Archive for Coyote

CRAZY HORSE ART VISIONS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 21, 2017 by FAUSTUS CROW

Should the Oglala Lakota warrior and visionary mystic, whose name is Tȟašúŋke Witkó (‘His-Horse-Is-Crazy’ or ‘His-Horse-Is-Spirited’) generally known as Crazy Horse (ca. 1840 – 1877), had foreseen that his name was to be later adopted by Le Crazy Horse Saloon, or Le Crazy Horse de Paris, his Black and White pinto Mare named Inyan, may have become even crazier.

Then again, perhaps that is why Crazy Horse’s Surrealist Night-Mare was Chaos Magic Art Muse crazy.

Crazy Horse is a Parisian cabaret known for its artistic stage shows, performed by nude female dancers, a Tibetan Bonpo Tantric Buddhist would equate with Dakinis, who to dance around the four elemental quarters of their medicine wheel, which is curiously similar to the native American medicine wheel.

Crazy Horse also features a diverse range of magical acts and esoteric variety ‘turns’ between each Tantric show.

Its visionary owners have helped to create related shows in other power place cities around the dodecahedron globe , followed by unrelated businesses, which to have used the name of Crazy Horse as well.

The Crazy Horse of Art central Paris occupies former wine cellars (12 in all of Zodiac number, which have been knocked together) of an impressive Haussmanian building at 12 Avenue George-V (from the British king George V, in French “George Cinq”).

Suffice to say it is situated at a power place of historical importance, which isn’t too far away, as the Crow flies, from the Belphégor pyramid of the Musee du Louvre.

Should the Crow to fly a little further along the Yoni Rose line, you will duly find the rubedo door of the grand Art lodge of the Les Humanoïdes Associés, which is a French publishing house specialising in comics and graphic novels.

The Art lodge was founded in December 1974 by the sorcerer Artists, Mœbius Giraud, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their highly influential grimoire, Métal Hurlant, which quickly expanded to include a variety of erotic orientated science fiction work. Métal Hurlant in English means, Howling Metal. By the way, the Greek term, ‘Goetia’ means, Howling, as in to Howl out barbarous mantras, just as Allen Ginsberg Howled out his performance Art, Howl poem.

Métal Hurlant was considered to be not only rebellious, but also revolutionary of the ninth Art Muse comic book artform at the time, chiefly due to its adult focus on the sci-fi genre, which was an Entartete Kunst rebellion against the spandex superhero media empire of America.

The Entartete Kunst grimoire inspired many generations of authors and filmmakers, such as Ridley Scott for his film Blade Runner.

Not too long after Métal Hurlant’s debut, the American’s created their own Howling grimoire version of Métal Hurlant, which was renamed, Heavy Metal, whose Art lodge is based in the H.P Lovecraft landscape of Easthampton, Massachusetts.

However, top-shelf Heavy Metal has since become a politically correct thought police morass of lower shelf Disney/Marvel fare, whose present editor is the superhero industry giant, Grant Morrison. Gone are the days, when Heavy Metal had the Entartete Kunst Métal Hurlant edge.

It isn’t too hard to imagine the original rebellious Métal Hurlant Artists frequenting the Crazy Horse, which had been opened by Alain Bernardin along the Yoni Rose Line in 1951. Bernardin personally ran the Crazy Horse for decades until his death by suicide in 1994.

The Crazy Horse Tantric Dakinis may have been deliberately chosen to be indistinguishable upon the medicine wheel stage, in height, breast size and Palaeolithic Venus figurine shape in the past.

But now they have a more diverse group of Goetia Girls, all of whom are gymnastic of Dakini form and very Necronomicon skilled in their grimoire Muse Art.

Along with its Dakinis, the Crazy Horse has also been a popular coven venue for many other Performance Artists, including Avadhuta magicians, Heyoka jugglers, and Yogic mimes.

Bernardin, like a sorcerer, explained that he loved magic because it corresponded with his ‘mystical vision’:

“Magic is a dream. There is no show that is more dreamlike than a magic show. And what we do with the girls is magic, too, because they aren’t as beautiful as you see them onstage. It’s the magic of lights and costumes. These are my dreams and fascinations that I put onstage.”

Under new shareholders, and new management from 2005, Crazy Horse started to feature prestigious Artists Performance Art stripping, for a limited number of Tantric shows, including Dita Von Teese, Carmen Electra, Aria Cascaval, Arielle Dombasle or Pamela Anderson.

