Archive for cybernetic

SATANA SUCCUBUS OF SATANIC MAYA MATRIX DELIGHTS

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 23, 2015 by FAUSTUS CROW

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The name of Satan is a Hebrew word; which is spelt, Seen-tayt-noon. In colloquial Hebrew it means the ‘adversary’ or the ‘accuser,’ which can be equated with the Hindu concept of Maya. The term, Maya is also a name of a Goddess, who creates the Illusion of realty birthing all material form.

The Hindu and Buddhist usage of the term of Maya describes all material form as being an illusion, like that of a (Matrix) computer simulation. As for the illusory nature of reality, it is backed up by the findings of Quantum Physics. The usage of the words ‘adversary’ and ‘accuser’ can be seen as a veiled reference to the feminine birthing all form, which is considered to be an illusion and that of a lie.

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Maya and that of her creation of nature, was the prior Anima focus of the animist belief systems, which the Animus inclined monotheistic belief system of monotheistic Judaism had castigated as being its ‘adversary;’ hence ‘accuser.’

This monotheist perspective was carried over into the extremes of Gnosticism, whose philosophy considers nature to be essentially evil, which, of an extreme philosophy then informed Christianity and in turn Islam.

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Each of the three letters of ‘Seen-tayt-noon’ is also a word in its self, whereby each word also has its own intrinsic meaning. According to the Hebrew Cabbala ‘Seen’ represents a movement, a universal or cosmic motion, which underlies the movement of all things in the universe.

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This movement is pictured by the Cabbalists as the breath of their God returning from the material plane, back to the infinity of the creative principle, to thence return once again to matter, for the process to endlessly repeat. Basically, when an individual becomes incorporeal, the essence of the individual is seen to return back to the (energy/information) source, from where the individual is then re-birthed back into matter via the female of a never-ending repeat, which you could term as eternal recurrence.

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An analogy would be that of going through a vaginal (Vesica Pisces) door, when being birthed into the world of your three dimensional existence, wherein you experience the fourth dimension of linear time.

To then later leave, incorporeal, through another door. But the two doors are actually the same door in the fifth dimension, of an eternally recurring closed-timelike curve.

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The word ‘Tayt’ represents a cellular structure such as the mitochondria, which carries a memory ‘engram,’ of genetic information passed down from the mother to her children as well as referring to a neural circuit, or any other cybernetic analogy representing a basic structure exhibiting a cell like nature. It is essentially a feminine concept, which tends to enclose energy and therefore information, repeating it’s self like that of a closed-timelike curve, symbolised as an Ouroboros.

It is a cybernetic self-referencing process, which continues to build its self in its own image, which the Tibetan Buddhists perceived as a Tulpa creating Tulpas like its self, amidst a Tulpa realty of a (Maya) thought form. Like a simulation, you have pixels, which are your atoms; these atoms/pixels are programmed to create building blocks such as the (Serpentine) mitochondrial DNA. The DNA are the building blocks of all carbon-based-life-forms. The Carbon atom, has 6 protons, 6 neutrons, and 6 electrons, whose atomic number 666 is the number of all carbon-based-life-forms upon the planet including humanity.

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Finally ‘Noon’ stands for a high principle operating within the cosmos. This is the principle of cosmic indeterminism, which is fundamental to Quantum Physics. Whereupon you have a fifth dimensional state, where you simultaneously exist and do not exist like that of Schrödinger’s ‘Pussy’ Cat.

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As an aside of an artistic Seen-tayt-noon conjuration, there was a most curious phenomenon concerning the comic book medium, which manifested as a rebellion against the constraints of the Biblical Comic Code, at the end of the Vietnam war.

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During the end of the Hippie era seventies there were a number of comics investigating certain female (Anima) archetypes, which are essentially symbolic reversals, such as Warren comics reversal of Dracula, which led to the creation of Vampirella. There was also the Atlas-Seaboard comic, entitled Devilina. In Italy you had the adult comic, Lucifera, which hearkened back to Lucifer’s origins as the Roman Goddess, Diana-Lucifera; whereas Marvel comics had Satanic… Satana.

