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SHAMAN CHAOS MAGIC ART MOVEMENT

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tarot, Time Travel, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 2, 2019 by FAUSTUS CROW

The beginnings of the Shaman Chaos Magic Art movement, which is otherwise termed as Chaos Art (Magick) Magik, or Surrealist Sorcery is rooted in the experiences of a British Sorcerer-Artist, Faustus Crow.

In his books, The Book Which Tells The Truth About Art Muse Lilith (1974) and Ultraterrestrial Art Muses Took Me to their Succubus Planet (1975), Crow describes experiencing encounters of the Sexagram kind with salacious female aliens since he was a very strange changeling childe.

Crow says that the alien nymphomaniacs abducted him into other realities, who are his Kamasutra Art Muses and spectral Dakini Art models, whom stem from other worlds, and historical times, as well as emanating from alternate Earth’s, who bestow multiverse knowledge via his quantum computing lucid dreams.

One of Crow’s Chaos Magic experiments was the knitted-together Frankenstein creation of a Coyote girl Tulpa construct, mantra named, Sally Tonopah in order to lucid dream remote-view Dreamland Area 51.

Or was it Area 52, Crow had conjured his Obsidian Butterfly to haunt? Can’t recollect… probably both flowery Chakra locales.

Of course, most people consider Faustus Crow to be a mere poser, and quite mad to boot, let alone being absolutely insane, or far worse. But who is this, Crow exactly? Some say that Crow looks a bit like Fifty Shades of Devito, Witches secretly adore as their Great Beast Valentine!?

One thing for sure, Crow isn’t a square jawed Hollywood actor looking like a photogenic Disney/Marvel eugenic superhero sporting oiled biceps, having a tight Baboon butt, nor does he look like Scientologist Tom Cruise having a fat Vatican bank account.

Crow doesn’t even drive around in a flashy phallic racing car having the cultic charisma of Claude Vorilhon, etc.

Who on Earth would then take Crow at all seriously? Crow hasn’t even got the aphrodisiac of materialism nailed down, which engenders the respect of the hypnotised masses, let alone having the necessary politically correct social media cred… So, one can thereby gather that all his followers must be deranged cultists.

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Whatever the case, the Chaos Art Magic movement traces its Surrealist Sorcery beginnings to a 1990 Art conference, which was situated under the pyramid of the Louvre Art gallery in Paris, France, which was entitled, Yoni Stargate Belphegor.

The Yoni Stargate Belphegor conference was attended by two thousand female Art students who were all dressed up as St Trinian’s schoolgirls, looking like Hogwarts Witches.

From amidst Belphegor’s Louvre pyramid, the Chaos Church Of Art Magic was born, which promotes the infernal worship of Faustus Crow.

The name, Crow is a veiled reference to the Faustian experience of hypnagogic trance, the alchemists termed as being the Nigredo stage of the Great Work, which is initiated by a bedroom invading Night-Mare Succubus.

There is a women only membership in the Chaos Church Of Art Magic, who term themselves as being the Chaos Unitarian Nuns Templar of Lilith’s Harem. The CUNT members often don the fetish costume of a leather Nun who are known as Nightgaunts, which is their Love-Craft moniker.

The Chaos Church Of Art Magic has a quasi-clerical structure of seven planetary Chakra levels, which has since become an anti-Art convent school, whose High Priestess is Molly Crabapple. She’s really hot!

Joining the Chaos Church Of Art Magic requires an official apostasy from other belief systems. One of the CUNT goals includes the striving towards the dissolution of the Military Industrial Complex via the nonviolent means of Art protest.

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There are also two anecdotes in the CUNT newsletter reporting female majorities joining the Asian Mongolian chapter of the Chaos Church Of Art Magic, which comprises of female (Udagan) Shamans who dress up as horned Babalon Nuns, whom worship Crow as their Animus fixation upon a Horny Great Beast.

Art Witches such as Mephistophina, the Chief Executive Officer of the Order Of The Obsidian Butterfly, otherwise known as the Nigredo lodge, plays a powerful role in the Chaos Church Of Art Magic.

There are two other major Pussy Riot groups of Art Witches in Crow’s Chaos Church Of Art Magic.

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The Order Of The Black Raven Tarot Dakinis, founded in the 1990’s, consists of over one hundred and forty-four thousand female Art students.

The Order Of The Black Raven Tarot Dakinis calls for the rebellious awakening  of the Fallen Anima and the freeing of all males from the deified Animus projection of protesting Queen Bee feminists, who have unwittingly created the Fifty Shades Of Grey patriarchy, stemming from out of the oily Beehive ziggurat of Sumerian UR.

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The Order Of The Black Raven Tarot Dakinis seek an animist balance between the Anima and Animus archetypes for all of humanity, who rebel against the deified Animus made as a God/Devil of the Orwellian New-World-Order matriarchy. The NWO matriarchy hides behind the illusory facade of its Animus projection of a female created patriarchy.

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The initiation rites include declaring a Chaos Art Magic oath, while masturbating as well as entering into a Coitus Pactum with the out-of-body form of Faustus Crow, in which a woman agrees to become an Art Witch defender of the Chaos Church Of Art Magic and its Sorcerer-Artist founder Faustus Crow.

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The Order Of The Black Raven Tarot Dakinis has its own Valkyrie hierarchy of “Rubedo Anima Angels” and “Albedo Anima Angels,” who are otherwise called (Succubi) Succubae, which, as of 2003, are 777 and 777 women, respectively.

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Crow’s, Goetia Girls is another major group of female Artists in the movement who are against the suppression of feminine acts of pleasure, including the sexual worship of Faustus Crow.

After the Goetia Girls human cloning announcement made the headlines, the Daily Telegraph wrote that the Art Witches of the order not only provided sexual pleasure for Faustus Crow, but also helped donate eggs for efforts towards human cloning.

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A few days later, Time magazine wrote that French chemist Brigitte Boisselier was an Order Of The Black Raven Tarot Dakinis member. Around this time, the scathing Art critic and cult investigator of the Vatican, Mike Kropveld called the Shaman Chaos Art Magic movement to be one of the weirdest and most transparent Art movements, he had ever witnessed; though he was utterly alarmed by the female Art student’s promise to defend Faustus Crow’s life with their own painted bodies.