The new management also hired Philippe Decouflé as choreographer; Kelly Brook became a Métal hurlant Crazy Horse Dakini in the fall of 2012.

Perhaps Bernardin was originally seeking to spiritualise the symbolism of various fetish costumes worn by his ‘Anima’ Mares of the Night, who as Dakini Art Muses would inspire Tantric lucid dreams, wherein they are ridden as shaman Crazy Horses into other Métal hurlant realities.

Whether such was the actual case of symbolic Alchemy, is of course debatable. But a ridden Crazy Horse Art Muse, knows no Night-Mare visionary limits, who as a Coyote spirit girl knows how to Tantric dance around the Dakini dream wheel.

As for (Tȟašúŋke Witkó) Crazy Horse he was very likely Coyote wise to the fact that the European invaders weak spot is their insane belief in a jealous God, which of an ancestral-self-identity had been appropriated from another people, Carl Jung would term as an ‘Animus’ fixation.

Whereby Crazy Horse’s Heyoka ghost would Coyote conjure the Fallen ‘Anima’ and her (Succubae) Succubi Dakini emanations of an artistic rebellion, around the dodecahedron globe, who might just relate via a Ouija board, “the wand of a virile paint brush is mightier than the castrated gun.”

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BOHEMIAN GROVE CULT CLUB BABYLON

Posted in Chaos Magic, Conspiracy Theory, Demon, Devil, Extraterrestrial, Lucid Dreaming, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 28, 2015 by FAUSTUS CROW

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The Bohemian Grove club is comprised of the elite, who secretly meet for seventeen days each July in a remote sacred grove of ancient redwood trees. The area in question covers 11 km² (2700-acre) of camp-ground, which is located at 20601 Bohemian Avenue, in Monte Rio, California. Approximately one thousand-five-hundred members of this elitist all boys club are kept secret.

The Bohemian Grove club includes the super-rich, aristocratic family members, corporate heavy hitters and high government officials. Mingling among their number are propaganda media machine Hollywood movie stars, Broadway producers, famous entertainers, musicians, authors, painters and poets and fast talking statesmen. Suffice to say, they are not at all Bohemian, that’s a joke for starters!

“Anybody can be President of the United States, but very few can ever have any hope of becoming President of the Bohemian Club.”  – President Richard Nixon, 1972

Many have been led to believe, by the likes of Alex Jones and David Icke that the strange arty rites of the Bohemian Grove elite emulate the ancient Middle Eastern mystery cults of ancient Rome, whose all male members celebrate the old Gods such as Molech, Ishtar, Lilith, Attis, Mithra and Zoroaster, etc; wherefore, they are not considered to be good little Christian’s.

The members are commonly seen to be Satanists, Druidic Freemasons as well as being of Yale’s exclusive Skull and Bones or even to be of the shadowy Illuminati, who are in league with Annunaki reptilian extraterrestrials from planet X.

Whatever the case, the numerous interpretations are usually based upon an obsession with ancient Babylon and its petrodollar eye amidst an oily UR ziggurat from where Abraham first stemmed; wherefore perpetuating the religious focus upon the Middle East.

Most researchers completely ignore the native peoples who once occupied California; this is primarily due to their religious indoctrination, which blinds them to the native myths of the Bohemian Grove area, where the Pomo tribe once lived, long before the Conquistadors ever arrived with their Holy Roman Empire legions of Cross-Keyed monks in tow.

When investigating the myths of the Pomo, you will have to become as a little child again, before the time of your indoctrination into a religious mind-set of a rewritten history.

When to do so, you will soon discover as your horned pirate head assails the ramparts of the symbolic Matrix, which has been wrought by the trinity of the Abrahamic Animus faiths out of UR, that the Bohemian club’s Patron Saint, John of Nepomuk, points at the ancient Amerindian myth of ‘Prairie Falcon.’

In native American lore the Prairie Falcon made war on the Northerners and was killed. The trickster deity called Coyote claimed to be a medicine man, who was the first to doctor him. However, Coyote was merely being tricky, who was determining, which of the healers wanted payment. Then others, all OWLS, doctored the Prairie Falcon.

