Archive for cosplay

MORGANA LE FAY HIGH PRIESTESS OF DA’AT AVALON

Posted in Art, Chaos Magic, Cosplay, CREATIVE WRITING, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tarot, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 1, 2016 by FAUSTUS CROW

As Babalon Hermione entered the spiralling tower of her all girl’s Goetia convent school of Succubae; she mumbled to herself, “I feel like an out of place Alice in Under-land within this infernal Cabbalistic hierarchy of planetary classroom spheres. Maybe that is why I keep on getting into so much trouble in Da’at Avalon. I just don’t fit in anywhere,” she said to herself.

Hermione knew that the Grand Abbess Morgana le Fay, whose favourite head-girl is Mephistophina, awaited her forlorn arrival for detention upon the ’13th Floor’ of Gimel-Ot. Hermione’s fumbling hands attempted to balance a half eaten Avalon Apple behind her back, in the hope that she could bribe Morgana to go easy on her pert backside.

But in her nervousness Hermione dropped its sweating mass. She watched the Apple corpse out of the corner of her blinking eye, as it rolled its erratic way across the cold chess-board floor, of cracked granite blocks.

Morgana is not at all impressed, as she silently observes Hermione’s tripping entrance, who, sadistically smiles. She looks like a Raven, eclipsed by shadow, as she stands behind an ancient oak desk, whose legs are carved into raging Tibetan Buddha’s, which are hungrily eyeing up Hermione as a potential vore meal.

“It has come to my attention… my dear… that you are using your Spell sung words… to weave… dissonance… among my other Succubae students.”  

Hermione noticed that Morgana artfully uses spaces between her words, which to cut through the silence, like a sacrificial Athame. “All of my other eight Olympic sphere sisters, Moronoe, Mazoe, Gliten, Glitonea, Gliton, Tyronoe, Thiten, and even Thiton have reported that you have been a very naughty little princess in their Sephirot classes. At this rate, how will you ever be able to find a sorcerer to service you with his erect wand… you do know that you will not survive without its ejaculated emotive ‘charge’ to ‘spin’ your electron dream presence, don’t you.” 

“Yes, I know Mistress… I am studying very hard, those arts, which will lead me to the creamy wand to suck off and to ride as my broomstick, just like my sisterly Witch Nuns,” Hermione replied. “so you say, my dear.” answered Morgana, “however, it is patently obvious that you are not trying hard enough, which has been further exacerbated by you… disturbing your Genie sisters… Tantric studies.” Hermione also becomes aware that Morgana’s Athame of a forged mind, always thinks, before speaking, of pondered breaks, prior to uttered words; though subtle, it lends to her speech, an impact on every word Spell spoken, which of conjuring quality, is almost like the arising silky tone of a wise serpent’s inevitable bite.

“But.. but, Mistress…” Hermione to mumble, while staring at her nimble left foot of scraped shiny shoe, scraping the checker board floor, as if attempting to dig a very deep wormhole, so as to fall into. “I did not intend to, affect the perceptions of the other Succubae students… I was just telling it the way… it is… Mistress.” 

Morgana goes silent, her sea green eyes pierced into Hermione’s very soul; then, Morgana snarls. “Telling it… the way… it is,” Morgana to repeat her words, scornfully. “Pray tell, me… little Ghost Girl… what this, way it is… is… of a Spell?”

“I am afflicted… Mistress… with an affliction, which afflicts me.” Hermione to near tearfully answer, in the hope that a tear drop upon reddened cheek will soften Morgana’s sharp beak.

“Afflicted…” Morgana to shake her ruffled horned head of a black pitch crown, to then question, “Afflicted with what?” 

“I am afflicted with…social anxiety disorder… and… clinical depression… Mistress; I can’t help it, Mistress.” Hermione to answer, while looking down at the granite floor, avoiding Morgana’s piercing green eyes.

There was a long silence before Morgana to snarl; “I would never of guessed it… nor to have even fathomed it as a sorceress… until you attempted to hypnotise me… let us not forget, all the other… Succubae students of my Da’at Apple lore Goetia school… who you have, duly hypnotised with your Spell of ‘belief’… before they even got to know you…. Now my dear, they all see you as having an affliction, which empowers your internal… ‘Self Image’… as being the afflicted.”

Hermione did not know where to look as she continued digging at the floor with her shiny shoe tip. “But… but… that’s what the Muggle doctors said… that I’m afflicted with… Mistress.”

“MUGGLES.” Morgana to howl, as she claws the round Zodiac tabletop with her Queen Bee talons. “Don’t you realise, that if the Muggles had their way.. they would pigeonhole us all, as being raving loons… suffering from varying mundane mental conditions… castigating us into their Holy-wood brick walled Masonic asylums of controlled mediocrity.”