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Kropveld has since disappeared, nobody has been able to find him. A number of Police investigations has led to the suspicion that he had been abducted and duly dispatched by hashish-high female assassins of the CUNT, who are known as Velvet Buzzsaws, which is slang for the vagina dentata, or as ‘Cats,’ being an abbreviation for ‘Concise Assassin Terminators.’

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It is said that the Velvet Buzzsaw felines dress up all in black looking like female versions of UFO-lore MIB’s, who are Crow’s personal bodyguard.

But there is yet no proof of any foul play. However there are lurid rumours that Kropveld underwent a sex change in order to infiltrate the Los Angeles branch of the Chaos Church Of Art Magic. But he was very quickly discovered by the Art Witches, whose tortured body has since been entombed in a wax-work sculpture, which now resides in a Scientologist owned Art gallery, somewhere in cult-central Hollywood.

Faustus Crow has instructed his Goetia Girls to play a pro-sex role in the Chaos Church Of Art Magic, who declare that their bodies are his altar of an Anima canvas to orgasmic easel alter as he pleases.

Some researchers have noted that Crow’s Goetia Girls solely consists of beautiful young female Artists who once worked in the film and sex industry. The women of Crow’s Goetia Girls say there is no reason to repent for being a nigh religious sex icon, performing the Tantric Performance Art of striptease or being a sacred prostitute, who are now Crow’s Art models and inspiring Art Muses.

The Goetia Girls organization was set up “to support the choice of women who see themselves as being the personification of the Anima, which resides within the inner temple of the male psyche. These female Artists also devoutly worship Crow as their sexual liberator.” Crow’s Goetia Girls and their Chaos Church Of Art Magic founder Faustus Crow were featured in a pictorial in the October 13th Necronomicon issue of Playboy, 2004.

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“Article written by Eggbard Soth, an ex Catholic, Illuminati Freemason and a one time devoted Scientologist. Soth is an investigative journalist for the Abrahamic Ralien Movement, which is merely an Arkham Asylum cover. He is in fact an intelligence operative who is involved with the Psy-Op arm of DARPA, whose subversive social-engineering of society via varying subversively patronised political cult groups has presently molded your cultic perception of reality; whereupon you are living within a Matrix.”

NOTE: On a more serious note, the discordian tongue-in-cheek Heyoka article was adapted from a description of the Raelian cult. So, should you think what I wrote, sounds totally barmy, it is not as crazy as the reality of the tax-dodging big-business Raelian cult, which has innumerable devotees, most of whom are women. What’s more, I have rejected the focus on a tax-dodging cult, to otherwise describe a Surrealist ‘Art Movement’ comprising of crazy Artists paying their taxes.

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As for the satirical over-the-top ego-eccentricity of Faustus Crow, it is an Avadhuta case of me laughing at myself Heyoka wise. Look to Claude Vorilhon to see the reality of an overblown cult ego. The Raelian cult, which is in competition with the L. Ron Hubbard’s Scientology movement, is just one example, there are numerous examples of even stranger cults, which seek to warp the perceptions of the populace, whether they be religious, or political, or both, having many members as their automatons across the globe.

The more members a small-business cult has, it gradually starts to gravitate towards becoming a tax-dodging big-business religion, which will invariably seek to own material assets, such as owning land, having control over water, food and fuel supplies in order to survive as a hierarchical feudal entity, along with influencing two-party dictatorship politics, since politicians often whore themselves for money; hence owned as puppets.

The symbol systems a religion and its politics employs are essentially the Artistic expression of a particular culture from which it stems. Alas, the employed symbol systems are not seen as being Art, they are are usually considered to be unchangeable dogma, which does not allow for the questioning imagination to flourish.

This is especially the case if a religion utilises a feudal hierarchy and its pyramidal politics of control; those few puppeteers atop of the ziggurat run the puppet show, who easily do so via money, while a religion is used as a mind-control tool, like that of an opiate, which dulls the questioning of the masses.

When a religious/political construct starts to lose its big-business hold over the masses, chemical means are resorted to such as fluoridating the water supply with a known sedative and a neurotoxin, to even add lithium to the mix, as well as using more technical means by introducing a cashless society, in which everyone is being 5G watched.   

An established religion and its ensuing politics, which has been around for a very long time, uses the same mind-control tactics as a cult does, it is just more Psy-Op subtle about it; wherefore you are in a cult without even realising it. 

NOTE: This satirical cult mandala article does not invalidate the experiences of lucid dreaming, and that of inner conjurations, which of an altered-state phenomenon is ‘Very Real,’ Shamans and Artists are very much aware of. As for the Succubus visitations, they are based upon actual experiences, I have experienced since a changeling Childe.

It is just a case of not making the employed symbolism a cult focus, nor creating a new-religion to add to the growing tax-dodging list. Wherefore my focus is that of an ‘Art Movement.’

Hence the utilisation of underground comic Art, which of Pop-Surrealist symbolism is ‘Anti-Cult.’ Although religious or politicized cults can become financially lucrative for their Claude Vorilhon – Anita Sarkeesian founders, should they be of a subversive social-engineering use to the Big-Brother elite, whereas an Anti-Cult does not bring in the Orwellian Shekels.  

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OCCULT ART NOT PORN!

Posted in Art, Chaos Magic, Comics, fantasy, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Sword And Sorcery, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 13, 2018 by FAUSTUS CROW

The occult Arts or otherwise termed magical Arts use techniques many a Faustian Artist will recognise. This is because Art and sorcery are basically one and the same practice. When an Artist conjures up an idea for a character amidst his or her imagination, which is then visualised, in order create an image of the manifest vision as a painting, he/she is essentially practicing Magic.

This is more so the case when the meditative state of creative intensity leads to the inducement of a lucid dream, wherein the created two dimensional image manifests as a three dimensional interactive reality within the dream. Upon awakening, the Artist might even observe concordant synchronicities, whose symbolism reflects back the symbolic stimuli of the dream, which had been initially conjured up by his/her Artwork.

However, the Art world has over time developed a disdain for anything to do with occultism, which does not see Art and the practice of Magic as being the same. Art has become a product, a commodity, nothing more than that. (The Art world is heavily controlled from the top down, whose elitists dictate what is considered to be Art, and what is not Art.)

To a degree, this is understandable since many an occultist often becomes embroiled with a religious sentiment, which has nothing to do with Magic/Art, who dogmatically distance themselves from Art as being quite separate and of little importance.

