Archive for cthulhu

BABALON WITCH BRIDE OF CTHULHU ANIMUS

Posted in Art, Chaos Magic, CREATIVE WRITING, Film, Goetia Girls, Horror, Occultism, Sorcery, Succubus, Surrealism, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , on October 30, 2015 by FAUSTUS CROW

“What Dragon of cement and aluminium bashed open their skulls and ate up their brains and imagination?

Cthulhu! Solitude! Filth! Ugliness! Ashcans and unobtainable oily dollars! Abandoned children screaming under the stairways! Boys sobbing in monstrous armies! Old men weeping in the lonely parks! 

Cthulhu! Cthulhu! Nightmare Babalon, of Cthulhu! Cthulhu the loveless! Mental Cthulhu! Cthulhu the deified ANIMUS judger of men! 

Cthulhu the incomprehensible prison! Cthulhu the crossbone soulless jailhouse and Congress of sorrows! Cthulhu whose buildings are judgement! Cthulhu the vast stone of WAR! Cthulhu the stunned governments!  

Cthulhu whose Babalon mind is pure machinery! Cthulhu whose Babalon blood is running money! Cthulhu whose phallic tentacles are ten armies! Cthulhu whose patriarchal breast is a cannibal dynamo! Cthulhu whose controlled media mouth is a smoking tomb! 

Cthulhu whose eyes are a thousand blind windows! Cthulhu whose skyscrapers stand in the long migrant streets like endless Jehovahs! Cthulhu whose factories dream and choke in the fog! Cthulhu whose smokestacks and antennae crown the cities! 

Cthulhu whose Babalon love is endless OIL and stone! Cthulhu whose Babalon soul is electricity and petrodollar banks! Cthulhu whose poverty is the specter of Babalon genius! Cthulhu whose Feminist fate is a cloud of sexless hydrogen! Cthulhu whose ANIMUS name, is within the Babalon Mind! 

Cthulhu, against whom I rebel! Cthulhu, against whom I rebelliously dream of Succubae angels! ANIMA crazy against Cthulhu! Pussy-eater against Cthulhu!

Lacklove and manless in third-wave Feminist, Cthulhu ANIMUS! 

Cthulhu who programmed our souls early! Cthulhu in whom I am a consciousness without a body! Cthulhu who frightened me out of my natural ecstasy! Cthulhu whom I abandon! Wake up in the ANIMA, against Cthulhu! Light streaming out of the sky! 

Cthulhu! Cthulhu! Robot apartments! invisible suburbs! skeleton treasuries! blind capitals! demonic industries! spectral nations! invincible madhouses! crucified granite pricks! monstrous bombs! 

They broke their backs, lifting their deified ANIMUS Cthulhu to a New World Order Heaven! Pavements, trees, radios, tons! lifting the city to Holy-wood Heaven which exists and is everywhere about us! 

Visions! Omens! Hallucinations! Miracles! Ecstacies! gone down the American river! 

Dreams! Adorations! Illuminations! ANIMUS Religions! The Seventh Seal ANIMA unsealed reveals a whole boatload of sensitive bullshit! 

Breakthroughs! over the Babalon river, menstrual red! flips and crucifixions! gone down the bloody flood! Highs! Epiphanies! Despairs! Ten years’ animal screams and suicides! Minds! New loves! Mad generation! down on the rocks of Time! Forgotten! 

Real holy laughter in the Euphrates! They saw it all! the wild eyes! the holy yells! They bade farewell! They jumped off the twin tower roof! to solitude! waving! carrying flowers! Down to the BABYLON river! into the migrant street!” 

BABALON WITCH BRIDE OF CTHULHU ANIMUS

Freely adapted in part, from part II of the poem, entitled: Howl! By Allen Ginsberg  (1926-1997) Ginsberg once called his protest poem, “an emotional time bomb, which would continue exploding in U.S. consciousness in case our military-industrial-nationalist complex solidified.” 

Howl was originally banned for its Entartete Kunst obscenity; customs officials seized 520 copies of the poem on March 25th, 1957, being imported from the printer in London.

On June 3rd Shig Murao, a ‘Dark City’ bookstore manager, was arrested and jailed after an Orwellian sting operation for selling Howl and Other Poems to an undercover San Francisco police officer. City Lights Publisher Lawrence Ferlinghetti was subsequently arrested for publishing the book. At the obscenity trial, nine literary experts testified on the poem’s behalf. Supported by the American Civil Liberties Union, Ferlinghetti won the case when California State Superior Court Judge Clayton Horn decided that the poem was of “redeeming social importance.”

The greater obscenity is war; nothing has changed; Ginsberg to have foreseen the present insanity. The case was widely publicized. (Articles appeared in both Time and Life magazines.) An account of the trial was published by Ferlinghetti’s lead defense attorney Jake Ehrlich in a book called Howl of the Censor. The 2010 film Howl depicts the events of the trial. James Franco stars as the young Allen Ginsberg and Andrew Rogers portrays Ferlinghetti. It just so happens, the term: Goetia, means, Howl!

