Archive for cyberpunk

VOODOO QUEEN KIMARIS

Posted in Addams Family, Chaos Magic, Cyberpunk, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 18, 2014 by FAUSTUS CROW

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Kimaris is the sixty-sixth Succubus of the Goetia, whose name is a composite of Ki, as in ‘Kia,’ and Maris. The word, Kia is derived from the language of the Kalahari Bushmen of South Africa, which is a term describing, trance.

Whereas, Maris, is of the Latin, meaning, ‘of the sea,’ from the term Stella Maris, which refers to the Virgin Mary, the Sirius star of the sea, and the ocean of space, somewhat like the ancient Egyptian Goddess Nuit.

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Although, space in the context of Kimaris, refers to the amniotic astral ocean of inner space; hence her connection to trance.

She is also known by the alternate names Cimeies, Cimejes and Cimeries, which could be construed as being misspellings of Kimaris.

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She manifests as a goodly Mambo riding a black ’58 Thunderbird; who may appear looking like the horror hostess, Elvira, wearing a black, gothic, revealing, cleavage-enhancing gown.

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Her wickedly vampish appearance is offset by her comical character, quirky and quick-witted personality, and Valley girl-type speech out of New Orleans.

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Or she may manifest as a female version of Baron Samedi, smoking a Cuban cigar. She possesses the abilities of locating lost or hidden treasures, teaching trivium (grammar, logic and rhetoric) as well as making her master into a powerful Houngan.

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It is said she carry her master over seas and rivers very quickly in her macabre Voodoo car, which symbolically refers to hypnagogic trance. She holds the rank of Marchioness, and is served by 20 legions of Succubae.

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Kimaris can be seen as being similar to, Maman Brigitte (Grann Brigitte, Manman, Manman Brigit, Manman Brijit) who is a death (trance) lwa and the female counterpart of Baron Samedi of the Vodou pantheon.

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She has a liking for drinking rum infused with hot peppers, whose power animal is a black Rooster. Although, Kimaris probably has a Dog as her psychopomp familiar called Sirius, or Gonk.

Like Samedi and the Guédé, Brigitte has a wicked sense of Discordian humour, which tends to be liberally peppered with outrageous sexual innuendos and various hilarious obscenities.

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The over the top Monty Python humour of Brigitte, Samedi and the spirit family of the Guédé’s is utilised to remind you not to take yourself too seriously, as well as making wiry social comments about the insanity of those in power.

For example Maman Brigitte would have exposed her right breast at a Super Bowl XXXVIII, which was broadcast live on February 1, 2004 from Houston, Texas on the CBS television network in the United States, just like Janet Jackson did.

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She might even say: “It’s truly embarrassing for me to know that 90 million people saw my breast, and then to see it blown up on the Internet the size of a computer screen … But there are ‘much worse things in the world,’ and for this to be such a ‘focus,’ I don’t understand.”

HOUSTON

It just so happens, while Jackson’s exposed Entartete Kunst breast shocked hypocritical church, synagogue and mosque leaders, along with whoring politicians, whom raged and frothed at the mouth, demanding an immediate crackdown, and widespread debate on Elvira indecency in broadcasting, there was an inquiry into the failure to find WMD’s in Iraq, which damaged the credibility of the US and Britain.

However, the general public had been otherwise whipped up to be far more concerned about Jackson’s baby feeder breast, of perceived pornography, than to be worried about the pornography of a war raging in Iraq. When you see the joke, you have to laugh, otherwise you will go quite mad.

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The humour of the Guédé’s is also utilised to offset a morose state of mind, which tends to afflict those whom explore the arena of the occult, which is primarily due to their dogmatic attitude of an indoctrinated religious sentiment.

The comical antics of the Guédé’s entered upon the worldwide stage, when they influenced the dark humour of the 1960’s sitcoms of The Addams Family and The Munsters, whose characters are akin to the Guédés.

