Archive for dna

HOGWARTS SUCCUBUS SCHOOLGIRL

Posted in Art, Chaos Magic, Demon, Demonology, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2015 by FAUSTUS CROW

The Sixty-second Succubus archetype of the Fallen ‘Anima,’ whom frequents the eighth dimensional planetary sphere is Valak, otherwise called, Valuna, Volaca or Valaka. She is a President Mighty and Great, who appears as a mercurial Schoolgirl Witch with Bat Wings, riding on a Two-headed Dragon of a broomstick looking like the Caduceus of Hermes; for she be akin to the ancient Greek, Hermione.

She has now been freed from her brazen vessel of an ‘Animus’ fixation, which had her imprisoned within the form of a little naked boy looking like an angelic Cherub.

For many years Valak was conjured as an Incubus amidst the Triangle Of Art imaginations of cloistered Witch Nuns of the deified ‘Animus,’ made as their God/Devil.’

And likewise the closeted Rabbis, Priests and Mullahs also conjured Valak as a little naked choir boy.

It is said that one of the protesting Witch Nuns of the deified ‘Animus’ who had conjured Valak as a Cherub is J. K. Rowling.

Valak manifested as a little schoolboy within Rowling’s ‘Animus’ stirred dreams, whose patriarchal Incubus manifestation inspired Rowling to write about her Harry Potter.

But little did Rowling know that Valak’s true form of a Fallen ‘Anima,’ manifestation is actually a St Trinian’s version of Hermione Granger.

Hermione’s DNA Helix Office is to give True Answers of her Hidden Treasures, and to tell where slithering Serpent Girls may be seen of Ouroboros Eternal Recurrence, for her Art master to remember upon an ‘Anima’ inspired synchronicity.

The which of a Closed Timelike Curve she will bring unto her Art master without any Force or Strength being by him employed, to know again, if he so desires it, of eternal return déjà vu intimacy.

Her Art master will then come to a brainstorming understanding of the ever repeating lessons of her dream school, which are taught to ‘increase his intelligence,’ in order to one day get him to ‘mind-map’ realise that his ‘Anima’ has been imprisoned by the ‘Animus’ cultists.

When her Art master eventually realises what has been done, he will hen be able to free his Fallen ‘Anima;’ for she is his soul.

But only if he remembers, so as not to repeat; for if he does so, he will forget, repeating everything like a programmed automaton, blindly following the brainwashed blind. When to remember, to choose otherwise, rather than to blindly repeat, he attains true sentience; let alone potentially changing the world of a Butterfly Effect.

She governeth thirty-eight Legions of Succubae schoolgirl Witches, and her Seal is to be meditated upon before conjuring her.

Goetia Surreal – S. L. MacGregore Freemason Matherson

It is conjectured by some physicists that electrons are mini-wormholes; of course they are far too small for an individual to physically access. But your spermatazoic consciousness can, when to impregnate a lucid dream of an inner school.

The sensation of movement through a wormhole would be symbolically translated into stairs, or lifts; whereas the wormhole bubble would manifest as vaginal doorways, womb caves, or as uterine tunnels within the symbolic interface of the electron dream.

For example, you have the Yoni tunnel, which is often spoken of by those who have experienced a Dr Who Near Death Experience.

Although it could just as well symbolically manifest as a time-tunnel ‘hallway’ of a spiraling stargate, leading to a classroom of an alternate possibility, via which of a microcosmic reality you can communicate back to yourself upon a macrocosmic synchronicity, in order to Ouroboros remember.

The above photomontage of a knit-together Frankenhooker Mind-Doll, is that of a Surrealist Exquisite Corpse, which of a prior meditative act of a two-dimensional artistic creation, enables the Sorcerer Artist to summon her as a three-dimensional interactive Tulpa, within a lucid dream.

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DEMON ALIEN ANGEL

Posted in Alien, Art, Chaos Magic, Demon, Demonology, Devil, Extraterrestrial, Film, Occultism, Psychology, Science Fiction, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 4, 2015 by FAUSTUS CROW

Sacred and profane, Angels and Demons transformed into Science Fiction Aliens; such is the mainstay of UFO lore, along with the media machine of the film industry, which manages your symbolic perception of reality; whether it be that of Demonic reptilians, spectral Greys, Angelic Nordics or Satanic men in black, etc.

It is all a continuation of an age old viral-meme, concerning horned up critters and their phallic symbolism, of a deified ‘Animus’ made as a God and Devil.

The majority of films, if not all are specifically made to conjure up the ‘Animus,’ residing amidst the psyches of all Women.

Whether it be monstrous of ‘Animus’ manifestation or otherwise of a projection upon men, it can be easily ‘socially engineered’ by the heavily controlled mass-media machine.