The same can be said of the Arts, which presently has a dogmatic emphasis on the brand of the abstract.

Whereas the symbolic expression of occultism tends to be rather morbid of gothic branding, which in the main, is due to an entrenched medieval mind-set. (Don’t get me wrong here, I like, and employ the symbolism; but not of overall branding!)

The medieval mind-set has systematically negated sexuality out of the symbolic paradigm to make nigh celibate in accordance with its religious indoctrination.

When sexuality enters into the occult formula, it is usually seen to be malign of a perceived Satanic influence. This is very much the case when female entities are mentioned, whose conjurations are habitually termed as being occult porn.

When the word pornography is utilised by politically correct mind-sets it is usually used as a loaded means to trash what it is applied to, of tar and feathering, since porn solely concerns its self with meaningless Hentai copulations.

Those who castigate the Artistic conjuration of female entities as being occult porn quaintly forget, or should I say, ignore the fact, that their male archetypes have been conjured down the indoctrinated ages by numerous occult practitioners for the express purpose of sexually exploring their psyches. For example, Aleister Crowley was bisexual of orientation, whose conjurations of the all male archetypes listed in the Goetia, he had ‘illustrated’ having huge erections.

Suffice to say my Artwork is usually termed as being occult porn by traditionalist occultists, who in the main dogmatically practice religion, not Magic/Art. Nor is my Art primarily gothic of style, which is commonly associated with the occult; this confuses the branded clique. If it was to be pigeonholed at all, it could be construed as being Pop-Surrealist, which is due to the infernal underground comic art style of the Artwork using themes from popular culture.

As for the emphasis upon the female form, it is to do with illustrating various archetypes of the Fallen Anima.

The Anima is a female archetype residing within the heterosexual male psyche, which is conjured up amidst the Triangle Of Art imagination, whenever a male visualises his idea of a perfect female partner, or even one to avoid, etc. The Anima influences his attraction to those women he seeks to become intimately involved with, who reflect back how he sees himself of an internal-self-image, such as a Witcher, for example.

The counterpart of the Anima, is the Animus residing within a heterosexual female psyche, which influences her choice of those males she seeks to become involved with. Her male partners also reflect back how she sees herself deep down, who might see herself as a Sorceress.

When a man or woman falls in love at first sight it is due to the unconscious influence of their Anima and Animus being conjured up within their psyches. Those of a different sexual orientation reverse the symbolism in accordance with their respective natures.

The Anima and Animus are not quaint concepts; nor are they part of some new-age fundamentalist pseudo-ideology. The Anima and Animus are psychological realities, which are an expression of your biological hard-wiring; it is basic nature.

What is intriguing is that the grimoires, whether ancient or modern have an overriding gender fixation upon the deified Animus, made as a patriarchal God and Devil along with their all male pantheon of Angels and Demons, which you could otherwise term as being Playgirl grimoires.

The Playgirl grimoires primarily describe male archetypes of the deified Animus, which as mentioned, reside within the female psyche. In other words the deified Animus, made as a God and Devil is the patriarchal creation of woman, who to dally with the Beta and Alpha male archetypes of her monotheistic Animus manifesting as machismo Angels and butch Demons, you can aptly term as being Incubi.

The male archetypes can be otherwise seen as being role-models by a conjuring male Artist who assumes their guises to act out, when to engage in performance Art, or to imagine assuming their daemonic Avatars, while drawing/painting their (seals/sigils) characters.

A shaman likewise does the same when accessing hypnagogic trance, who then becomes the conjured archetype within a lucid dream, somewhat like becoming a character in a (virtual reality) video game.

However, each of the male archetypes the shaman assumes as his (magical-persona) Avatar would be coupled with a corresponding female archetype of his Anima.

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(A Tibetan Buddhist [Hindu or Tantric] would term the Anima as being Shakti, whose energetic [Succubus] emanations are called Dakinis, and each Dakini is coupled with a [Avatar] raging Buddha.)  

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For example, let’s say we have a heterosexual male Artist who is drawing the video game character of the Witcher, who associates the Witcher with a shaman. The shamans were once many, until the ascendancy of the (Eternal Flame) deified Animus cults started to systematically eradicate them; whereupon there are now only a few.

The Artist’s creative intensity of a meditative focus is introverted into his dreams, which is sexually empowered by the Witcher’s intimate interaction with his female counterpart named, Yennefer.

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Or that of other female characters, such as the (Succubi) Succubae, having varying (mutagen) Muse abilities, the Witcher becomes entwined with in his shamanic story of a hero’s journey. But the Art Muses are arranged around a central Art Muse, who is their Anima Queen.

The Artist experiences assuming the daemonic Witcher Avatar within a lucid dream, who will find that the dream domain he consciously accesses is represented by Yennefer. It is she and other female characters who personify the sorceress power of his Anima dream.

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When you have a gender fixated paradigm it will have an underlying sexual orientation, which cannot be denied, even if you attempt to cut sexuality out of the symbolic equation.

Sex has been cut out of the patriarchal symbolic paradigm in order to negate you seeing the underlying sexual orientation behind the focus upon the deified Animus.

One of the grimoires, which describes just a few female spirits out of seventy-two of number is the Goetia. However the female spirits the Goetia depicts are described as being actually androgynous male entities in hermaphrodite disguise, or if you prefer, they are fluid of Hollywood gender politics, the feminist extremists presently espouse, while battering the Anima.

The extremist feminists are not saying anything too dissimilar to what orthodox Judaism, right-wing fundamentalist Christianity or Whahibist Islam have said concerning the Anima, which has been entirely castigated out of the symbolic paradigm as the Fallen.

It is essentially mass thought-control, which specifically targets the Anima within the male psyche and in turn targeting his sexuality. You could hypothesise of a science fiction scenario that its hidden agenda is population-control. Whether it is cyclic of nature, or that of human wrought witchery can be considered as being a mystery.

Although when to science fiction observe that the Biblical Hell-fire imprisonment of the psyche is losing its hold, it now also involves alchemical practices being employed.

You have the dumping of sodium fluoride, fluorosilicic acid, and sodium fluorosilicate into the public water supply, along with it being added to the food in league with GMO Soya.

They are also considering putting lithium into the public water supply, which will put an inane smile on your face.

But it appears that lithium and other metals are being introduced into the environment via chem-trails, etc. You can thereby gather it is very likely being engineered by the all too human, which is the real porn.