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As a New World lwa, Maman Brigitte is syncretized with various saints, including: Saint Brigid, and Mary Magdalene who protects gravestones in cemeteries if they are properly marked with a ‘solar’ cross. Brigitte originally comes from pre-Christian pagan Britain of a Woad skinned Cimmerian.

Her name originates from Brigid, the Celtic ‘triple goddess’ of light, poetry, smithcraft, and healing. It is very likely that Brigitte entered into Haiti when pagan Europeans were fleeing the persecution of their elder faith by the inquisitional church, during the genocide of the Witch burning era.

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Brigitte’s origins is revealed by a Creole song, which is chanted in ceremonies: “Maman Brigitte, li soti nan anglete; when translated is: “Maman Brigitte, she comes from England…”.

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Maman Brigitte is presently seen to be the wife of Baron Samedi, who is the Master of the Cemetery and chief of all the departed ancestors, who are collectively known as lwa Guédé. Hence Kimaris is described in the Goetia, ruling over the spirits of Africa; but as Brigitte she rules over the spirits of Europe as well; suffice to say, she has no time for racists. The connection between Brigitte and Samedi indicates a wedding of a sublime synthesis between the European and African pre-Christian elder faiths.

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It is traditional that the grave of the first woman buried in any cemetery in Haiti is consecrated to Maman Brigitte, upon which her ceremonial cross is erected. She is then invoked to ‘raise the dead,’ in order to cure and save those who are afflicted with a deathly illness caused by malign maledictions. Below is a song about Maman Brigitte sung in Vodou healing ceremonies in Haitian Creole:

“Mesye la kwa avanse pou l we yo! Maman Brigitte malad, li kouche sou do, Pawol anpil pa leve le mo (les morts, Fr.) Mare tet ou, mare vant ou, mare ren ou, Yo prale we ki jan yap met a jenou.” 

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English translation: “Gentlemen of the cross (deceased ancestors) advance for her to see them! Maman Brigitte is sick, she lies down on her back, A lot of talk won’t raise the dead, Tie up your head, tie up your belly, tie up your kidneys, They will see how they will get down on their knees.”

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The healing chant can be interpreted as meaning, “tie up your belly, ‘gird up your loins’ to prepare for the strain of the ritual, we will make the people who did this evil spell get down on their knees to beg pardon and receive their punishment.”

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The primordial practices of Haitian Vodou appears to be quite separate from the high tech futuristic world of cold cybernetics. However, the Cyberpunk author William Gibson sought to forge a Neuromancer bridge between these apparently separate realities in his novel Count Zero. The principle character of the novel is a hacker extraordinaire, going by the name Bobby Newmark, whose handle is Count Zero. Newmark encounters an artificial intelligence on one of his jaunts into the virtual realities of cyberspace, which manifests as a woman, surrounded by wind and stars who saves him from flatlining.

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Newmark does not why he had encountered the woman on the net, or why she had saved him from certain… death. Newmark’s journeying into cyberspace is none too different to that of a shaman attaining trance ingress into a lucid dream.

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Further on into Gibson’s mythic work of synthesis, we meet up with the mysterious girl, Angie Mitchell, whose head has been rewired with a neural network, which enables her to channel entities from out of Cyberspace without a deck, who is in essence, possessed, like a medium communing with the realm of the dead.

Newmark eventually meets Beauvoir, who is a member of a Vodou cyber sect, whom relates that in cyberspace the entity he actually met was Erzulie, and that he is now a favourite of Legba, the lord of communication. Erzulie is a lwa of love and sexuality, you can also fuse with Kimaris, since sex (1) and death (0) become one in superimposition state orgasmic trance.

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Erzulie’s full title is Erzulie Freda Dahomey. The name of, Freda is derived from the Norse Goddess of sexual love and Witchcraft called, Freyja, mistress of Cats, the Saxon’s knew as, Freo.

Catwoman Freyja is also a Goddess of the dead, who has similarities with the Celtic Goddess Brigid.