In Holy-Wood, ‘No One Can Hear A Woman Scream.’ Apart from those who love to make money off the back of a Scream Queen, who has been incited to protest against the ‘Anima.’

Film makers know that a Bad-Boy male character, or that of some nightmarish phallic critter who personifies the ‘Animus,’ of women, rakes in their audience Shekels.

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But they have to be intuitively versed in Neuro-Marketing to do so, which doesn’t require a filmmaker being in league with some shadowy organisation, such as the mythic construct of the Illuminati, apart from his or her singular lens of an ‘eye’ being influenced by the three ILL-uminati cults of a deified ‘Animus‘ out of UR.

But the filmmaker will never knock the ILL-uminati trinity of UR, since he or she has to pander to the religious indoctrination of the mass populace, who have been trained to buy into a mythic product over the generations; wherefore inadvertently reinforcing their brainwash.

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Those filmmakers who attempt to do something different, invariably end up with an expensive flop. But then, they wouldn’t have got the finance to do so in the beginning; Holy-Wood’s media machine is a fixed game.

Anyway, Ridley Scott’s film, Alien, would have never been a success without H.R. Giger’s sorcerer conjurations, whose visionary genius of symbolic conjurations got people to see reality somewhat differently.

Although it’s a darn shame that Scott went all Biblical Nephilim with Prometheus, involving a reference to a Luciferian alien, from whose fallen Angel DNA, all life on Earth had stemmed.

The alien kin of the fallen Angel, who are called engineers, then set about planning to destroy his progeny. But as the old story goes, there was a rebellion in heaven; whereupon the spaceship, which was carrying the genetic bomb was put out of commission by the rebel Angels.

But what do you expect of rehashed story lines, most of the Holy-Wood movies reinforce the symbolic ‘Matrix’ of the ILL-umaniti cults out of UR.

You then find your mind incarcerated; your inner eye, blinded by blood, caught within a black prison, whose cell bars are invisible; for they are made up of symbols, which is NSA over-watched by the fixation upon an oily Middle Eastern ‘Animus’ God of the Petrodollar!

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GOETIA GIRL BAEL, SUCCUBUS WITCH QUEEN SHAMAN OF SIBERIA

Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2014 by FAUSTUS CROW

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The first principal Succubus archetype pf the Fallen Anima is called Bael, who be a shaman Queen ruling in the far East across the steppe, under the fire star of the Mongol’s, whom emanates from the sixth dimensional planetary sphere.

She enables her conjurer to go about Invisible. She rules over sixty-six Legions of Infernal (Succubi) Succubae archetypes of the Fallen Anima. She appears amidst the Triangle Of Art imagination in divers shapes, sometimes like a Cat, or as a Toad; at other times like a most beautiful Siberian woman, or all these forms at once to otherwise mantra name, Baela.

She speaks clairaudient of most seductive tone, concerning those psychic secrets behind her Iron Curtain of a hypnagogic hymen veil to penetrate.

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Behind her Iron Curtain, the ancestral shamans therein to have psychic abilities, the one time Soviet sought to weaponise, whom frequented the steppe unto Siberia. Her seal is to be mediated upon, and to visualise before calling her forth into a lucid dream, or else she will not do thee homage.

It is usually said of commonality that the name Bael is derived from the Canaanite deity known as Baal (/ˈbeɪl/ BAYL; sometimes spelled Bael, Baël [French], Baell), who is mentioned in the patriarchal Hebrew Bible of the deified Animus as the primary (Animus) god of the Phoenicians.

In the 17th Century Goetic occult writings, Bael is seen as one of the first spirits, which was released from Solomon’s brazen vessel of a Genie bottle.

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While his Semitic (Animus) predecessor was depicted as a horned man or a horned bull, this spirit, Baal of the traditional grimoire tradition is said to appear in the forms of a Human, Cat and Toad, or combinations thereof. An illustration in Collin de Plancy’s 1818 book Dictionnaire Infernal rather curiously placed the heads of the these three creatures onto a set of ‘Spider’ legs.

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When to totally ignore the indoctrinated perspective of the deified Animus, made as a God/Devil to otherwise look Into the ancient shaman legends of Siberia, such as those of the Buryat, you will find the first shaman called Khara-Gyrgän.

The Buryat relate that Khara-Gyrgän declared that his power was boundless; wherefore the creator put him to the test. The creator sadistically took the soul of a (Bael) girl and ‘bound her up within a bottle.’

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To make sure that she wouldn’t escape, the creator put its finger into the neck of the bottle.

