Archive for deified animus

MORGANA LE FAY HIGH PRIESTESS OF DA’AT AVALON

Posted in Art, Chaos Magic, Cosplay, CREATIVE WRITING, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2016 by FAUSTUS CROW

As Babalon Hermione entered the spiralling tower of her all girl’s Goetia convent school of Succubae; she mumbled to herself, “I feel like an out of place Alice in Under-land within this infernal Cabbalistic hierarchy of planetary classroom spheres. Maybe that is why I keep on getting into so much trouble in Da’at Avalon. I just don’t fit in anywhere,” she said to herself.

Hermione knew that the Grand Abbess Morgana le Fay, whose favourite head-girl is Mephistophina, awaited her forlorn arrival for detention upon the ’13th Floor’ of Gimel-Ot. Hermione’s fumbling hands attempted to balance a half eaten Avalon Apple behind her back, in the hope that she could bribe Morgana to go easy on her pert backside.

But in her nervousness Hermione dropped its sweating mass. She watched the Apple corpse out of the corner of her blinking eye, as it rolled its erratic way across the cold chess-board floor, of cracked granite blocks.

Morgana is not at all impressed, as she silently observes Hermione’s tripping entrance, who, sadistically smiles. She looks like a Raven, eclipsed by shadow, as she stands behind an ancient oak desk, whose legs are carved into raging Tibetan Buddha’s, which are hungrily eyeing up Hermione as a potential vore meal.

“It has come to my attention… my dear… that you are using your Spell sung words… to weave… dissonance… among my other Succubae students.”  

Hermione noticed that Morgana artfully uses spaces between her words, which to cut through the silence, like a sacrificial Athame. “All of my other eight Olympic sphere sisters, Moronoe, Mazoe, Gliten, Glitonea, Gliton, Tyronoe, Thiten, and even Thiton have reported that you have been a very naughty little princess in their Sephirot classes. At this rate, how will you ever be able to find a sorcerer to service you with his erect wand… you do know that you will not survive without its ejaculated emotive ‘charge’ to ‘spin’ your electron dream presence, don’t you.” 

“Yes, I know Mistress… I am studying very hard, those arts, which will lead me to the creamy wand to suck off and to ride as my broomstick, just like my sisterly Witch Nuns,” Hermione replied. “so you say, my dear.” answered Morgana, “however, it is patently obvious that you are not trying hard enough, which has been further exacerbated by you… disturbing your Genie sisters… Tantric studies.” Hermione also becomes aware that Morgana’s Athame of a forged mind, always thinks, before speaking, of pondered breaks, prior to uttered words; though subtle, it lends to her speech, an impact on every word Spell spoken, which of conjuring quality, is almost like the arising silky tone of a wise serpent’s inevitable bite.

“But.. but, Mistress…” Hermione to mumble, while staring at her nimble left foot of scraped shiny shoe, scraping the checker board floor, as if attempting to dig a very deep wormhole, so as to fall into. “I did not intend to, affect the perceptions of the other Succubae students… I was just telling it the way… it is… Mistress.” 

Morgana goes silent, her sea green eyes pierced into Hermione’s very soul; then, Morgana snarls. “Telling it… the way… it is,” Morgana to repeat her words, scornfully. “Pray tell, me… little Ghost Girl… what this, way it is… is… of a Spell?”

“I am afflicted… Mistress… with an affliction, which afflicts me.” Hermione to near tearfully answer, in the hope that a tear drop upon reddened cheek will soften Morgana’s sharp beak.

“Afflicted…” Morgana to shake her ruffled horned head of a black pitch crown, to then question, “Afflicted with what?” 

“I am afflicted with…social anxiety disorder… and… clinical depression… Mistress; I can’t help it, Mistress.” Hermione to answer, while looking down at the granite floor, avoiding Morgana’s piercing green eyes.

There was a long silence before Morgana to snarl; “I would never of guessed it… nor to have even fathomed it as a sorceress… until you attempted to hypnotise me… let us not forget, all the other… Succubae students of my Da’at Apple lore Goetia school… who you have, duly hypnotised with your Spell of ‘belief’… before they even got to know you…. Now my dear, they all see you as having an affliction, which empowers your internal… ‘Self Image’… as being the afflicted.”

Hermione did not know where to look as she continued digging at the floor with her shiny shoe tip. “But… but… that’s what the Muggle doctors said… that I’m afflicted with… Mistress.”