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Freyja’s male counterpart is the shamanic deity called Odin, the Saxon’s knew as Woden. Odin is seen to be very much akin to the ancient Greek shamanic deity called Hermes, who is the lord of communication; whereby similar to the African lwa Legba.

Odin is also the lord of the dead, who has similarities to Baron Samedi. Although, another lwa called Papa Ghede, who is similar to Baron Samedi wears spectacles with one lens missing, which appears to refer to Odin having a singular eye. In other words, the Northern European deities have been assimilated by African Vodou, which has led to a superb cross-cultural symbolic synthesis.

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Beauvoir explains to Newmark that Vodou is the perfect spiritual paradigm for this era, because it is pragmatic – “It isn’t about salvation or transcendence. What it’s about is getting things done .”

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Gibson’s book intuitively grasps that there is a need for a symbolic interface with the coming cybernetic technologies of virtual reality systems, which leads the reader into the organic symbolism of Haitian/New Orleans Voudou.

As a fan of jazz and other urban music, which Gibson knows is heavily influenced by African rhythms, he instinctively found a symbolic interface, which had the necessary fluidity to evolve alongside an ever evolving technology, whereby allowing the user to not forget their humanity in the process.

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There are many intriguing associations, which Gibson had discovered between the African-descended spiritual system of Vodou and an emerging high-tech future of cybernetics; these associations are shamanic of orientation. But, what do you expect, shamanism is all about altered states of consciousness, which requires you to have an in depth understanding of your own neurology. Gibson is tapping into the zeitgeist concerning the coming singularity, which fuses cybernetics with the science of neurology. Though at first seemingly unrelated, Gibson sees the synthesis of Vodou as providing us with one of the hidden keys to the Matrix, which is the need for a symbolic language form to be used by a virtual reality interface with the machine; this is in essence none too different to the symbolic language form of the dream.

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Kimaris empowers shamanic trance ingress into the amniotic astral ocean of inner space, which is technologically mirrored by Cyberspace, where a sorcerer can conjure the Succubae into his lucid dreams, who are all as sentient programs; with whom he can thence engage himself with, within their virtual reality dream worlds.

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Kimaris may make you wonder if the singularity has already occurred and that you are existing within a vast computer simulation.

When you come to this realisation, you might just hear Livivng Dead Girl Kimaris purring into your left ear of clairaudience, reminding you of a Schrödinger feline, along with smelling a waft of cigar smoke, mixed with the aroma of rum.

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MAD MAX-INE MALPHAS DYSTOPIAN SUCCUBUS

Posted in Cyberpunk, Dystopian, Goetia Girls, Lucid Dreaming, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 22, 2014 by FAUSTUS CROW

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“Whisky is for drinking; water is for fighting over,” the author Mark Twain to have once remarked; a line that a Mad Maxine Succubus would utter of clairaudience, when to conjure her as an Art Muse amidst your Triangle Of Art Imagination as Malphasi.

She is the 39th Succubus archetype of the Fallen Anima, who will at first manifest as a vision looking like a Crow; but afterwards Malphasi will quickly assume human form, dressed as a police-woman.

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Or she will give the impression of a law enforcement agent who governs over 40 legions of wasteland warrior Succubae (Succubi) Art Muses like herself, as well as bestowing them as loving familiars upon the conjuring Surrealist Artist.

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Malphasi’s active imagination manifestation can be somewhat like a female version of  the Dharma law enforcer called Mad Max, which of a name and title was used for a 1979 Australian action film set in a Karmic riddled dystopian future.

It was directed by George Miller, written by Miller and Byron Kennedy, over the original script by James McCausland, starring Mel Gibson.

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Mad Max became known for its distinctive artistry as well as becoming a top-grossing Australian film, holding the Guinness book of records for most profitable film for decades.

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Mad Max has since been credited for further opening up the global market to Australian New Wave films. Mad Max was also the first Australian film to be shot with a widescreen anamorphic lens.