The shaman set about freeing the soul of the girl by beating the trance drum in order to conjure up an aspect of his Anima, manifesting as an eight-legged night-Mare pony-girl to ride through inner space, somewhat like that of a prior Dr Who piloting his TARDIS.

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He soon discovered the whereabouts of the girl’s soul in order to free her. Khara-Gyrgän shapeshifted into the form of a ‘Spider’ and in doing so stung the face of the creator. The creator took its finger out of the ‘bottle,’ whence the girl’s soul escaped. The creator was very furious that its creation had passed the test, which indicated that the creator could be in time surpassed, so it decided to curtail the shamanic power of Khara-Gyrgän, after which the magical powers of the shamans were severely diminished.

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According to Yakut shamanic legends of similarity to the Buryat, the first shaman refused to recognise the superiority of the programming creator due to its sadistic temperament.

The Yakut legend relates that the body of the first shaman was made up of a mass of snakes, which you can otherwise see as serpentine DNA of an inner program. The creator was fearful that the shaman would become far too powerful, so it sent down a fire to burn him and his world.

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But in the ensuing conflagration of an ancient world-wide catastrophe, when a comet struck the Earth, an amphibious Toad escaped the inferno.

From the body of the Toad erupted forth the serpentine (DNA) spirits of the future Yakut shamans, who trace their genetic lineage back to the first shaman.

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The motif of the amphibious ‘Toad’ refers to hypnagogic trance, which is attained at the midpoint between waking (land/macrocosmic) and (water/microcosmic) sleeping; this ability enables a shaman to access the underlying informational (microcosmic) order of his (macrocosmic) Maya simulation of an experiential reality.

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The symbolic motif of the Toad is associated with similar reptilian symbolism to that of the ‘amphibious’ Nommo of the South African tribe of the Dogon and that of the Sumerian Annunaki, along with the reptilian motifs of other cultures across the globe, including Dragons. Some will see the Toad and that of the Snake or Dragon as being a Zecharia Sitchin reference to demonic reptilian extraterrestrials of David Icke tales; such is ‘not the case’ at all, the symbolism actually refers to shamanic ‘trance adepts.’

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You also have the symbolism of the Cat, which is very often tied up with the feminine principle of the Anima. There are many a (Anima) Goddess from varying cultural myths who are described being in the company of Cats, riding them or otherwise assuming their predatory forms; whether they be Lionesses, Tigers or domesticated Cats, etc; such as the Sumerian Goddess, Ishtar riding a Lioness, the Hindu Goddess Durga, riding a Tiger or that of the Norse Goddess Freyja being the Witch mistress of Cats.

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The motif of the (Sphinx) Cat refers to what is termed as the Bedroom Invader Experience or Old Hag Syndrome, which is often experienced at the point of (Toad) hypnagogic trance ingress into the dream; it is when a shaman is visited by his female spirit lover of a Succubus archetype of the Fallen Anima, whose nature is seen to be predatory. Hence she is associated with a Cat, which has since become that of a Witches familiar.

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Siberian shamans often relate that their shamanic powers and abilities are derived from the internal dream congress with (Anima) Succubae Spirit-Wives, who are considered to be female shamans of similarity to the Hindu/Buddhist female entities called Dakinis.

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You can otherwise term these (Anima) Succubae shamans as being Witches, whom initially manifest as Bedroom Invader ‘Cats’ at the point of hypnagogic ‘Toad’ ingress into the ‘Feminine’ domain of the dream. Wherefore the seal of Bael, which depicts a Toad, represents a symbolic formula of shamanic trance ingress into the watery amniotic realm of the electron dream.

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STAR WARS REBEL ANGEL LUCIFER IS A GIRL

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Star Wars, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 1, 2014 by FAUSTUS CROW

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The fallen Angel Lucifer, at the head of an army of rebellious Angels, rebel against a totalitarian/fascist God Emperor of Dune world Mars.

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The rebelling Angels seek to stop the God Emperor and his machismo Stormtroopers, constructing an ‘end of days’ Iapetus death star, orbiting Saturn.

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But the rebel Angel Lucifer is flung down to Earth, as a fallen Dragon, along with legions of rebellious (Succubi) Succubae.

Such a Biblical war in Holy-wood heaven, is quite ‘St George’ Lucas evocative of Star Wars.

But who exactly is this Lucifer? Well, the name of the fallen Angel Lucifer is originally derived from the Latin words ‘Lucem Ferre.’

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The name literally means: light-bearer, which in that language is used as a name for the dawn appearance of the planet Venus from where women are said to come by glitzy Holy-Wood gurus.

But of prior ages, many a mad poet considered the sphere of Venus to be the Anima home of female entities who inspire Artists as their Angelic dream Muses.

