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PHILIP K. DICK AND THE DARK HAIRED GOTH GIRL FROM SIRIUS

Posted in Alien, Art, Chaos Magic, Cyberpunk, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 17, 2014 by FAUSTUS CROW

One of the recurring themes, the science fiction author Philip K. Dick utilised in his visionary books, was the motif of the dark haired girl. (The Artwork Above is available as an Art Print from Saatchi Art. If you are interested, Click Here or the Above Image to see the Full Artwork and for for further details.)

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There is much conjecture as to whom she represents. One thing for sure, the dark haired girl was Dick’s inspiring Art Muse.

He was drawn to crazy women, who had similar qualities to his dark haired Muse of an Anima; most of whom were many a Lost Girl.

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Dick is a rarity among authors, who lived his stories for real, as a shamanic Doctor Who, whom experienced reality as being a Maya Matrix.

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He was most definitely Faustian of occult tendencies, who as a sorcerer conjured up alternative realities within the imaginations of his readers via his word spells of stories, which had been inspired by his dark haired girl.

You can imagine the dark haired girl to be a female version of a Mephistopheles, I to otherwise name as Mephistophina.

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During one fateful February 20th, 1974, while recovering from the effects of sodium pentothal, which had been administered for the extraction of an impacted wisdom tooth, Dick received a home delivery of Darvon, from a rather delectable young woman.

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When Dick opened his door, he was struck by the Gothic beauty of the ethereal dark-haired convent schoolgirl standing before him.

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Dick was especially drawn to a golden necklace she wore around her swan white Lilith throat. He asked her about its curious fish-shaped design. “This is a sign used by the early Christian’s,” she answered as a fish eating ‘Nun’ would do, and then promptly left.

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Dick was aware that the Christian ichthys of two intersecting arcs delineating a fish in profile, was originally derived from the Vesica Pisces, which is made up of two interlacing circles. The question is, did Dick know that the symbolism of the Vesica Pisces, of a vaginal symbol, describes hypnagogic trance intercourse, when the phallic fish of a shamans consciousness attains entry into the watery womb dream?

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Well, he probably knew, that the Vesica Pisces describes hypnagogic trance, as well as being aware that its associated symbolism of an amphibious fish is far older than Christianity.

Dick had recounted; as the sun glinted off the gold pendant, its reflection caused the generation of a ‘pink beam,’ which mesmerized him. What he related was very likely quite literal; he appears to have inadvertently found himself accessing hypnagogic trance. Dick came to believe that the beam had imparted wisdom and clairvoyance upon him, as if gifted by the dark haired girl, likened to a time travelling Succubus.

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Dick also believed that this beam had a feminine intelligence behind it. On another occasion, Dick was startled by a separate incident involving the pink beam, which had imparted clairvoyant information to him that his infant son was seriously ill. Dick and his wife rushed their son to the hospital where their suspicions, and Dick’s clairvoyant diagnosis were confirmed.

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Shortly after the dark haired girl departed, Dick began experiencing strange hallucinations. Although he initially attributed them to his potent medication. However, after weeks of experiencing vivid hallucinations, he considered this explanation to be implausible.

“I experienced an invasion of my mind by a transcendentally rational mind, as if I had been insane all my life and suddenly I had become sane,” Dick had related to Charles Platt.

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Throughout February and March 1974, Dick had experienced a number of vivid hallucinations, which he had referred to as being ‘2-3-74,’ shorthand for February–March 1974. Aside from the ‘pink beam,’ Dick also described the initial hallucinations as entoptic form geometric patterns, which were occasionally overlaid with time-slip visions into ancient Rome.

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As the intensity of the hallucinations increased in length and frequency, Dick had claimed he began to live two parallel lives. He was living as himself, ‘Philip K. Dick,’ and in another life as ‘Thomas,’ a persecuted Christian living in 1st century AD police state Rome, which was overlaid over present Patriot Act America, as if their electrons had become entangled across time.

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Dick had encountered what he referred to as a ‘transcendentally rational mind’ to term, ‘Zebra, God’ and ‘VALIS.’ What Dick to speak of is similar to Dr Frank Tipler’s Omega Point Theorem, (0) of a snake tail, which is already happening around the Ouroboros, where the serpent head is of (1) Alpha, ever recurring, amidst the fifth dimension. Alas, Tipler’s perspective of time, is sequentially fourth dimensional linear.

