nigh scientific scrutiny, which he divided into three specific regions with differing properties, terming them as being, ‘Locale I’, ‘Locale II’ and ‘Locale III,’ of a shamanic cosmology.

goetia_girls_succubus_lucid_dream

According to Monroe, Locale I is our present everyday Earth. It is here where the Old Hag Syndrome is often experienced of a prelude to an out of body experience.

goetia_girls_out_of_body_experience_oobe

Should the nightmare, which rides your fear be instead transformed into a Night-Mare for you to otherwise ride, the astral body is then enabled to leave its corporeal vehicle behind; whereupon it can then hover around the collective-mind-map, observing faraway places, visiting the abodes of friends or loved ones, experiencing precognitive information, accessing the past or even exploring the depths of space.

goetia_girls_wormhole_journey

But the dreamer is still constrained to his/her present universe, which is basically that of remote viewing from within the informational domain of the quantum dream.

In Locale II, the dreaming reality becomes far more surreal. This is the region where varying alien entities exist of similarity to what the author Carlos Castaneda termed as the inorganic intelligence of the Allies.

goetia-girls-ufo-girl-advert

Castaneda described the Allies as being a ‘feminine’ inorganic intelligence, which exists in a dimensional domain outside of three-dimensional (Maya/Matrix) space and time he called Penumbra, which of a visionary manifestation appears as a vast desert dividing worlds.

goetia_girls_bene_gesserit_witch_dune

The symbolic motif of the desert is utilised in the Cabbala for its thirteenth path, whose ascribed Hebrew letter is Gimel, meaning (Ally) Camel. The thirteenth path of the Tarot Card: The (Ally) High Priestess of the Silver Star, penetrates the hidden 11th dimensional sphere of Da’at.

It is at Da’at that the magician experiences his consciousness accessing an Abyss, which is the space between worlds. The Abyss (mini-Worm-hole/Silver-Star) is experienced (folding space) prior to attaining (Kwisatz Haderach) ingress into an alternate world.

goetia_girls_succubus_carlos_castaneda_don_juan_allies_ally_toltec_sorcerer_sorcery_lucid_dream_trance_spirit_girl

When Monroe’s consciousness accessed Locale II he would sometimes experience being hassled by nightmarish beings, who reflected back his fear, and in doing so, attempted to drag his astral self back to Locale I; whereby impeding his progress, and generally made his inner experience unpleasant as if these entities were seeking to block him from accessing Locale III.

What Munroe experienced regarding the assailing entities, is what many Siberian shamans to have spoken of. The shamans communicate that they are initially impeded in their trance ingress into other realities by Erlik Khan’s daughters, whom can assume Nightmare forms, until the shaman overcomes his fear of their father, who is death; after which they then become as his (Allies/Succubae) Night-Mare spirit wives, to thence ride into other worlds.

goetia_girls_navigator_dune_lucid_dreamer

However, Munroe stated, that Locale II was the ‘natural environment of the Second Body’, where thought translates directly to ‘bodily’ motion. The second body its self, although appearing of apparent human form, in relation to the dreamers memory of his/her physical body, is not its true form.

Locale III is where Monroe accessed an alternate Earth, via what he termed as being a (mini-wormhole) hole, into which he slid into an alternate reality. The alternate Earth to all intents and purposes exists within a parallel universe. Monroe experienced this alternate Earth as being a material world, whose reality is almost identical to our own.

goetia_girls_steampunk_london_central_emilie_autumn

But there were differences, as Munroe described: “There are no electrical devices whatsoever.” Munroe observed that the transport of this alternate Earth utilised steam-driven locomotives, which sounds like a Steampunk cross between an American motor-home and a High-Speed Train, which hauls wooden cars. The automobiles of this alternate Earth were twice as wide as Munroe’s own equivalents, which are driven along huge roads at a sluggish 15-20 mph.

goetia_girls_succubus_evocation_valefor_valefora_emilie_autumn_steampunk_goth_girl_art_mse

After several slides into a parallel universe of Locale III, Monroe discovered an alternate Earth inhabitant who was his (alternate-self) doppelganger. Monroe involuntarily enters into his double’s body; whereupon embarrassment and confusion ensues, which often involved a Steampunkette woman called Lea.

goetia_girls_bene_gesserit_witch_priestess_dune_succubus_of_faustus_crow

It just so happens that the name of Lea is etymologically connected to the name of a Celtic faerie lover called a Leannan sìth. It is with Lea, slider Monroe becomes romantically attached, as his (Ally/Succubus) dream lover, when sliding into his alternate self.