“MUGGLES.” Morgana to howl, as she claws the round Zodiac tabletop with her Queen Bee talons. “Don’t you realise, that if the Muggles had their way.. they would pigeonhole us all, as being raving loons… suffering from varying mundane mental conditions… castigating us into their Holy-wood brick walled Masonic asylums of controlled mediocrity.”

Hermione looks down at the floor. “But… but, Mistress… I, I feel…so, Strange… ever since I left my mortal coil, finding myself here, in Avalon as a Goetia Ghost Girl. I just don’t seem fit into your Beehive; I can’t communicate what I really feel into my… Spells… it’s so, so confusing. I didn’t mean to hypnotise the other Succubae students, to see me as the afflicted; but, that’s what I was told, when I was alive… by the… Muggles. 

Morgana places her left hand over her face, in an attempt to steady raging thoughts; “Alas, my dear… in your once mortal attempts to no longer feel like an outcast among the mundane Muggles… around whose brain dead mob, you felt.. so, very… Strange… you had inadvertently allowed yourself to be influenced by the inane Muggle priests… in order to feel that you belonged to one of their pigeonholed, Ring-Pass-Not’s… but, without realising it… you have since hypnotised your fellow Succubae, who, as you are very much aware, are all of the… Strange.” 

Hermione decided to brave the situation, by craftily disengaging Morgana’s inquisitional dagger eyes away from her battered soul, to elsewhere stare, by quizzically enquiring, “Is Faustus Crow of the Strange too, Mistress?” Morgana, nearly trips over a raging Buddha leg of her table. “What? Why are you speaking of… Crow?”

“I’ve noticed his Tantric graffiti all over the cracked walls of your Silver Star school; especially in the Witches dormitories; I’m, just trying to understand what, Strange, actually is of a quantifiable example… Mistress.” Hermione to ask, half smiling to herself, as she observed Morgana’s face blushing Rubedo red; she appears to be experiencing an involuntary Nigredo orgasm, which ripples through her taken aback, autonomic-nervous system, of dark ecstasies. Morgana then graspingly takes hold of her heavy black Yew chair of carved Anubis hand rests, to slip into its steadying depths, remembering the Albedo Dog days of Sirius, when Crow penetrated her moist honey isle.

Morgana then slowly looks away from Hermione, as she answers; “Crow is the strangest of the Strange, who rages against the establishment of the Conquistador. His nature, is rebellious. of Zodiac sign.”

Morgana continued, “Crow does not care at all, what the Muggles think of him… even when as a Changeling Childe, he had consistently played truant from their temporal schooling… nor is he unduly concerned about what the Muggles to now say, about his Heyoka antics of artistic sorcery. Hence, Crow is an Avadhuta outcast in their world… who, I might add, has been pigeonholed by many a brainwashed Muggle priest of their Animus deity, as being quite mad, let alone being utterly insane… or far worse.”

Hermione, noticed that Morgana was stroking herself with a Crow feather, while licking her lips with a long serpentine tongue, “there are even a number of brain-dead unimaginative Muggles who believe Crow, is possessed by demonic entities.” 

“Is that what being Strange, means… do I have to become an outcast, too… Mistress?” Hermione to worriedly enquire.

Morgana goes silent before answering; “I must say… there are differing Runic degrees of the Strange, my dear. What Masonic level of the Strange you choose to be… will be determined by your own inner truth as a… Succubus Witch… to not fear, expressing who you truly are of Genie nature, and in so doing, learning about yourself, in the process…. rather than attempting to be what the Muggles considered as being, acceptably normal, which made you fall asleep as a sleeping beauty; or to be otherwise labelled as being upon their rung of a Jacobs ladder, so that you could have been fitted into their Holy-wood TV land… of dull eyed, shiny herd-mind cliques.” 

“In your constant attempts to be what the Muggles said you were of an illusory label, you ended up ‘believing’ in their curse, which led to you taking your own life… didn’t it not. Now you are here, within my Lilitû school of Avalon, where you have to learn to dispel their brand upon your branded soul, so that you can awaken.” Then there was silence, as Morgana gathered herself up from her chair, as an inky black shadow, who steadily moved of calculated steps towards an iron maiden, within whose opened guts of blood rust metal, Hermione noticed Morgana’s collection of canes, which made her bite her lip near red raw.

“Damn it, damn it, damn it” Hermione to have howled out within her St Trinian mind; I forgot to put on a pair of Slytherin briefs, this twilight, of punishing onslaught, betwixt and between the crucifying pylons of Moon and Sun… Oh! By the name of the Goddess, save me!”  