Dick first communicated his experiences, within the semi-autobiographical novel Radio Free Albemuth, followed by VALIS, The Divine Invasion and the unfinished, The Owl in Daylight. These three books are known as the VALIS trilogy.

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Dick felt as if he had been zapped by an otherworldly intelligence via a pink beam, which he sought to understand. He documented and discussed his shamanic experiences in a private journal, later published as The Exegesis of Philip K. Dick; all of which was triggered off when his singular Odin eye was entranced by a dark haired Valkyrie girl wearing a pendent of a fish.

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As mentioned, The (phallic) fish is an ancient pre-Christian symbol of the shamans, which represents the amphibious (hypnagogic) state of trance ingress through a (superimposition) vaginal Stargate of a (binary) Vesica Pisces.

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All around you and within us all are tiny Stargates, which can be symbolised as the ancient symbol of the Vesica Pisces. These (lemniscate vibrating strings) Stargates lead to the rest of the universe and beyond, as well as potentially allowing ingress into parallel universes within which exist alternate worlds.

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As predicted by Einstein’s equations, these star-doorways are described as quantum wormholes, which can offer a faster-than-light short cut to the rest of the universe at an informational level, although in principle, such may one day lead to physical transportation throughout space and time. Now physicists believe they could one day open these Vesica Pisces Stargates wide enough to allow someone to physically travel through them.

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Quantum wormholes are considered to be much smaller than even protons and electrons; wherefore when you attain conscious (phallic fish) ingress into an electron (womb) dream, your lucid dreaming self can (amphibious fish) slide through these Vesica Pisces wormholes. Until now no one has modelled what happens when a physical being passes through a wormhole.

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Unless you take note of what people have communicated about entering a vaginal ‘star’ barrelled torsion tunnel leading towards a bright white light of an inner ‘star,’ who to have endured a near death experience.

But the scientists are not at all concerned about the mechanism of ‘Browsing’ consciousness; they want to otherwise use their consciousness to see if quantum (‘Gates’) wormholes can be used for physical transportation, which to make Mephistophina smile.

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So, Sean Hayward at Ewha ‘Womans’ University in Korea and Hisa-aki Shinkai at the Riken Institute of Physical and Chemical Research in Japan decided to do the mind dancing spell formulae sums.

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The scientists have discovered, that any matter travelling through a Vesica Pisces wormhole adds positive energy to it.

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This unexpectedly collapses the wormhole into a black hole; a supermassive region with a gravitational pull so strong not even light can escape.

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However, there is a way to stop any would-be interdimensional time traveller being crushed into oblivion. And it lies with a strange energy field, which is quaintly nicknamed as ‘ghost radiation.’

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As predicted by quantum theory, ghost radiation is a negative energy field, which dampens normal positive energy. Similar effects have been shown experimentally to exist.

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The researchers have found, that ghost radiation could be potentially used to offset the positive energy of the travelling matter. Add just the right amount of ghost radiation and it should be possible to prevent the wormhole from collapsing, a lot more and the wormhole could be widened just enough for someone to pass through its Vesica Pisces.

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It would however be a delicate operation. The scientists discovered that if you add too much negative energy, the wormhole will briefly Omega Point explode into a parallel universe.

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The parallel universe will Alpha Point expand at the speed of light, of similarity to what the astrophysicists say that our own engineered universe did immediately after a similar Omega Point big bang.

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For now, three dimensional space travel through a Vesica Pisces Stargate of a wormhole remains in the realm of two dimensional ‘thought’ experiments. Although, the Large Ouroboros Hadron Collider at CERN in Switzerland is expected to generate one mini-black hole per second, a potential source of Vesica Pisces wormholes, via which physicists could try to send quantum-sized particles of ‘pink-beam’ information through their Stargates into the past and future.

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You are probably doing the same when you dream, let alone potentially tuning into an engineered signal zapping your neural net from out of the future or past.

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But then time is a closed timelike curve of a looped Ouroboros hoop. Wherefore, past of (Alpha) birth (1) and future of (Omega) death (0) are one and the same of (superimposition) eternal recurrence.

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However, at this moment in ‘time,’ sending a physical individual through a Vesica Pisces wormhole would be another thing entirely. To keep the wormhole open wide enough, would take a negative field equivalent to the energy that would be liberated by converting the mass of Jupiter, near unto ‘binary’-star Sirius.