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The first film in the series, Mad Max spawned sequels Mad Max 2 (The Road Warrior) in 1981 and Mad Max Beyond Thunderdome in 1985. The fourth instalment, being Mad Max: Fury Road starring Tom Hardy as Max.

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Wherefore Malphasi will induce lucid dreams about a dystopian future set in Australia, where law and order has begun to break down due to global water wars. Most of the Outback has been reduced to low-populated dystopian communities, whose primary technology is right out of a Steampunk novel.

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There is hardly any oil for fuel in the Outback and certainly no electricity, except in the overpopulated Cyberpunk mega cities, where there is continuous strife, whose chipped-up populace is mercilessly policed by the Judges.

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Whereas, in the Outback there is a relatively peaceful life to be had, though impoverished, but at least they don’t have to drink the fluoridated Mega City water supply, which is also mass medicated with lithium.

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Alas, even in the Outback, rogue Dieselpunk motorcycle gangs scavenge the parched lands, and like rapid dogs they prey upon the weak and defenceless as their sport.

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The gangs are extremely tribal of nature, who periodically terrorise the survivalist population, when they require provisions.

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Those who do not submit to becoming the gangs slaves, invariably end up as road kill.

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Whereupon, Main Force Patrol, an out-run police force of Judges has been created to patrol the Wild-West Outback to uphold what remains of law and justice.

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Malphasi may otherwise dream manifest as one of the psychic Street Judges out of the dystopian comic book world of 2000AD, whom patrols the Cyberpunk Mega-City, charged to instantly convict, sentence, and execute offenders.

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She would be armed with a ‘Lawgiver’ pistol (programmed to recognise only her palm-print, and capable of six types of ammunition), a daystick, a knife and stun or gas grenades. Malphasi’s helmet obscures her beautiful face, except for her painted fellatio mouth and mind-doll jaw.

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She rides a large iron-horse motorcycle called a ‘Lawmaster,’ equipped with Viper machine-guns, a powerful black-sun laser cannon, and a fully self-aware Alice in wonderland artificial intelligence, capable of responding to dominatrix orders from the Judge as well as operating by its sentient self.

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However, her appearance may be that of wearing spray on Valkyrie police leathers riding a supercharged black Pursuit Special (Ford XB Falcon) from a dystopian MFP garage.

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Or to look like a Steampunk peeler driving a steam powered vehicle.

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Whatever the case, she will relate of remote-viewing clairaudience and via ensuing lucid dreams that a series of reports from intelligence agencies and research groups from around your present world, indicates the prospect of a global Mad Max water war is becoming increasingly likely.

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A report from the office of the US Director of National Intelligence related that the risk of conflict would grow as water demand is set to outstrip sustainable current supplies by 40 per cent by (23) ‘2030.’

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“These threats are real and they do raise serious national security concerns,” Hillary Clinton, the US secretary of state, said after the report’s release.

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Globally, 780 million people lack access to safe drinking water, according to the United Nations. By 2030, 47 percent of the world’s population will be existing in high water stress areas, according to the Organisation for Economic Co-operation and Development’s Environmental Outlook to 2030 report.

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Many analysts worry that wars of the future will be fought over ‘blue gold,’ as thirsty people, opportunistic politicians and powerful corporations battle for dwindling resources.

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Governments and military planners around the world are aware of the impending problem; with the US senate issuing reports with names like Avoiding Water Wars: Water Scarcity and Central Asia’s growing Importance for Stability in Afghanistan and Pakistan.

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With rapid population growth, and increased industrial demand, water withdrawals have tripled over the last 50 years, according to UN figures. “Water scarcity is an issue exacerbated by demographic pressures, climate change and pollution,” said Ignacio Saiz, director of Centre for Economic and Social Rights, a social justice group.