Morgana becomes aware of Hermione’s under-dressed dilemma, “the Goddess will not save you my little night-mare whore,” she then questions her iron maiden; “What am I going to do with such a difficult student? Perhaps I will use the biggest, longest and thickest of girth cane I have, of most ancient usage, whose tarnished grey wood has been laid upon many a pert behind of fifty shades, of reddened peaches.”  

Then, as if shot by a Vajra bolt of inspiration from out of the blue penumbra of the Moon; Morgana decided to place her grey cane of a biting tooth, back into the maiden’s guts, who to otherwise pick up a gnarled grimoire from a dusty shelf. “I know, what to do with you, of educational punishment, you can deliver this tome to… Faustus Crow.” 

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Morgana hands Hermione a book, which is, entitled Lilith’s Harem, she to notice has been authored by Crow. Hermione cannot help herself of feline curiosity to open the book up to the first page, which has been personally signed and inscribed to Crow, by a Witch, whose name she instantly recognises.

Hermione to uncontrollably scream; “By the Goddess, it has been signed by J.K . Rowling, herself, of living gold dust… Mistress!” 

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Morgana to impatiently snap; “Yes, yes; don’t get your Witch’s knickers in a twist; Rowling is too of the… Strange; her writing style is not too different to yours of artistic expression… for you to go far beyond of a Ring-Pass-Not… if you desire it so, as an inspiring Muse of the Gunas. You might even be able to open up the seven Dwarven smithy Chakra seals along Crow’s tree, should you ever awaken… my little serpentine, Kundalini Shakti Mercurius, to thence gift him your sweet Mercurial Apple of a Philosophers Stone third eye. That aside, don’t tell anyone about Crow’s autographed tome… it is a secret; wherein you will find my alternate name.”

Hermione stands before Morgana, grinning like a Cheshire cat, to then ask; “where, do I find Crow?”

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Morgana answered; “You can find Crow within the enfolding shadows of the Goat Head Inn; he is usually by himself… quite alone, as he manifests visions within a black book, who is quite partial to Lady Killer Rum, which is of deepest red; likened to menstrual blood, of Rubedo colour… such be his alchemical poison; although, he has a preference for Cider, who to have drunk deeply of my bald, smooth grail… many a delicious time.” 

Hermione to gibber, as a horrifying realisation hits her; “Oh! By the blessed Goddess… Mistress; but… but… the Goat Head Inn… is along the Tarot path… of the…” 

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Morgana cuts in, “Yes indeed, my dear, you will have to service Crow as his most loving Goetia Girl Succubus within his dreams; catering to his every whim; just as every bat winged Goetia Nun does so, who worship him as their Lord… that is your… much needed… punishment!” 

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THE SUCCUBUS TORTURE CHAMBER OF LILITH’S HAREM

Posted in Art, Chaos Magic, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 6, 2015 by FAUSTUS CROW

Most of the spirits, which are listed in the grimoires are described as being male entities, which are essentially archetypes of the deified Animus, made as a God and Devil.

However many of these grimoire spirits were originally one time deities of varying cultures, which had been dominated by the monotheist worshippers of the deified Animus.

This led to their ancestral-self-identities being demonised of symbolic bondage.

There is little or no mention of female spirits, in the grimoires, which are the archetypal manifestations of the Fallen Anima.

Although when such are mentioned of one time prior (Anima) Goddesses, they are seen to be enslaved male entities in disguise.

The religious foundation on which the overriding focus upon the male gender is based, is indicative of an underlying sexual orientation. Hence you have the deified Animus.

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This underlying sexual orientation becomes more obvious, when the grimoires communicate that a disobedient spirit will need to be severely punished should it not manifest before a magician, which leads to a certain active-imagination technique being employed.

The technique is described in most grimoires of similarity, which involves cursing the spirit with varying exorcist expletives along with flagellating, whipping, burning, tearing and ripping apart the seal of the disobedient spirit, with the intention of destroying its ethereal flesh within the torture chamber of the magician’s mind.

Or at the very least, curse the spirit into the deepest nether depths of an indoctrinated collective unconscious perception of a Hell. And while doing so, the spirit suffers the dreadful torments of the conjurers meted out punishments amidst its spiritual sphere of a (Lilith’s Harem) dream abode.

Of course it doesn’t make sense symbolically or even literally, should the conjured entity be seen as being an ageless creature, whose powers go well beyond that of the mortal conjurer. Not even howled out religious curses, from any exorcist text will affect its archetypal existence, since its ancient nature pre-dates any simplistic human conceptualisations of the great mystery, of which, the conjured entity is more privy to, than that of any transient mortal.