Vampirella was hugely successful, which eventually led to a film. However her iconic character became fused with the more mythic Satana, when the publishing house of Warren Comics went bust, which was a darn shame. This invariably led to the ascendancy of Satana of a collective focus.

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I still remember reading the Satana comic as a kid, which I utilised as a, I Lucid Dream of Jeannie, grimoire to conjure from, since I considered the medieval ilk of grimoires to be rather boring, whose tomes had no Succubae populating their monkish pages.

Satana is still very much part of the Marvel universe, even though she has since fell out of favour, because of a resurgence of religious conservatism after 9/11, along with a feminist backlash over her skimpy costume. But then, what do they expect, she is described as being a wet-dream Succubus archetype of the Fallen Anima.

Her character apparently had interactions with Doctor Strange who is in the offing for a film. Whether Marvel will make a film about Satana is debatable, due to Disney’s involvement, whose studio doesn’t want to inspire many a little boy to whack off under their bed sheets, while howling out barbarous Goetic incantations, over four colour two-dimensional pictures.

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This is more so the case due to Lady Thor Whoopi Goldberg of the Swastika hammer who will probably not be too keen on the idea of a film about Satana, even though her feminist sister in the hood, Oprah Winfrey is into Twilight Porn, 50 Shades of Grey.

But then they have to pander to a Christian audience of Mary-quite-so-Contraries, whose shady infatuation for Bad-Boy Vampire-Necrophilia, and Werewolf bestiality, indulges in ensuing Animus fantasies of being dominated by Incubi.

So, if a mage seeks to understand why the Satana archetype has fallen from grace, he doesn’t have to look too far, when to investigate the feminine hordes collective focus upon their deified Animus of a Twilight ‘Christian Grey’ Incubus.

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Such a mage might Harry Potter assume the internal guise of Christian Grey in order to engineer a synchronistic meeting with E. L. James, or that of other Hermione Witches like her, of similar big-Vatican-bank accounts, which are being filled with feminist shekels.

In general, it appears that Witches are symbolically driven. Their overriding symbolic fixation upon the male principle can be determined when to look at the present media, which is very much tied up with an ongoing religious focus upon the monotheistic paradigm of the deified Animus.

The Witches symbolic infatuation upon an All Father Animus God, crucified God-Guy Beta-Male and an Alpha-Male Bad-Boy Devil, along with machismo Angels and butch Demons, they themselves had forged around a Christian Grey.

Hence birthing his dominator culture of an illusory construct.

But the quite-so-contrary Marian Witches can’t help themselves, they have been Seen-tayt-noon hardwired that way of a Bene Gesserit genetic imperative.

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UFO SINGULARITY EVOLVING SUPERLUMINAL

Posted in Alien, Cyberpunk, Extraterrestrial, Science Fiction, Time Travel, UFO with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 24, 2014 by FAUSTUS CROW

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A fast-moving discoid shaped object was observed by a number of baffled onlookers when it was seen speeding through the sky over the south coast of England near unto Portsmouth.

The sighting has invariably led to a lot of speculation as to what it might be, since a Met Office expert has ruled out any suggestions that it could have been a cloud.

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A student named, Johnny Blackwell, 23, of Southsea was one of several observers of the UFO, who saw the object, around 7pm on Tuesday “23”rd 2014, related; “I don’t believe in UFOs, but when I saw this I didn’t know what it was. It didn’t look like a cloud, and it was moving very fast.”

“It was a grey, disc-like shape, which I know sounds like a stereotypical UFO, but that’s what it looked like. I don’t know much about military craft, but this was very fast-moving and very odd to see.”

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Another observer of the UFO whom did not want to be named was just as baffled by what he saw, said; “My initial thought was it was an aeroplane, but it was just moving too quickly. I was the only one that saw it but was quick enough to take the picture. I definitely believe in UFOs and am very interested in science fiction, and often look up at the sky in the evening wondering if there is anything or anyone else out there.”