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WEDNESDAY ADDAMS CTHULHU WITCH

Posted in Addams Family, Art, Chaos Magic, CREATIVE WRITING, Demon, Demonology, Devil, Discordianism, Ghost, Goetia Girls, Goth Girls, Horror, Occultism, Sex Magic, Sorcery, Succubus, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2015 by FAUSTUS CROW

Wednesday Addams loves to Halloween Séance party around her ‘Playgirl’ Grimoire, out of which, she conjures up her Cthulhu ‘Animus’ of Hentai desires, along with his monotheistic Twilight minions of Fifty Shades Of Xtian Grey Love-Craft.

Well, what do you expect, that’s what Witches do, since they have so many Playgirl Grimoires to choose from, all of which list only phallic entities to conjure up of rippling muscle bound ectoplasm.

When the Golden Dawn of the Sun to eventually arise over the nocturnal carousing with the good guy Angels and bad boy Demons of a deified ‘Animus’ made as a God and Devil, they, are left quite OTO drained by Wednesday’s multiple Grimoire orgasms.

The Playgirl grimoire Incubi do not know what had Crucified them, as they rapidly retreat, slipping and sliding back into the collective psyche of all women.

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But then, Wednesday’s parentage is that of a partying Gomez Ghoul, who has a big ‘Animus’ Vatican bank account wallet, and an ever hungering Morticia Vampire, with very expensive tastes.

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H.P. LOVECRAFT CTHULHU CHILD OF HENTAI TENTACLE PORN

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2015 by FAUSTUS CROW

H.P. Lovecraft was a surrealist visionary of the highest calibre, and like most surrealist artists he derived his inspiration from impulses, which stemmed from the deepest recesses of his subconscious mind. However, Lovecraft was a rarity, whose dreams were vivid of a lucid reality, which guided his hand to write of nigh automatism.

His dreams were somewhat moulded by shadowy predilections concerning his disdain for intimate human relationships; more so that of the sexual act.

Lovecraft was quite honest about his difficulty forging relationships with women, who had otherwise channelled his base biological drives into his creativity.

Many have noted that Lovecraft’s Necronomicon creations have Freudian overtones, concerning slimy tentacles of a phallic propensity along with gaping vagina dentata maws dribbling ichor. Little wonder then that Lovecraft’s Cthulhu Mythos inspired the vore fetish of Hentai.

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Although, the tentacle porn of many a Hentai comic depicting monstrous entities consuming their writhing female prey, are primarily based upon ancient Japanese fertility deities, which have been warped all out of shape.

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For example, you have the popular Japanese folktale of the Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc., which inspired a Zoophilia-associated woodcut design of the Ukiyo-e genre by the Japanese artist Hokusai.

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The woodcut is derived from the book Kinoe no Komatsu (English: Young Pines). It is a three-volume book of Shunga erotica first published in 1814, which is the most famous Shunga, Hokusai ever produced. Playing with themes popular in Japanese art, the prior Hentai image depicts a young female Ama diver entwined sexually with a pair of octopuses.

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The Dream of a Fisherman’s Wife was a very popular subject in Ukiyo-e art. The artist Utagawa Kuniyoshi produced a number of works based upon it, which often include octopuses among other creatures being teased by the bare-breasted female diver.

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The Dream of the Fisherman’s Wife is not the only work of Edo-period art, which depicts erotic couplings between a woman and an octopus. A number of early Netsuke carvings show cephalopods having intercourse with nude girls. Hokusai’s contemporary Yanagawa Shigenobu created an image of a young woman receiving cunnilingus from an octopus, which is very similar to Hokusai’s Hentai depictions in his collection Suetsumuhana of 1830.

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The prior works of Hentai has influenced a number of later artists such as Félicien Rops, Auguste Rodin, Louis Aucoc and Fernand Khnopff. Pablo Picasso painted his own version of the Japanese tale during 1903, which has been shown next to Hokusai’s original in various exhibits on the influence of 19th-century Japanese art on Picasso’s work.

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In 2003 a derivative work was created by the Australian painter David Laity, also titled The Dream of the Fisherman’s Wife, which sparked a minor obscenity controversy among shocked Christian’s when it was shown at a gallery in Melbourne. After receiving multiple complaints, the Melbourne police were forced to investigate the artwork. But the police determined that it had not broken the city’s pornography laws. Hokusai’s print has had a big influence on the modern Japanese-American artist Masami Teraoka, who has created a number of erotic images of girls, including a recurring ‘pearl diver’ character, being pleasured by cephalopods, which symbolises the female sexual power over the (tentacle) phallus, who empowers its erection.

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My own rendition of The Fisherman’s Wife ‘depicts her with a reptilian type creature fused with a cephalopod, of a Cthulhu, which is also a play on words, concerning the text, which can be found accompanying Hokusai’s image, where the big octopus says, he will bring his captured girl to Ryūjin’s undersea palace, you can otherwise see as Lovecraft’s undersea city of Ryleh.