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So, why would an inorganic intelligence allow its self be tortured by a carbon life-form of a naked ape? Well, you will have to apply some psychology to the matter, whose science was originally derived from the practice of Magic, just as Alchemy led to the science of chemistry. It is because, the technique is utilised to force subconscious material to the surface of the conscious mind of the conjurer, which sometimes requires forceful means to do so.

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The employed technique had originally been appropriated from shamanistic practices, which of a symbolic act is engaged in to attain hypnagogic trance. The state of hypnagogic trance is accessed when becoming physically exhausted. The exhaustion is attained, while raging at a two-dimensional image of a spirit seal, so that a particular emotional charge is generated.

The intensity of emotion is required in order to break through limiting beliefs of cultural brainwashing. Certain ingrained beliefs can block the conjuration of a visualised archetype into its chained manifestation of an imagined form, which leads to self doubts formulating along with dispersing the emotional energy.

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The emotional energy needs to be cohered into a laser beam of a ‘forceful’ focus, which will then determine the eventual three-dimensional expression of a spirit within a lucid dream.

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When you reverse the Animus fixated all male symbolic paradigm of the Playgirl grimoires to that of an all female Lilith’s Harem paradigm, of the Fallen Anima, the underlying sexual orientation becomes far more apparent of sadomasochistic bondage.

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However, you may have to ‘force’ the issue of a rebellious reversal, since your ingrained beliefs concerning an all male symbolic paradigm of the deified Animus will invariably block its manifestation amidst your Triangle of Art Imagination.

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This is further exacerbated by an indoctrinated collective focus upon its egregore form, which subliminally influences the collective unconscious, and in turn your subconscious mind.

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Although, many a mind will be morally outraged by such symbolism, it is not externalised of a hedonic activity, it is otherwise internalised of ecstatic active-imagination. The symbolism is employed in order to establish a connection with the feminine ‘Anima’ domain of the dream.

PS Calendar Template 2005

NOTE: There will of course be many a mind who will not be able to disengage their projected externalisation of the described technique, to otherwise castigate it as being vile pornography or to indulge themselves in base instincts. Others will point out that the practitioner should show loving respect towards the conjured entity amidst the Triangle Of Art Imagination, who will do so, by showering gifts upon an altar of fluffy Newage feminist devotions. However, the feminine nature of the ‘Anima’ can be fathomed when observing her fleshly counterparts, who have a cross-cultural liking for Bad-Boy Beasts of a genetic imperative, and what is more, the ‘Anima’ has to be ‘internalised’ as well as ‘controlled.’  

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A Witch likewise has to do so by learning how to internalise her deified ‘Animus’ made as a God and Devil, in order to Playgirl Grimoire ‘control,’ otherwise, she’ll end up being blindly led by her externalised ‘Animus’ projection upon a Beta-Male Good-Guy Christ to invariably Crucify, or by an Alpha-Male Bad-Boy Devil, who will 50 Shades Of Grey dominate her!

DISCLAIMER: Should you engage in such dark erotica active imagination exercises in order to indulge your Christian Grey shadow; just keep in mind that the realm of the dream will reflect you back of a probable reversal concerning your self-sacrificial messianic complex, which might lead to you being crucified, whipped, and verily upended by Judaeo Christian Chippendale Demons, dressed as Roman legionnaires.

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But then, this may be just up your patriarchal alley of a Nightmare kink; if so, go right ahead. This is more so the case, if you otherwise be a 50 Shades Of Grey, Christ loving, Oprah Winfrey Witch Nun, subconsciously desiring to be Twilight bound to a feminist cross, by oiled up Angelic and Demonic Incubi.

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BELPHEGOR DEMON GIRL: SUCCUBUS OF THE LOUVRE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Belphegor is a Velvet Buzzsaw Daemon girl who enables a Sorcerer Artist to make many a discovery, like that of an inspired electric Eel of a Nikola Tesla having visions.

She also seduces a Sorcerer Artist via his lucid dreams by suggesting to him surrealistic creations, as his most wanton Art Muse.

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She is a Succubus archetype of the Fallen Anima, who can be consciously conjured within a lucid dream, wherein she becomes as an interactive Art Muse reality.

The patriarchal death metal cultists of the deified Animus, whose Babalon Playgirl grimoires list only Right-Hand-Path stroke Chippendale Great-Beast archetypes, miss out on all the Left-Hand-Path stroking Playboy grimoire fun.