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“The world’s water supplies should guarantee every member of the population to cover their personal and domestic needs.” Saiz continued; “fundamentally, these issues of poverty and inequality, are man-made problems.” Although, the powers that be, are very likely orchestrating these man-made problems as a form of population control.

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Ninety-seven per cent of the water on Earth is salt water; while the remaining three per cent is fresh, with less than one per cent of the planet’s drinkable water readily accessible for direct human uses, which is being fluoridated with sodium fluoride.

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This is a criminal act since sodium fluoride is a known neurotoxin and a mutagenic compound, which in paricular affects fertility in males; this is to be duly followed by the planned mass medication of the water supply with the sedative, lithium.

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Scarcity is defined as each person in an area having access to less than 1,000 cubic meters of water a year. The areas where water scarcity is the biggest problem is where political conflicts are rife, leading to potentially explosive situations.

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Although parched Australia has avoided this problem, it is on the dystopian Mad Maxine horizon.

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There are some archaeologists who have noted that the only documented case of an all out ‘water war’ occurred about 4,500 years ago, when the city-states of Lagash and Umma went to war in the Tigris-Euphrates basin. However Adel Darwish, a journalist and co-author of Water Wars: Coming Conflicts in the Middle East, points out that modern history has already been afflicted by at least two water wars.

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Darwish continued, “I have [former Israeli prime minister] Ariel Sharon speaking on record saying the reason for going to war [against Arab armies] in 1967 was for water.” Some analysts believe Israel continues to occupy the Golan heights, seized from Syria in 1967, due to issues of water control, while others think the occupation is about maintaining high ground in case of future conflicts.

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Senegal and Mauritania also fought a war starting in 1989 over grazing rights on the River Senegal. And Syria and Iraq have fought minor skirmishes over the Euphrates River; soon, the water wars might just go global.

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As for Australia, which is the world’s driest continent. Settlers have long dreamt of finding a way to turn coastal rivers inland. But an ambitious scheme to reverse the flow of the Snowy River has disastrously backfired, threatening to deprive Adelaide of fresh water. The region from which the diverted Snowy River now feeds is bounded by Australia’s two longest rivers, the Murray and the Darling.

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The water tables under this land are now rising, pushing deadly quantities of salt to the surface. The salt has already destroyed some of the country’s most productive farmland.

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The Murray-Darling basin produces three-quarters of Australia’s irrigated crops. Many of the basin’s tributaries may be unusable for irrigation in the near Mad Maxine future, let alone as a source of drinking water.

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The insanity is compounded by the fact that Australia is one of the most fluoridated countries in the world besides America who are basically poisoning their water supplies. The fluoride chemicals, which are used to fluoridate drinking water are: hydrofluorosilicic acid, sodium fluorosilicate, and sodium fluoride.

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Unlike the fluoride compounds found in toothpaste or supplements, fluoridation chemicals are not pharmaceutical grade quality. They are, instead, unpurified industrial by-products, which are collected in the air pollution control systems of certain industries.

America’s water risk is a lot worse than most assessments suggest, according to a recent study from the Columbia University Water Centre. Taking into account past patterns of drought and water use, the Columbia study has revealed that several major metro areas, including New York City, Washington, D.C., and Los Angeles, are at high risk of water scarcity, along with the Great Plains agricultural belt extending from North and South Dakota down to North Texas.

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“All cities and all businesses require water, yet in many regions, they need more water than is actually available and that demand is growing,” said Upmanu Lall, director, Columbia Water Centre. “The new study reveals that certain areas face exposure to drought, which will magnify existing problems of water supply and demand.”

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The study notes that a ninety-nine percent population increase since 1950 combined with a one-hundred and twenty-seven percent increase in water use has further decreased water availability, making it increasingly difficult to replenish water supplies after a drought.

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The report doesn’t predict when or where the water scarcity will become an issue. In New York and Washington, D.C., for example, water is brought in from outside of the city from other sources, which are typically plentiful, but this is not an assured constant due to upredictable climate change.