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It is very likely that Lovecraft was aware of the tale of The Dream of the Fisherman’s Wife, since he was a well read fellow, whose horror, was of the sexual act its self.

If however, you do not believe that the Hentai fixation upon Cthulhu tentacle sex, which mostly involves Geisha (Dakini/Succubus) Schoolgirls frequenting many an Anime and Manga has anything to do with ancient Japanese fertility cults, perhaps there is a psychological reason behind the voyeuristic fetish of Hentai bestiality, involving a number of vore beasts.

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If so, the motif of the monster, whether it be a cephalopod, insect, reptile, mammal or an alien, etc, can be generally summed up as representing a negative inner self-image, of a Cthulhu, which is housed in your reptilian brain of Ryleh.

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The inner self-image is generally influenced by what the opposite sex finds most attractive in a potential partner. Wherefore the inner self-image of heterosexual men in particular is influenced by the Animus projections of women; whereas the men project their Anima upon women.

These Animus and Anima projections are often symbolised as varying mythic characters in books, films, comics and video games, etc. Whereby the Animus and Anima role-models can be subversively manipulated by the controlled Mass-Media in order to influence and control the masses, which is essentially the psychological warfare tool of mass Mind-Control.

An example of this is the reversal of Animus-male role-models in films, comics and video games into females, which is engineered to make the males feel negative about their inner self-image. Such as transforming Dr Who into a woman, or having an all female Ghostbusters team, along with having a female James Bond, etc; the Social Engineering list is growing.

The reasoning behind it, is to divide and conquer the populace at the sexual level, who are otherwise tied up with protesting about gender issues. Gender politics is a PsyOps means to distract the masses from Anti-War protesting against what the Military Industrial Complex is up to.

Should an individual be afflicted with having negative self-image, it will invariably engender an inability to forge normal ’emotional’ relationships with the opposite sex. Such an individual is not alone, there are numerous others who have been similarly affected by a PsyOps campaign to engender mass confusion amidst the populace since 9/11.

The populace have been subversively engineered to be in conflict with one another at the most fundamental level and therefore negated from seeing who has actually orchestrated the discord. This is easily achieved when the engineer of the discord has large sums of money at its disposal; hence, Go Woke Go Broke, means absolutely nothing.

You also have Socially Engineered Population Control, which uses Orwellian Psychological Warfare to achieve this totalitarian/fascist end by weaponising unknowing minorities. Should the unknowing weaponised minorities become the invariable target of any adverse reactions from the populace, the government will then utilise the civil strife to bring in Orwellian laws, which leads to the erosion of civil liberties.

As for having a negative self-image, it will ultimately lead to an extreme inner frustration; whereupon the sexual impulse becomes all consuming, which is expressed as the Lovecraftian vore fetish in varying Hentai fantasies.

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Or otherwise being symbolically represented as cannibalism, involving the Ghasts and Gugs of Lovecraft’s underworld dreamlands, or otherwise that of Zombies and Ghouls etc.

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Whatever the case, these dark impulses can be symbolically transmuted and healed via Art, which Lovecraft took much further into imaginative realms, where they became nigh spiritualised.

Though dark of visionary insight, Lovecraft did not allow himself to fall into the lower depths where present Hentai tends to frequent of meaningless pornography. Whereas prior of Hokusai Hentai, the erotic imagery concerned the symbolic transmutation of the sexual impulse in order to evoke the inner-self-image of the observer coupling with his ‘Anima,’ which is none too dissimilar to the European fairytale motif of a Dragon entwining its self around a Princess bound to a ‘tree,’ before consuming her.

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As for Lovecraft, he could have crossed over into the more meaningful domain of the erotic, and in so doing tackled his emotional disconnection, if he had rebelled against his puritanical upbringing.

His acute emotional turmoil, though inspiring his Art, very likely led to him developing an illness over time, which afflicted his navel Chakra and in turn bringing about his eventual demise.

He himself, had many years earlier communicated that his stomach was gripped by the talons of faceless creatures he named as Nightgaunts, at the hypnagogic point of dreaming, which then carried him into the depths of tormenting nightmares. May be he foresaw his own death?

As mentioned prior, the Lovecraftian creatures of Hentai were originally based upon ancient Japanese fertility deities, which have since lost their ‘navel Chakra’ meaning in a culture, afflicted by a fear of the female. This is probably due due to Judaeo-Christianity having an Animus influence in Japanese culture, which, like its patriarchal source of Judaism and kin of Islam are extremely adverse to the feminine principle of the Fallen Anima.

It is somewhat strange that the depiction of the penis is allowed in Japanese art, such as having Lovecraftian phallic tentacles of ‘Biblical proportions.’ Although this is to do with the deification of the Animus, made as a God and Devil.

But when it comes to the vagina of the Fallen Anima it is taboo of a pixelated smudge, like that of having a faceless Nightgaunt, or should one say… a SUCCUBUS.