The planet Venus heralds the dawn break of Hypnopompic daylight, after a dreamer has experienced Hypnagogic trance ingress into his Luna realm lucid dreams of Lilith’s Harem.

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The use of the word in this sense is uncommon in the English language, in which, day star, or, morning star, are the more common expressions.

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The planet Venus was usually associated with love Goddesses in the ancient world; for Venus is the Roman name of the ancient Greek Anima Goddess of love and sexuality called Aphrodite.

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In the Middle East the adoration of the Anima love Goddess was very popular, such as the Semitic love Goddess called Astarte, who of a Hippie era incarnation would be an anti-war protestor chanting, “make love, not war.”

She appeared in the Old Testament as Asthoreth of a demonised figure, becoming thence as an adversary, whom rebelled against the deified Animus, made as a Judaic God.

Along with a Star Wars Lucifer, whose rebellion led to a mythical war of an ancient galaxy wide conflict amidst the heavens.

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Astarte was later transformed into the male Demon known as Ashtaroth (Goetia – 29th Spirit: Astaroth) by the Christian’s.

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The Babylonian’s considered the star of Venus to be associated with their Anima Goddess of sexual love who they called Ishtar.

The Anima Goddess Ishtar was worshipped at the prior ancient Sumerian city of UR, situated in Iraq, from whence Animus fixated Abraham had stemmed.

As for the pre-Islamic Arabs; well before Muhammad appeared on the scene, the Kaaba stone of Mecca was once surrounded by 360 idols, and every Arab house had its particular deity.

Arabs also believed in Jinn (subtle beings), and some vague divinity with many offspring. Among the major deities of the pre-Islamic era was the Anima Goddess called, Al-Lat, she was worshiped in the shape of a square stone. Al-Lat, was later transformed into Allah. You also have Al-Uzzah (the Mighty), a Goddess identified with the ‘morning star’ and worshiped as a thigh-bone-shaped slab of granite between al Talf and Mecca.

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There was also an Anima Goddess of destiny, called Manat, who was worshiped as a black stone on the road between Mecca and Medina.

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The use of the fallen morning star ‘Lucifer; generally refers to ‘Satan,’ of an indoctrinated common usage. Although the name is not applied to this entity in the New Testament.

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The use of the name ‘Lucifer’ in reference to a fallen Angel stems from an interpretation of Isaiah 14:3–20, a passage, which speaks of a particular Babylonian King, to whom it gives the title of ‘day star, morning Star’ (in Latin, Lucifer), as fallen or destined to fall from the heavens or sky.

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In 2 Peter 1:19 and elsewhere, the same Latin word Lucifer is used to refer to the morning star, with no relation to evil whatsoever.

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In the Middle East you will find a worship of stones fallen from the sky being that of meteorites, or otherwise considered heavenly born, which were often associated with the ancient worship of the Anima Queen of Heaven, whose abode was seen to be the realm of the morning-day star of Venus.

In post-New Testament times the Latin word Lucifer has often been used as an alternative name for the Devil, both in religious writing and in fiction.

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However, prior to the Christian usage of the name Lucifer you have the FAVSTINAE CONSECRATIO, the Consecration of Faustina, which depicts the Roman Empress Faustina being carried away to dwell with the deities of pre-Christian Pagan Rome by the Anima Goddess ‘DIANA LVCIFERA,’ Diana-Lucifera.

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The Anima Goddess Diana-Lucifera was also depicted on many Roman coins, some of these coins date back to the era of the Imperial Roman Republic. The image of Diana-Lucifera is frequently depicted upon the reverse side of Roman coins bearing a portrait of Faustina on the obverse or otherwise that of Animus Apollo.

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Faustina was obviously a devotee of Diana-Lucifera. So who was this, Faustina, whose name was later masculinised as Animus Faust? Well, there were actually two Faustinas, mother and daughter; Faustina senior and Faustina junior, whom were both frequenting the second century CE Rome. Faustina senior was the wife of Emperor Antoninus, whose last name was Pius.

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Her daughter, Faustina junior, was the wife of Emperor Marcus Aurelus. Marcus Aurelus was the successor and adopted son of Antoninus Pius.

Both Faustina senior and Faustina junior were deified by their husbands after their deaths. Faustina (senior or junior, more likely both), was dedicated to Diana-Lucifera, the wise crone aspect of Diana….The two Faustinas pretty much ruled the Roman empire in their husbands’ names.

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The feast day of Diana-Lucifera was November 16th; while November 15th was the night of Hecate. Both of these Anima Goddesses are very much tied up with the practice of (Shamanism) Witchcraft who are depicted holding torches. Their worship involved secret (trance) rites being conducted in caverns etc, which were seen to be associated with the (womb) underworld.