These Owls were called Hihina, whose members were, the large Owl called Sodut, the Ground Owl, and Hihimcha, the Small Owl as well as the White Owl, Wedjiji, whom set about healing the Prairie Falcon. It was however the ‘WHITE OWL’ who cured the Prairie Falcon.

It thereby appears that the Owl of Bohemian Grove refers to the myth of the Prairie Falcon, which was appropriated as a symbolic referral to the Civil War between the Yankee ‘North’ and ‘Southern’ Confederates.

The beginnings of the Bohemian Grove art club for the establishment rich boys occurred during 1893, when the American Dawes Commission, named after its first chairman Henry L. Dawes, was authorized to appropriate Native-American lands by the Indian Office appropriation bill of March 3rd, 1893.

The result of the Dawes Commission was that the native-American nations lost most of their national land. This cleared the way for settlers looking for oil riches and rich farm land to come into the native territories such as Bohemian Grove.

As for the Bohemian Grove club motto: “Weaving Spiders Come Not Here”, California’s contentious political climate brought both great disappointments and remarkable victories for women’s rights. Early success came in 1893, when a women’s suffrage bill won approval in the state legislature; but it was quickly vetoed by the governor who thought it was unconstitutional.

So, during 1893, when the Bohemian Grove club of the deified Animus made as a God/Devil first started, the women were hit by their patriarchy as well as the Native American Indians.

The ancient Pomo people are said by linguists to have originally descended from the Hokan speaking people in the Sonoma County, California region, which was a critical meeting point of coastal redwood forests and interior valleys with their mixed woodlands.

The Pomo people practiced animist ‘shamanism’, one form of this was the Kuksu religion, which was evident in much of Central and Northern California, this included elaborate ritual enactments of their myths and dancing ceremonies wearing colourful traditional costumes; who also practiced an ANNUAL MOURNING CEREMONY, like that of the Bohemian Grove ‘CREMATION OF CARE CEREMONY.’

Puberty rites of passage were also practiced along with shamanic trance inductions into the spirit world whose ‘all-male society’, had met in subterranean dance rooms. The Pomo believed in a supernatural being called the Kuksu or Guksu who lived in the ‘Southern’ compass quarter of their world, this spirit manifested during ceremonies through their medicine men who dressed up as Kuksu in order to heal them of ailments.

Another later shamanistic movement, which took place, was that of the Ghost Dance; it was introduced to the Pomo by the Wintun, which was practiced through 1900. The Ghost Dance utilised the Judaeo-Christian belief system against its self, which employed prophets who had vivid precognitive dreams, ‘waking visions’ and revelations from the ‘presiding spirits’ of the land.

The Ghost Dance formed into an influential force among the native population. Because of the similarities between the Ghost Dance and the Messianic complex of Judaeo-Christianity it was seen to be a danger to the Christian’s, who dealt it a death blow at Wounded Knee.

The spiritual cosmology of the Pomo has a sweat lodge in each of their cardinal directions, which are in turn associated with six supernatural beings or groups of spirits who lived at the end of the world within the sweat lodges of six cardinal directions.

1: Guksu, also called Kuksu as stated earlier, was a supernatural being who lived at the Southern end of the world, the realm of emotions. The word to also means a large Mosquito like insect locally known as the ‘Gallinipper.’ Healing was his specialty, to whom the Pomo medicine-men offered their prayers. Kuksu was perceived to be a normal size human with a very long, large and sharp red nose.

It just so happens that conspiracy researchers have remarked upon a strange stick like figure in some of the acquired Bohemian Grove pamphlets, which they have invariably interpreted to be their Biblical Devil, a Demonic Mesopotamian Pagan entity or even an Alien; however, it represents the Spirit Kuksu.

The spirit, Kuksu was good natured on the whole. The impersonators of Kuksu, when participating in dance rituals painted their bodies black, or striped red, white and black who also wore a bulky, feathery headdress or a large feather tuft upon their head with a yellow headband.

The nose of the Kuksu impersonator was made with feathers and painted red, who also carried a staff, which was six to eight inches long in length with a feather tuft at top, and provided a double bone whistle. He would whistle like a Mosquito, but ‘NEVER TO SPEAK’.

2: Calnis lived at the Eastern end of the world, the realm of spirit. In ceremonial dances Calnis is also associated with Guksu, who manifested in human form, but he was usually testy of a trickster figure. He pursued people in order to ‘trip them up with their own lies. In dance ceremonies, the Calnis dancer was painted entirely in black carrying a black staff without feathers. On his head Calnis wore a feather cape, which fell over his face.