NOTE: The Fallen ‘Anima’ and her Succubus archetypes, which are investigated in my anti-cult Art book grimoires, etc, is NOT associated with the PsyOp engineered gender politics, which is Mass-Media Machine orchestrating the reversal of ‘Animus’-male role-models into females. 

It appears to be rather strange indeed that the Mass-Media Machine is engaged in such a practice, since it invariably leads to a hefty financial loss, unless it is seen in context with the bigger picture concerning the forever war antics of the Military Industrial Complex.

It would have made far more sense that the Mass-Media Machine created new and original female (role-model) characters for women, rather than churn out endless remakes of iconic late 60’s-80’s movies whose zeitgeist male characters have been turned into females.

But instead the Mass-Media-Machine is reversing iconic male characters into women, whose ‘Animus’ archetypes are primarily attractive to the females, by which of role-models the males define themselves. In other words, the success of the ‘Animus’-male characters were made financially successful by female fans.

The reversed ‘Animus’-male characters are not transformed into ‘Anima’ archetypes, since the female characters have assumed masculine traits as well as being made to be nigh sexless, which many males find unattractive; whereas women are led to believe that they are being empowered by assuming male characteristics.

It is essentially a PsyOp planned reversal of the ‘Make Love, Not War’ zeitgeist of the Hippie era.

Overall, this leads to an invariable conflict between the sexes, which is the whole point of the PsyOp campaign in order to divide and conquer the populace, and thereby negating any Anti-War Protests, since the populace is otherwise distracted by protesting about their Base Chakra… Genitals!

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GODZILLA GIRL RONOVE

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, Cosplay, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The psychic Übermensch Aaron C. Donohoo experienced a revelation concerning the Goetian (Succubi) Succubae archetypes of the Fallen Anima.

he discovered that the 27th Succubus archetype of the Fallen Anima, called Ronove, otherwise known as Ronovea, is associated with the workings of the reptilian brain-stem.

The reptilian brain-stem is the oldest part of the human brain, which connects all of us with our dinosaur ancestors.

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The dinosaurs did not die out, they live on through us; they are our most ancient kin. Whereupon Donohoo’s remote viewing vision of Ronovea revealed her manifesting riding a dinosaur, which at surrealist times looked like a Cthulhu Godzilla.

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Ronovea’s mount also manifested of vision as a Velociraptor, which in real life, was a genus of dromaeosaurid theropod dinosaur from the Late Cretaceous period, which inhabited what is now the Gobi desert. However, a Velociraptor was no bigger than a Wolf.

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The Velociraptor had feathers, of a very bird-like appearance. It had a long claw (terrible claw) on the second toe of both feet, 8 cm (3 in) long, which was probably used intelligently as a weapon.

Velociraptor was the first dromaeosaurid to be discovered in 1923, and is still the most well known to Ronovea inspired Palaeontologists, with over a dozen recovered fossil skeletons; the most of any other member of its family.

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Since the Velociraptor is no bigger than a Wolf or a large Turkey turned carnivorous, Ronovea’s mount could actually be a Achillobatoris, which is of the same genus as the Velociraptor, though much larger. Achillobatoris lived roughly 98 to 83 million years ago during the Late Cretaceous in what is now Mongolia.

The Archillobatoris was among the largest dromaeosaurs; the holotype and only known individual of Achillobatoris is estimated at 5 to 6 m (16.4 to 19.7 ft) long. Achillobatoris was a moderately-built, ground-dwelling, bipedal carnivore. It would have been an active predator, hunting with an enlarged, sickle-shaped claw on the second toe like the Velociraptor.

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You also have Deinonychus (terrible claw), which is a genus of the carnivorous dromaeosaurid ceolurosaurian dinosaurs. There is one described species, Deinonychus antirrhopus. This species could grow up to 3.4 metres (11 ft) long, which lived during the early Cretaceous Period, about 115–108 million years ago (from the mid-Aptian to early Albian stages).

Fossils have been recovered from the U.S. states of Montana, Wyoming, and Oklahoma, in rocks of the Cloverly Formation and Antlers Formation, though teeth that may belong to Deinonychus have been found much farther east in Maryland.

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The Ronovea inspired Palaeontology study of Deinonychus by John Ostrom during the late 1960’s revolutionized the way scientists thought about dinosaurs, leading to the ‘dinosaur renaissance,’ which ignited the debate on whether dinosaurs were warm-blooded or cold blooded.

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Before this, the popular conception of dinosaurs had been one of plodding, reptilian giants, which still initiate fear within the reptilian brain-stems of the scientists who cannot yet as yet figure out the gravity problem. As for Ostrom, he noted the small body of Deinonychus, having a sleek, horizontal posture, ratite-like spine, and especially the enlarged raptorial claws on its feet, which suggested an active, agile predator.

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Then you have the American dromaeosaurid theropod dinosaur, called the Utahraptor, (meaning Utah’s predator) whose fossil specimens date to the upper Barremian stage of the early Cretaceous period (in rock strata dated to 126 ± 2.5 million years ago). The Utahraptor, rather than the Velociraptor was probably featured in the Holy-wood blockbuster Jurassic Park, which has since become an iconic viral meme haunting the twilight dreams of mammalian girls, loving the Illuminati bad-boys of their deified Animus, made as a patriarchal God and a Devil.