Monroe’s dream slides into Locale III, he otherwise called, ‘intrusions.’ This alternate Earth has a three dimensional reality. As stated in part, earlier, Monroe related, that his intrusion into an alternate Earth as being, “a physical-matter world almost identical to our own. There are trees, houses, cities, people, artefacts and all the appurtenances of a reasonably civilized society.”

goetia_girls_steampunk_london_ripper_jack_emilie_autumn

However, Monroe observed that, Locale III had evolved along a different technological trajectory; there was no electricity or fossil fuels; its inhabitants relied instead upon a sort of alternative power source. Perhaps, it is where the ideas of Nikola Tesla had taken root, without any impediment from gangster bankers, along with the further development of steam power, which had engendered an alternate Hippie Steampunk reality.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

As for myself, I have dream slid into differing Locale III alternate Earth’s with the assistance of the (Priestess of the Silver Star) Locale II (Lilith’s Harem) Allies. The Allies assume the forms of Succubae, whom then usher my conscious awareness through their vaginal (Vesica Pisces) stargates into alternate Earth’s.

goetia_girls_nightgaunt_nun_nastassja_kinski_valis_world_universe_multiverse_parallel_worlds_succubus_of_faustus_crow

Some of the Locale III alternate Earth’s can be described as being Steampunk realities, although the slides into different alternate Earth’s is determined by what type of Succubus one conjures into Locale I, when to become lucid of awareness.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

NECRONOMICON NIGHTGAUNT LEATHER NUN GREMORY

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Love Magic, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 10, 2014 by FAUSTUS CROW

The above Artwork depicts the 56th Succubus archetype of the Fallen Anima, who is called Gremory. The symbolism of the Artwork is alluding to the Sheela na gigs, which are figurative carvings of naked women displaying an exaggerated vulva above church ‘doors’ and ‘arches.’ They are architectural grotesques found all over Europe on churches, castles, and other buildings.

The highest concentrations of Sheela na gigs can be found in Ireland, Great Britain, France and Spain. One of the best examples may be found in the Round Tower at Rattoo, in County Kerry, Ireland. There is a replica of the Round Tower Sheela na gig in the County Museum in Tralee town. Another well-known example may be seen at Kilpeck in Herefordshire, England.

Ireland has the greatest number of surviving Sheela na gig carvings; McMahon and Roberts cite 101 examples in Ireland and 45 examples in Britain.

Sheela na gigs are said to ward off death and evil. As mentioned, they are often positioned over doors, arches or windows, which symbolically represent the vulva. In ancient times the vulva was seen as representing the (door/window) hypnagogic trance gate, which allowed conscious ingress into the womb domain of the (spirit world) dream.

Gremory is a rarity in the Animus fixated Goetia, who is described manifesting as a woman; although the Goetia makes mention that Gremory is a male entity assuming the form of a woman. The reason for this symbolic conundrum is due to the grimoires having a fixation upon the deified Animus.

The number 56, may be that of occult blind, which of numerology reduces down to 11 and 2. The number 11 alludes to the 11th hidden Sephiroth (sphere) of the Cabbala, being Da’at, which means, ‘belief.’

The number 2 points at the Tarot card of the High Priestess II, which is generally considered to be associated with the 13th path of Gimel, which passes through the sphere of Da’at. The Hebrew letter Gimel is seen by some to be associated with a Camel.

The runic correspondence with Gimel is that of Gebo, whose ‘seventh’ Rune is that of the ‘X,’ crossbones, which equates with the English ‘G’ you to find used by Freemasonry, as in ‘X’ marks the (hypnagogic trance) spot and that of a seventh (seal) secret not to be told, unless it is to your sister. The motif of the sister symbolically alludes to the Fallen Anima.

Gremory is described as riding a Camel, wherefore alluding to the High Priestess and the sphere of Da’at.