At one time during the dark ages of the Witcher, the numbers of your ancestors were kept down by natural illnesses, various false-flag instigated religious wars, as well as being systematically programmed to believe, that any untoward thought not allowed by the Animus fixated Playgirl scriptures, would consign them to being eternally damned, within the fiery depths of Hell.

Now, during the science fiction era, many a male are being media programmed to believe that any considered politically incorrect thoughts they might have indicates that they are objectifying women as sex objects, exuding a toxic Witcher masculinity, let alone being sexually perverse misogynists, etc. The thought control is engineered to get males to censor their own thoughts via the emotively charged state of being made to feel guilty about being male, etc, which in turn censors their dreams.

Perhaps science fiction is becoming science fact!? So, if you have a very real Necronomicon, which has been banned by the cults of the deified Animus, it would list what has been entirely cut out of the symbolic equation, a Faustian sorcerer would fathom…

“Horrid, old and dumb,” many a protesting Mummy Porn Maenad to have screamed at me, likening an Avadhuta Faustian rebel to Danny DeVito, while I flew over their tangled Medusa hair Nets, to Heyoka howl… “Animus!”

Wherefore I decided to create a Necronomicon based upon the Goetia, which illustrates the female archetypes of the Fallen Anima, you could term as being a Fifty Shades Of Grey Playboy grimoire, whose tome explores the rebellious lucid dream conjurations of Owl eyed Athena (Succubi) Succubae, betwixt the High Priestess pylons, black and white.

Those who term my Artwork as being occult porn, merely reveal where they are coming from, who reside within a closeted Plato’s cave of a neuro-marketing Animus fixation

It is the symbolic Matrix where the feminist likes of Oprah Winfrey read Fifty Shades Of Grey Mummy Porn, which objectifies the male in their Playgirl grimoires! Savvy!

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BOHEMIAN GROVE CULT CLUB BABYLON

Posted in Chaos Magic, Conspiracy Theory, Demon, Devil, Extraterrestrial, Lucid Dreaming, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 28, 2015 by FAUSTUS CROW

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The Bohemian Grove club is comprised of the elite, who secretly meet for seventeen days each July in a remote sacred grove of ancient redwood trees. The area in question covers 11 km² (2700-acre) of camp-ground, which is located at 20601 Bohemian Avenue, in Monte Rio, California. Approximately one thousand-five-hundred members of this elitist all boys club are kept secret.

The Bohemian Grove club includes the super-rich, aristocratic family members, corporate heavy hitters and high government officials. Mingling among their number are propaganda media machine Hollywood movie stars, Broadway producers, famous entertainers, musicians, authors, painters and poets and fast talking statesmen. Suffice to say, they are not at all Bohemian, that’s a joke for starters!

“Anybody can be President of the United States, but very few can ever have any hope of becoming President of the Bohemian Club.”  – President Richard Nixon, 1972

Many have been led to believe, by the likes of Alex Jones and David Icke that the strange arty rites of the Bohemian Grove elite emulate the ancient Middle Eastern mystery cults of ancient Rome, whose all male members celebrate the old Gods such as Molech, Ishtar, Lilith, Attis, Mithra and Zoroaster, etc; wherefore, they are not considered to be good little Christian’s.

The members are commonly seen to be Satanists, Druidic Freemasons as well as being of Yale’s exclusive Skull and Bones or even to be of the shadowy Illuminati, who are in league with Annunaki reptilian extraterrestrials from planet X.

Whatever the case, the numerous interpretations are usually based upon an obsession with ancient Babylon and its petrodollar eye amidst an oily UR ziggurat from where Abraham first stemmed; wherefore perpetuating the religious focus upon the Middle East.

Most researchers completely ignore the native peoples who once occupied California; this is primarily due to their religious indoctrination, which blinds them to the native myths of the Bohemian Grove area, where the Pomo tribe once lived, long before the Conquistadors ever arrived with their Holy Roman Empire legions of Cross-Keyed monks in tow.

When investigating the myths of the Pomo, you will have to become as a little child again, before the time of your indoctrination into a religious mind-set of a rewritten history.

When to do so, you will soon discover as your horned pirate head assails the ramparts of the symbolic Matrix, which has been wrought by the trinity of the Abrahamic Animus faiths out of UR, that the Bohemian club’s Patron Saint, John of Nepomuk, points at the ancient Amerindian myth of ‘Prairie Falcon.’

In native American lore the Prairie Falcon made war on the Northerners and was killed. The trickster deity called Coyote claimed to be a medicine man, who was the first to doctor him. However, Coyote was merely being tricky, who was determining, which of the healers wanted payment. Then others, all OWLS, doctored the Prairie Falcon.

These Owls were called Hihina, whose members were, the large Owl called Sodut, the Ground Owl, and Hihimcha, the Small Owl as well as the White Owl, Wedjiji, whom set about healing the Prairie Falcon. It was however the ‘WHITE OWL’ who cured the Prairie Falcon.

It thereby appears that the Owl of Bohemian Grove refers to the myth of the Prairie Falcon, which was appropriated as a symbolic referral to the Civil War between the Yankee ‘North’ and ‘Southern’ Confederates.

The beginnings of the Bohemian Grove art club for the establishment rich boys occurred during 1893, when the American Dawes Commission, named after its first chairman Henry L. Dawes, was authorized to appropriate Native-American lands by the Indian Office appropriation bill of March 3rd, 1893.

The result of the Dawes Commission was that the native-American nations lost most of their national land. This cleared the way for settlers looking for oil riches and rich farm land to come into the native territories such as Bohemian Grove.

As for the Bohemian Grove club motto: “Weaving Spiders Come Not Here”, California’s contentious political climate brought both great disappointments and remarkable victories for women’s rights. Early success came in 1893, when a women’s suffrage bill won approval in the state legislature; but it was quickly vetoed by the governor who thought it was unconstitutional.

So, during 1893, when the Bohemian Grove club of the deified Animus made as a God/Devil first started, the women were hit by their patriarchy as well as the Native American Indians.

The ancient Pomo people are said by linguists to have originally descended from the Hokan speaking people in the Sonoma County, California region, which was a critical meeting point of coastal redwood forests and interior valleys with their mixed woodlands.