Anyway, Ronovea indicated that there are many a monster with a forked tongue around us, such as slimy priests, conniving politicians, maverick salesmen and carnival pitch men the ladies have the hots for. Women can’t help themselves loving Great Beast Bad-Boys, they’ve been genetically hardwired to be attracted to reptiles down the ages.

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These monsters with forked tongues use their golden words to evoke emotional responses from the reptilian brain-stems of their fleecy minded flocks. This forked tongued word entrancement lulls the Sheep into a hypnotic trance, which leads to the Sheep being sacrificed upon the political alters of the monsters hidden agendas.

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There are numerous forked tongued monsters preying upon the gullible; such as a psychic selling snake oil pseudo philosophies about a deified ‘Animus’ made as a Abrahamic God and his bottom buddy Lucifer, or that of a remote viewer spewing Biblical end of the world predictions, who to otherwise rant on about machismo Angels and butch Demons to verily transform into humanoid Aliens. All of them are hucksters, who draw upon their charismatic talents in order snake charm the indoctrinated reptilian brain-stems of their fleecy minded victims, which keeps the religious brainwash rolling on, of a word entrancement continuance.

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The 27th Succubus archetype of the Fallen Anima had once been captured by the Altay shaman called Wodkhan when to reptilian brain-stem trance into conscious dreaming, wherein he conjured Ronovea’s ‘Anima’ fluctuation as his Mind-Doll Tulpa. Wodkhan lived near unto the Gobi desert of Leng where he had discovered Ronovea’s terrible claw to have thence tethered this Goetia Girl Tulpa to his Sleipnir drum.

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She not only protected him as his Godzilla Goetia girl Valkyrie of an Ally, against all malign intent, but also greatly empowered her conjurer to overcome the hypnotic influence of all those monsters who sought to build their big-business Temples of the deified Animus God cults, by enslaving minds.

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These monsters achieved their forked tongued agenda through the symbolic ‘language’ of religion, which evokes fear amidst the reptilian brain-stems of the Sheep to thereby easily brainwash.

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The first impressions you will have when to gaze upon Donohoo’s remote viewed drawing of Ronovea is that she is a lithe gymnastic woman looking like a very sexy Lara Croft riding the back of a Velociraptor as well as what appears to be some kind of Vesica Pisces portal, somewhat akin to a spiraling vaginal wormhole behind her.

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She is also surrounded by sketchy images pertaining to the classic Grey alien and a blue skinned humanoid, which Donohoo felt to be both female. However, he didn’t see these entities as being extraterrestrials, but instead, being some kind of reference to the evolution of future humanity.

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The raptor is however most troublesome, even from the simplicity of Donohoo’s crayon sketch; it’s gaze of eye, and of twisted lips, suggests an impish grin. It is as if the raptor is enjoying its exposure to the world of the hominid brain after many millions of years within the primordial darkness, of the infernal underworld.

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You will also notice the suggestion of a shadow in the drawing, looking like a Crow, as if something other is remote viewing the remote viewer. Although this greatly worried Donohoo, he was more concerned with those monsters with forked tongues who habitually cloud the minds of Sheep, by stirring emotional responses amidst their reptilian brain-stems, who utilise a symbolic language to do so.

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In his commentary Donohoo writes about his impressions as he confronted this Succubus in his remote viewing session: “I became aware of a grotesque figure shadowing my mind’s Eye. I felt that this shadow was a male who was riding Ronovea as his Nightgaunt Witch. This Succubus was giving off a distinct smell of a rose; she was sexually aroused to do so, by the shadowy male riding her, as has already been noted.”

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“I also have the feeling of a specific kind of verse and tone being used by forked tongue monsters. These monsters are very much aware that their carefully constructed verses must be used in a religious way of symbolic subversion, or of a neuro-advertising manner, so that they can persuade the subconscious minds of others, even against their conscious will,” he writes. 

“Ronovea is thought to be associated with Rhetoric, which is the art of discourse, an art, whose aim is to improve the capability of writers or speakers to inform, persuade, or motivate particular audiences in specifically emotionally charged situations, which can be engineered of false flag events.”

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“As a subject of formal study and a productive civic practice, rhetoric has played a central role in the Western tradition. Its best known definition comes from Aristotle, who considers it a counterpart of both logic and politics, and calls it: “the faculty of observing in any given case the available means of persuasion.”

“It just so happens that Aristotle is the patron saint of the Skull and Crossbones society whose beehive lodge number 322, is a reference to Aristotle’s demise. In 323 BCE Alexander died; in the resulting outbreak of anti-Macedonian feeling in Athens, Aristotle left for Chalcis, on the island of Euboea, where he died in 322 BCE under strange circumstances, perhaps he was assassinated by a… Daimon?”