The Tarot traditionally depicts the High Priestess being seated between two pillars, who holds a scroll or a book upon her lap, which is a (Necronomicon) Grimoire. (H.P. Lovecraft wrote that the title, Necronomicon, as translated from the Greek language, meant ‘an image of the law of the dead,’ or a book of images.)

It is very likely that the name of Gremory is derived from the term Grimoire, which is essentially a tome of ‘beliefs.’ (The tome [scroll] the High Priestess has on her lap is commonly interpreted as being the Torah [Tarot] of the deified Animus.)

The sphere of Da’at is accessed via the twin pylons of the High Priestess, who symbolises hypnagogic  (Sheela na gig/vulva) trance, which is represented by the ‘X’ Rune of ‘Crossbones.’

Whatever you experience internally (Out Of Body Experience/Hawk/Horus) amidst the dream will be determined by the Da’at beliefs, which are housed within your Grimoire temple of a ‘Skull.’ The domain of the dream will reflect back your beliefs about yourself, and how you perceive (Eye) reality.

However, you will find that many of your beliefs have been influenced and moulded by influences around you, wherefore determining your perception of reality since childhood.

Wherefore, Gremory reveals how the Matrix of symbolism all around you and within you of an internal dialogue, incarcerates your ‘Skull,’ so that you can free yourself via self-analytical metaprogramming, which allows you to tune into other dream realities, and in turn consciously engineering synchronicities.

The symbolism of the High Priestess has a symbolic correlate with the Nun, Carl Jung would equate with an aspect of the ‘Anima.’ Since the Anima and her Succubus archetypes have been entirely expunged from the symbolic paradigm of the deified Animus, you can thereby fathom that a very real Necronomicon would list the Succubus Great Old Ones of the Fallen Anima, which of a banned grimoire would contain their much maligned images, the worshippers of the deified Animus would consider to be pornographic!

If you are interested in the Art print version of the above Artwork, etc, Please Click Here.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

STAR WARS REBEL ANGEL LUCIFER IS A GIRL

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Star Wars, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2014 by FAUSTUS CROW

goetia_girls_diana_lucifera_fallen_angel

The fallen Angel Lucifer, at the head of an army of rebellious Angels, rebel against a totalitarian/fascist God Emperor of Dune world Mars.

goetia_girls_astaroth_thuvia_maid_mars_martian_civilisation_fallen_angel_rebel_star_wars_succubus

The rebelling Angels seek to stop the God Emperor and his machismo Stormtroopers, constructing an ‘end of days’ Iapetus death star, orbiting Saturn.

goetia_girls_astaroth_star_wars_iapetus_moon_rebel_fallen_angel_space_girl_succubus

But the rebel Angel Lucifer is flung down to Earth, as a fallen Dragon, along with legions of rebellious (Succubi) Succubae.

Such a Biblical war in Holy-wood heaven, is quite ‘St George’ Lucas evocative of Star Wars.

But who exactly is this Lucifer? Well, the name of the fallen Angel Lucifer is originally derived from the Latin words ‘Lucem Ferre.’

goetia_grls_angel_girl_fallen_rebel_succubus

The name literally means: light-bearer, which in that language is used as a name for the dawn appearance of the planet Venus from where women are said to come by glitzy Holy-Wood gurus.

But of prior ages, many a mad poet considered the sphere of Venus to be the Anima home of female entities who inspire Artists as their Angelic dream Muses.

The planet Venus heralds the dawn break of Hypnopompic daylight, after a dreamer has experienced Hypnagogic trance ingress into his Luna realm lucid dreams of Lilith’s Harem.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

The use of the word in this sense is uncommon in the English language, in which, day star, or, morning star, are the more common expressions.

goetia_girls_diana_lucifera_fallen_angel_devil_girl

The planet Venus was usually associated with love Goddesses in the ancient world; for Venus is the Roman name of the ancient Greek Anima Goddess of love and sexuality called Aphrodite.

goetia_girls_fallen_angel_diana_lucifera_succubus_evocation_star_wars_rebel_princess

In the Middle East the adoration of the Anima love Goddess was very popular, such as the Semitic love Goddess called Astarte, who of a Hippie era incarnation would be an anti-war protestor chanting, “make love, not war.”