The Pomo people practiced animist ‘shamanism’, one form of this was the Kuksu religion, which was evident in much of Central and Northern California, this included elaborate ritual enactments of their myths and dancing ceremonies wearing colourful traditional costumes; who also practiced an ANNUAL MOURNING CEREMONY, like that of the Bohemian Grove ‘CREMATION OF CARE CEREMONY.’

Puberty rites of passage were also practiced along with shamanic trance inductions into the spirit world whose ‘all-male society’, had met in subterranean dance rooms. The Pomo believed in a supernatural being called the Kuksu or Guksu who lived in the ‘Southern’ compass quarter of their world, this spirit manifested during ceremonies through their medicine men who dressed up as Kuksu in order to heal them of ailments.

Another later shamanistic movement, which took place, was that of the Ghost Dance; it was introduced to the Pomo by the Wintun, which was practiced through 1900. The Ghost Dance utilised the Judaeo-Christian belief system against its self, which employed prophets who had vivid precognitive dreams, ‘waking visions’ and revelations from the ‘presiding spirits’ of the land.

The Ghost Dance formed into an influential force among the native population. Because of the similarities between the Ghost Dance and the Messianic complex of Judaeo-Christianity it was seen to be a danger to the Christian’s, who dealt it a death blow at Wounded Knee.

The spiritual cosmology of the Pomo has a sweat lodge in each of their cardinal directions, which are in turn associated with six supernatural beings or groups of spirits who lived at the end of the world within the sweat lodges of six cardinal directions.

1: Guksu, also called Kuksu as stated earlier, was a supernatural being who lived at the Southern end of the world, the realm of emotions. The word to also means a large Mosquito like insect locally known as the ‘Gallinipper.’ Healing was his specialty, to whom the Pomo medicine-men offered their prayers. Kuksu was perceived to be a normal size human with a very long, large and sharp red nose.

It just so happens that conspiracy researchers have remarked upon a strange stick like figure in some of the acquired Bohemian Grove pamphlets, which they have invariably interpreted to be their Biblical Devil, a Demonic Mesopotamian Pagan entity or even an Alien; however, it represents the Spirit Kuksu.

The spirit, Kuksu was good natured on the whole. The impersonators of Kuksu, when participating in dance rituals painted their bodies black, or striped red, white and black who also wore a bulky, feathery headdress or a large feather tuft upon their head with a yellow headband.

The nose of the Kuksu impersonator was made with feathers and painted red, who also carried a staff, which was six to eight inches long in length with a feather tuft at top, and provided a double bone whistle. He would whistle like a Mosquito, but ‘NEVER TO SPEAK’.

2: Calnis lived at the Eastern end of the world, the realm of spirit. In ceremonial dances Calnis is also associated with Guksu, who manifested in human form, but he was usually testy of a trickster figure. He pursued people in order to ‘trip them up with their own lies. In dance ceremonies, the Calnis dancer was painted entirely in black carrying a black staff without feathers. On his head Calnis wore a feather cape, which fell over his face.

3: Suupadax lived at the Northern end of the world whose name is associated with a whirlwind of a tearing twisted hair tornado, its roar being that of many words giving form to whirling thoughts.

4: Xa-matutsi lived at the Western end of the world, the realm of the dream. The name of the spirit is associated with the Pacific Ocean. His province of influence was over ‘water’. The Pacific Ocean was the Western most edge of Pomo territory, which was a very important part of their mythology. The Pomo believed that their world was bounded by water along the West.

5: Kali-matutsi lived in the sky and heavens above. His name is associated with the mysteries of the cosmos and the sky-people. The visitations of the sky-people are often than not surreal of trickster games, as played by Coyote, via which he teaches as a Heyoka.

6: Kai-matutsi lived on the earth and below; whereby his name is associated is with the ‘Earth’ and the ancestors below.

As mentioned prior, these six spirits of the Pomo were perceived to live in ‘Sweat Houses’ or ‘Dance-Houses/Medicine-Lodges’ at each end of the world. At times, these supernatural beings could kill, by reflecting back the malevolent agendas of liars. However if properly treated and ritually placated with open heart honesty, they were benevolent.

You might find it rather strange that a bunch of white European’s have appropriated an ancestral Native American Ceremony, to perhaps even disbelieve such is the case, but it isn’t strange at all; the Roman’s have been doing so for ages.

For example, the Imperial Roman Empire appropriated the deified Animus made as a Hebrew God along with the ancestral-self-identity of the Hebrew’s in order to have dominance over the Middle East, which invariably led to a bunch of white European Puritan’s, who were just wannabe Hebrew’s gunning for America, whom believed it to be their New Israel.

So, if you find the appropriation of a Native American ceremony to be strange, you will then have to face the fact that the appropriation of Animus fixated Judaism by Rome is also rather strange in the extreme. It will only become clear when you are honest about the underlying reasoning behind it all, which is that having dominance over the land and its native peoples, whether they be Middle Eastern or Native American.

Those who are not honest with themselves, avoiding the issue to flatly deny, will encounter the Skinwalker Dog-Soldiers who will point out that no WMD’s were found in Babylon’s oily lap under Baghdad.

The person who usually personified a Guksu in dance ceremonies is considered to be the medicine man; his office was to treat the sick. Sickness was seen as something that Guksu annually manifested to take away; whence to carry back to the South. The ceremony lasted six days; the shaman dancers who acted the part of the spirits appeared once a day. The six day ceremony also included ‘THE SCARIFYING CEREMONY.’

The Scarifying Ceremony was about Initiation, where boy children aged five to ten were initiated into the male Medicine Lodge with physical and mental tests to be duly administered by the dressed up dancers who acted as the spirits of the six lodges. The women had their own Medicine Lodge and initiation rites.

It appears that the Bohemian Grove members have misappropriated a Native American Ceremony to fuse with their Puritanical focus on transforming America into a new Israel, whose continuance has been ongoing since the Dawes Commission of 1883, in order to indicate their total dominance over the land.

The Bohemian Grove rites have nothing to do with Middle-Eastern Babylonian deities, nor the reinvented European Paganism of New-Age Gnostic’s, or even Satanic Occult practices; Hell, the so called Western Occult tradition is primarily based upon the Hebrew Cabbala. As for human sacrifice, the elite sacrifice many a Sheep upon their warring altars for an oily petrodollar, who care not for their Lambs to slaughter!

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Should the Native American’s ever find out that one of their sacred ceremonies has been appropriated in such a manner, there will be Hell to pay. But who will take any notice, since many a mind across the globe have been brainwashed to perceive reality in accordance with three patriarchal scripts out of Abraham’s UR, in oily Babylon, who cannot see outside of its triangular Middle Eastern sand-box.