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But such a technological Vesica Pisces feat would of course be potentially feasible in the far flung future of your descendants, where sorcery is a Djedi science, whose civilisation is probably not only using wormholes for spatial and time travel, but also being capable of (VALIS) engineering parallel (Ouroboros) universes, which are all as simulations, of similarity to our own, of a simulated Maya reality.

Perhaps Dick’s dream Muse of a dark haired fey girl emanates from the future, whose civilisation has harnessed the power of binary-star Sirius for physical (fish) time travel, through a Vesica Pisces wormhole; who knows?

But in the dream realms of science fiction, anything is possible, where a Homo Erectus dances around a monolith of a ‘quantum’ computing ‘Apple’ computer, becoming Vesica Pisces sentient, of a Mephistophina singularity.

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THE MAD MAGICIAN FAUSTUS CROW

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2014 by FAUSTUS CROW

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The Mad Magician Faustus Crow rebelliously conjures up Succubus Mind Dolls amidst his vivid Triangle Of Art Imagination, as his knit-together Tulpa creations, of Frankenstein artistry.

Their exquisite corpses Crow had exhumed from out of the necropolis of the collective-unconscious to give life unto upon an electrified desire, to thence paint their erotic flesh.

Little wonder then that many an irate Maenad sees Crow as a lookalike Jack Nicholson having a bad hair day out of the Shining, But most see him as being none too dissimilar to Danny De Vito, who cares not for the Penguin screams of the protesting Mummy Porn Maenad’s, when to Vincent Price howl back, “Animus.” 

The Frankenhooker Tulpa Mind Dolls, who frequent Crow’s erotic lucid dreams are the Succubus archetypes of the Fallen Anima. Their Necronomicon names are Legion, who are Crow’s inspiring Widdershin-wise Succubus Art Muses.

Crow’s Left-Hand-Path dream Sorcery of a rebellion is artistically conducted in order to negate the subversive brainwash of an all encompassing symbolic Matrix of the deified Animus, made as a God and a Devil.

The symbolic Matrix of a Right-Hand path fixation upon a deified Animus is the patriarchal creation of woman; it be the manifestation of her biologically hard-wired Animus projection, she projects at the scapegoat, who carries her sin.

The Witches have spirit chain bound their ‘objectification of the male,’ down the ages, whose Animus archetypes, which be both Beta-Male Angelic and Alpha-Male Demonic are listed within the plethora of Fifty Shades Of Grey Playgirl grimoires, which have castigated the Anima out of the symbolic paradigm as a Pirate.

Crow has likewise bound his Fallen Anima; for her Succubus archetypes have to be forcefully conjured to then be illustrated for his Playboy grimoire. Well, what do you expect, it is their Fifty Shades Of Grey liking, after all; even the feminist likes of Oprah Winfrey would agree!

The principle Necronomicon Succubus of the Fallen Anima around whom the other seventy-two Succubus Great Old Ones to gather, is mantra named, Mephistophina.

Her infernal Anima archetype has since been set free from the patriarchal ‘fusion centre’ Shemhamphorasch chains, which bound Mephistophina and her Nightgaunt Nun Sisterhood of Lilith’s Harem into varying Animus forms, by the Queen Bee’s of UR.

“Why did they do so?” You might enquire. It is because the Babalon Queen Bees are very jealous creatures, they do not like the ridden Beasts becoming aware of their Anima. They see the Anima as being competition, or to otherwise castigate as ‘objectifying’ them.

Yet, the Witches ‘objectification of the male’ has invariably led to their oily ziggurat beehive being ruled over by the chosen Bad-Boy Alpha-male Devil’s as their Illuminati Fifty Shades Of Grey Big-Brother bankers, while to friend-zone crucify the Good-Gy Beta-Male Christ’s as their Soy-boy stooges.

The criminal Bad-Boy aristocrats of the banking elite seek to reinforce the symbolic Matrix of an all-father fixated monotheist illusion, in order to hide their centralist politics of totalitarian fascism behind its Orwellian New-World-Order mask.

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But their deified Animus is the weak spot of their illusory armour, which is clear for all to Seer through, when to become aware of the Fallen Anima. To also realise that an all-father Emperor never did wear any clothes of fuehrer finance via which the elitist aristocrats enslave their slavish zombie slaves to do their bidding, betwixt the totalitarian left, and the fascist right, of a pincer movement.