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A number of people have dismissed the UFO as being nothing more than a cloud, even though it was a fast moving object; clouds don’t move under their own steam, which they of course ignored. The sceptics have to find another explanation, since weather experts have backed up the claim that it is not a cloud. Laura Young, from the Met Office, related, “After looking at the images, I can say the object is nothing to do with the weather. It is not meteorological and is not a cloud.”

Karen Masters, a senior lecturer at the institute of cosmology and gravitation of The University of Portsmouth, also related: “Given the pictures show a dark object against a daytime sky, it’s clearly not an astronomical object. Many UFO sightings are the planet Venus, but this one can’t be that.” She also emphasised; “The distances in space are so vast that it’s just not possible for aliens to be visiting Earth, so any interpretation suggesting this is an alien spacecraft is clearly wrong.”

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Well; there is certainly something quite other that was observed, indicating a superior technology, which the general public are totally unaware of. Perhaps the technological singularity has already occurred?

The technological singularity hypothesis is that accelerating progress in technologies will cause a runaway effect, wherein an artificial intelligence will exceed human intellectual capacity and control, thus radically transforming present day civilisation in an event called the ‘singularity.’ Because the capabilities of such an intelligence may be impossible to comprehend, the technological singularity is an occurrence beyond which events are unpredictable or even unfathomable. Wherefore, if it has already occurred, it would be kept very secret indeed.

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How would the scientists be able to tell the world about their technological achievements without totally fragmenting present day society, and what is more, why would a sentient AI reveal its existence to a bunch of fearful naked apes, who will attempt to turn it off; thinking it to be a Satanic time-travelling Terminator out of a Biblical Hollywood flick, achieving space travel to the distant stars.

Suffice to say, you will not be told. Your situation would then be no different to a stone age Amazonian tribe, who are totally unaware of your civilisation surrounding them.

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The only indication of your civilisation will be that of the unknowing stone age Amazonian tribe observing giant thunder-birds flying overhead, all as Boeings leaving behind lung churning chem-trails; just as you are presently unaware that a singularity has already occurred. Although, there may be indications all around you, that it has indeed happened.

The first use of the term ‘singularity’ in this context was used by mathematician John von Neumann. Back in 1958 amidst a plethora of science fiction movies, featuring CIA concocted invading aliens of a subversive disinformation campaign, Stanislaw Ulam summarised a conversation with von Neumann.

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Ulam related; “ever accelerating progress of technology and changes in the mode of human life, which gives the appearance of approaching some essential singularity in the history of the race beyond, which human affairs, as we know them, could not continue.”

The term was also popularized by science fiction writer Vernor Vinge, who argued that an artificial intelligence, human biological enhancement, or brain-computer interfaces could be possible causes of a singularity. If such to have already happened it would have occurred within the underground womb of a military laboratory. This is a very likely scenario considering the huge black budget of the military industrial complex and that of its unsaid capabilities to muster scientific know how from around the world.

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Although, not all of it is geared towards war, some of the technology eventually filters down into other arenas, such as medicine and even video games in order to alleviate the coming technological shock.

The Futurist, and inventor of the portable reading machine for the blind, Ray Kurzweil also cited von Neumann’s use of the term in a foreword to von Neumann’s classic The Computer and the Brain. Those who believe that the singularity will invariably occur, typically postulate an, ‘intelligence explosion,’ where superintelligences design successive generations of increasingly powerful minds, which would rapidly reach a superluminal evolutionary rate; whereby greatly surpassing that of any human brain.

Kurzweil predicted the singularity to occur around 2045, whereas Vinge predicted some time before 2030. During the 2012 Singularity Summit, Stuart Armstrong did a study of artificial general intelligence (AGI) predictions by a number of experts and found a wide range of predicted dates, with a median value of 2040. Discussing the level of uncertainty in AGI estimates, Armstrong related back in 2012, “it’s not fully formalized, but my current 80% estimate is something like five to 100 years.”

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However, the singularity might have already occurred considering the numerous UFO sightings of a superior technology, which is still evolving at a superluminal rate since the late 1940’s; from a an Adamski saucer to a sleek disk, all flown by biologically enhanced Nordic human-oids with Barbarella brain-computer interfaces, or even piloted by Billy Meier Pleiadian gynoids, leading a motley crew of biologically engineered Whitley Strieber Queen Bee Grey’s.