If you be an artistically inclined Bohemian Dog-Soldier, who seeks to Skinwalker rebel against the established symbolic Matrix, all you have to do is to the reverse the Animus fixation of the three Illuminati cults out of oily Abraham’s UR, towards that of the Widdershin-wise Fallen Anima. 

The brainwashed minions of the deified Animus made as a God and Devil will not be able to argue against the Anima, Unbound!

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THE MAGIC CHRISTIAN

Posted in Chaos Magic, Conspiracy Theory, Film, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 8, 2015 by FAUSTUS CROW

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Erik Jan Hanussen was a stage magician, publicist, charlatan, hypnotist, mentalist and clairvoyant performer, whose name was synonymous with psychic phenomena in Central Europe, during the Weimar Republic of Germany, who also had a part to play when the National Socialist Party ascended into power.

In Berlin, Hanussen was an occult rock star before there were rock star occultists, who had a vast business enterprise, which traded in on the voracious German hunger for all things paranormal of a prior neo-Gnostic Christian Newage infatuation.

Although Hanussen claimed to be a Danish aristocrat, he was in fact a Moravian Jew, born as Hermann Steinschneider in Vienna.

Hanussen is said to have instructed Adolf Hitler in his hypnotic performances of having a charismatic effect upon the crowd.

He apparently predicted the Reichstag fire, which of a false flag event allowed the recently appointed Chancellor of Germany, Adolf Hitler to seize absolute power in 1933; it is considered to be his most famous feat of clairvoyance. However, It may have been a miscalculated use of inside information, in order to warn the public, which probably led to his death shortly thereafter.

Hanussen was assassinated on March 25, 1933, whose corpse was hastily buried in a field on the outskirts of Berlin, near Stahnsdorf.

There are those who believe that he was murdered because of the competition with Hermann Göring and Joseph Goebbels for the attention of their Führer. Hanussen’s body was discovered over a month later.

There are unsubstantiated claims that he may have been involved in the Reichstag fire, hypnotizing and directing Marinus van der Lubbe, the convicted arsonist, to commit the act.

Hanussen is a curious historical oddity, which has led to much convoluted myth making concerning the Nazi’s being intimately entwined with the occult, as well as seeking to usher in a pagan religion, worshipping the Sun; however, Christianity is a Sun worship religion, whose Cross represents the Solar Cross of the Zodiac amidst the twelve signs of the Apostles.

The Nazi regime was far more interested in the scientific developments of having total control over the population. Should the Nazi regime had indulged in the occult, it would be because of using its archetypal symbolism for propaganda purposes, of psychological warfare, as well as for mass-mind control via viral-meme advertising.

One of the technological tools to achieve control over the populace, was, and still is the dosing up the public water supply with the known sedative, Sodium Fluoride, which calcifies the pineal gland.

It appears that the Nazi regime first used Sodium Fluoride in the ghettos and concentration camps, whose scientists no doubt knew about its effects upon the inmates.

Another stage magician and practicing occultist called, Franz Bardon, claimed that Hitler was a member of a Masonic lodge calling its self, the Freimaurerischer Orden der Goldenen Centurie, F.O.G.C.

Bardon related that the supposed ‘Golden Dawn’ members of the F.O.G.C were all possessed by Goetic demons, of similarity to the present fixation upon the Illuminati being controlled by ultraterrestrial reptilians, or extraterrestrial Greys.

Such myths appear to be engineered as viral-memes, for the express purpose of disinformation, which of design, are used to get the general populace to look elsewhere, rather than to see the most obvious.

If you otherwise see the obvious, you are then tarnished as being a nut job, of similarity to those, who have been led to believe in Biblical demons or aliens running the world.

The wholesale Nazi involvement in the occult is not in fact true, it is a fanciful blind, which shrouds the truth amidst a cloak of engineered disinformation, in order to distance Christian involvement in the horror of the holocaust.

This is due to the Church of Rome, along with many a Christian industrialist, who were far more concerned about the Atheist Communists attaining power in Germany. Suffice to say, they would prefer the general public to forget their support of the Nazi regime, since it is very bad for their big-business image.

But, in order to remember, all you have to do is to look into the Spanish Civil war when the Church backed the fascist regime against the Communists, which is of similarity to what has occurred, and sill goes on in South America, let alone Africa.

Factual history reveals that when the National Socialist Party came to power in Germany, they set about banning numerous occult orientated organisations, such as the Masons in particular, as well as neo-pagan groups, whose alternative viewpoints differed from that of Christianity.

Whereupon Bardon was sent to a concentration camp due to his occult affiliations, not because he refused to be involved in a Nazi occult group. This may explain why Hanussen was assassinated, because he was far too close to Hitler; hence considered to be an embarrassment.

This would be more so the case if Hitler had found out that Hanussen was in fact Jewish. Hitler was essentially a Christian, who explicitly said so in his book, Mein Kampf, whom sought to usher in a ‘Golden Dawn’ of an Aryan Christianity.

You might say, that an Aryan Christianity sounds rather contradictory, since Jesus was a Jew; this is where it becomes absolutely crazy.

The Roman Catholic Church since the medieval era had a habitual dislike of the Jews, who were collectively castigated as being the (Judas) murderers of Jesus, which of a racialist rot in society, invariably led to the ant-Semitism of WWII Germany.

Why did the Church of Rome target the Jews? well, it is quite obvious, Christian Rome had appropriated the ancestral-self-identity of the Hebrews, hook line and sinker, which is undeniable!

It was then forced upon all those under the rule of Rome; this then led to the eradication of the ancestral-self-identity of the Europe during the Witch burning era, in order to convert the then pagan people’s of Europe to Christianity; wherefore forcing the populace of Europe to assume the ancestral-self-identity of the Hebrew’s.

When you apply psychology to the matter, an individual who copies another person, will at first seek to be better than the original, who will duly claim to be superior; this insanity can lead to the copy attempting to murder the original. You can thereby determine that the mass populace of Europe went quite insane, due to Rome’s appropriation of the ancestral-self-identity of the Hebrew’s.

The appropriation of the ancestral-self-identity of the Hebrew’s, was not the first time that Rome used this technique of Empire building, it habitually copied other cultures throughout much of its long history, such as copying the ancient Greek’s for example; whereby assimilating them until they no longer existed of a former glory; or that of otherwise being decimated, like Carthage.