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Hence, the brainwashed politically-correct Gestapo minions of the Big-Brother Animus cults do become most reactive indeed, who label Faustus Crow as being nothing more than a vile Entartete Kunst pornographer who is quite… Mad!

Faustus Crow does not care about what the servile slaves to throw of judge-mental stones within their Animus asylum of a glasshouse; for he has entered into a Coitus Pactum with his most loving Fallen Anima. Savvy!

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THE SUCCUBUS GOETIA OF FAUSTUS CROW

Posted in Art, Chaos Magic, Comics, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2014 by FAUSTUS CROW

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Many a Golden Dawn mage evokes machismo OTO Angels and butch Demons of Incubus commonality from out of their indoctrinated Biblical Grimoires, whose deified Animus made as a God/Devil, have castigated the Anima, and all her Succubae into their Hell.

But, Faustus Crow, being a rebellious Sorcerer that he is, otherwise conjures up the Fallen Anima and all her Succubae Great Old Ones, from out of their Necronomicon necropolis, who haunt Crow’s haunted art studio, as his waxen Tulpa Mind-Dolls.

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These Succubae Mind Dolls have been given two-dimensional form of image, to thence conjure into three-dimensional reality, within his sixth sense lucid dreams of a wrought Sexagram.

Wherein, they become real amidst the sensory realm of the dream, where Crow’s five senses of the inverse pentagram, have been introverted into.

The Succubae be the true ‘Great Old Ones’ frequenting the DIANA-LUCIFERA pages of Crow’s ‘Howling’ Goetia.

The grimoire of Faustus Crow is Lowbrow of rebellious style, whence Underground of comic art, which does not allow for the religious sentiment to take root.

Because, the static fixation of a religion has nothing whatsoever to do with the fluidity of Magic; for the practice of Magic is indivisible to the practice of Art.

NOTE: When a heterosexual female is asked to imagine, her idea of a perfect male partner, she conjures up a male aspect of her Animus, like that of conjuring Incubi from out of a classical Playgirl grimoire, listing Good-Guy Beta-male Angels and Bad-Boy Alpha-male Demons. 

The Animus is the objectified male archetype, residing within the heterosexual female psyche, which influences her choice of mates. The Animus has been deified as an All-father God/Devil, whose religious cultural-construct of an Animus fixated symbolic paradigm permeates language and all levels of popular culture. 

When a heterosexual male is asked to imagine, his idea of a perfect female partner, he conjures up a female aspect of his Anima. There are no historical examples of a Playboy grimoire listing the archetypes of the Anima, since the Anima has been castigated out of the symbolic equation as the Fallen.

Wherefore, if there be a historical example of a banned grimoire like that of the Necronomicon, it would list the Succubus archetypes of the Fallen Anima. However, as already mentioned, there is no historical example of a Playboy grimoire ever existing, since the fallen Anima and her Succubus Great Old Ones are considered to be politically incorrect pornographic objectifications of the female.

In other words, the psyche of the heterosexual male is religiously/politically influenced and controlled by castigating the Anima out of the symbolic equation as being Entartete Kunst. 

The Animus and Anima change over archetypal roles within the psyches of those who have differing sexual orientations. 

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BELPHEGOR DEMON GIRL: SUCCUBUS OF THE LOUVRE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Belphegor is a Velvet Buzzsaw Daemon girl who enables a Sorcerer Artist to make many a discovery, like that of an inspired electric Eel of a Nikola Tesla having visions.

She also seduces a Sorcerer Artist via his lucid dreams by suggesting to him surrealistic creations, as his most wanton Art Muse.

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She is a Succubus archetype of the Fallen Anima, who can be consciously conjured within a lucid dream, wherein she becomes as an interactive Art Muse reality.

The patriarchal death metal cultists of the deified Animus, whose Babalon Playgirl grimoires list only Right-Hand-Path stroke Chippendale Great-Beast archetypes, miss out on all the Left-Hand-Path stroking Playboy grimoire fun.

The minions of the deified Animus are somewhat unaware that behind the ghost mask of Belphegor, she is a Parisian Succubus archetype of the Fallen Anima.

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And a very rebellious poltergeist she is too, whose Genie Bottle abode is the Art gallery of the Louvre.