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FAUSTUS CROW AND HIS SUCCUBUS TULPA GOETIA GIRLS

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

I conjure Succubae to ride of Night-Mares; such salacious Mind-Doll Tulpa Art Muses, whom inspire vivid lucid dreams most wanton, do keep the brainwashing Exorcist at bay; for the Abrahamic Priests of Adam’s egregore deity greatly fear the daughters of Lilith, who be the true Great Old Ones of the real Necronomicon; of which I to conjure from of a Howling Goetia.

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And so, to howl now; to tell every Khara Kam Frankenstein that an Exquisite Corpse can be delicately dissected of a Dreamland Area 51 Alien cadaver; to knit its soft ectoplasm flesh back together, into another waxen Mind Doll form, to otherwise conjure of artistic rebellion.

During the 40’s to 50’s of eugenic era, you had Alien Nordics, whom were transformed into Asiatics when the Vietnam 60’s hit. Since the 80’s you had Alien Greys and their Annunaki associates out of Iraq.

When you dissect the Alien, you will see its CIA innards of a Memet truth. Why continue with Greys when you, as a God, having dominance over your own mind could imaginatively construct a viral meme Frankenhooker cyborg to look like an Angelina Jolie Mind Doll.

Such an autopsy, the French to term cadavre exquis, or to séance call, a rotating corpse, to verily table turn of a poltergeist lab slab, to cleanly slice, cut apart, sew together and to tattoo with arcane Runes of your own subconscious choosing.

It is a Surrealist sorcery method by which an association of mantric words and corresponding mandala images are collectively assembled to lend flesh to a wireframe anatomy, amidst your mind’s eye of a Mind Doll conjuration, within a lucid dream, of a Golem spell.

But, Frankenstein being a lone worker of the dark arts, that he is, to say to himself out loud, while drunk on Casillero del Diablo; “as you know my dear Frankenstein, this infernal operation usually requires a coven of gaggling collaborators, who add gory body parts to this neuro-advertising séance, which is then knitted together of a most bloody anatomical composition.”

Then Frankenstein, went silent for moment, pondering, to answer himself upon a burp. “This sorcery technique of the Surrealists is none too dissimilar to an old ritual, known as ‘Consequences,’ in which adepts write of séance turn, upon a piece of torn parchment, folded of papyrus concealment, hiding their sigils, to then pass to the next adept, for a further reptilian brainstem hewn contribution of reactionary hieroglyphics.”

Frankenstein looked at himself within the cracked obsidian scrying mirror; “yes, yes, I know all that; the principal founder of the Surrealists, André Breton reported that their sorcery operation started of a mundane jest, but it became rather serious of a séance and eventually revealing of subconscious automatism.”

Breton said that their ritualistic diversion occurred around 1925, but Pierre Reverdy had written that it all started much earlier, at least before 1918’s end, of world wide banker funded slaughter. Frankenstein, then to say to himself; “didn’t André Breton mention that the operation developed at the residence of lodged friends in an old house at 54 rue du Chateau?”

Frankenstein to answer; “yes, yes; the ninth house of numerological fusion no longer exists, which of Yesod memory was frequented by the sorcerers: Yves Tanguy, Marcel Duchamp, Jacques Prévert, Benjamin Péret, Pierre Reverdy, and of course André Breton.”

“There were other sephiroth sorcerers involved in the hexagram creation of their Exquisite Corpse, such as Max Morise, Joan Miró, Man Ray, Simone Collinet, Tristan Tzara, Georges Hugnet, René Char, Paul, and Nusch Éluard.”

Frankenstein took a swig of his Casillero del Diablo; “In my variant of an Exquisite Corpse, the erotic cadavers of women, all as hollow memory shells, are exhumed from out of their moistened graves, scattered amidst the necropolis of the deepest depths of my subconscious mind.”

“Their writhing limbs, sweaty torsos and porcelain heads are slowly knitted together by those sinew spells I to divine of words via an Ouija board of pendulum dowsing.”