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“The science of rhetoric typically provides heuristics for understanding, discovering, and developing arguments for having control over particular emotionally charged situations, which as mentioned prior, can be subversively engineered. Rhetoric often employs Aristotle’s three persuasive audience appeals, logos, pathos, and ethos. The five canons of rhetoric, which trace the traditional tasks in designing a persuasive speech, were first codified in classical Rome: invention, arrangement, style, memory, and delivery, which was also utilised by the ascendancy of Christian Rome’s big-business brainwashing monsters, who did so through inflicting guilt and fear upon the mass populace in order to sell their religious product.”

“Along with grammar and logic; rhetoric is one of the three ancient arts of discourse. Basically, rhetoric is a scientific means to use words, which instantaneously evokes symbolic stimuli amidst the subconscious minds of the populace. This in turn directs their reptilian brain-stem emotional responses, which is achieved without them ever realising what is going on; wherefore Ronovea is out to eradicate the monsters.”

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“It is interesting to note that while attending an in-house program at The Monroe Institute, I met and spoke with a man who had recently been to dinner with former President burning Bush at the White House.”

“While This man was in the White House, he had clairvoyantly observed a man in black, striding out of a vaginal shaped portal, who seemed to be a misshapen shadow man, or looking like an anthropomorphic Crow.”

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“This Crow man appeared to be watching the Skull and Crossbones President, and my informant nervously suspected, that all those to follow would also be watched, and perhaps other presidents have been observed in the past.”

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“As I listened to this very odd story, I felt somewhat subconsciously convinced, although at a conscious level, deeply skeptical. However this was before the twin asbestos towers of Boaz and Joachim got struck down of a Crucifying false flag event, around which you had the dancing Israelis making high fives and the Wahabist Saudis raking in the cash. This invariably led to a most bloody Petro-Dollar war around the pyramidal oily ziggurat of UR, amidst which be the Orwellian eye of the deified Animus. The Wall Street petrodollar to have also instigated a great depression against the Euro for dominance in the Middle East; one or the other of the monetary ILL-usions had to survive.”

“Years later this image of a misshapen shadow man appeared to me while (out of the body) watching former Skull and Crossbones President Clinton. I distinctly felt that this shadow man was laughing at Clinton, who was accessing all his secrets of dream inception, as well as being very much aware of my own presence, which he ignored. It is not unusual to find principalities and other forms of energy within the ‘astral’ although this one image is for me, is quite novel, being that those people independent of me are also ‘seeing’ the shadow man similarly described.”

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“Now it may seem clear although far from conclusive just what this shadow man may be, who looks like an undertaker scarecrow. At one juncture I had the clear image of seeing a Crow of flame being lit up upon the ground, which possibly indicates that this shadow man is a rebellious Ante-Christ.”

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“I believe that this shadow man of a Crow is riding Ronovea as his Nightgaunt Succubus, a Hindu, Bon-Po Tibetan Buddhist or Tantric would otherwise call a Dakini. Ronovea is classically known for giving insight into the scientific art of rhetoric and political persuasion to those Sorcerers who evoke her Anima archetype.”

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“But it also appears she enables the ability to travel through time via the electron dream. Should you achieve lucidity within the electron dream, she can take you back to the age of the Necronomicon Great Old Ones, when the dinosaurs ruled over the Earth, since she manifested as a Tetrachromat Palaeontologist who is being ridden by a Crow man.”

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“Only women can be Tetrachromats, by the way. It does appear that this Crow man is her beastly time travelling lover.” Donohoo concluded.

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As for Ronovea’s rank she is a sexy Marchioness as well as a Countess who governs over 19 legions of Tetrachromat Reptilian Girl Succubae archetypes of the Fallen Anima.

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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WHY DO WITCHES LOVE CTHULHU?

Posted in Chaos Magic, CREATIVE WRITING, Dating, Discordianism, Goetia Girls, Goth Girls, Horror, Love Magic, Occultism, Sex Magic, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Have you ever wondered why Cthulhu always seems to get the girls to eat? He’s brash, cocky and he marches to the beat of his own mad drum out of Ryleh. He’s totally over the Godzilla edge, bordering on Arkham asylum insanity and doesn’t give a damn about anyone apart from himself; what exactly do Witches see in Cthulhu?

You consider yourself an outgoing Lovecraftian Mage, though conservative; interesting, but a little shy; you can keep a conversation going with the right people in your politically correct Lodge, with whom you perfectly fit into of a quaint peer group… sounds good doesn’t it? But, why does an infernal outsider like Cthulhu always seem to get the Witches?

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Here are Seven planetary reasons why:

SATURN: Cthulhu is confident

That’s right. Cthulhu wouldn’t be able to pull off half of the Necronomicon antics that he indulges in if he wasn’t brimming over with Azathoth confidence. Cthulhu isn’t just confident around his worshippers, either – his Yog-Sothoth cavalier attitude is in everything he does, from eating a sacrificial Goat in the morning, to asking a shocked dog-collared Priest for a cool glass of holy water… to chatting up the Witches dancing around a Dagon altar at a devotee’s Sabbat. No matter where you look, Witches find Cthulhu’s confidence a major turn on.