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But then, what do you expect of the death metal OTO priests, who are far more into conjuring up Incubi Angels and Demons dancing around their deified Animus, made as a phallic God and Devil.

Little wonder then that Holy-Wood’s indoctrinated fixation upon the deified Animus is into the Crowlyean fluid sexualities of the androgynous hermaphrodite to make political, while castigating the Fallen Anima as being mere Velvet Buzzsaw porn, or to otherwise make out she’s a celibate Virgin Mary.

The Belphegor book explores the historical background and symbolism associated with this Succubus archetype of the Fallen Anima, and how she can be conjured amidst the Triangle-Of-Art Imagination of a sorcerer, which leads to her Tulpa manifestion within a Sexagram lucid dream, to take much further of an erotic Coitus Pactum exploration.

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Should you ever meet up with a crazy French lady upon a Succubus synchronicity, said woman may claim that she is the Tulku incarnation of the ancient Egyptian Goddess Ahathoor, who has been conjured into flesh, via the mass mind focus upon a mummified Belphegor, haunting the Louvre…

Boris Karloff and Zita Johann in 'The Mummy'

Don’t worry about it; just whimsically say that you are a reincarnation of an ancient Egyptian sorcerer, who has been hunting her down through the aeons to possess. So, you always knew where she came from, to reawaken out of her fleshly sarcophagus.

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Then invite her back to your Arkham asylum Art studio, and everything will be okay, of an Ouroboros soul-mate dance; for it takes two to trance tango naked through the Sirian stargate, when the Animus and Anima Coitus Pactum unite.

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This is especially the case if you then to engage in the Tantric practice of the Velvet Buzzsaw, which of Sex-Magic street Art slang means performing cunnilingus by trembling your head quickly, laterally, allowing the tip of your tongue to rapidly clean her Sirius star-gate of a clitoris.

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But, if you get on the wrong Belphegor side of Ahathoor, you will soon find that she has very sharp, feline claws, whose Velvet Buzzsaw becomes a… vagina dentata Buzzsaw.

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Such an end will invariably lead to you becoming a Hoboman, or very dead, and quite unknown. You might even leave behind a will to indicate that your Artwork is to destroyed, since it is the spirit repository of an angered Art Muse, Belphegor.

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Although, Belphegor to purr as a playful remote viewing Kitten, when she laps up her Artist’s cream, since AHA-thoor has a spirit bondage liking for an older Sorcerer Artist with a Crow-Ley wizard beard, who desires to paint her Playboy grimoire portrait, via which she becomes Louvre immortal as the Anima in the living Art Muse flesh.

ANIMA/YIN +COITUS PACTUM+ ANIMUS/YANG = TAO

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NOTE: In a heterosexual relationship dynamic the male projects his Anima upon a woman, and she likewise projects her Animus upon him.

This Anima – Animus projection is usually done unconsciously, without realising why they are actually attracted to one another. The attraction is due to the unconscious influence of the Anima and Animus.

The inner archetypes of attraction is also applicable to those of other sexual orientations. 

EXERCISE: Ask yourself who would you consider to be your perfect partner? By doing so, you are Conjuring up the Anima – Animus.

1: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are seriously speaking to an audience, like that of a salesperson describing the latest snazzy product. You want your imagined audience to believe you. Write it down.

NEXT: After you have done the above, take five minutes out, by watching a funny kiddies cartoon and lighten up. Hell, take it even further, have a pillow fight with your imaginary childhood friend looking like a Pooka. then onto 2:

2: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are telling a fairy story to a child. Write it down.

NEXT: After you have done the above, take five minutes out, by having a coffee, while munching a snack; basically, totally veg out, without a care in the world. then onto 3:

3: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Be brutally honest with yourself. Write it down.

You will very likely find that the third part of this exercise will contradict the first part. It is the third question that the Neuro-Marketeers would consider as being the voice of your unconscious reptilian-brain drive, which actually determines your actions. It is here that the archetypes of the Anima and Animus resides.

What is more, the reptilian-brain thinks in (Anima – Animus) symbols, not words, which is directly connected to your optic nerve. So, first impressions, when meeting someone determines the nature of the attraction, or, as the saying goes, falling in love at first sight! 