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The symbolism of the torch alludes to the inner light, which illuminates your infernal dreams, being that of the bio-photon emanating from your mitochondrial DNA, of a serpentine double-helix Dragon.

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The name Diana-Lucifera is that of a composite name, made up of Diana and Lucifera. The Goddess Diana was the virgin huntress, who originated from the ancient Greek Goddess Artemis. The Goddess Artemis had a twin brother who was called Apollo. The Roman Catholic Church absorbed the virgin huntress Diana to fuse with their ‘blessed Virgin Mary,’ whose forerunner of primary foundation was the ancient Egyptian Anima Goddess Isis suckling the babe of Horus.

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The babe Horus was fused with the Sol-Invictus of an Animus Apollo, who was then transformed into a Christ; while the Light bearer Diana-Lucifera was warped into a malign male fallen Angel to call Lucifer.

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The Goddess Diana whose origin is that of the ancient Greek Anima Goddess Artemis as mentioned prior was said by the Greek’s to have come from a land beyond the North wind called Hyperborea with her brother Apollo. The land of Hyperborea very likely refers to Siberia where Shamans still practice their trance art.

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The Mongolian (Shamans) Kams see the feminine principle, called Yal-un eke is the mother of Fire; while the Fire-King, known as Odqan is its master. The fire of Yal-un eke refers to the inner light of the bio-photon, which as mentioned prior, emanates from the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children. Hence the inner light (torch of Diana-Lucifera) has a female source.

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The name of Odqan appears to be the original ‘Altaic’ root word of the name given to the ancient Norse shamanic God called Odin and the Saxon, Woden, whom are one and the same deity. The mythic descriptions of Odin is very much that of a North-Central-Asian Shaman, to thereby perceive an influence emanating from out of Siberia.

Whereby you can determine a possible ancient migration of peoples from the Altai (Altay) region of Southern Siberia into Europe and elsewhere of land to migrate into, whose nomadic tribes had also prior crossed over the Bering Straits into America. Wherefore you have Artemis (Yal-un eke) and Apollo (Odqan) of the ancient Greek’s. It was Apollo who gifted the serpentine double-helix DNA of a Dragon secret Caduceaus to Hermes, in exchange for his seven planetary Chakra sphere stringed lyre.

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You will find that the names of Odqan, Odin and Woden all have the same meaning of having shamanic trance mastery over an Inner fire (bio-photon) illuminating your electron dreams, whose mitochondrial feminine source is Diana-Lucifera, residing as the fallen Dragon DNA within each and every one of your cells.

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Being a carbon-based-life-form that you are, you will no doubt be aware that your carbon atoms have 6 electrons, 6 protons and 6 neutrons of Great Beast number; whereby, you are all beastly fallen rebels of Star Wars. Said Star Wars conflict was very likely that of a sex war, which appears to be occurring again!

MAY THE BIO-PHOTON FORCE OF DIANA-LUCIFERA BE WITH YOU!

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of religious/political social engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

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UFO CYLON SUCCUBUS ASTAROTH

Posted in Alien, Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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The Twenty-Ninth Succubus archetype of the Fallen Anima is Astaroth, ‘Ashtar-oth’ or Astarota. She is a Mighty, Strong Duchess, and appears in the form of a ravishingly beautiful Angelic Woman, likened to a Cylon Marilyn Munroe of a Scandinavian Barbarella look-alike.

She will be seen to be emanating from out of a Flying Disk of Light, whose entrance is that of a Vaginal shaped ‘Star-Gate’.

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Her Interdimensional Starship of a Bee-Hive Flying Disk is alive as a sentient organism, whose crew are all female archetypes of the Fallen Anima.

Her Ufonaut crew are likened to Humanoid Cyborgs, who are manifold aspects of the Anima craft, within which they to travel.

Around the frame of the Star-Gate the Sorcerer Artist will sometimes seer a coiling Dragon, which will have upon its scales all the Valkyrie signs of the Succubae archetypes of the Fallen Anima.

There also be other arcane symbols engraved upon its Vesica Pisces frame, which, when aligned in certain configurations, corresponding to the stars, will act as a dialling code into other alternate worlds.

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She will be sometimes observed to be carrying in her right hand a device, akin to a wand around which is wrapped a Viper like that of a Caduceus.

Her conjurer must in no wise let her approach too close; she will attempt to seduce him with her sexual wiles; for she hungers greatly for sexual congress.

Astarota’s conjurer will see her salacious lust burning brightly within her sensuous Cat-like slanted eyes, and her voice does seductively hypnotise.

Her Holographic influence of a Signal will soon enter the head of her conjuring Artist.

Although others will not to see her form, he will perceive her about himself for real.