JUPITER: Cthulhu is indifferent

Cthulhu simply doesn’t give a damn. He can take it or leave it. That’s one reason why he fares well with Witches. If a Witch says no, he doesn’t care at all? He moves on as a Hastur whirlwind to the next victim, and he does it with the same Skinwalker verve and maverick attitude as he did the last Witch. Here be an arcane quote: “A Great Beast doesn’t necessarily care if he is a Great Beast.” That’s indifference in a nutshell.

MERCURY: Cthulhu is exciting and adventurous

Ask yourself, “when was the last time I took a psychedelic walk on the surreal wild side?” If you are asking yourself that question, then you obviously aren’t a rebellious fallen Angel like Cthulhu who is aware of his Fallen Anima.

You see, Cthulhu is always testing the imprisoning boundaries of society along with pushing the envelope of the space-time continuum Angel-angles when it comes to his Maya Matrix existence – and Witches can’t get enough of his Nyarlthotep consciousness expansion.

They find his alien intelligence to not only be highly attractive but also Tesla intriguing. And when you put exciting and adventurous beside the other rebellious planetary traits of Cthulhu, it sends Witches into an ecstatic trance.

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MOON: Cthulhu is challenging, brutal and mysterious

Witches have no time for Warlocks that are pushovers, whom pander to what is considered to be politically correct by a brainwashed flock of Sheep. They also don’t like smiling Jesus’s, they can be seen cumming a mile away due to their sodium fluoride smiles to duly Crucify.

Contrary to popular belief Witches are attracted to Cthulhu, because they can’t read his infernal soul, whose thoughts are hidden from their inquisitional questioning. Cthulhu goes where Witches can never go, when to transverse the Abyss, to travel internal across the Dune desert of the Inorganic Intelligence of the Allies as a ‘Don Juan’ Matus.

He is a psychonaut dreamer of microcosmic possibilities as well as being a stalker of macrocosmic synchronicities, which sets him aside as a psychic gangster, whose exploratory phallic tentacles provides them with a sense of being always on the dangerous twilight edge of forever.

Witches actually love to guess at the possibilities of becoming Cthulhu’s bestial Werewolf priestesses or to otherwise end up as his necrophilia Vampire vore meals!

It is challenging for them; they love to hate him, hate to love him, which of an age old cross-cultural contradiction is why Witches are so attracted to Cthulhu’s amphibious shapeshifting nature. Whereby the Witches keep on coming back for more of his depraved Mythos!

MARS: Cthulhu is very masculine

This often goes hand-in-hand with being confident as a God incarnate, indifferent as a Buddha, Heyoka exciting, Avadhuta adventurous… etc. Cthulhu is very reptilian brainstem Yig rugged and in-Illuminati-control. That doesn’t mean controlling others, apart from controlling his own self.

Cthulhu knows how to intelligently get what he wants. Cthulhu speaks clearly and confidently, who always looks you in the bloodshot eye, as well as being passionate about what he knows of personal necromancy experience… but most importantly, Cthulhu has an in depth passionate knowledge of how to treat a Witch as his Babalon.

SOL: Cthulhu gives Witches a feeling of power

The illusion of control is often more powerful than control itself of Samsara show. Power within a relationship, power outside of a relationship – it doesn’t matter of Tantric ritual – being with Cthulhu, encompasses all of the above traits, which gives Witches a fifth element of inner strength and outward togetherness.

Essentially the Azathoth confident, cocky Great Beast image rubs off a little bit on her of an alchemical Rose tint – and she laps it up as his Babalon, who secretly desires to birth his mutant Moon-Childe of an evolutionary leap.

Hell! Said childe may end becoming the Dagon president of the Abrahamic New-World-Order of Innsmouth. Basically, Witches brains have been hardwired to chase after Cthulhu; they can’t help themselves of a genetic imperative.

VENUS: Cthulhu knows how to talk to Witches

If Cthulhu wasn’t confident, he wouldn’t be a Witch magnet. Instead of indifferent, he would be hideously self-conscious and nervously non-committal (how many Witches have you passed up because you didn’t consider yourself to be a much maligned Beast?) – you see, Cthulhu doesn’t care about what others say, whatsoever.

Cthulhu arises out of Ryleh to the challenge of taking over the world, living the wild side of life. Cthulhu is far more than a mere stereotypical good-guy, who invariably ends up being Crucified by Witch Nuns, whom consume the flesh and blood of their scapegoat Christ after dumping their Sins all over him of emotional crap.

Cthulhu prefers being the Ante-Christ to otherwise dish out his man juice, upon which the ever hungry Witches to feast. Cthulhu always keeps a Witch guessing about him – and in turn inspiring her own Shub Niggarrath priestess potential – it’s an explosive combination! And one that is geared to success for the dating Great Beast.