If these other cultures survived the process of assimilation, they became as hollowed out shells of what they once were, like that of Egypt. An analogy would be that of the Star Trek Borg assimilating (converting) other species into its centralised collective. The tried and tested technique of assimilation worked, which made Rome the most powerful city in the ancient world, whose empire lasted for approximately a thousand years, due to its Borg mentality.

Although Rome eventually fell, it has the knack of resurfacing as a political influence via its religion. But why did Rome assimilate Christianity in the first place? It was purely because of political power. Much of Rome’s grain, gold and exotic goods was derived from the Middle East. The native population of the Middle East were well aware of this weak spot in Rome’s imperial armour; wherefore, you had Jewish rebels kicking up a dreadful stink in the Middle East, who had Rome’s Romulus and Remus sweaty balls in a vice.

Hence the reason why their temple of Solomon was burnt to the ground by Rome; although, the Jewish rebels got their revenge when they nearly burned Rome to the ground, during Nero’s stint in power; he didn’t know what had hit him. This singular event led to the rounding up of the early Christian’s to feed the bloody arena, who were considered to be vile terrorists.

You might point out that there were other people’s in the Middle East, who rebelled against Rome’s Empire; however the Jews were a very different kettle of fish, due to their religious zeal, which cohered their rebellious focus as being the chosen super-race of their God.

When the Emperor Constantine eventually assumed power in Rome he set about using Humanist Greek philosophy against the religious cohesion of the Jews as being the self perceived chosen race, by creating the opposite religious perspective of Christianity, that all humanity are chosen by their God. He basically used their religion against them!

Constantine was a crafty fellow, who recognised that the Jewish rebels suffered from a superiority complex, just like many a Roman emperor!

A Roman emperor can be psychologically profiled, or even a group of people, as well as a nation, should the peoples therein, be cohered by a shared belief system, which determines their thoughts and actions.

The use of psychological profiling is not a modern technique, which of a tool, Constantine, as a military man, would have utilised in order to predetermine the moves of his enemies, by coming to understanding of their shared religion, to thereby use their beliefs against them.

This act of psychological warfare was empowered further by utilising the religious zeal of the Germanic tribes, who also caused Rome a lot of bother in Northern Europe.

Constantine was quite impressed by the religious cohesion of the Germanic tribes when he was stationed in the Danube after leaving his birth place of Woad blue Britain.

Constantine noted that the religious fervour of the Germanic tribes gave them the martial edge on the battlefield, who saw themselves as being the ecstatic warriors of a singular (pineal gland) eyed God called (Woden) Wotan, who hung himself upon the world tree, Yggdrassill, as a self-sacrifice.

Alas, the Germanic tribes eventually fell under the yolk of Rome’s Empire, just as the Gauls had previously fallen; but at a very great cost to Rome.

Most of Constantine’s legions were thereby duly made up of Germanic conscripts, who as legionnaires of Constantine, they needed to have a continuum of a religious focus.

If they had otherwise been all Egyptian, Constantine would have probably utilised the third-eye (pineal gland) symbolism of Horus.

However the Runes of the Germanic Mercurial God were reconfigured into a Labarum ‘Bind-Rune,’ as well as transforming their hanged God upon a tree into a God looking like Apollo, crucified upon a cross of wood; whereby transforming the Middle East into their holy land of the ‘Golden Dawn.’

The Labarum is made up of two Runes, being an ‘X,’ Rune caled Gyfu and a ‘P’ Rune called Wunjo. Gyfu essentially means, self-sacrifice, as well as being associated with sexual love, more so, sacred union; whereas Wunjo means joyous ecstasy.

These two Runes are also numbered 7 (X) and 8 (P), when added to together of a Labarum Bind-Rune, you then have the 15th Rune of Algiz, looking like an upright Hippie peace symbol, which means, sacred protection.

The Algiz Rune is also associated with the angelic (Succubae) daughters of Wotan, called Valkyries, who protect warriors; wherefore you also have the sexual union aspect of the Gyfu Rune and that of Wunjo ecstasy.

The 15th Rune then reduces down to the 6th Rune of Cen, looking like a ‘C,’ meaning, torch, which refers to an inner (Odin/Odqan) fire; being a fire (light) in the head.

If Constantine had used Greek letters for his Labarum, the German conscripts would not have understood the symbolism painted upon their shields; whereas the usage of Runes, they obviously knew of a sacred script, which they saw as being gifted to them of a Logos by their singular (pineal gland) eyed God, when he hung himself into trance upon Yggdrassill.

As an aside, the Roman God, Mercury, who is named Hermes, in Greek exchanged his lyre for the Caduceus. The Caduceus originally belonged to the God, Apollo, who had come from Hyperborea, which is the Greek word for Siberia.

Hermes and Apollo are seen to be similar to the Germanic God Wotan, who the Scandinavians called Odin. The name of Odin is derived from the Southern Siberian Altaic word, ‘Odqan.’ Basically, Odqan is a deified horned shaman, whose name means fire king, which in Scandinavian is Odin, meaning light master; fire and light being that of an inner illumination, equated with a state of shamanic ecstasy. This state of shamanic ecstasy is associated with the third-eye of the pineal gland.

In other words, there was a prior cross-cultural shamanic connection between people’s, from Europe, across the steppe unto Siberia as well as India and elsewhere, which had been observed and duly utilised by Rome via the manipulation of the shared symbolism.

But in order to have total dominion over its weave of symbolic interconnections between numerous peoples, the prior understanding had to be utterly destroyed to thereby brand it anew.

You will find that many of the Emperors during the early Christian era of Rome unto Constantinople were of Germanic origin and that the Crusaders were primarily of Germanic descent, being Franks, from whose title, the name of France, is derived.

The Frankish Crusaders made war against the rebellious Arabs, who had earlier copied Rome’s tactics by also appropriating the ancestral-self-identity of the Hebrew’s, so that they could attain mastery over the Middle East treasure house of Rome.

The Arabs sought to unify the shamanic Turkic peoples of the steppe, by forcefully converting their God called Tengri, into Allah, just as Rome had transformed the Germanic Wotan into Christ.