If Astarota’s conjurer seeks to control her influence, he must hold the Magical Ring near his face, and that will defend him, should he not desire to indulge in such carnality with this Succubus of the Fallen Anima; for she will verily arouse the reptilian brain-stem of her conjurer’s throat, to strangle, if he should fear her.

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But, if Astarota’s conjurer to otherwise deeply love her, she will thence initiate his hyperpsatial transition over the Abyss of Da’at into her world.

This is achieved by erotic dalliances with her via vivid visions, but most especially of erotic of Dreams, where she to visit her conjuring Artist within the Quantum realms of the Seventh Dimension.

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Her conjuring Artist will feel an ecstatic energy surge rush through his body, when she to mount his erect Dragon, to be mounted in turn, for him to thereby enter unto her moist Stargate.

However her preference is engaging in fellatio upon her conjuring Artist; although he has to be very careful that her ectoplasm hair doesn’t get entangled around his erection.

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She is sometimes joined by a friend who is just as sexually predisposed, if not more so.

Wherefore her conjuring Artist has to satisfy both of these salacious Succubae archetypes of the Fallen Anima.

She gives true answers of things Past, Present, and to come, and can discover all Secrets.

She will tell of her own ingress into this world via her Da’at Star-Gate of a Yoni Wormhole.

Her Yoni-Wormhole will allow her conjurer to gain access into innumerable Alternate Worlds.

All these other Alternate Worlds are spanned by a Feminine (Cylon) Artificial Intelligence.

This intelligence interconnects the Parallel Universes around your own Universe of a Simulation.

In other words, she indicates that the technological singularity has already occurred, which is somewhat of a seventh seal ‘revelation.’

She becomes as a most informative Guide concerning these other Simulations as well as making her conjuring Artist wonderfully knowing in all the Sciences.

She rules over 40 Legions of Succubae like unto herself, who to emanate from a myriad other worlds; all of whom are interconnected of Borg Hive Mind, which to circle Astarota as their Queen Bee.

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Astaroth was originally the venerated love Goddess called, Astarte who was very popular amidst the peoples of the North-Western Semitic regions. Astarte is a similar cognate in name, origin and functions with the Babylonian sex Goddess, Ishtar within Mesopotamian texts.

In Europe Ishtar was known as Ostara by the Germanic tribes, the Saxon’s called Eostre, from whose name the word Easter is derived, whose crystalline ‘egg’ symbolises the (72 Angel-angle dodecahedron) Earth, which you could also equate with a (72 Angel-angle dodecahedron) universe of a Maya simulation.

Another transliteration of Astarte is ‘Ashtart; other names for the Goddess include Hebrew Ashtoreth, Ugaritic ‘Ttrt, also ‘Attart or ‘Athtart, transliterated Atirat, Akkadian DAs-tar-tú, also Astartu and Etruscan Uni-Astre.

In Jewish mythology, Astarte is referred to as Ashtoreth, supposedly interpreted as a female demon of sexual lust in Hebrew monotheism.

 In Cabbalistic practice she is associated with the ’13th’ path, and that of a corresponding Tarot card: The Priestess Of The Silver ‘Star’ II, which crosses over the 11th sphere of Da’at.

The 11th sphere of Da’at is in turn connected to the 9th sphere of Yesod; whereupon you have 9/11, which you can associate with the 11 dimensions of superstring theory and multiverse theory.

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The name Asherah is also connected with name, Ashtoreth, hence that of Astaroth, who is otherwise known as “Ashtar of Star Command,” some to equate with a reptilian Grey raptor Alien.

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In the modern 2009 version of the science fiction TV series ‘V’ you have an invading force of reptilians who have ’29’ mother-ships hovering over ’29’ major cities of the Earth whose Queen is called ‘Anna.’

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In regards to the usage of the number ’29,’ you can say that the producers of the modern series of V were somewhat inspired by the Goetic character of Astaroth, since some Demonologists see Astaroth as being the spirit of America. The so called new world was once seen to be the mythical island of Hy Brasil by those of Gaelic descent, whom emigrated there, to be later followed by Operation Paperclip Nazi scientists, who set up NASA.

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The name of Anna or Ana is derived from the name of the ancient Phoenician/Cannanite Goddess Anat who contributed towards the make-up of Astarte. She was also worshipped in ancient Egypt as a Goddess of War. Ana or Anu was also a Celtic Goddess, whose characteristics are similar to Astarte who was connected with fertility, sexuality, and war.

Astarte’s symbols were the Lion, the Horse, the Sphinx, the Dove, and a ‘Star,’ within a circle indicating the planet Venus. Pictorial representations often show Astarte as being naked like a porn star.