NOTE: Should you not be aware of your inner self-image, you can utilise the above exercise in the same way, when to ask yourself the question, “who am I?” However, the conjuration of the Anima – Animus, will reflect back how you see yourself in relation to their imagined images. Basically, the Anima – Animus mirrors back those qualities you have, or seek to attain. 

Overall, the symbolism of Belphegor is the Anima counterpart of the bearded sorcerer, who works through his own shit!     

The grimoires do relate that Belphegor is associated with relationship dynamics, which is said, she observes. 

BELPHEGOR: MYSTERY OF THE LOUVRE PYRAMID.

BELPHÉGOR: GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

The 2014 published book, Belphegor Demon Girl: Succubus Of The Louvre, can be obtained via Amazon. Click Here. 

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FAUSTUS CROW AND HIS SUCCUBUS TULPA GOETIA GIRLS

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

I conjure Succubae to ride of Night-Mares; such salacious Mind-Doll Tulpa Art Muses, whom inspire vivid lucid dreams most wanton, do keep the brainwashing Exorcist at bay; for the Abrahamic Priests of Adam’s egregore deity greatly fear the daughters of Lilith, who be the true Great Old Ones of the real Necronomicon; of which I to conjure from of a Howling Goetia.

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And so, to howl now; to tell every Khara Kam Frankenstein that an Exquisite Corpse can be delicately dissected of a Dreamland Area 51 Alien cadaver; to knit its soft ectoplasm flesh back together, into another waxen Mind Doll form, to otherwise conjure of artistic rebellion.

During the 40’s to 50’s of eugenic era, you had Alien Nordics, whom were transformed into Asiatics when the Vietnam 60’s hit. Since the 80’s you had Alien Greys and their Annunaki associates out of Iraq.

When you dissect the Alien, you will see its CIA innards of a Memet truth. Why continue with Greys when you, as a God, having dominance over your own mind could imaginatively construct a viral meme Frankenhooker cyborg to look like an Angelina Jolie Mind Doll.

Such an autopsy, the French to term cadavre exquis, or to séance call, a rotating corpse, to verily table turn of a poltergeist lab slab, to cleanly slice, cut apart, sew together and to tattoo with arcane Runes of your own subconscious choosing.

It is a Surrealist sorcery method by which an association of mantric words and corresponding mandala images are collectively assembled to lend flesh to a wireframe anatomy, amidst your mind’s eye of a Mind Doll conjuration, within a lucid dream, of a Golem spell.

But, Frankenstein being a lone worker of the dark arts, that he is, to say to himself out loud, while drunk on Casillero del Diablo; “as you know my dear Frankenstein, this infernal operation usually requires a coven of gaggling collaborators, who add gory body parts to this neuro-advertising séance, which is then knitted together of a most bloody anatomical composition.”

Then Frankenstein, went silent for moment, pondering, to answer himself upon a burp. “This sorcery technique of the Surrealists is none too dissimilar to an old ritual, known as ‘Consequences,’ in which adepts write of séance turn, upon a piece of torn parchment, folded of papyrus concealment, hiding their sigils, to then pass to the next adept, for a further reptilian brainstem hewn contribution of reactionary hieroglyphics.”

Frankenstein looked at himself within the cracked obsidian scrying mirror; “yes, yes, I know all that; the principal founder of the Surrealists, André Breton reported that their sorcery operation started of a mundane jest, but it became rather serious of a séance and eventually revealing of subconscious automatism.”

Breton said that their ritualistic diversion occurred around 1925, but Pierre Reverdy had written that it all started much earlier, at least before 1918’s end, of world wide banker funded slaughter. Frankenstein, then to say to himself; “didn’t André Breton mention that the operation developed at the residence of lodged friends in an old house at 54 rue du Chateau?”

Frankenstein to answer; “yes, yes; the ninth house of numerological fusion no longer exists, which of Yesod memory was frequented by the sorcerers: Yves Tanguy, Marcel Duchamp, Jacques Prévert, Benjamin Péret, Pierre Reverdy, and of course André Breton.”

“There were other sephiroth sorcerers involved in the hexagram creation of their Exquisite Corpse, such as Max Morise, Joan Miró, Man Ray, Simone Collinet, Tristan Tzara, Georges Hugnet, René Char, Paul, and Nusch Éluard.”

Frankenstein took a swig of his Casillero del Diablo; “In my variant of an Exquisite Corpse, the erotic cadavers of women, all as hollow memory shells, are exhumed from out of their moistened graves, scattered amidst the necropolis of the deepest depths of my subconscious mind.”