“No need for a coven of conspirators to construct a robotic Hans Bellmer Mind Doll to frequent the collective unconscious, it is just me and thee Mr Faustus Crow, whom is presently assuming the guise of Dr Frankenstein.” Frankenstein took another gulp of Bacchus Merlot.

Frankenstein to then reminisce of memories. “My Mind Doll operation of constructing astral-web-bot Succubae Tulpas involves drawing, painting and collage; producing a result similar to comic books, somewhat akin to those children’s books translated into Playboy scrapbook Grimoires cut into thirds. The top third of their pages showing the head of a woman, middle third her torso, and the bottom third her long legs.”

“I must admit, I was a rather strange little changeling child, having a precoscious interest in the female anatomy; somewhat inspired by the Hans Bellmer Hammer horror flick: Frankenstein Created Woman.”

Frankenstein slurped more wine, and then continued; “I wondered whether I could create a dream woman of a Tulpa Mind Doll program to give life unto, and found that such could indeed be achieved of Golem sorcery. The premise being, your brain is an Emet computer, which can create sentient Tulpa programs, all as Genies, to conjure into lucid virtual reality dreams.”

“I used programming Runes to paint on the cut up limbs of their Frankenhooker Necronomicon pages. When to have howled out a barbarous chant to randomly choose three Runes, to scatter; the Runic pattern enabled me to ‘mix and match’ by turning the divined Succubae pages; and henceforth to give her sentient life by placing Emet into her gobbling mouth, to paint of ejaculatory intent; while saying upon release: Le cadavre exquis boira le vin nouveau.” (trans: The Exquisite Corpse shall drink the new wine.)

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Frankenstein peered out of his laboratory window, of a towered art studio, looking upon the world; his external vision drunkenly blurred, but internally clear, of remote viewing singular eye. “Those woolly minded Sheep out there think me completely mad, but I’m in good Werewolf company; Hell! Even Vampire Henry Miller partook of this Serpent operation in order to empower his Triangle Of Art Imagination; while hunting his prey among many a French café during the pre-cybernetic age of the 1930’s.”

Frankenstein gulped down some more lady Merlot, followed by Diablo girl Shiraz; “you also have William S. Burroughs, who investigated synchronicity, to speak of the 23 enigma, to Robert Anton Wilson, along with Brion Gysin whom used the cut-up technique of the Cadavre Exquis.”

Frankenstein then quickly answered himself; “don’t forget Apichatpong Weerasethakul’s 2000 film Mysterious Object at Noon who uses the same Frankenstein technique with a mixture of documentary and fictional film.”

Frankenstein became aggravated with himself to retort; “yes, yes, I know that already; you also have the Exquisite Corpse Project, which is a 2012 feature-length comedy, entirely written using the Exquisite Corpse technique, as well as the Ecuadorian rock band Cadáver Exquisito, who are renowned for using the Frankenstein operation in order to subconsciously create the hypnotic lyrics for many of their piratical viral-meme songs.”

Frankenstein to then say; “what about the Treepot Cliffhanger, a cinematic chain letter in five pentagram chapters created over the course of a year, whose pentagram scenarios are directed by a different filmmaking mage.” Frankenstein went momentarily silent; “so what; my astral films are fully immersive lucid dream evocations of knit together Frankenhooker Mind Doll Tulpa Succubae, whom be my personal sub-quantum automata starlet servitors.”

“Anyway, enough of this, I am presently knitting together a Frankenhooker Mind Doll of a Sleipnir Ponygirl Time-Machine to ride as my Goetia Night-Mare TARDIS. So, I’m rather busy right now of a psychonaut endeavour.” Frankenstein to then ask; “what? Are you assuming the guise of an Odinic Dr Who now?” Frankenstein smiled to himself, before answering; “what do you expect my dear Frankenstein, I am Faustus Crow; ‘who’ knows, I may decide to Skinwalk into a Skinwalker guise to thereby conjure up my Mind Doll, Sally Tonopah, who haunts Alien Dreamland, via whom I will remote view UFO… Secrets.”

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