She appeared in the Old Testament as Asthoreth of a demonised figure, becoming thence as an adversary, whom rebelled against the deified Animus, made as a Judaic God.

Along with a Star Wars Lucifer, whose rebellion led to a mythical war of an ancient galaxy wide conflict amidst the heavens.

goetia_girls_diana_lucifera_succubus_ninth_gate_art_muse_of_faustus_crow

Astarte was later transformed into the male Demon known as Ashtaroth (Goetia – 29th Spirit: Astaroth) by the Christian’s.

goetia_girls_diana_lucifera_fallen_angel_lucid_dream_succubus_evocation

The Babylonian’s considered the star of Venus to be associated with their Anima Goddess of sexual love who they called Ishtar.

The Anima Goddess Ishtar was worshipped at the prior ancient Sumerian city of UR, situated in Iraq, from whence Animus fixated Abraham had stemmed.

As for the pre-Islamic Arabs; well before Muhammad appeared on the scene, the Kaaba stone of Mecca was once surrounded by 360 idols, and every Arab house had its particular deity.

Arabs also believed in Jinn (subtle beings), and some vague divinity with many offspring. Among the major deities of the pre-Islamic era was the Anima Goddess called, Al-Lat, she was worshiped in the shape of a square stone. Al-Lat, was later transformed into Allah. You also have Al-Uzzah (the Mighty), a Goddess identified with the ‘morning star’ and worshiped as a thigh-bone-shaped slab of granite between al Talf and Mecca.

goetia_girls_fallen_angel girl

There was also an Anima Goddess of destiny, called Manat, who was worshiped as a black stone on the road between Mecca and Medina.

A24041_ELVIS_ANGELS_FAYE_AXE_300x222.indd

The use of the fallen morning star ‘Lucifer; generally refers to ‘Satan,’ of an indoctrinated common usage. Although the name is not applied to this entity in the New Testament.

goetia_girls_diana_ucifera_angel_fallen_girl

The use of the name ‘Lucifer’ in reference to a fallen Angel stems from an interpretation of Isaiah 14:3–20, a passage, which speaks of a particular Babylonian King, to whom it gives the title of ‘day star, morning Star’ (in Latin, Lucifer), as fallen or destined to fall from the heavens or sky.

A24041_ELVIS_ANGELS_FAYE_AXE_300x222.indd

In 2 Peter 1:19 and elsewhere, the same Latin word Lucifer is used to refer to the morning star, with no relation to evil whatsoever.

goetia_girls_fallen_angels

In the Middle East you will find a worship of stones fallen from the sky being that of meteorites, or otherwise considered heavenly born, which were often associated with the ancient worship of the Anima Queen of Heaven, whose abode was seen to be the realm of the morning-day star of Venus.

In post-New Testament times the Latin word Lucifer has often been used as an alternative name for the Devil, both in religious writing and in fiction.

goetia_girls_diana_lucifera_faustinae_consecratio_lucifer_fallen_angel_girl

However, prior to the Christian usage of the name Lucifer you have the FAVSTINAE CONSECRATIO, the Consecration of Faustina, which depicts the Roman Empress Faustina being carried away to dwell with the deities of pre-Christian Pagan Rome by the Anima Goddess ‘DIANA LVCIFERA,’ Diana-Lucifera.

goetia_girls_diana_lucifera_clodius_roman_coin_constantine_christian_conspiracy_lucifer

The Anima Goddess Diana-Lucifera was also depicted on many Roman coins, some of these coins date back to the era of the Imperial Roman Republic. The image of Diana-Lucifera is frequently depicted upon the reverse side of Roman coins bearing a portrait of Faustina on the obverse or otherwise that of Animus Apollo.

goetia_girls_diana_lucifera_fallen_angel_goddess_ancient_rome_lucifer

Faustina was obviously a devotee of Diana-Lucifera. So who was this, Faustina, whose name was later masculinised as Animus Faust? Well, there were actually two Faustinas, mother and daughter; Faustina senior and Faustina junior, whom were both frequenting the second century CE Rome. Faustina senior was the wife of Emperor Antoninus, whose last name was Pius.

goetia_girls_fallen_angels_succubus

Her daughter, Faustina junior, was the wife of Emperor Marcus Aurelus. Marcus Aurelus was the successor and adopted son of Antoninus Pius.