3: Suupadax lived at the Northern end of the world whose name is associated with a whirlwind of a tearing twisted hair tornado, its roar being that of many words giving form to whirling thoughts.

4: Xa-matutsi lived at the Western end of the world, the realm of the dream. The name of the spirit is associated with the Pacific Ocean. His province of influence was over ‘water’. The Pacific Ocean was the Western most edge of Pomo territory, which was a very important part of their mythology. The Pomo believed that their world was bounded by water along the West.

5: Kali-matutsi lived in the sky and heavens above. His name is associated with the mysteries of the cosmos and the sky-people. The visitations of the sky-people are often than not surreal of trickster games, as played by Coyote, via which he teaches as a Heyoka.

6: Kai-matutsi lived on the earth and below; whereby his name is associated is with the ‘Earth’ and the ancestors below.

As mentioned prior, these six spirits of the Pomo were perceived to live in ‘Sweat Houses’ or ‘Dance-Houses/Medicine-Lodges’ at each end of the world. At times, these supernatural beings could kill, by reflecting back the malevolent agendas of liars. However if properly treated and ritually placated with open heart honesty, they were benevolent.

You might find it rather strange that a bunch of white European’s have appropriated an ancestral Native American Ceremony, to perhaps even disbelieve such is the case, but it isn’t strange at all; the Roman’s have been doing so for ages.

For example, the Imperial Roman Empire appropriated the deified Animus made as a Hebrew God along with the ancestral-self-identity of the Hebrew’s in order to have dominance over the Middle East, which invariably led to a bunch of white European Puritan’s, who were just wannabe Hebrew’s gunning for America, whom believed it to be their New Israel.

So, if you find the appropriation of a Native American ceremony to be strange, you will then have to face the fact that the appropriation of Animus fixated Judaism by Rome is also rather strange in the extreme. It will only become clear when you are honest about the underlying reasoning behind it all, which is that having dominance over the land and its native peoples, whether they be Middle Eastern or Native American.

Those who are not honest with themselves, avoiding the issue to flatly deny, will encounter the Skinwalker Dog-Soldiers who will point out that no WMD’s were found in Babylon’s oily lap under Baghdad.

The person who usually personified a Guksu in dance ceremonies is considered to be the medicine man; his office was to treat the sick. Sickness was seen as something that Guksu annually manifested to take away; whence to carry back to the South. The ceremony lasted six days; the shaman dancers who acted the part of the spirits appeared once a day. The six day ceremony also included ‘THE SCARIFYING CEREMONY.’

The Scarifying Ceremony was about Initiation, where boy children aged five to ten were initiated into the male Medicine Lodge with physical and mental tests to be duly administered by the dressed up dancers who acted as the spirits of the six lodges. The women had their own Medicine Lodge and initiation rites.

It appears that the Bohemian Grove members have misappropriated a Native American Ceremony to fuse with their Puritanical focus on transforming America into a new Israel, whose continuance has been ongoing since the Dawes Commission of 1883, in order to indicate their total dominance over the land.

The Bohemian Grove rites have nothing to do with Middle-Eastern Babylonian deities, nor the reinvented European Paganism of New-Age Gnostic’s, or even Satanic Occult practices; Hell, the so called Western Occult tradition is primarily based upon the Hebrew Cabbala. As for human sacrifice, the elite sacrifice many a Sheep upon their warring altars for an oily petrodollar, who care not for their Lambs to slaughter!

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Should the Native American’s ever find out that one of their sacred ceremonies has been appropriated in such a manner, there will be Hell to pay. But who will take any notice, since many a mind across the globe have been brainwashed to perceive reality in accordance with three patriarchal scripts out of Abraham’s UR, in oily Babylon, who cannot see outside of its triangular Middle Eastern sand-box.

If you be an artistically inclined Bohemian Dog-Soldier, who seeks to Skinwalker rebel against the established symbolic Matrix, all you have to do is to the reverse the Animus fixation of the three Illuminati cults out of oily Abraham’s UR, towards that of the Widdershin-wise Fallen Anima. 

The brainwashed minions of the deified Animus made as a God and Devil will not be able to argue against the Anima, Unbound!

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