The minions of the deified Animus are somewhat unaware that behind the ghost mask of Belphegor, she is a Parisian Succubus archetype of the Fallen Anima.

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And a very rebellious poltergeist she is too, whose Genie Bottle abode is the Art gallery of the Louvre.

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But then, what do you expect of the death metal OTO priests, who are far more into conjuring up Incubi Angels and Demons dancing around their deified Animus, made as a phallic God and Devil.

Little wonder then that Holy-Wood’s indoctrinated fixation upon the deified Animus is into the Crowlyean fluid sexualities of the androgynous hermaphrodite to make political, while castigating the Fallen Anima as being mere Velvet Buzzsaw porn, or to otherwise make out she’s a celibate Virgin Mary.

The Belphegor book explores the historical background and symbolism associated with this Succubus archetype of the Fallen Anima, and how she can be conjured amidst the Triangle-Of-Art Imagination of a sorcerer, which leads to her Tulpa manifestion within a Sexagram lucid dream, to take much further of an erotic Coitus Pactum exploration.

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Should you ever meet up with a crazy French lady upon a Succubus synchronicity, said woman may claim that she is the Tulku incarnation of the ancient Egyptian Goddess Ahathoor, who has been conjured into flesh, via the mass mind focus upon a mummified Belphegor, haunting the Louvre…

Boris Karloff and Zita Johann in 'The Mummy'

Don’t worry about it; just whimsically say that you are a reincarnation of an ancient Egyptian sorcerer, who has been hunting her down through the aeons to possess. So, you always knew where she came from, to reawaken out of her fleshly sarcophagus.

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Then invite her back to your Arkham asylum Art studio, and everything will be okay, of an Ouroboros soul-mate dance; for it takes two to trance tango naked through the Sirian stargate, when the Animus and Anima Coitus Pactum unite.

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This is especially the case if you then to engage in the Tantric practice of the Velvet Buzzsaw, which of Sex-Magic street Art slang means performing cunnilingus by trembling your head quickly, laterally, allowing the tip of your tongue to rapidly clean her Sirius star-gate of a clitoris.

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But, if you get on the wrong Belphegor side of Ahathoor, you will soon find that she has very sharp, feline claws, whose Velvet Buzzsaw becomes a… vagina dentata Buzzsaw.

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Such an end will invariably lead to you becoming a Hoboman, or very dead, and quite unknown. You might even leave behind a will to indicate that your Artwork is to destroyed, since it is the spirit repository of an angered Art Muse, Belphegor.

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Although, Belphegor to purr as a playful remote viewing Kitten, when she laps up her Artist’s cream, since AHA-thoor has a spirit bondage liking for an older Sorcerer Artist with a Crow-Ley wizard beard, who desires to paint her Playboy grimoire portrait, via which she becomes Louvre immortal as the Anima in the living Art Muse flesh.

ANIMA/YIN +COITUS PACTUM+ ANIMUS/YANG = TAO

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NOTE: In a heterosexual relationship dynamic the male projects his Anima upon a woman, and she likewise projects her Animus upon him.

This Anima – Animus projection is usually done unconsciously, without realising why they are actually attracted to one another. The attraction is due to the unconscious influence of the Anima and Animus.

The inner archetypes of attraction is also applicable to those of other sexual orientations; whence the archetypes of the Anima and Animus are for them, reversed. 

EXERCISE: Ask yourself who would you consider to be your perfect partner? By doing so, you are Conjuring up the Anima – Animus.

1: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are seriously speaking to an audience, like that of a salesperson describing the latest snazzy product. You want your imagined audience to believe you. Write it down.

NEXT: After you have done the above, take five minutes out, by watching a funny kiddies cartoon and lighten up. Hell, take it even further, have a pillow fight with your imaginary childhood friend looking like a Pooka. then onto 2:

2: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are telling a fairy story to a child. Write it down.

NEXT: After you have done the above, take five minutes out, by having a coffee, while munching a snack; basically, totally veg out, without a care in the world. then onto 3:

3: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Be brutally honest with yourself. Write it down.

You will very likely find that the third part of this exercise will contradict the first part. It is the third question that the Neuro-Marketeers would consider as being the voice of your unconscious reptilian-brain drive, which actually determines your actions. It is here that the archetypes of the Anima and Animus resides.

What is more, the reptilian-brain thinks in (Anima – Animus) symbols, not words, which is directly connected to your optic nerve. So, first impressions, when meeting someone determines the nature of the attraction, or, as the saying goes, falling in love at first sight!