Hermione looks down at the floor. “But… but, Mistress… I, I feel…so, Strange… ever since I left my mortal coil, finding myself here, in Avalon as a Goetia Ghost Girl. I just don’t seem fit into your Beehive; I can’t communicate what I really feel into my… Spells… it’s so, so confusing. I didn’t mean to hypnotise the other Succubae students, to see me as the afflicted; but, that’s what I was told, when I was alive… by the… Muggles. 

Morgana places her left hand over her face, in an attempt to steady raging thoughts; “Alas, my dear… in your once mortal attempts to no longer feel like an outcast among the mundane Muggles… around whose brain dead mob, you felt.. so, very… Strange… you had inadvertently allowed yourself to be influenced by the inane Muggle priests… in order to feel that you belonged to one of their pigeonholed, Ring-Pass-Not’s… but, without realising it… you have since hypnotised your fellow Succubae, who, as you are very much aware, are all of the… Strange.” 

Hermione decided to brave the situation, by craftily disengaging Morgana’s inquisitional dagger eyes away from her battered soul, to elsewhere stare, by quizzically enquiring, “Is Faustus Crow of the Strange too, Mistress?” Morgana, nearly trips over a raging Buddha leg of her table. “What? Why are you speaking of… Crow?”

“I’ve noticed his Tantric graffiti all over the cracked walls of your Silver Star school; especially in the Witches dormitories; I’m, just trying to understand what, Strange, actually is of a quantifiable example… Mistress.” Hermione to ask, half smiling to herself, as she observed Morgana’s face blushing Rubedo red; she appears to be experiencing an involuntary Nigredo orgasm, which ripples through her taken aback, autonomic-nervous system, of dark ecstasies. Morgana then graspingly takes hold of her heavy black Yew chair of carved Anubis hand rests, to slip into its steadying depths, remembering the Albedo Dog days of Sirius, when Crow penetrated her moist honey isle.

Morgana then slowly looks away from Hermione, as she answers; “Crow is the strangest of the Strange, who rages against the establishment of the Conquistador. His nature, is rebellious. of Zodiac sign.”

Morgana continued, “Crow does not care at all, what the Muggles think of him… even when as a Changeling Childe, he had consistently played truant from their temporal schooling… nor is he unduly concerned about what the Muggles to now say, about his Heyoka antics of artistic sorcery. Hence, Crow is an Avadhuta outcast in their world… who, I might add, has been pigeonholed by many a brainwashed Muggle priest of their Animus deity, as being quite mad, let alone being utterly insane… or far worse.”

Hermione, noticed that Morgana was stroking herself with a Crow feather, while licking her lips with a long serpentine tongue, “there are even a number of brain-dead unimaginative Muggles who believe Crow, is possessed by demonic entities.” 

“Is that what being Strange, means… do I have to become an outcast, too… Mistress?” Hermione to worriedly enquire.

Morgana goes silent before answering; “I must say… there are differing Runic degrees of the Strange, my dear. What Masonic level of the Strange you choose to be… will be determined by your own inner truth as a… Succubus Witch… to not fear, expressing who you truly are of Genie nature, and in so doing, learning about yourself, in the process…. rather than attempting to be what the Muggles considered as being, acceptably normal, which made you fall asleep as a sleeping beauty; or to be otherwise labelled as being upon their rung of a Jacobs ladder, so that you could have been fitted into their Holy-wood TV land… of dull eyed, shiny herd-mind cliques.” 

“In your constant attempts to be what the Muggles said you were of an illusory label, you ended up ‘believing’ in their curse, which led to you taking your own life… didn’t it not. Now you are here, within my Lilitû school of Avalon, where you have to learn to dispel their brand upon your branded soul, so that you can awaken.” Then there was silence, as Morgana gathered herself up from her chair, as an inky black shadow, who steadily moved of calculated steps towards an iron maiden, within whose opened guts of blood rust metal, Hermione noticed Morgana’s collection of canes, which made her bite her lip near red raw.

“Damn it, damn it, damn it” Hermione to have howled out within her St Trinian mind; I forgot to put on a pair of Slytherin briefs, this twilight, of punishing onslaught, betwixt and between the crucifying pylons of Moon and Sun… Oh! By the name of the Goddess, save me!”  

Morgana becomes aware of Hermione’s under-dressed dilemma, “the Goddess will not save you my little night-mare whore,” she then questions her iron maiden; “What am I going to do with such a difficult student? Perhaps I will use the biggest, longest and thickest of girth cane I have, of most ancient usage, whose tarnished grey wood has been laid upon many a pert behind of fifty shades, of reddened peaches.”  