Both Faustina senior and Faustina junior were deified by their husbands after their deaths. Faustina (senior or junior, more likely both), was dedicated to Diana-Lucifera, the wise crone aspect of Diana….The two Faustinas pretty much ruled the Roman empire in their husbands’ names.

goetia_girls_succubus_fallen_angel_lucid_dream

The feast day of Diana-Lucifera was November 16th; while November 15th was the night of Hecate. Both of these Anima Goddesses are very much tied up with the practice of (Shamanism) Witchcraft who are depicted holding torches. Their worship involved secret (trance) rites being conducted in caverns etc, which were seen to be associated with the (womb) underworld.

goetia_girls_diana_lucifera_biophoton_light_bearer_fallen_angel_succubus_lucifer

The symbolism of the torch alludes to the inner light, which illuminates your infernal dreams, being that of the bio-photon emanating from your mitochondrial DNA, of a serpentine double-helix Dragon.

goetia_girls_fellen_angel_succubus_diana_lucifera

The name Diana-Lucifera is that of a composite name, made up of Diana and Lucifera. The Goddess Diana was the virgin huntress, who originated from the ancient Greek Goddess Artemis. The Goddess Artemis had a twin brother who was called Apollo. The Roman Catholic Church absorbed the virgin huntress Diana to fuse with their ‘blessed Virgin Mary,’ whose forerunner of primary foundation was the ancient Egyptian Anima Goddess Isis suckling the babe of Horus.

goetia_girls_succubus_lucid_dream_fallen_angel_diana_lucifera

The babe Horus was fused with the Sol-Invictus of an Animus Apollo, who was then transformed into a Christ; while the Light bearer Diana-Lucifera was warped into a malign male fallen Angel to call Lucifer.

goetia_girls_succubus_fallen_angel

The Goddess Diana whose origin is that of the ancient Greek Anima Goddess Artemis as mentioned prior was said by the Greek’s to have come from a land beyond the North wind called Hyperborea with her brother Apollo. The land of Hyperborea very likely refers to Siberia where Shamans still practice their trance art.

goetia_girls_fallen_angel_girl_diana_lucifera_star_wars_rebel_succubus

The Mongolian (Shamans) Kams see the feminine principle, called Yal-un eke is the mother of Fire; while the Fire-King, known as Odqan is its master. The fire of Yal-un eke refers to the inner light of the bio-photon, which as mentioned prior, emanates from the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children. Hence the inner light (torch of Diana-Lucifera) has a female source.

 gyp 2001

The name of Odqan appears to be the original ‘Altaic’ root word of the name given to the ancient Norse shamanic God called Odin and the Saxon, Woden, whom are one and the same deity. The mythic descriptions of Odin is very much that of a North-Central-Asian Shaman, to thereby perceive an influence emanating from out of Siberia.

Whereby you can determine a possible ancient migration of peoples from the Altai (Altay) region of Southern Siberia into Europe and elsewhere of land to migrate into, whose nomadic tribes had also prior crossed over the Bering Straits into America. Wherefore you have Artemis (Yal-un eke) and Apollo (Odqan) of the ancient Greek’s. It was Apollo who gifted the serpentine double-helix DNA of a Dragon secret Caduceaus to Hermes, in exchange for his seven planetary Chakra sphere stringed lyre.

goetia_girls_fllen_angel_diana_lucifera_succubus_lucid_dream_evocation

You will find that the names of Odqan, Odin and Woden all have the same meaning of having shamanic trance mastery over an Inner fire (bio-photon) illuminating your electron dreams, whose mitochondrial feminine source is Diana-Lucifera, residing as the fallen Dragon DNA within each and every one of your cells.

goetia_girls_satan_shaitan_satana_666_carbon_atom_matter_life

Being a carbon-based-life-form that you are, you will no doubt be aware that your carbon atoms have 6 electrons, 6 protons and 6 neutrons of Great Beast number; whereby, you are all beastly fallen rebels of Star Wars. Said Star Wars conflict was very likely that of a sex war, which appears to be occurring again!

MAY THE BIO-PHOTON FORCE OF DIANA-LUCIFERA BE WITH YOU!

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of religious/political social engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire