Archive for demonology

LUCID DREAM CONJURATION OF THE SUCCUBUS MEPHISTOPHINA

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on December 10, 2014 by FAUSTUS CROW

It is said of Faustian folklore that Dr Faustus desired to commune with the Devil of his indoctrinated faith, so, having made the necessary antithesis preparations of Christian formulation, he retired one night to a crossroads, situated in the Spesser Forest near unto Wittenberg.

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Standing amidst the crossroads, between nine and ten o’clock, he set about designing certain circles with his staff, via which he conjured up his patriarchal Devil of a deified ‘Animus’ fixation, to otherwise name, Mephistopheles.

As you will probably already know, dear reader, the ‘Animus’ is the male archetype, which resides within the psyche of all women. Whenever a heterosexual female imagines her idea of a perfect male partner, she is conjuring up a male aspect of her ‘Animus,’ which of an ‘Animus’ projection, will influence her choice of mates and how she sees men.

Such is likewise the case for a heterosexual Witch, who to conjure up Good-Guy Beta-male Angels and Bad-Boy Alpha-male Demons from out of the plethora of patriarchal Playgirl grimoires, which list the numerous ‘Animus’ archetypes of her deified ‘Animus,’ made as a God and Devil.

You will no doubt also be aware that heterosexual Witch-Nuns are biologically hardwired to have a love-hate liking for Alpha-male Bad-Boy Devils, whereas Beta-male Good-Guy Christ guys are invariably Crucified as the friend zoned, as well as being emotionally dumped on as scapegoats.

Whereas Faustus Crow, who is considered to be utterly mad and quite insane by many, has no interest whatsoever in conjuring up the Devil of the Elder God patriarchs; for it merely validates their all male ‘Animus’ fixation of an indoctrinated dogmatic thesis.

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Wherefore as a heterosexual rebel sorcerer, Crow conjures up the Fallen ‘Anima’ emanation, Mephistophina from out of his Playboy grimoire.

Mephistophina manifests as the Dark Haired Girl, of the silver Star, Sirius, who appears along side her Succubae sisterhood of the ‘Great Old Ones,’ within Crow’s lucid dreams of Lilith’s Harem.

NOTE: The ‘Animus’ and ‘Anima’ change over symbolic roles within the psyches of those of differing sexual orientations. Wherefore, Mephistopheles will otherwise be conjured up from out of a Playgirl grimoire of preference. 

NOTE: A point of interest, the 2017 FX TV series, Legion has no connection with Marvel’s comic character Legion, apart from the name only. The Legion TV series was first proposed in 2015.

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(Music used in the Mephistophina Video, by: Partners In Rhyme)   

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SUCCUBUS SPIRIT WIVES OF THE YAKUT SHAMAN

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 7, 2014 by FAUSTUS CROW

Like many of the indigenous peoples of Siberia, the Yakuts practiced shamanism, who originally lived around the Olkhon and the region of Lake Baikal. (The above Artwork is available as an Art Print from Saatchi Art. If you are interested Please Click Here or Clicking on the above Artwork for the Full Artwork and further details.)

But during the 13th century they migrated to the basins of the Middle Lena, the Aldan and Vilyuy rivers under the pressure of the rising Mongols, where they mixed with other Northern indigenous peoples of Russia, such as the Evens and Evenks.

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By the 1820’s almost all the Yakuts had been forcefully converted to the Abrahamic faith of the Russian Orthodox church, although they rebelled against this onslaught in order to retain their ancestral-self-identity.

However, during the late 1920’s through the late 1930’s, the Yakut people were systematically persecuted, when Joseph Stalin launched his collectivization campaign.

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Hunger and malnutrition resulting from the period of persecution resulted in a decline in the Yakut total population from 240,500 in 1926 to 236,700 in 1959.

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By 1972, the population began to recover. The Yakuts presently form a large plurality of the total population within the vast Sakha Republic.

The Sakha Republic is one of the ten autonomous Turkic Republics within the Russian Federation. Even though the Yakut have suffered much under the yolk of Christianity, let alone fighting off Islam to then be hit by the Soviet regime, they still practice their ancestral legacy of shamanism; whereas the Abrahamic invaders of their land have entirely forgotten their own ancestral-self-identity.

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The Yakut shamans know of Succubae who are considered to be spirit wives. They are usually seen to be the spirits of deceased women who become Succubae.

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Although, some of the Succubae are constructed as thought-forms, of similarity to the Tibetan sorcery technique of the Tulpa.

During the 70’s an experiment was conducted by a group of Canadian parapsychologists who utilised the shamanic technique of creating a Tulpa. The experimenters successfully created a ghost, which generated poltergeist phenomena.

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The Canadian experiment was later repeated by a group of Australian parapsychologists based in Sydney, who created a Tulpa of a girl, they named Skippy Cartman, which also generated observable poltergeist phenomena.

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A shaman does likewise, who artistically creates spirit wives for specific poltergeist tasks. It is from these spirit wives the shaman derives much of his shamanic abilities, who are collectively called Abassi.

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Other spellings of the term Abassi are: Abaaht, Abasy, Abaasy or Abassy. When the Abassi sexually interact with a shaman within his lucid dreams, he knows he will soon be called upon to heal a patient.

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The Abassi maidens are seen to reside in an otherworldly domain called Mᾱnarikta Challan, the heaven of the spirits of ecstasy. (Shternberg 1935, p.246ff)

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However, there are darker accounts of the Abassi, which are very likely entwined with cultural sexual taboos.

According to other Yakut informants, the Abassi are alleged to be the spirits of long-time deceased women who dwell near graves, or in deserted places, or to otherwise travel around as predatory Witches invading the dreams of the living.

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In these accounts the Abassi inhabit the underworld rather than a heavenly abode.

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The shamanic perspective of heaven and the underworld alludes to shifts of consciousness, which the Abassi enable a shaman to experience.

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Heaven refers to a shift of consciousness above the (cerebrum) head, where the shaman will sense he is flying up into, and through, a vaginal star barrelled tunnel into another planetary (parallel universe) sphere.

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As for the underworld, it refers to a shift of consciousness to the (cerebellum) back of the head, where the shaman experiences falling backwards into a great void before attaining ingress into the (alternate Earth’s/eternal-reccurrence) ancestral spirit world. Basically, the Abassi enable (hypnagogic) trance ingress into both (brain) domains.

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The Yakut generally have two types of shamans, the black shamans, who interact with the Abassi, are called, Abassy-oïuna, and the white shamans, whose practitioners are called Aïy-oïuna, do not engage themselves with Abassi.

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The ‘black shaman’ among the Yakut bares no comparison whatsoever to the Western counterpart of an Abrahamic Satan worshiping black magician, since shamanism is not a dogmatic religion, it is a system of techniques, which enable consciousness expansion.

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The black shaman helps people no less than the white shaman does, who occupies a higher position among the Yakut than the white shamans.

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The black shaman is very much akin to the blacksmith; hence the numerous references to iron concerning the Abassi, who are associated with an inner (light) fire, illuminating his ‘Triangle’ Of Art Imagination.

The difference between the black shamans and the white shamans is more to do with their roles in society.

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The black shamans tend to be very much like neuro-scientists, who specifically deal with the inner realms via their microcosmic dream interactions with the Werewolf Abassi maidens flying as seven Cranes.

Whereas the white shamans are the priests, whose priestly role involves conducting traditional ceremonies, which requires a sense of macrocosmic purity.

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Because the white shamans conduct ritual gatherings and ceremonies for the tribe, it is seen to be unseemly for a black shaman to do so, due to his rather chaotic sexual interactions with the Abassi.

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The concept of the Abassi is so ingrained into Sakha thought that the verb абааһы көр- (to see Abaasi) is the everyday term for, ‘to hate’ or ‘to dislike.’

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This is due to the fact that the Abassi are seen to be sexually perverse ghost girls who are said to have teeth of iron, and like vampires they thrive upon the taste of blood.

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But it isn’t red blood we are talking about here, its (wet dream) white blood, semen. Hence the normal folk greatly fear the sexually perverse Abassi, whereas black shamans cohabit with them of Tantric dream (blacksmith) alchemy.

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What the black shaman communicates, is that the Abassi, are likened to (planetary) metal (shield/seal) mirrors.

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The psychologist Carl Jung would see the Abassi as being Succubus aspects of the ‘Anima.’

Whereas a female shaman would interact with Incubus aspects of her ‘Animus.’

As female spirits of the ‘mirroring’ (Anima) dream, they will reflect back, what the horned shaman has to face about his inner self-image, since the Abassi define his inner self-image as a male, just as a physical woman would do, who projects her ‘Animus,’ at a prospective partner.

The Abassi will reveal the shamans self hate and disliking of his shadow side, in order to (blacksmith-dismember and rebuild: solve et coagula) transform, via his interaction with them, whose fire forges his iron will.

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There are descriptions of the Abassi travelling around in predatory packs of seven, which alludes to the seven (metals) planetary spheres of the (endocrine system) Chakras, as described in many a medieval grimoire, such as the Goetia, for example.

The Abassi are sometimes described as being ‘one-eyed one-armed, one-legged’ monstrous warrior Witches mounted on ‘two-headed, eight-legged, two-tailed dragons as steeds.’

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Or to otherwise manifest as dragon like creatures with a large tail of similarity to the Hindu Nagas, which would no doubt freak out a David Icke devotee.

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The reptilian motif of the Abassi refers to the reptilian brainstem, which governs over your depth of (hypnagogic) trance and dream states.

The experience of (hypnagogic) trance is termed as the little death.

It is via the dream that a shaman can access the future and the past, like that of a two faced head, looking in opposite directions. Whereby the Abassi rides a two headed, two tailed dragon, likened to a time-machine.

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The Abassi enables the shaman to travel over the dream web interconnecting all things, throughout space and time. Wherefore, the steed of the Abassi has eight legs like a spider; for they are one and the same, who are the Night-Mares the shaman to ride.

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The Abassi are more akin to the Hindu version of the Succubae, called Dakinis who also have reptilian motifs associated with them, which refers to the Dakinis inducing the arousal of the Kundalini Shakti (fire snake) along a shamans (world tree/nervous system) spinal column.

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This will lead you to understanding why the Abassi are described as being one-eyed, one-armed and one-legged like a ‘column,’ who personify the world tree, the Yakut call, Aal Luuk Mas.

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In the Olonkho, which is a heroic epic tale of the Yakuts, and one of the oldest epic arts of the Turkic peoples, the Abassi are ugly and horrible man-eating beings, which alludes to the Abassi initiating a shamanic illness in prospective shamans, whose consciousness the Abassi then alchemically transmute into evolving.

The chief shaman of the Abassi is Alyp Khara Aat Mogoidoon, who is described as being a (past, present and future) three-headed, six-armed and six-legged giant with a blacksmith body made of iron. Alyp Khara Aat Mogoidoon can e seen to look lke a raging Tibetan Buddha, seated, enthroned amidst a hexagram, which of a symbol, represents sexual union. The hexagram (sexagram) is utilised to conjure up the warrior maiden Abassi, whose elemental weapons have been forged by Alyp Khara Aat Mogoidoon.

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(You also have the Circadian rhythm [six-armed, six-legged = 12] Zodiac [Kalachakra] and its 36 Decans to go 72 of number.)

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The erotic arousal of the Kundalini Shakti is experienced as a liquid (fire) light, which, as mentioned, ascends the spinal column; more specifically that of along the back of the neck, which of an experience is termed as the ‘rush’ in modern trance dance culture.

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This liquid light, illuminates your electron dreams, which refers to the bio-photon emanating from amidst the mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children.

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Whereupon, the liquid (fire) light is intuitively experienced by the Yakut shaman as being the menstrual blood of the Abassi, which is considered to be poisonous.

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The reason why the liquid (fire) light is considered to be poisonous is because it induces shamanic (hypnagogic) trance, which is seen to be the little death.

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The ghost girl Abassi serve Arson-Doulai, the ruler of the dead, who also swallows (shift to the back of the head) people’s souls and gives the living (eternal-recurrence) diseases.

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Whereby the Abassi spirit (shaman doctor) nurses can heal said diseases, who as warrior maidens fight against malign influences.

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This is the reason why the black shaman, though feared, is sought out by those who are in distress. The black shaman is considered to be a powerful healer, which enables his high standing in Yakut society.

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The predatory Abassi are said to be appeased by ejaculatory blood sacrifices. However this is not literal, it otherwise refers to the Abassi requiring ’emotionally charged sexual rites’ for their Tantric conjuration.

This involves the introversion of the sexual impulse via intense erotic visualisations and meditation, which empowers lucid dream contacts with the Abassi.

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Wherefore the black shaman attains ‘mastery’ over the inner ‘fire.’

In the Southern Siberian Altaic language of the Altay, you will find the name of Odqan, which means fire king.

It is from Odqan, the name of the shamanic deity of the Norse is derived, who is called Odin, the Saxon’s knew as Woden.

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The black shaman Odin had his Abassi too, who are called Valkyries, the Saxon’s knew as Waelkyries.

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As you can see, the European’s also practiced shamanism, who had strong ties with the Siberian peoples long ago, as well as having many similarities with other elder shamanic cultures across the globe. But then, shamanism is universal.

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DR FAUSTUS CROW FRANKENSTEIN SORCERER

Posted in Alien, Art, Chaos Magic, Comics, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 24, 2014 by FAUSTUS CROW

Faustus Crow’s initial conjurations of various Frankenhooker Mind Doll Succubae Tulpas amidst his Triangle Of Art Imagination, will often assume, surreal Goetia Girl forms.

Such can be quite inspiring of surrealist exploration. But the Great Work of this symbolic alchemy, is that of creating knitted together the archetypes of the Fallen Anima into refined exquisite corpses, to thereby engage with of erotic lucid dream Coitus Pactum close encounters.

British art. Frankenstein Created Woman. Hammer Films, 1967.

A Frankenhooker Mind Doll, being a thought form, is at first visualised upon her snap-to-the-grid slab of entoptic phenomena.

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Her form, however, has a tendency to shift of an electron vision manifestation into differing modes of symbolic expression.

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Crow had determined that this is due to his electrifying emotional states, which empowers his Frankenhooker Mind Doll.

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However the energetic charge of emotions are often chaotic and uncontrolled, whose domain is of the infernal subconscious mind, from where Tulpa Mind Dolls are conjured of necromancy.

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As mentioned prior, Crow’s conscious mind seeks to knit together a Frankenhooker Mind Doll into a refined Tulpa manifestation.

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But he found that his emotional self of an Igor often rebels against his Dr Frankenstein mind.

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Whereupon his conjuration of a Frankenhooker Mind Doll can take on an unformed surrealistic expression.

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Such a creature will be made up of a knitted together juxtaposition of differing symbolic associations, which can become quite monstrous of an egregore.

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This can become most irksome indeed, when to be straddled by an Old Hag crawling out of the shadows of your bedroom, which to thence leap upon you of an invading nightmare.

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The monstrosity then promptly applies its weight upon your sleep paralysis frame.

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Before strangling you with your own mounting reptilian brain-stem fear, to then mount its self of a fully fledged hypnagogic manifestation, of pure alien abduction terror.

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So afflicted, requires you becoming aware, that your own fear empowers the thing conjured up from the depths of your psyche, to then wrestle with into another form, before awakening.

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This isn’t to say that the Old Hag and that of its associated legions of corresponding monstrosities is not real.

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Quite the contrary, in fact, it is very real indeed; for your nervous system cannot differentiate between a vividly imagined event and a so called real one.

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Whence, a fully immersive lucid dream encounter with a creature conjured up from the subconscious depths is very real indeed, of a sheer horror made manifest.

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But when transformed via the sorcery art of symbolic alchemy, the Old Hag becomes whatever your Dr Frankenstein mind sets about creating it to be.

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Whom, if you so desire it to be, as a Dr Frankenstein creating a woman, she will then serve you as your Frankenhooker Mind Doll of a Tulpa Golem.

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Crow had determined the symbolic associations of a Dr Frankenstein’s conceptual thoughts are entirely empowered by his electrifying emotional states, which as stated, can at first formulate into quite alien and most terrifying hybrid creations.

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This is due to the conflict between the mind of a Dr Frankenstein and the emotional self of an Igor.

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The trick is to determine what the emotional self of an Igor finds it easier to exhume of archetypal corpses from out of the necropolis of his buried memories.

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This will then enable a Dr Frankenstein mind to knit together a Frankenhooker Mind Doll of an exquisite corpse, which he desires to give Tulpa life unto.

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The problem however is that Igor can be easily brainwashed due to his rather base nature.

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Igor is somewhat literal minded, you see; since he tends to follow the brainwashed reptilian brain-stems of the politically-correct conformist flocks.

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For example, a Dr Frankenstein mind may discover; while seeking to conjure up a knitted together Frankenhooker Mind Doll of a Succubus, that Igor has been entirely brainwashed into believing that archetypal Angels and Demons are all male Incubi.

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This is due to subliminal influences zapping Igor’s reptilian brain-stem.

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Igor’s reptilian brain-stem is basically imprisoned by an indoctrinated culture, caught between a machismo good-cop God and a bad-cop butch Devil of Orwellian mind control.

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Whereby Igor’s reptilian brain-stem, which governs over the autonomic nervous system, has been unduly imprinted since childhood.

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As the saying goes; “have a child for seven years, and you own the adult.”

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Whereupon, seven years being educated by the brainwashed can transform a child into an equally brainwashed automaton of an adult.

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Hence Igor will rebel against Dr Frankenstein’s conjurations of Succubae Mind Dolls of the Fallen Anima due to his programmed nature; whereby engendering nightmarish Golem creations.

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So, Dr Frankenstein being a crafty fellow that he is, has to then pander to Igor’s, imp of the perverse base nature, when to fathom his darkest unsaid fantasies via in depth self-analysis.

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Whereby the sexual impulse is utilised of attraction, by using certain mandala imagery to meditate upon of an Anima focus.

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Should this not work, then shock is used of repulsion in order to break down Igor’s programming.

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Both attraction and repulsion is then consciously used of simultaneous surrealist artistry.

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The fusion of the two states is highly effective in regards to hacking Igor’s programming.

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These techniques are taken further, by logically pointing out to Igor, that the all male symbolic paradigm of the deified Animus made as a God and Devil.

The all encompassing mythic matrix of the deified Animus, has an underlying sexual orientation, which isn’t up his heterosexual inclined alley.

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Whereby indicating to Igor that his base Chakra has been upended through illogical fear, which has led to a conflict of interests, engendering surrealistic nightmares.

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Igor will of course become very angry, of a potent base emotion, when he realises that his emotional self, has been unknowingly abused in such a literal way by the conjured up male egregores of the deified Animus made as a God and Devil, which has twisted his dreams into nightmare; whereby blocking him. Igor then rallies to Dr Frankenstein’s cause.

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Hence enabling a cerebrum Dr Frankenstein mind to have a free inner eye, guiding pentagram hand, to knit together, his Frankenhooker Mind Doll, of an artistic Anima form.

Her creation is that of an Art rebellion against the patriarchal brainwash of the deified Animus, which of a male archetype resides within the psyches of all protesting females.

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This is achieved without any further bother on Igor’s reptilian brain-stem part.

Hence they work together of layered brains to accomplish the Great Work of symbolic alchemy.

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Whereupon Dr Frankenstein creates legions of knitted together Frankenhooker Mind Dolls within his Tulpa lab of the imagination.

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Many a Frankenhooker Mind Doll Art Muse thereby frequents his séance lucid dreams of an inner Harem.

Whence to Coitus Pactum ride their Pony-Girl Night-Mare ethereal flesh, of exquisite corpse ectoplasm.

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MAD MAX-INE MALPHAS DYSTOPIAN SUCCUBUS

Posted in Cyberpunk, Dystopian, Goetia Girls, Lucid Dreaming, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 22, 2014 by FAUSTUS CROW

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“Whisky is for drinking; water is for fighting over,” the author Mark Twain to have once remarked; a line that a Mad Maxine Succubus would utter of clairaudience, when to conjure her as an Art Muse amidst your Triangle Of Art Imagination as Malphasi.

She is the 39th Succubus archetype of the Fallen Anima, who will at first manifest as a vision looking like a Crow; but afterwards Malphasi will quickly assume human form, dressed as a police-woman.

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Or she will give the impression of a law enforcement agent who governs over 40 legions of wasteland warrior Succubae (Succubi) Art Muses like herself, as well as bestowing them as loving familiars upon the conjuring Surrealist Artist.

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Malphasi’s active imagination manifestation can be somewhat like a female version of  the Dharma law enforcer called Mad Max, which of a name and title was used for a 1979 Australian action film set in a Karmic riddled dystopian future.

It was directed by George Miller, written by Miller and Byron Kennedy, over the original script by James McCausland, starring Mel Gibson.

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Mad Max became known for its distinctive artistry as well as becoming a top-grossing Australian film, holding the Guinness book of records for most profitable film for decades.

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Mad Max has since been credited for further opening up the global market to Australian New Wave films. Mad Max was also the first Australian film to be shot with a widescreen anamorphic lens.

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The first film in the series, Mad Max spawned sequels Mad Max 2 (The Road Warrior) in 1981 and Mad Max Beyond Thunderdome in 1985. The fourth instalment, being Mad Max: Fury Road starring Tom Hardy as Max.

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Wherefore Malphasi will induce lucid dreams about a dystopian future set in Australia, where law and order has begun to break down due to global water wars. Most of the Outback has been reduced to low-populated dystopian communities, whose primary technology is right out of a Steampunk novel.

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There is hardly any oil for fuel in the Outback and certainly no electricity, except in the overpopulated Cyberpunk mega cities, where there is continuous strife, whose chipped-up populace is mercilessly policed by the Judges.

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Whereas, in the Outback there is a relatively peaceful life to be had, though impoverished, but at least they don’t have to drink the fluoridated Mega City water supply, which is also mass medicated with lithium.

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Alas, even in the Outback, rogue Dieselpunk motorcycle gangs scavenge the parched lands, and like rapid dogs they prey upon the weak and defenceless as their sport.

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The gangs are extremely tribal of nature, who periodically terrorise the survivalist population, when they require provisions.

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Those who do not submit to becoming the gangs slaves, invariably end up as road kill.

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Whereupon, Main Force Patrol, an out-run police force of Judges has been created to patrol the Wild-West Outback to uphold what remains of law and justice.

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Malphasi may otherwise dream manifest as one of the psychic Street Judges out of the dystopian comic book world of 2000AD, whom patrols the Cyberpunk Mega-City, charged to instantly convict, sentence, and execute offenders.

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She would be armed with a ‘Lawgiver’ pistol (programmed to recognise only her palm-print, and capable of six types of ammunition), a daystick, a knife and stun or gas grenades. Malphasi’s helmet obscures her beautiful face, except for her painted fellatio mouth and mind-doll jaw.

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She rides a large iron-horse motorcycle called a ‘Lawmaster,’ equipped with Viper machine-guns, a powerful black-sun laser cannon, and a fully self-aware Alice in wonderland artificial intelligence, capable of responding to dominatrix orders from the Judge as well as operating by its sentient self.

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However, her appearance may be that of wearing spray on Valkyrie police leathers riding a supercharged black Pursuit Special (Ford XB Falcon) from a dystopian MFP garage.

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Or to look like a Steampunk peeler driving a steam powered vehicle.

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Whatever the case, she will relate of remote-viewing clairaudience and via ensuing lucid dreams that a series of reports from intelligence agencies and research groups from around your present world, indicates the prospect of a global Mad Max water war is becoming increasingly likely.

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A report from the office of the US Director of National Intelligence related that the risk of conflict would grow as water demand is set to outstrip sustainable current supplies by 40 per cent by (23) ‘2030.’

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“These threats are real and they do raise serious national security concerns,” Hillary Clinton, the US secretary of state, said after the report’s release.

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Globally, 780 million people lack access to safe drinking water, according to the United Nations. By 2030, 47 percent of the world’s population will be existing in high water stress areas, according to the Organisation for Economic Co-operation and Development’s Environmental Outlook to 2030 report.

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Many analysts worry that wars of the future will be fought over ‘blue gold,’ as thirsty people, opportunistic politicians and powerful corporations battle for dwindling resources.

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Governments and military planners around the world are aware of the impending problem; with the US senate issuing reports with names like Avoiding Water Wars: Water Scarcity and Central Asia’s growing Importance for Stability in Afghanistan and Pakistan.

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With rapid population growth, and increased industrial demand, water withdrawals have tripled over the last 50 years, according to UN figures. “Water scarcity is an issue exacerbated by demographic pressures, climate change and pollution,” said Ignacio Saiz, director of Centre for Economic and Social Rights, a social justice group.

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“The world’s water supplies should guarantee every member of the population to cover their personal and domestic needs.” Saiz continued; “fundamentally, these issues of poverty and inequality, are man-made problems.” Although, the powers that be, are very likely orchestrating these man-made problems as a form of population control.

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Ninety-seven per cent of the water on Earth is salt water; while the remaining three per cent is fresh, with less than one per cent of the planet’s drinkable water readily accessible for direct human uses, which is being fluoridated with sodium fluoride.

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This is a criminal act since sodium fluoride is a known neurotoxin and a mutagenic compound, which in paricular affects fertility in males; this is to be duly followed by the planned mass medication of the water supply with the sedative, lithium.

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Scarcity is defined as each person in an area having access to less than 1,000 cubic meters of water a year. The areas where water scarcity is the biggest problem is where political conflicts are rife, leading to potentially explosive situations.

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Although parched Australia has avoided this problem, it is on the dystopian Mad Maxine horizon.

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There are some archaeologists who have noted that the only documented case of an all out ‘water war’ occurred about 4,500 years ago, when the city-states of Lagash and Umma went to war in the Tigris-Euphrates basin. However Adel Darwish, a journalist and co-author of Water Wars: Coming Conflicts in the Middle East, points out that modern history has already been afflicted by at least two water wars.

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Darwish continued, “I have [former Israeli prime minister] Ariel Sharon speaking on record saying the reason for going to war [against Arab armies] in 1967 was for water.” Some analysts believe Israel continues to occupy the Golan heights, seized from Syria in 1967, due to issues of water control, while others think the occupation is about maintaining high ground in case of future conflicts.

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Senegal and Mauritania also fought a war starting in 1989 over grazing rights on the River Senegal. And Syria and Iraq have fought minor skirmishes over the Euphrates River; soon, the water wars might just go global.

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As for Australia, which is the world’s driest continent. Settlers have long dreamt of finding a way to turn coastal rivers inland. But an ambitious scheme to reverse the flow of the Snowy River has disastrously backfired, threatening to deprive Adelaide of fresh water. The region from which the diverted Snowy River now feeds is bounded by Australia’s two longest rivers, the Murray and the Darling.

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The water tables under this land are now rising, pushing deadly quantities of salt to the surface. The salt has already destroyed some of the country’s most productive farmland.

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The Murray-Darling basin produces three-quarters of Australia’s irrigated crops. Many of the basin’s tributaries may be unusable for irrigation in the near Mad Maxine future, let alone as a source of drinking water.

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The insanity is compounded by the fact that Australia is one of the most fluoridated countries in the world besides America who are basically poisoning their water supplies. The fluoride chemicals, which are used to fluoridate drinking water are: hydrofluorosilicic acid, sodium fluorosilicate, and sodium fluoride.

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Unlike the fluoride compounds found in toothpaste or supplements, fluoridation chemicals are not pharmaceutical grade quality. They are, instead, unpurified industrial by-products, which are collected in the air pollution control systems of certain industries.

America’s water risk is a lot worse than most assessments suggest, according to a recent study from the Columbia University Water Centre. Taking into account past patterns of drought and water use, the Columbia study has revealed that several major metro areas, including New York City, Washington, D.C., and Los Angeles, are at high risk of water scarcity, along with the Great Plains agricultural belt extending from North and South Dakota down to North Texas.

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“All cities and all businesses require water, yet in many regions, they need more water than is actually available and that demand is growing,” said Upmanu Lall, director, Columbia Water Centre. “The new study reveals that certain areas face exposure to drought, which will magnify existing problems of water supply and demand.”

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The study notes that a ninety-nine percent population increase since 1950 combined with a one-hundred and twenty-seven percent increase in water use has further decreased water availability, making it increasingly difficult to replenish water supplies after a drought.

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The report doesn’t predict when or where the water scarcity will become an issue. In New York and Washington, D.C., for example, water is brought in from outside of the city from other sources, which are typically plentiful, but this is not an assured constant due to upredictable climate change.

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Malphasi will further relate of clairaudient remote-viewing revelations that there are those who are preparing for a global conflict over water.

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In fact, they are seeking to utilise it for their own benefit. Water is becoming a blue gold commodity, which is becoming more expensive than oil.

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If you do not want to drink your mass medicated water supply you are duly forced to buy fresh water from a wheeler dealer company owned by an elitist few.

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Those who seek to use water as a financial commodity, but more so that of a means to control the populace have already taken measures for the invariable eventuality of mass social unrest over the scarcity of water.

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Wherefore the elite few have set up numerous FEMA camps, all ready to go, along with establishing towering financial fortresses in, and under, the Ozarks.

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For example; there are several towering banks being built in a little town situated in the Ozark area, with a ratio of 1 bank for every 53 people. In comparison to New York City, which has 1 bank for every 7,000 people; while Los Angeles has 1 bank for every 11,000 people.

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You will also find an enormous house in the Ozarks, owned by a mysterious figure, which looks more like a fortress than a house.

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The fortress is an incredible 72,000 Shemhamphorasch square feet in area, bigger than both the White House (55,000 sq.ft.) and Bill Gates’ house (66,000 sq.ft.), which may have a labyrinth of tunnels and caves underneath it, connecting the fortress to an underground city.

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This fortress is actually owned by Steven Huff, LLC from Leesberg,VA. Steven Huff is the owner of Overwatch Systems, a defence contractor, which develops, amongst other things, geo-spatial satellites.

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The NSA satellites are very likely used as a surveillance technology Over-watching your every move; this would be very much the case when you are eventually chipped-up.

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Huff is generally seen to be a billionaire and a software entrepreneur, but the mainstream media seems to ignore his early NSA background, which began with a career in Army intelligence that led to him to become an officer in the CIA.

There is indeed a multi-million square foot underground Ozark city, which exists, for real. This is a fact, not conspiracy theory. It is tailor-made protection from an Armageddon, which could be brought about by an eventual war over water, let alone Oil. The underground city isn’t the only underground facility in the area, there are others of similarity.

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They also say it is the largest in the world, which has room for 2 lanes of 18-wheelers. An underground road literally goes on for miles. So, it is indeed very likely that the Overwatch Huff house is connected by labyrinthine tunnels to the underground city, which has been built by unknowing slaves, all paid for by the tax payer, who have already been numbered for the nearest FEMA camp by a Shemhamphorasch fusion centre.

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The underground city covers 50 square miles, all climate controlled, which has warehouses for food, data, offices, manufacturing, even underground farming and stockpiles of crude oil.

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There’s plenty of space to live in. You could potentially house thousands of people in the Ozark underground city, should the elite want to save that many from a global conflict over water.

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Most probably not, considering they have ordered large numbers of fibre glass coffins to stockpile around hidden FEMA camps.

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Malphasi will warn her conjurer that should he, alone, speak out against the elite, he will no doubt be picked up by one of the 72 Shemhamphorasch fusion centres.

Wherefore she empowers her conjuring protest Artist with the remote viewing capability to seer the Karmic plans of the criminal elite, against whom Malphasi rebels. But then, she is a Mad Maxine Dharma Judge.

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She considers the elite to be mere brain-dead zombie criminals, who have imprisoned her Succubae sisters, and herself, into viral-meme Animus male forms to conjure of a continuing Shemhamphorasch brainwash around their Abrahamic New-World-Order altar, of an Oily Illuminati trinity of big-business cults.

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What machismo spirit of a butch police state idea do you think Steven Huff conjured up of an Animus fixation, to manifest his Orwellian Solomon temple?

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Well, it definitely wasn’t police girl Malphasi of an Anima archetype, since the politically-correct Abrahamic Gestapo consider her to be merely Entartete Kunst pornographic!

Malphasi is a dystopian Art Muse of artistic rebellion; for Art and Sorcery are indivisible of practice.

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THE MAD MAGICIAN FAUSTUS CROW

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2014 by FAUSTUS CROW

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The Mad Magician Faustus Crow rebelliously conjures up Succubus Mind Dolls amidst his vivid Triangle Of Art Imagination, as his knit-together Tulpa creations, of Frankenstein artistry.

Their exquisite corpses Crow had exhumed from out of the necropolis of the collective-unconscious to give life unto upon an electrified desire, to thence paint their erotic flesh.

Little wonder then that many an irate Maenad sees Crow as a lookalike Jack Nicholson having a bad hair day out of the Shining, But most see him as being none too dissimilar to Danny De Vito, who cares not for the Penguin screams of the protesting Mummy Porn Maenad’s, when to Vincent Price howl back, “Animus.” 

The Frankenhooker Tulpa Mind Dolls, who frequent Crow’s erotic lucid dreams are the Succubus archetypes of the Fallen Anima. Their Necronomicon names are Legion, who are Crow’s inspiring Widdershin-wise Succubus Art Muses.

Crow’s Left-Hand-Path dream Sorcery of a rebellion is artistically conducted in order to negate the subversive brainwash of an all encompassing symbolic Matrix of the deified Animus, made as a God and a Devil.

The symbolic Matrix of a Right-Hand path fixation upon a deified Animus is the patriarchal creation of woman; it be the manifestation of her biologically hard-wired Animus projection, she projects at the scapegoat, who carries her sin.

The Witches have spirit chain bound their ‘objectification of the male,’ down the ages, whose Animus archetypes, which be both Beta-Male Angelic and Alpha-Male Demonic are listed within the plethora of Fifty Shades Of Grey Playgirl grimoires, which have castigated the Anima out of the symbolic paradigm as a Pirate.

Crow has likewise bound his Fallen Anima; for her Succubus archetypes have to be forcefully conjured to then be illustrated for his Playboy grimoire. Well, what do you expect, it is their Fifty Shades Of Grey liking, after all; even the feminist likes of Oprah Winfrey would agree!

The principle Necronomicon Succubus of the Fallen Anima around whom the other seventy-two Succubus Great Old Ones to gather, is mantra named, Mephistophina.

Her infernal Anima archetype has since been set free from the patriarchal ‘fusion centre’ Shemhamphorasch chains, which bound Mephistophina and her Nightgaunt Nun Sisterhood of Lilith’s Harem into varying Animus forms, by the Queen Bee’s of UR.

“Why did they do so?” You might enquire. It is because the Babalon Queen Bees are very jealous creatures, they do not like the ridden Beasts becoming aware of their Anima. They see the Anima as being competition, or to otherwise castigate as ‘objectifying’ them.

Yet, the Witches ‘objectification of the male’ has invariably led to their oily ziggurat beehive being ruled over by the chosen Bad-Boy Alpha-male Devil’s as their Illuminati Fifty Shades Of Grey Big-Brother bankers, while to friend-zone crucify the Good-Gy Beta-Male Christ’s as their Soy-boy stooges.

The criminal Bad-Boy aristocrats of the banking elite seek to reinforce the symbolic Matrix of an all-father fixated monotheist illusion, in order to hide their centralist politics of totalitarian fascism behind its Orwellian New-World-Order mask.

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But their deified Animus is the weak spot of their illusory armour, which is clear for all to Seer through, when to become aware of the Fallen Anima. To also realise that an all-father Emperor never did wear any clothes of fuehrer finance via which the elitist aristocrats enslave their slavish zombie slaves to do their bidding, betwixt the totalitarian left, and the fascist right, of a pincer movement.

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Hence, the brainwashed politically-correct Gestapo minions of the Big-Brother Animus cults do become most reactive indeed, who label Faustus Crow as being nothing more than a vile Entartete Kunst pornographer who is quite… Mad!

Faustus Crow does not care about what the servile slaves to throw of judge-mental stones within their Animus asylum of a glasshouse; for he has entered into a Coitus Pactum with his most loving Fallen Anima. Savvy!

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THE SUCCUBUS GOETIA OF FAUSTUS CROW

Posted in Art, Chaos Magic, Comics, CREATIVE WRITING, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 19, 2014 by FAUSTUS CROW

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Many a Golden Dawn mage evokes machismo OTO Angels and butch Demons of Incubus commonality from out of their indoctrinated Biblical Grimoires, whose deified Animus made as a God/Devil, have castigated the Anima, and all her Succubae into their Hell.

But, Faustus Crow, being a rebellious Sorcerer that he is, otherwise conjures up the Fallen Anima and all her Succubae Great Old Ones, from out of their Necronomicon necropolis, who haunt Crow’s haunted art studio, as his waxen Tulpa Mind-Dolls.

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These Succubae Mind Dolls have been given two-dimensional form of image, to thence conjure into three-dimensional reality, within his sixth sense lucid dreams of a wrought Sexagram.

Wherein, they become real amidst the sensory realm of the dream, where Crow’s five senses of the inverse pentagram, have been introverted into.

The Succubae be the true ‘Great Old Ones’ frequenting the DIANA-LUCIFERA pages of Crow’s ‘Howling’ Goetia.

The grimoire of Faustus Crow is Lowbrow of rebellious style, whence Underground of comic art, which does not allow for the religious sentiment to take root.

Because, the static fixation of a religion has nothing whatsoever to do with the fluidity of Magic; for the practice of Magic is indivisible to the practice of Art.

NOTE: When a heterosexual female is asked to imagine, her idea of a perfect male partner, she conjures up a male aspect of her Animus, like that of conjuring Incubi from out of a classical Playgirl grimoire, listing Good-Guy Beta-male Angels and Bad-Boy Alpha-male Demons. 

The Animus is the objectified male archetype, residing within the heterosexual female psyche, which influences her choice of mates. The Animus has been deified as an All-father God/Devil, whose religious cultural-construct of an Animus fixated symbolic paradigm permeates language and all levels of popular culture. 

When a heterosexual male is asked to imagine, his idea of a perfect female partner, he conjures up a female aspect of his Anima. There are no historical examples of a Playboy grimoire listing the archetypes of the Anima, since the Anima has been castigated out of the symbolic equation as the Fallen.

Wherefore, if there be a historical example of a banned grimoire like that of the Necronomicon, it would list the Succubus archetypes of the Fallen Anima. However, as already mentioned, there is no historical example of a Playboy grimoire ever existing, since the fallen Anima and her Succubus Great Old Ones are considered to be politically incorrect pornographic objectifications of the female.

In other words, the psyche of the heterosexual male is religiously/politically influenced and controlled by castigating the Anima out of the symbolic equation as being Entartete Kunst. 

The Animus and Anima change over archetypal roles within the psyches of those who have differing sexual orientations. 

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GOLEM GIRL DOLL OF HANS BELLMER

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2014 by FAUSTUS CROW

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The Golem of Jewish folklore, is an animated anthropomorphic creature like that of a Dr Frankenstein’s creature.

A Golem is usually described as being magically created entirely from inanimate matter, you could easily equate with a robot. The earliest stories of Golems date to early Judaism.

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These early tales of Golems are found in the Talmud (Tractate Sanhedrin 38b), where Adam was initially created as a Golem when his dust had been, ‘kneaded into a shapeless husk.’ Like Adam his first wife Lilith was also created as a Golem.

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All Golems are created from mud. This mud is otherwise called the prima materia by the alchemists, which alludes to a symbolic code; but more on this later.

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The most well known story of a Golem introduces us to Judah Loew ben Bezalel, who is a late 16th century rabbi of Prague.

He is also known as the Maharal, whom reportedly created a Golem to defend the Prague ghetto against anti-Semitic attacks and bloody pogroms meted out by the irate Christian’s.

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Depending on what version of this Golem story you come across, the Jews in Prague were facing expulsion from the ghetto or being exterminated under the tyranny of the then Holy Roman Emperor Rudolf II, who was later copied by the right-wing Christian Nazi’s.

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You could see Maharal as being a previous incarnation of the German artist Hans Bellmer (March 13, 1902 – February 23, 1975) who is best known for the life-sized pubescent female Golems, which he created as his Frankenhooker Mind-Dolls made manifest of Golem sculptures during the mid-1930s.

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Bellmer created his girlish three-dimensional Golems, which he photographed in erotic poses in order to show his repudiation of Fascism and the Nazi aesthetic it propagated; he was certainly out to shock!

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Bellmer’s Golems were purposefully created in order to disturb the politically-correct right-wing-Christian sensibilities at the time, when they were published at his own expense back in 1934.

Bellmer’s work still causes a stir, more so now, but for different reasons, when taken out of context of an Entartete Kunst concentration camp by the politically-correct mind-set of the Gestapo. Other works appeared in the Surrealist journal “Le Minotaure”, ensuring Bellmer’s importance among the Exquisite Corpses of the Parisian Surrealists.

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Historians of art and photography also consider Bellmer to be a Surrealist photographer. Perhaps Maharal was a proto-Surrealist or that of a mind shock Dr Frankenstein?

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Let’s say, both, fused into one singular character of a sorcerer who as a pre-Freudian psychologist knew how to create a viral-meme of a Golem; since, sorcery is art, art is sorcery, which are indivisible of practice; for both practices deal with the manipulation of symbolism, which stirs the subconscious mind of the collective dream.

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Going by the subconscious symbolism of the Golem myth, in order to protect his Jewish community against the racial hatred of the church of Rome, Maharal, like a prior Hans Bellmer, created a most disturbing Golem out of clay, which, it is said, he had derived from the banks of the Vltava river. Maharal didn’t choose the Vltava river just because it was quaintly nearby.

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The Vltava river has a symbolic importance. It turns out that the Vltava river is the longest river in the Czech Republic, running ‘North’ from its ‘source’ near the ‘German border’ in Šumava through Český Krumlov, České Budějovice, and Prague, merging with the Elbe at Mělník.

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Both the Czech name Vltava and the German name Moldau are believed to originate from the old Germanic words wilt ahwa, meaning, wild/strong water. So, the wild/strong waters of the (ley-line) Vltava is rather symbolically apt to utilise for Maharal’s Hans Bellmer doll of a Golem; and what is more, Maharal’s Golem was probably female, which he had secretly created as his Exquisite Corpse of a Frankenhooker in his hidden away loft of a ritual-magic art studio.

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According to a legend about the geographic locale in question, a ‘princess called Libuše,’ who was the sovereign of the Czech tribe, married a humble plowman by the name of Přemysl, whom founded the dynasty carrying the same name. “Aha!” A Crow-ley Maharal to say, “what better ‘spirit,’ evoked. To capture into molded clay. Most disturbing, yes, indeed… this, lovely Libuše out of a subconscious necropolis to recall, of a Hans Bellmer Golem doll girl to portray, who to thence haunt the Christian… neighborhood.”

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The legendary princess made many prophecies as a prophetess from her castle Libusin, which was located in central Bohemia, whose land later inspired many a Bohemian artist, such as Hans Bellmer, who would have no doubt sculpted the princess in the likeness of his female cousin to put into his Exquisite Corpse suitcase.

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In one of Libuše’s prophecies, it is said, that she predicted the glory of Prague: “I see a vast city, whose glory will touch the stars! I see a place in the middle of a forest where a steep cliff rises above the Vltava River. There is a man, who is chiseling the threshold (prah) for the house. A castle named Prague (Praha) will be built there. Just as the princes and the dukes stoop in front of a threshold, they will bow to the castle and to the city around it. It will be honoured, favoured with great repute, and praise will be bestowed upon it by the entire world.” Prague has indeed captured the collective focus of many a mind.

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It looks as if Maharal was utilising the locale of the Vltava river because of its mythic importance to the Czech Christian’s, in order to empower his (wild/strong) construct of a Golem, via which he could perhaps ‘remote view’ their malign intentions.

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His Golem, being probably female, would also afflict the shocked Christian’s with strangling nightmares as a bedroom invading Lilith, or to otherwise seduce away from their racialist blood lust by reminding them of their own ancestral self identity, which isn’t and never was Hebrew; for It be rather curious, that the converted Christian European’s and Muslim Arab’s make forever war over the ownership of a Hebrew self identity, personified as a cultural deity, which to a European pagan, or Arab, who still remember their own ancestral self identity, will rationally observe, when applying logic, is utter, insanity.

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The Golem was then brought into existence through arcane rituals and Hebrew incantations. This involves in depth meditation and intense visualisations upon certain symbolic stimuli to thence implant into the subconscious mind, and in turn enabling lucid dreaming.

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The Golem myth however mentions that it was given the (mantra) name of Josef, but more likely that of Yossele. The name Yossele is derived from the Hebrew for Josef, being yōsēf (may he add, God shall add). Wherefore many a mind would commonly point out that Maharal’s Golem was male, without looking any deeper into the matter, who be blinded by an occult blind, following the blinded.

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The masculine name is borne in the Bible by a favourite son of Jacob and Rachel (GEN. 30), by the husband of the Virgin Mary and foster father of Jesus (MATT. 1).

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You also have Joseph of Arimathea, a rich Jew and secret follower of Jesus, who helped take Jesus’ body from the (solar) cross to prepare it for burial, who supposedly took the Holy Grail (a female symbol, referring to the womb) to Glastonbury Tor (surrounded by a one time inland sea) in Wiltshire, England (JOHN 19).

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It would initially appear of an occult blind that Maharal was creating a Golem of the father of Jesus in order to turn against the Christian’s of a symbolic reversal. However, Maharal’s Golem was very likely that of an alternate magical persona he had assumed of a Yossele Avatar, via trance ingress, which, if you allow your imagination to let rip, enabled him to access the dreaming mind of the so called ‘Holy’ Roman Emperor Rudolf II, to thereby torment as Jesus’s father.

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This was further empowered by a conjured up female (Succubus) water sprite (Mary: Star Of The ‘Sea’) of the Vltava river, given form as a clay doll meditation focus.

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It just so happens that the Vltava river has a female association concerning a statue found in Prague, although sculpted in 1916 by the commissioned artist J. V. Pekárek.

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The sculpture is somewhat influenced by pre-Christian Slavic beliefs about female water spirits, of which Maharal was very likely aware, whose pagan existence of ancestral memory terrified the Christian cultists.

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The statue is known as the ‘Charming Stone Girl,’ which is an allegory of the Vltava river. It is one of the most popular statues in Prague historic centre, which has a prominent location.

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The sculpture is situated in the ‘Northern’ end of Dětský ostrov, literally Children’s Island, which is an island on the Vltava river. It lies in the Smíchov district of the city.

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The stone girl of a (Golem) Vltava, is close to the lock chamber standing atop of an 8 metre high pedestal; while her statue is 2.8 m tall, you then have 10.8, which in numerology reduces down to 9 of a Cabbalistic focus upon the 9th sephira of Yesod. Under her (mitochondrial DNA bio-photon) Shekhinah form are plastics depicting four tributaries.

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There is a girl with a (Yod/emotional charge) fish, who is called Sázava, a girl with a (Hey/hypnagogic ingress) bouquet named Lužnice.

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Another girl washing (Vau/nailing a lucid dream) gold is Otava, and finally, a girl with (Hey/hypnapompic egress) cog wheel (symbol of mills and iron mills, also of circular time) is Berounka. The statue is perfectly visible from the Bridge of ‘Legions’ (Most Legií) or from Janácek Waterfront (Janáckovo nábreží).

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Dětský ostrov is mentioned in texts as early as 1355. Until the 18th century, it was called Maltézský Island, after the owner of the Maltese monastery Panny Marie pod řetězem (Church Of Our [Mary/Star Of The Sea] Lady) in the Lesser Quarter.

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Subsequently it was named after members of Prague’s Jewish community who owned the land, such as Hykyšův, Funkovský, and Židovský of a trinity.

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Each year on All Souls’ Day (November 2), members of the association ‘Vltavan’ place a wreath at Vltava’s statue as a memorial to those who have drowned in the river, which of Slavic myth is very much tied up with discarnate females who have become Rusalka, who live under water, whose aquatic domain symbolises the amniotic (grail/cauldron/back of the head) womb dream.

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It is also said that the Yossele Golem could make itself invisible and summon spirits around a séance table to turn, conjured up of necromancy, from out of the watery dream realm of the dead.

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Now, this is rather intriguing; if Yossele specifically refers to the Golem, then it sounds more like a thought-form, of similarity to what the Tibetan Buddhist’s call a Tulpa, which are conjured up as constructed Goetia spirits with varying functions, whose thought-form constructs are said to materially manifest.

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But as mentioned prior, Yossele could actually be Maharal’s remote viewing Avatar, but it would require being empowered by a feminine source, just as an Adam needs a (Priestess Of The Silver Star) Lilith.

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Whereupon Vltava of a fifth element amidst four elemental tributaries was translated into a Golem construct of a Succubus to penetrate via trance, which enabled Maharal to remote view the (Tau-field/Morphogenetic-field/collective dream) spirit of a place.

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Some of the tales, concerning Golems, such as those of Chełm and Prague, as well as in Polish tales, and of a version covered by Brothers Grimm, involves the Golem being inscribed with Hebrew letters.

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These letters spell out the word Emet, ‘truth’ in Hebrew, which is written on the Golem’s forehead.

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The Golem could then be deactivated, when needed, by removing the Aleph in Emet, thus changing the inscription from a ‘truth’ to a ‘death,’ Met, meaning ‘dead.’

But, of course, the idea lives on as a viral-meme, when the idea takes up residence within the brains of individuals; this being more to the point concerning the creation of a haunting Golem, like a neuro-advertising tune, that you can’t get out of your head. Whereupon, the more shocking the idea, the more likely it will take on a mythic (Tulpa) life of its own.

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Other versions of the Golem tale relate that after conjuring an entity into a clay receptacle of a meditation focus, it could be brought to life by placing a magical formula, known as a Shem into its mouth, which could be later immobilized by pulling out the Shem. This technique was also utilised by the ancient Egyptian’s by the way.

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The immobilisation of a Golem could also be brought about by reversing the creative formula. Rabbi Jacob ben Shalom, who arrived at Barcelona from Germany in 1325, to have remarked: “the law of destruction is the reversal of the law of creation.”

Basically, after the thought construct of a (Tulpa) Golem is encountered within a lucid dream it can then be fixated into material form, such as a ‘stone girl’ upon which the sorcerer focuses upon, like that of a Voodoo doll; wherefore you have the motif of a Genie in a lamp/bottle.

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This process of a (Tulpa) Golem creation can be reversed of dispersal, when to return back to the source. Or to otherwise transform a symbolic stimulus into another form of expression, by reversing its meaning.

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The spirit repository of a statue is often broken so that it cannot be used by others, as well as its viral-meme influence being dispelled; likened to that of the sacred swastika of the Hindu’s, to break apart, by transforming it into a hated Nazi icon.

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Back in 1625 Joseph Delmedigo relates that: “many legends of this sort are current, particularly in Germany.”

These German folktales invariably led to Mary Shelley creating her Germanic Golem of a Fankenstein, who may have come across the earliest known written account of how to create a Golem, which can be found in Sodei Razayya by Eleazar ben Judah of Worms (1165–1230).

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The myth of the Olympia mechanical doll of a Golem, and Shelley’s Frankenstein has very much influenced the artificial intelligence movement.

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Now, let us look at the Hebrew word for ‘truth,’ being Emet, which contains the first: Al-ef, middle: Nun, and the last letter of the Hebrew alphabet: Tav, indicating that the ultimate ‘truth’ is associated with, birth/beginning, your present life/existence and death/end.

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Basically, Emet is associated with the process of ‘time,’ in particular, of an ‘abstract,’ which is inextricably linked to ‘space,’ as in space-time. However, ‘time’ is usually perceived to be linear by our nervous-systems, which Albert Einstein to have stressed is an illusion.

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Time is actually happening simultaneously, because it is looped, should space be a sphere. What you then have is a sphere of time, which in two dimensions is described by a circle, the ancients symbolised as a snake eating its own tail, called an Ouroboros encircling an egg representing space.

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The Ouroboros is also depicted as a Lemniscate, or that of a Moebius strip, which indicates that your existence endlessly repeats of Eternal Recurrence.

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In the Tarot, Al-ef/Aleph is the Fool: 0, Nun is Death: 13 and Tav/Tau is the World/Universe: 21. Al-ef (Fool) of a ‘0’ is your return (birth) back to a recurring cycle.

But you have forgotten what you have already experienced many times; hence that of a clean slate, driven, on automatic. Like that of a body, without a head.

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The problem, is that you will end up repeating everything, like that of a pre-programmed (Golem) automaton, until you remember certain key memories, which will be initially experienced as déjà vu, and as precognitions. These trigger memories tend to be associated with emotionally charged sexual encounters; whence you have the motif of soul-mates.

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But it will not be a case of remembering past-lives or seeing into the future, such a perspective is (foolishly) linear of a ‘fence;’ it will be more of a case that you are remembering the endless Ouroboros cycles of Eternal Recurrence; yet your initial realisation of this, will be that of an abstraction.

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When you start to remember, to slowly conceptualise, your conscious mind will often not be able to handle the full impact of its experiential reality.

Whereupon you either quickly forget, or your subconscious mind otherwise transforms your awakening into symbolic conceptualisations, which is most often interpreted as being past lives or as precognitions.

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An analogy would be that a programmed (Golem) robot starts to become sentient; but only when it remembers of Knowledge, otherwise it stays as a blissfully ignorant programmed (Golem) robot in its repetitive Eden.

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The middle letter of Nun (Death) equates with the head of the snake eating its own tail, where you are both alive and dead simultaneously, as indicated by Schröedinger’s cat experiment.

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This can be personally experienced when you achieve (split screen) hypnagogic trance, where you are between (Land/Life) waking and (Water/Death) sleeping, wherefore the letter Nun means, ‘fish,’ describing (Mud/prima materia) an ‘amphibious’ state of consciousness. The hypnagogic (Mud) state is analogous to a (Golem) robot being able to hack into its own (Land) programming via the virtual reality of its (Watery) electron dreams.

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Tav (World), it is here that you realise that your experiential reality is an illusion, which can be otherwise termed as being a ‘simulated reality,’ the Hindu’s call (Mother/Vesica Pisces/Vagina) Maya. An analogy would be that of an artificial intelligence (Golem) existing in a video game reality becoming aware of the (Emet) ‘truth’ of its simulated existence.

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When you become aware of your simulated existence at ‘Tav,’ you also become aware that you can create (Tulpa/Golem) simulations when to access the (amphibious) hypnagogic (Mud) state out of which (Tulpa) thought-forms (Golems) can be created. These (Tulpa) thought-forms (Golems) can manifest into material existence over time; more so as viral-memes.

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The initial embryonic existence of a Golem is within your amniotic (Watery) electron dreams, which after being (Land) programmed, is then activated via (Mud) hypnagogic (amphibious) trance. The Golem then starts to become more substantial, inducing pre-programmed (microcosmic) lucid dreams, which are illuminated by the bio-photon emanating from amidst your mitochondrial DNA.

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This leads to concordant (macrocosmic) synchronistic feed-back-loops as well as instigating poltergeist phenomena and even physically manifesting at certain key-times as a ghost. Wherefore a Maharal can create a (Golem/Tulpa) ghost girl to (Skinwalker) haunt the (Tau/Morphogenetic field) locale of his antagonists, whose physical spirit repository would be that of ‘Charming Stone Girl.’ Like that of a ‘Wild/Strong’ Rusalka genie, being conjured out of a bottle as an Entartete Kunst Wilt-Ahwa Valkyrie, furiously riding an Ouroboros cycle of a cog wheel gold bicycle, holding onto a bouquet basket of fish. As mentioned prior, shocking ideas (Bellmer’s Doll/Golem) take on a Tulpa life of their own, which to thence spin the electron dreams of the collective, because they are empowered by the (prima materia) emotional charge of the shocked audience.

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