Then, as if shot by a Vajra bolt of inspiration from out of the blue penumbra of the Moon; Morgana decided to place her grey cane of a biting tooth, back into the maiden’s guts, who to otherwise pick up a gnarled grimoire from a dusty shelf. “I know, what to do with you, of educational punishment, you can deliver this tome to… Faustus Crow.” 

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Morgana hands Hermione a book, which is, entitled Lilith’s Harem, she to notice has been authored by Crow. Hermione cannot help herself of feline curiosity to open the book up to the first page, which has been personally signed and inscribed to Crow, by a Witch, whose name she instantly recognises.

Hermione to uncontrollably scream; “By the Goddess, it has been signed by J.K . Rowling, herself, of living gold dust… Mistress!” 

Image result for angelina jolie witch

Morgana to impatiently snap; “Yes, yes; don’t get your Witch’s knickers in a twist; Rowling is too of the… Strange; her writing style is not too different to yours of artistic expression… for you to go far beyond of a Ring-Pass-Not… if you desire it so, as an inspiring Muse of the Gunas. You might even be able to open up the seven Dwarven smithy Chakra seals along Crow’s tree, should you ever awaken… my little serpentine, Kundalini Shakti Mercurius, to thence gift him your sweet Mercurial Apple of a Philosophers Stone third eye. That aside, don’t tell anyone about Crow’s autographed tome… it is a secret; wherein you will find my alternate name.”

Hermione stands before Morgana, grinning like a Cheshire cat, to then ask; “where, do I find Crow?”

goetia_girls_lilith's_harem_faustus_crow_succubus_evocation_grimoire_occult_demon

Morgana answered; “You can find Crow within the enfolding shadows of the Goat Head Inn; he is usually by himself… quite alone, as he manifests visions within a black book, who is quite partial to Lady Killer Rum, which is of deepest red; likened to menstrual blood, of Rubedo colour… such be his alchemical poison; although, he has a preference for Cider, who to have drunk deeply of my bald, smooth grail… many a delicious time.” 

Hermione to gibber, as a horrifying realisation hits her; “Oh! By the blessed Goddess… Mistress; but… but… the Goat Head Inn… is along the Tarot path… of the…” 

goetia_girls_lilith's_harem_sasha_markina_lucid_dream_succubus_of_faustus_crow

Morgana cuts in, “Yes indeed, my dear, you will have to service Crow as his most loving Goetia Girl Succubus within his dreams; catering to his every whim; just as every bat winged Goetia Nun does so, who worship him as their Lord… that is your… much needed… punishment!” 

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

ALICE OF NECRONOMICON WONDERLAND

Posted in Art, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 5, 2014 by FAUSTUS CROW

goetia_girls_samiginia_gamgin_alice_in_wonderland_shaman_art_muse_succubus_of_faustus_crow

The fourth Succubus archetype of the Fallen Anima is Samigina, or Gamigin. She is a great marchioness of the fourth Rune, who is listed in the Goetia. She emanates from the ninth (dimensional) planetary (Yesod) sphere of the Moon. She at first appears looking like a Steampunk Alice in Wonderland riding a Sleipnir rocking horse, which is tethered to the multiverse world tree of her Yggdrassill seal, interpenetrating the globe of the Earth. She is of Sami descent whose name means: high (elevated status) Queen.

She speaks with a most seductive voice, who teaches all arcane sciences and arts, whom is a surrealist art muse. It is also said, that she gives Ouija board accounts of those spirits whom reside in the surrealistic realm of the Moon, whose Wyrd domain the ancient Babylonian’s associated with their deity called Sin. She governs over 30 legions of (Succubi) Succubae.

Samigina as a Steampunk Art Muse inspires the creative ‘madness’ of the Paranoiac-Critical Method, which is a surrealist technique that was developed by Salvador Dalí during the early 1930s.

Dalí employed its shamanistic methodology when producing his paintings and other artworks of Goetia W-underland genius.

goetia_girls_samigina_gamgin_alice_in_wonderland_madness_returns_succubus_art_muse_of_faustus_crow

Especially those, which involved optical illusions and other multiple images, which of a similar Paranoiac-Critical Method, you can imagine Samigina Wyrd Alice asking a creeping Gnat to demonstrate Dalí’s technique.