 

NOTE: Should you not be aware of your inner self-image, you can utilise the above exercise in the same way, when to ask yourself the question, “who am I?” However, the conjuration of the Anima – Animus, will reflect back how you see yourself in relation to their imagined images. Basically, the Anima – Animus mirrors back those qualities you have, or seek to attain. 

Overall, the symbolism of Belphegor is the Anima counterpart of the bearded sorcerer, who works through his own shit!     

The grimoires do relate that Belphegor is associated with relationship dynamics, which is said, she observes. 

BELPHEGOR: MYSTERY OF THE LOUVRE PYRAMID.

BELPHÉGOR: GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

The 2014 published book, Belphegor Demon Girl: Succubus Of The Louvre, can be obtained via Amazon. Click Here. 

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OROBAS PONY GIRL TARDIS TIME MACHINE OF DR WHO

Posted in Alien, Art, Chaos Magic, Dr Who, Extraterrestrial, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The fifty-fifth Succubus At Muse of the Fallen Anima is Orobas, or otherwise named Orobasi. She is a Great and Mighty Goetia Princess, appearing at first as a ‘Night’ born hypnagogic vision of a ‘Mare,’ when the dreaming Surrealist Artist hovers as a psychonaut between waking and sleeping.

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But after the mantric command of the dreamer, she puts on the ectoplasm form of a beautiful naked young woman riding upon a Rocking Horse or to be on all fours to look like one, of a human dream manifestation.

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Sometimes she will manifest as a bound Steampunk Pony-Girl within an attained lucid dream, who will be entirely submissive to her conjuring Surrealist Artist’s every visionary whim.

Her conjuring Surrealist Artist will also find that Orobasi’s long hair will be braided into two serpentine ponytails, which are as her reins tied together at their ends, representing a closed timelike curved loop of Time.

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Her office is to discover all things Past, Present, and to come; enabling her conjuring Surrealist Artist to remote-view travel without moving within a lucid dream, whilst riding upon her ‘Art-Horse Easel’ back through time, around the Ouroboros.

And all the while, she be in the Anima form of a Pony-Girl Rocking Horse.

She also bestows Dignities, and Prelacies, and the favour of Friends and Foes. She gives true answers about the nature of Consciousness, and of the erection of the Universe.

She will also tell her conjuring Surrealist Artist about the hard and soft technology of Time-travel; for she to reveal that all are enclosed within a closed time-like curve providing a Time Machine effect, over which she is a mistress of.

The Multiverse allows for such Time-Travel, within which you exist. The long-held paradox of time is no longer applicable in a Multiverse. Whence to find that your own serpentine double-helix DNA is the primordial Time-Machine of a ‘Mitochondrial’ TARDIS, from which emanates the ‘bio-photon’ illuminating your electron dreams.

You can introvert your consciousness into your electron dreams in order to access inner Stargates, which you can otherwise describe as (vortices) ‘tunnels of light.’

Although these Stargates will be symbolically interpreted by your quantum computing brain to look like ordinary (vaginal) doors and (uterine) hallways of everyday experience, which will lead to other (womb) Maya domains.

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You can ‘Quantum Leap’ backwards through Time in order to visit your own self as child via the dream, who then to have precognitive dreams of a future self to become.

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Orobasi is exceedingly faithful and most loving unto her conjuring Surrealist Artist who assumes the alternate-guise of Doctor Who, as his assumed ‘Role-Model’ of an Avatar.

She will not allow her Artist to be tempted by any other entity emanating from another alternate reality, existing within a parallel Universe. She governs 20 Legions of (Succubae) Succubi of similar Pony-Girl form to herself.

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Orobasi (Orobas) is of similarity to the eight-legged-mare, the shamans of North-Central-Asia unto Siberia knew of to trance ride. The eight-legged-mare was also ridden by the shamans of Northern Europe who named her Sleipnir.

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This eight-legged-mare of a spider horse was specifically ridden by the Norse Shaman God called Odin, the Saxon’s knew as Woden. Sleipnir enabled Odin to ‘trance’ travel the ‘Multiverse’ World-Tree of Yggdrassill, like that of a prior Dr Who riding his TARDIS.

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During the psychedelic era of the 1960’s, Dr John C. Lilly had once again tapped into the same ancient shamanic technique via his mathematical Sigil of a Brownian Operator.

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However, Lilly of an Odinic Doctor Who, had otherwise replaced the organic symbolism of the shamans-horse, and world-tree with the mathematical Brownian Operator and Topquantese language of scientific inquiry.

Lilly soon found that via lucid-dreaming you can access Un-Marked-State ‘Looking-Glass’ Stargates, which could be all as (quantum) mini-wormholes.