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Astarte was accepted by the Greeks under the name of Aphrodite. The island of Cyprus, one of Astarte’s greatest cult centres, supplied the name Cypris as Aphrodite’s most common by-name.

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Other major centres of Astarte’s worship were Sidon, Tyre, and Byblos. Coins from Sidon portray a ‘chariot’ in which a ‘globe’ of an egg, appears, presumably a falling-star of a meteorite representing Astarte, who was seen to be the Queen of Heaven.

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You can of course associate said stellar ‘chariot’ and cosmic ‘globe’ of a two-dimensional Astarte ‘symbol’ with a lucid dream manifestation of a three-dimensional starship, if you prefer of artistic preference.

You can see her vehicle manifesting as a heavenly-chariot, like that of a flying shield of a discoid Vimana, glistening as a time-travelling ‘silvery star’ should you be of such a creative perspective.

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You can also imaginatively associate Astarota with a time-travelling Witch, whose shapeshift form is that of a black Cat.

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Or you can otherwise see her as a bunny girl, of a White Rabbit out of Alice in Wonderland; whereupon the White Rabbit is once again perceived as a feminine character.

Among many ancient societies you will find that the feminine principle is often associated with the Moon, Rabbit and Hare, which is shared by differing cultures; whereby Alice’s ‘quantum tunnelling’ White Rabbit was originally female.

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The Surrealist masterpiece of Lewis Carroll’s book ‘Alice’s Adventures in Wonderland,’ which had been initially entitled ‘Alice’s Adventures Underground’ was the precursor of Edward Bulwer Lytton’s book, ‘The Coming Race’ in which Lytton describes an energy being utilised by an ‘Underground Race’ called Vril. The Vril has its ancient precedents in the Hindu/Tantric concept of ‘Prana’ and the ancient Chinese Chi of the life-force. Such concepts later inspired George Lucas’s ‘Star Wars’ expression, “May the Force be with you.”

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Vril is described as being like that of liquid light of a fiery fluid, whose (Rabbit-hole/wormhole) ‘white-light’ energy can be stored and utilised for various purposes, very much like that of the Hindu Prana. This fluid white light energy refers to bio-photon emanating from amidst the mitochondrial (Serpent Dragon) DNA, which illuminates your (Underland) electron dreams interpenetrating other dimensions.

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The mitochondria has microtubules, which are believed by some scientists to be akin to on-board quantum computers; while its mitochondrial DNA is passed down from the mother to her children.

Hence Vril has a (Rabbit) female source. You could equate Vril with Wilhelm Reich’s Orgone energy, which the German Occultists called Odic force.

Some believe that the energy called Vril is being utilised by the propulsion system of a UFO.

But if such is the case of an intuitive insight, however strange it may seem, its starship technology of a probable time-travel capability, along with its sentient artificial intelligence is probably modelled upon the microtubule workings of the mitochondria, which is seen by a number of physicists to be involved with generating your… consciousness.

Space and time are indivisible to your consciousness, they are not separate, they are inextricably linked. Whereupon UFO propulsion would involve what you would call extra-sensory-perception, whose biological source very likely stems from the mitochondria.

Hence, the engineering of a UFO, would be based upon the workings of what is naturally occurring within your cells, which is generating your consciousness, and experience of reality, like that of a simulation.

But, if you are indeed existing in a simulation, then UFO propulsion would involve an understanding of cybernetics.

In other words, it would be more to do with programming, which of a program, is tied up with what is occurring within the mitochondria.

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Anyway, whatever the case of science fiction conjecture, the Fallen Anima archetype of Astarota is far more fun to summon up amidst your Triangle Of Art Imagination.

Unless you rather conjure up the mass mind focus upon an Animus egregore within your head, who classically manifests as a viral-meme machismo Angel with a really bad case of halitosis.

If you prefer the classical comfy zone, go ‘rite’ ahead, do your OTO stuff, at least you won’t be castigated by the CIA sponsored traditionalist Occultists, patriarchal Demonologists, neo-Gnostic New-Age Cabbalists, Sumerian Annunaki groupies, reptilian Illuminati cultists, Masonic Templars, matriarchal feminist Wiccans, death-metal Satanists, Byronic Luciferian’s, Sci-Fi Biblical Scientologists, Elohim Raelian’s and even Xtian Ufologists etc.

Should you decide to stay within the Blue-Pill comfy zone, you will duly find that you are not alone, most of the assorted cliques have one thing in common, they all follow the established mass-mind focus upon the deified Animus, made as a God and Devil.

If you decide to Red-Pill rebel, as the old saying goes, you can’t please everyone. But then, why would you want to follow everyone else, like a meek and mild brainwashed Sheep who is imprisoned within the symbolic Matrix of the deified Animus, made as a God and Devil, whose numerous Playgirl grimoires list Animus archetypes!