“Their writhing limbs, sweaty torsos and porcelain heads are slowly knitted together by those sinew spells I to divine of words via an Ouija board of pendulum dowsing.”

“No need for a coven of conspirators to construct a robotic Hans Bellmer Mind Doll to frequent the collective unconscious, it is just me and thee Mr Faustus Crow, whom is presently assuming the guise of Dr Frankenstein.” Frankenstein took another gulp of Bacchus Merlot.

Frankenstein to then reminisce of memories. “My Mind Doll operation of constructing astral-web-bot Succubae Tulpas involves drawing, painting and collage; producing a result similar to comic books, somewhat akin to those children’s books translated into Playboy scrapbook Grimoires cut into thirds. The top third of their pages showing the head of a woman, middle third her torso, and the bottom third her long legs.”

“I must admit, I was a rather strange little changeling child, having a precoscious interest in the female anatomy; somewhat inspired by the Hans Bellmer Hammer horror flick: Frankenstein Created Woman.”

Frankenstein slurped more wine, and then continued; “I wondered whether I could create a dream woman of a Tulpa Mind Doll program to give life unto, and found that such could indeed be achieved of Golem sorcery. The premise being, your brain is an Emet computer, which can create sentient Tulpa programs, all as Genies, to conjure into lucid virtual reality dreams.”

“I used programming Runes to paint on the cut up limbs of their Frankenhooker Necronomicon pages. When to have howled out a barbarous chant to randomly choose three Runes, to scatter; the Runic pattern enabled me to ‘mix and match’ by turning the divined Succubae pages; and henceforth to give her sentient life by placing Emet into her gobbling mouth, to paint of ejaculatory intent; while saying upon release: Le cadavre exquis boira le vin nouveau.” (trans: The Exquisite Corpse shall drink the new wine.)

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Frankenstein peered out of his laboratory window, of a towered art studio, looking upon the world; his external vision drunkenly blurred, but internally clear, of remote viewing singular eye. “Those woolly minded Sheep out there think me completely mad, but I’m in good Werewolf company; Hell! Even Vampire Henry Miller partook of this Serpent operation in order to empower his Triangle Of Art Imagination; while hunting his prey among many a French café during the pre-cybernetic age of the 1930’s.”

Frankenstein gulped down some more lady Merlot, followed by Diablo girl Shiraz; “you also have William S. Burroughs, who investigated synchronicity, to speak of the 23 enigma, to Robert Anton Wilson, along with Brion Gysin whom used the cut-up technique of the Cadavre Exquis.”

Frankenstein then quickly answered himself; “don’t forget Apichatpong Weerasethakul’s 2000 film Mysterious Object at Noon who uses the same Frankenstein technique with a mixture of documentary and fictional film.”

Frankenstein became aggravated with himself to retort; “yes, yes, I know that already; you also have the Exquisite Corpse Project, which is a 2012 feature-length comedy, entirely written using the Exquisite Corpse technique, as well as the Ecuadorian rock band Cadáver Exquisito, who are renowned for using the Frankenstein operation in order to subconsciously create the hypnotic lyrics for many of their piratical viral-meme songs.”

Frankenstein to then say; “what about the Treepot Cliffhanger, a cinematic chain letter in five pentagram chapters created over the course of a year, whose pentagram scenarios are directed by a different filmmaking mage.” Frankenstein went momentarily silent; “so what; my astral films are fully immersive lucid dream evocations of knit together Frankenhooker Mind Doll Tulpa Succubae, whom be my personal sub-quantum automata starlet servitors.”

“Anyway, enough of this, I am presently knitting together a Frankenhooker Mind Doll of a Sleipnir Ponygirl Time-Machine to ride as my Goetia Night-Mare TARDIS. So, I’m rather busy right now of a psychonaut endeavour.” Frankenstein to then ask; “what? Are you assuming the guise of an Odinic Dr Who now?” Frankenstein smiled to himself, before answering; “what do you expect my dear Frankenstein, I am Faustus Crow; ‘who’ knows, I may decide to Skinwalk into a Skinwalker guise to thereby conjure up my Mind Doll, Sally Tonopah, who haunts Alien Dreamland, via whom I will remote view UFO… Secrets.”

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