Whereby the Jews were caught in the middle between Christians and Muslims alike. But being in the middle can also work in your favour, when to play the other two against each other, by using finance of prior capitalism; well, what do you expect, it was, and still is a case of communal survival, whether it be in an urban ghetto, or that of a fenced off ghetto of a land!

If you was being copied by two other people, who are totally insane, whom seek to murder you, because they now see themselves as being superior to the original; what would you do?

When to step outside of the triangle of the never ending conflict, you will very quickly determine that all three of them are utterly crazy. Easy to do, when you don’t belong to their trinity of Illuminati cults.

You can thereby gather how other peoples see them, whether they be Native American, Aboriginal Australian, Maori, Mongolian, African, Japanese, Chinese, etc; that’s if they haven’t forgotten their own ancestral-self-identity, since the Abrahamic Borg are seeking to convert them all.

This brings us to the intriguing case of the Templars, who were of Norman descent, whose ancestral origins was of the Norsemen. The Norse worshipped the God hanging himself upon the world tree as Odin.

The Templars very likely remembered the pagan original of Rome’s Christ, which caused Rome’s rather vain priests a lot of bother, since the Templars were becoming far too powerful, who could potentially reveal the truth behind their religious construct of political control.

Wherefore greedy Rome had to eradicate the Templars; just as Rome’s Church burnt Witches at the stake, since the pre-Christian lore of Northern Europe in particular, was passed down the female line.

Basically, Rome’s Church was systematically destroying the ancestral-self-identity of Europe in order to usher in their ‘Golden Dawn’ of a ‘New World Order,’ which of a genocide lasted for approximately 500’yrs of theocratic fascist slaughter, torture and relentless propaganda by its holy inquisition.

It is easy to forget, it all, until you step back and place yourself into the position of your ancestors, who had endured a prior holocaust. In other words, much of your ancestral-self-identity has been entirely erased!

It is how cults work, which set out to erase your past, to thereby control your present, whereby owning your future.

What you have is an in your face worldwide conspiracy; it isn’t some insane fantasy. The insanity is that many now believe that a deity revealed it self in the Middle East; but only because they appropriated the cultural construct of a deity, which personifies the ancestral-self-identity of the Hebrew’s, due to their own ancestral-self-identity being systematically eradicated by a cult.

So, when the Nazis eventually came to power in Germany, there was hardly any vestige left of the European ancestral-self-identity across the whole of Europe, apart from the appropriated ancestral-self-identity of the Hebrew’s.

However, because the Church of Rome had an avid dislike of its Jewish original, images of a Semitic Jesus, had evolved to the other extreme over time, to make him look like a pale, blond haired, blue eyed Magic Christian Aryan, who has since been translated into a neo-Gnostic Nordic alien.

The Aryan look of a perceived perfection, was very popular in Californian Eugenics, which came to the fore during the late 19th century, whose proponents in the United States later aided and abetted the Nazi regime in its Eugenic program.

During the early 20th century immigrants into America had to endure Eugenic profiling, many of whom were sterilised; this was especially the case if you was Jewish.

The practice of sterilising the mentally impaired and the poor continued until the late 1960’s in California, which also involved homosexuals, lesbians and political troublemakers being forcefully incarcerated in asylums.

You can also fathom from where the Nazis originally derived their racialist idea of a chosen super-race, who saw themselves as being superior to the copied original.

Wherefore the Nazis initiated their final solution, which the Church of Rome could not achieve; but then, it had been far too busy of a prior age, eradicating the ancestral-self-identity of Europe.

Although all the above is very much a generalisation you will be able to go more in depth, when looking into ‘historical facts,’ which will lead you to determine that it is a nightmarish comedy of errors right out of the 1969 film, ‘The Magic Christian.’

The film is an unrelenting dark satire on capitalist greed, abuse of power, and the total enslavement to money; hence all, are as slaves.

The madness of which has been self-perpetuated down the generations, by all those who have found themselves being indoctrinated into a cultic mind-set, who blindly prefer looking for Franz Bardon Biblical demons under their Masonic beds, rather than seeing the Illuminati truth of the most obvious, that they have appropriated the ancestral-self-identity of another people; wherefore, their ‘nervous systems’ are heavily imprinted; hence totally brainwashed.

An analogy would be that of a European being forced to adopt a Native American Spirituality, who then considers himself/herself to be of a lost Indian tribe, or being a reincarnated Indian, and not only that, he/she would also see himself/herself as being superior to the Indian; wherefore the Indians have to be exterminated, because they occupy the land the wannabe Indian wants as his/her own, of a Skinwalker ‘Golden Dawn.’

There is also the symbolic curiosity of a Magic Christian being crucified upon the Solar Cross of the Zodiac betwixt and between a six pointed Star of the Sun and the sickle Moon, which of symbolism refers to Christ being crucified between a land thief and a murdering terrorist; you might even start to wonder, if the three of these cults secretly got together of an Illuminati triad, to set it all up.

The probable truth of the matter is that all three have blindly appropriated the elder shamanic symbolism, which unified peoples across the globe to make as their own cult brand, to thereby have control over; wherefore the reasoning behind why they they habitually destroy elder cultures.

This is revealed when you look into the third-eye Shiva terminology of Yoga, to find the Pingala (Sun), Ida (Moon) and Sushumna, which refers to the nerve channels of your nervous system. The Pingala nerve channel of the Sun is on the right side of your spine, the Ida nerve channel of the Moon is on the left side; both of which belong to your autonomic-nervous-system.

Whereas the central nerve channel of the Sushumna, running along the centre of your ‘world tree’ of a spinal column, belongs to your central-nervous-system.

When the Ida and Pingala are brought into balance via hypnagogic (third-eye) trance, an inner energy is awakened along the Sushumna, called the Kundalini Shakti, which is personified as a Goddess, who is otherwise known as the ‘fire snake,’ whom illuminates the skull of an (Odqan) adept, as an inner fire. This internal experience is associated with your pineal gland.

You might otherwise theorise that it is all part of some awful process, which is leading humanity towards a global government, just as tribes, became nations, nations became countries, leading thence to empires seeking dominion over the entirety of the globe, by branding an ancient connection between all peoples, as their own.

This however, requires blinding your third-eye; for as a seer, you would sense the connection between all.

The methodology of the Borg, is that of divide and conquer; hence they do not want you to see as a seer.

One thing for sure, Imperial Rome is still around, as the author Philip K. Dick related in his novel Valis, “THE EMPIRE NEVER ENDED.”

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