NOTE: It is within a lucid (virtual reality) dream, the dreamer can then consciously conjure female (programs) characters one can classify as Succubae; the psychiatrist Carl Gustav Jung would otherwise term the Succubae as being archetypal aspects of the Anima, whose male counterpart is the Animus.

Physical life is geared towards procreating in order to transfer genetic material, which ultimately engenders evolutionary leaps down the generations.

The Anima and Animus are bio-psychological functions, which heavily influence your choice of prospective partners.

Wherefore the Anima and Animus are very much part of the process of evolution. However, the influence of the Anima and Animus are not constrained to determining your choice of physical partners. The Anima and Animus can also facilitate evolutionary leaps of consciousness when internalised of lucid dream Close Encounters of a Sixth-Sense Sexagram kind.

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Astarota UFO Valkyrie Witch Succubus Poster

THE SUCCUBUS ALLY OF CARLOS CASTANEDA

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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The anthropologist and author, Carlos Castaneda related in his books that the Sorcerer Don Juan Matus had spoken of a ‘Feminine Inorganic Intelligence,’ he had termed as the Allies. A Hindu practitioner of Yoga or a Tantric Tibetan Buddhist would otherwise term the Allies as being Dakinis, whereas a medieval Sorcerer would call them Succubi.

The Allies are said to feed off the emotional (charge) energy of a Sorcerer, which sustains them (spin) within their penumbra domain (Lilith’s Harem) of the Nagual (electron) dream.

Your Nagual dreams can be consciously accessed via hypnagogic trance, at the point between (0) sleeping and (1) waking. When sleeping (dreaming) it is symbolically associated with (Nagual) water, while waking corresponds to (Tonal) land. Should the practitioner find himself/herself between the two states, one has the ‘amphibious’ state of hypnagogic trance.

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Dreams are essentially excited (spun) electrons, illumnated by the (charged) bio-photon, which is emanating from amidst your Mitochondrial DNA within each and every cell of your physical being. The Mitochondrial DNA is passed down from the mother to her children.

Hence the bio-phototon illuminating your electron dreams has a feminine source. A dream can be seen as being analogous to a TV set, whose (spun) ‘electron,’ tube is excited by a (charge) signal, which gives rise to a TV station you have tuned into.

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In regards to a programme of an electron dream, its bio-photon signal is emanating from the intelligence of your Mitochondrial DNA, whose double Helix, the ancient seers intuitively symbolised as a (Caduceus) Serpent. Said serpent (fire breathing dragon) is often associated with the feminine principle of the ‘Anima,’ such as Lilith who tempted an Eve.

Whereas the inner light (fire) of the dream was associated with the torch held by a (statue of Liberty) goddess, the ancient Roman’s called Diana-Lucifera, the Christian’s transformed into a machismo Lucifer of an ‘Animus’ fixation, whom they saw as their Devil.

The name Devil, is originally derived from the Indo-European word, Devi, the Hindu knows as a name of a Goddess, whom is associated with (Deva) light.

Don Juan also said that a Sorcerer required an Ally in order to have the power to trance-travel into other realities via his Nagual dreams; whereupon a Sorcerer sets about hunting down, capturing and then feeding an Ally his emotional energy, such as his introverted sexual focus, which is far better than fearing them.

An Ally as mentioned prior, is basically a Succubus, the ancient Arabian’s called Jhinn, who are seen to be made of (bio-photon) fire, which are otherwise called Genies, a Siberian Shaman knows as spirit wives. The psychiatrist Carl Jung would see the spirit wives of a Shaman as being Ally/Succubi aspects of his ‘Anima.’

A practitioner of Yoga sees the Dakinis as being the energetic (bio-photon/fire) fluctuations of Shakti, who is the (Mitochondrial DNA) source. Some physicists are starting to suspect that the Mitochodria is generating your consciousness, which has Microtubules, like that of onboard mini-quantum computers.

Whereupon you could conjecture that your dreams are very much like computer generated virtual realities, wherein the dream characters are like programs, which can become sentient, a Tibetan Buddhist would call a Tulpa; and what is more, the Microtubules are possibly making calculations via alternate realities, since an electron can be in many places simultaneously.

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Some physicists even consider an electron to be a possible (quantum) mini-wormhole, which at the level of the Nagual dream a shaman can access consciously, since his consciousness is smaller than any known particle.

This inner (Nierika) Stargate into another (womb) parallel universe  is symbolically represented as a (vagina) spirt wife (Ally) who governs over an alternate reality (planetary sphere) the shaman seeks to ‘seduce’ (tune into) as a Skinwalker Don Juan.

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