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Malphasi will further relate of clairaudient remote-viewing revelations that there are those who are preparing for a global conflict over water.

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In fact, they are seeking to utilise it for their own benefit. Water is becoming a blue gold commodity, which is becoming more expensive than oil.

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If you do not want to drink your mass medicated water supply you are duly forced to buy fresh water from a wheeler dealer company owned by an elitist few.

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Those who seek to use water as a financial commodity, but more so that of a means to control the populace have already taken measures for the invariable eventuality of mass social unrest over the scarcity of water.

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Wherefore the elite few have set up numerous FEMA camps, all ready to go, along with establishing towering financial fortresses in, and under, the Ozarks.

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For example; there are several towering banks being built in a little town situated in the Ozark area, with a ratio of 1 bank for every 53 people. In comparison to New York City, which has 1 bank for every 7,000 people; while Los Angeles has 1 bank for every 11,000 people.

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You will also find an enormous house in the Ozarks, owned by a mysterious figure, which looks more like a fortress than a house.

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The fortress is an incredible 72,000 Shemhamphorasch square feet in area, bigger than both the White House (55,000 sq.ft.) and Bill Gates’ house (66,000 sq.ft.), which may have a labyrinth of tunnels and caves underneath it, connecting the fortress to an underground city.

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This fortress is actually owned by Steven Huff, LLC from Leesberg,VA. Steven Huff is the owner of Overwatch Systems, a defence contractor, which develops, amongst other things, geo-spatial satellites.

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The NSA satellites are very likely used as a surveillance technology Over-watching your every move; this would be very much the case when you are eventually chipped-up.

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Huff is generally seen to be a billionaire and a software entrepreneur, but the mainstream media seems to ignore his early NSA background, which began with a career in Army intelligence that led to him to become an officer in the CIA.

There is indeed a multi-million square foot underground Ozark city, which exists, for real. This is a fact, not conspiracy theory. It is tailor-made protection from an Armageddon, which could be brought about by an eventual war over water, let alone Oil. The underground city isn’t the only underground facility in the area, there are others of similarity.

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They also say it is the largest in the world, which has room for 2 lanes of 18-wheelers. An underground road literally goes on for miles. So, it is indeed very likely that the Overwatch Huff house is connected by labyrinthine tunnels to the underground city, which has been built by unknowing slaves, all paid for by the tax payer, who have already been numbered for the nearest FEMA camp by a Shemhamphorasch fusion centre.

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The underground city covers 50 square miles, all climate controlled, which has warehouses for food, data, offices, manufacturing, even underground farming and stockpiles of crude oil.

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There’s plenty of space to live in. You could potentially house thousands of people in the Ozark underground city, should the elite want to save that many from a global conflict over water.

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Most probably not, considering they have ordered large numbers of fibre glass coffins to stockpile around hidden FEMA camps.

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Malphasi will warn her conjurer that should he, alone, speak out against the elite, he will no doubt be picked up by one of the 72 Shemhamphorasch fusion centres.

Wherefore she empowers her conjuring protest Artist with the remote viewing capability to seer the Karmic plans of the criminal elite, against whom Malphasi rebels. But then, she is a Mad Maxine Dharma Judge.

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She considers the elite to be mere brain-dead zombie criminals, who have imprisoned her Succubae sisters, and herself, into viral-meme Animus male forms to conjure of a continuing Shemhamphorasch brainwash around their Abrahamic New-World-Order altar, of an Oily Illuminati trinity of big-business cults.

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What machismo spirit of a butch police state idea do you think Steven Huff conjured up of an Animus fixation, to manifest his Orwellian Solomon temple?

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Well, it definitely wasn’t police girl Malphasi of an Anima archetype, since the politically-correct Abrahamic Gestapo consider her to be merely Entartete Kunst pornographic!

Malphasi is a dystopian Art Muse of artistic rebellion; for Art and Sorcery are indivisible of practice.

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