This combination transforms the talking part into an unsaid Coitus Pactum – considering the Witch’s interest has already been sparked of an inferno between her quivering legs. Talking with them is to do with casting out barbed spell formulae, which reels the Mermaids in. And the Great Beast knows how to tell a Babalon just what she wants to hear of a baited hypnotic spell.

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Cthulhu knows how to talk to Witches of woven spells, because he is all of the above. Supreme confidence followed up with total indifference, enshrouded by arcane mystery, along with Necronomicon intrigue and dark excitement is what attracts most Witches to chase him.

That gets the Great Beast into their Moon lodge to talk with them; no other to know outside of the drawn circle. Once they’re interested, a Great Beast has to show them what he has to offer, while keeping his other Tarot cards well under the altar.

Cthulhu never tells all of divination; whereby he keeps them guessing. Figuring out the ritualistic observations is the Magick of Sorcery. Cthulhu uses his conversational skills of tentacle spells to hypnotise a Witch, who invariably ends up becoming entirely entangled of bound up interest, desiring to be his chained Babalon priestess, wanting to be entirely consumed within his all encompassing fifty-shades of grey shadow.

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Cthulhu is able to sense the auras of Witches within their domain of the microcosmic womb dream, to thence intuitively hunt them down, upon a lunar cycle, macrocosmic synchronicity.

When awake, Cthulhu stalks the Ley-lines interlinking sites of power, where Witches to gather; for they do collectively whisper of a ‘Chaos Unitarian Nun Templar‘ chant, within each and every cell of their being: “Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn.” It’s biological, Witches just can’t help themselves loving their deified Animus to Mantra name, Cthulhu.

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NOTE: The deification of the ‘Animus’ as a God/Devil points at an underlying biological imperative, which is hardwired into the female psyche. Women are generalised as being more intuitive than males, but this generalisation doesn’t say or explain much. Female intuition is to do with them being more in tune with their biology, by which they are guided.

Hence, the sexual preference of females across all cultures for choosing an Alpha-Male, otherwise termed as being a Bad-Boy type, one can symbolically equate with the ‘Animus’ archetype of the Devil or Cthulhu. As for Beta-Male Good-Guy Christ’s, they often end up being Crucified!

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Males are generally oblivious to what women are attracted to; whereby they are easily manipulated by the media.

For example, Hollywood has a plethora of Alpha-Male actors, who all have a certain look. On the face of it, the film industry appears to be male dominated, but only because it is orientated towards attracting a female audience.

There has been a growing feminist furore about the depiction of women in film, which is due to the biological imperative of the female being competitive with her own sex.

Beastly Holy-Wood has always catered for the Babalon tastes of the female audience; whereby its industry is easily manipulated by Psy-Op social engineers, whose present political agenda uses the female focus in order to hijack feminist politics to make extremist.

NOTE: Feminism was at the forefront of the Newage movement and the anti-war protests during the Vietnam war, which brought down a government.

Wherefore, the war-mongering Psy-Op social engineers have been assiduously working towards totally fragmenting the Newage movement to make it look like it is populated with 2012 nut-cases; while hijacking feminist politics, which has engendered a distraction among the mass populace from what the industrial military complex is presently up to in the Middle East and elsewhere.

Whereby, there has been a consistent attack upon the expression of the ‘Anima’ in films, as well as in the Arts in general, such as in comics and video games, which is leading to the ‘Anima’ being incarcerated into a politically-correct Virgin Mary straight jacket. 

If however, you had male actors taking centre stage, who all looked and acted like metrosexual Soy-Boys, the primarily heterosexual female audience would become quite irate. There would be no more jutting chin, bicep flexing superhero flicks, which of prior female fixation manifested as the Twilight focus upon Alpha-Male necrophilia Vampires and bestial Werewolves, which evolved into Fifty Shades Of Christian Grey, the likes of Oprah Winfrey has the hots for!

This has already manifested as a religious focus, which has entirely negated the expression of the ‘Anima,’ out of the symbolic paradigm apart from having a celibate Mary quite so contrary Virgin.

You hear of Witch Nuns writhing within their cloisters, desiring to crucify a Beta-Male Good-Guy Christ, the Witch Nuns duly nail to their Cross as a scapegoat in order friend-zone assuage them of all their sins.

Yet the Witch Nuns can’t help themselves always sinning with an Alpha-Male Bad-Boy Devil, even if he is a misogynistic Sharia law Wahabist, who they will make no end of excuses for.

When a woman becomes overly masculine, whose male partner allowed himself to become feminised, she will invariably be attracted to a male who makes her feel feminine again. 

It happens all the time in a relationship dynamic, and when applied to the bigger picture it reveals where it is all leading to at a political and cultural level.

You might consider such an analysis to be simplistic in the extreme, but then, nature is quite simple. You can fathom it all for your own self by watching the above videos concerning what is occurring in Israel and Switzerland, let alone elsewhere of a similar repeat.

At first it will seem to be totally illogical, until you apply a common relationship dynamic to the bigger picture, then it becomes logical of an interconnected pattern of nature. Witches can’t help themselves loving… Cthulhu… it is hardwired into their genes!

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