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These mini-wormholes are conjectured to be at the centre of electrons, which of inner doorways can be accessed within your electron dreams. This is entirely possible, since your consciousness has been reduced down to a point, smaller than any known particle, within the electron dream.

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Lilly discovered that he could access other Marked-State alternate-realities existing within parallel-universes, when to transverse an initial Unmarked-State of a void.

Lilly’s findings were initially ushered in upon the back of the mathematical symbol of the Brownian Operator, when he found himself internally travelling into other realities, while he was in a coma, after a life threatening accident.

The Brownian Operator symbol looks like an inverted ‘L,’ which of a (knight’s chess piece move) trigger-symbol his consciousness rode, when he later floated amphibious within the amniotic waters of his (TARDIS) floatation-tank, like that of the King’s Sarcophagus amidst the Giza pyramid.

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Sounds like pure science fiction, doesn’t it. I can assure you it isn’t. Speaking of science fiction, which often catches up with fact, the fictional character of Dr Who is based upon (Woden) Odin, the author, J.R.R. Tolkein had also based Gandalf upon.

The shamanic deity Odin was known as the ‘Unknowable One;’ wherefore he has many guises, like that of the Doctor Who’s Marked-State regenerated selves, whose character went through many Unmarked-State transformations.

Odin’s sacred colour is Blue like that of Dr Who’s TARDIS; his particular Rune is that of the Fourth Rune of Ansuz, which at a mundane level is to do with communication, equating with a phone box, as well as encapsulating his shamanic ability of trance travelling into other Marked-State alternate realities, to police as a (doctor) Shaman.

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The symbol of the eight-legged-mare was used in the same way as the Brownian Operator by shamanic practitioners. The eight-legged-mare was basically utilised as a trigger symbol in order to introvert into their subconscious via consciously meditating upon the organic symbolism of the Mare. This would then enable the initiation of lucid dreaming, when the symbol was recognised within the dream.

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When the shaman recognises the introverted symbolism of the (Pony-Girl) eight-legged-mare within the dream, he could then ride her into other realities. The eight-legged-mare is essentially made up of two mares, one white, the other black. Both of these mares represent the Marked (white) and Unmarked-States (black) of Lilly’s Brownian Operator; whereupon, in regards to (Orobas) Orobasi, you have two Pony-Girls.

These two Pony-Girls are also associated with the right and left nerve channels running along either side of your (Yggdrassill) spinal-column. These two nerve channels belong to your Autonomic-Nervous-System. When they are brought into balance via the practice of meditation you experience a state of (hypnagogic) trance.

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When hypnagogic trance is achieved, the two mares become one, as the (Grey) eight-legged-mare, who represents the central channel of the spine, which is associated with your Central-Nervous-System. As you access hypnagogic trance, you will experience an energy arising up your spine, along the back of your neck, which then hits the back of your head.

This arising of energy along the back of your neck in particular, is known as the ‘rush’ in trance dance culture; it is indicative of the arousal of your Reticular-Activating-System, which is based in the throat area of your reptilian brain-stem.

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In Yoga practice, this energy is known as the Kundalini Shakti, which is seen to have a female (Mitochondrial DNA) source; wherefore it was often personified as a (Shakti) Goddess whose (Kundalini) energy is symbolised as a (bio-photon) fire snake. The Kundalini Shakti is basically the eight-legged-mare Sleipnir, which can be otherwise artistically depicted as a Pony-Girl Orobasi.

So, the sexual fetish of the Pony-Girl can be artistically utilised as a meditative focus, when given a spiritual context. This is basically symbolic alchemy, which of course also involves the sexual impulse.

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The sexual impulse is introverted in league with your focus upon the two-dimensional image of a Pony-Girl, which will then (Charge) empower you to become lucid of awareness within your (Spin) electron (Lilith’s Harem) three-dimensional dreams.

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This technique is none too different to a Tibetan Yogi meditating upon a two-dimensional image of a Fallen Anima archetype, depicting the Horse headed (Succubus) Dakini, called Ankusha to then manifest as an interactive three-dimensional reality within his lucid dreams.

The only difference is that you would be using modern symbolism to do likewise of Artistic Sorcery.

If you prefer to traditionally conjure up Orobas as an Incubus, out of a commonly focused upon Animus fixated Playgirl Grimoire, go right ahead.

It is of course your traditional choice of an ingrained phallic fixation upon the woman’s deified Animus, made as a God/Devil, to do so…

Your Mind belongs to you… doesn’t it? I mean, you wouldn’t want to turn Crowley tit-over arse in his grave, heaven forbid; such a Beastly thing would be pure wickedness.

Otherwise you will end up being ostracised by your herd-mind peers, let alone by the OTO as being a depraved, perverse, vile and a most ‘Wicked’ pornographer, who indulges in juvenile Anima conjurations of salacious (Succubae) Succubi.

Hell! You may even be accused of being a disgusting paedophile or even to be in actuality a feminist Witch belonging to a coven of deranged Chaotes!

Probably best that you stick to conjuring up machismo Angels and Demons, of a safe comfy zone Animus clique, just like those Hollywood gender-fluid Incubi uncle Aleister illustrated in his Playgirl Goetia.

Don’t think for a moment that Crowley didn’t ritualistically whack off his meat, when he to have conjured up his phallic choir boy Incubi to dance orgiastic around Boleskine house.

You have to keep in mind, Crowley was bisexual; and very brave for him to have admitted to his sexual orientation at a time, when such a revelation would have landed him in jail.

Wherefore, Crowley didn’t have any interest in reversing the all male Biblical pantheon of the deified Animus; for it was right up his Cabbalistic alley.

As for myself I far prefer to rebelliously conjure up the Succubus Orobasi out of my Playboy grimiore, to thence manifest amidst my Triangle of Art imagination, as a Sinful Pony-Girl Dakini TARDIS.

But then, that is what an Artist does of a natural inclination, when to visualise an Art Muse of an imaginative conjuration, to thence manifest as a work of Art. The intensity of the creative act then leads to stirred associative dreams unto Sexagram sixth-sense lucidity, as well as observing correspondingly concordant synchronicities.

In other words, the practice of Sorcery is indivisible to the practice of Art, they are one and the same of shamanic practice. Hence you have terminology, the Magical Arts and the Art of Magic. Wherefore the first Artist was also a Shaman.

NOTE: The controlled mass-media transformation of the iconic male role of Doctor Who into a female character ignores the most obvious biological driven fact that women are sexually attracted to certain archetypal ‘Animus’ characters, such as the Surgeon, Doctor and Wise Man, who symbolically equates with the Shaman.

Many a woman has the ‘Animus’ hots for a male Doctor Who of a Mad Hatter Wizard, with whom she imagines herself as being his sexy assistant of an Alice, experiencing science-fiction Wonderland adventures.

It is the women who define those male role-models men gravitate towards, so that they become more attractive to the opposite sex. Wherefore it is the female audience who determine, which male characters become successful.

By transforming Doctor Who into a female, whose politicised existence is to espouse politically-correct feminist politics does not empower women, it merely negates their ‘Animus’ focus, along with erasing an iconic male ‘Role-Model.’

By transforming Doctor Who’s female assistant into a sexless non-binary, having butch characteristics. or otherwise being that of having an effeminate Beta-male assistant, invariably negates an ‘Anima,’ archetype.

It would have been far wiser to have created a new and original female character, having those characteristics the controlled mass-media social-engineers are promoting to see if their politicised creation survives the critical onslaught of the female audience.

But it would be more likely, such a female character would not survive into a long-haul; unless, the female audience can identify with her intelligent use of Mercurial language, as well as being a manifestation of an ‘Anima’ archetype, males find attractive.

This isn’t to say other sexual orientations cannot be explored in a one time children’s program, which should be otherwise made adult, due to its self evident swing into identity politics. But it would be far wiser that new characters are introduced with said differing sexual orientations and political persuasions to creatively explore of artistic subtlety, within varying well-written story scenarios; rather than hard-selling a social-engineering agenda.

For example, the reason why the female character of Elvira is so successful is due to her quick-witted use of Mercurial language, though over-the-top, she is cosplayed by many a literary minded female admirer, who know men can’t get enough of Elvira’s media presence.

Should Elvira’s characteristics be toned down a Morticia notch, she could potentially be seen as an eccentric Steampunk Time Lady of an Angel-ina Jolie Vampira who crosses the interdimensional path of Time Lord Doctor Who. Somewhat like that of an archetypal Witch being unified with an archetypal Sorcerer.

But then, Sorcerer Doctor Who has a Witch assistant, whom often than not helps him out of a time-warp mess; they’re a Yang and Yin TAO team. It is a tried and tested formula, which of an ancient mythic foundation has worked for fifty or more so years within the modern-day framework of the Doctor Who franchise. As the Hindu Mystics say: “A God is not a God, without his Shakti.”

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