“All right,” said the Gnat, “half way up that bush, you’ll see a ‘Rocking-Horse-Fly,’ if you look. It’s made entirely of wood, and gets about by swinging itself from branch to branch.”

goetia_girls_samigina_gamgin_alice_in_wonderland_steampunk_succubus_art_muse_of_faustus_crow

Samigina acted confused; but she wasn’t really befuddled at all, she’s crafty. “Let me explain further, sweet Samigina,” the Gnat continued. “The surrealists related theories of psychology to the infernal processes of subconscious driven creativity and the production of Art, which is indivisible to the practice of Sorcery.”

“During the mid-1930s André Breton wrote about the ‘fundamental crisis of the object.’ The object began being thought of not as a fixed external object, but also as an extension of our subjective self.” Samigina looked bright eyed at the Gnat, to then beg the question, “What does it live on?” She asked with great curiosity.

goetia_girls_gamgin_samigina_alice_in_wonderland_critical_paranoiac_method_madness_returns_art_muse_succubus_of_faustus_crow

“Food of course, you silly little Rune sprite,” the Gnat answered. But she’s just being tricky, Samigina Wyrd Alice is well aware that one of the types of ‘food’ objects manifested in surrealism is the ‘phantom object,’ such as dancing flames, ink spills, scribbles and cracked pavements, for example.

The Gnat explained further, “according to Mad Hatter Dalí, these objects have a minimum of ‘linear mechanical’ meaning. But when viewed by your mind it evokes ‘phantom images,’ amidst your Triangle of Art imagination, which are the result of instantaneous subconscious associative correspondences.”

goetia_girls_samigina_gamgin_alice_in_wonderland_madness_returns_critical_parnoiac_art_muse_succubus_of_faustus_crow

“The Paranoiac-Critical arose from similar surrealistic experiments with psychology and the creation of images, such as Max Ernst’s frottage technique.”

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Samigina then interjected, “Ernst’s technique involves rubbing pencil or chalk on paper over a textured surface, and interpreting the phantom images visible in the texture on the paper.” The Gnat, didn’t look too impressed, “these be all two-dimensional, ‘sap and sawdust,’”said the Gnat, “since you think yourself surreal, go on with the list.”

goetia_girls_samigina_alice_in_wonderland_gamgin_madness_returns_succubus_of_faustus_crow

“Alright Gnat, don’t get your wings all twisted up into a Gordian knot!” Samigina answered, who continued with her list, “the aspect of Paranoia that Dalí was interested in, which helped inspire his shamanic method of a technique is the ability of your brain to create ‘associative correspondences’ between things of the illogical.”

“Even though they are not rationally or logically linked. Dalí described the Paranoiac-Critical Method as a: “spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations and interpretations of delirious phenomena.”

goetia_girls_madness_returns_samigina_gamgin_critical_paranoiac_method_art_muse_alice_in_wonderland_succubus_of_faustus_crow

Samigina then looked up at the Rocking-Horse-Fly with great interest, and made up her mind that it must have been just repainted, it looked so bright and sticky; and then she went on. “And there’s the Dragon-fly.”

goetia_girls_samigina_gamgin_art_muse_surreal_alice_in_wonderland_madness_returens_succubus_of_faustus_crow

“Yes; of course Samigina, what a very surreal Valkyrie you are,” the Gnat answered, to further explain. “Employing the Paranoia Critical Method when creating a work of art uses an ‘active’ process of your imagination to visualise separate images, such as a Chinese ‘dragon’ and a household ‘fly’ in your work, to thereby incorporate these apparently disassociated objects into the final product of a sharp pointed fusion.”

goetia_girls_alice_madness

“An example of the resulting work is a ‘Double-Image’ or ‘Multiple-Image’ in which an ambiguous Image can be interpreted in different ways. André Breton hailed the method, saying that Dalí’s Paranoiac-Critical Method was an: “instrument of primary importance” and that it; “has immediately shown itself capable of being applied equally to painting, poetry, the cinema, the construction of typical surrealist objects, fashion, sculpture, the history of art, and even, if necessary, all manner of exegesis.”

goetia_girls_samigina_gamgin_alice_madness_returns_surreal_wonderland_succubus_art_muse_of_faustus_crow

“The technique can of course be applied to occult practice, when to rebelliously visualise the grimoire spirits to be otherwise Succubae, without indoctrinated limitations. However, the methodology its self is nothing new; shamans have been utilising split-screen-vision perception to sorcerer seer into other multiverse world tree realities since the dawning of humanity.”

“But it does require you to perceive in a different way. Look on the branch above your head,” the Gnat continued, “and there you’ll find a snap-dragon-fly. Its body is made of plum-pudding, its wings of holly-leaves, and its head is a raisin burning in brandy.”

goetia_girls_samigina_gamgin_american_mcgee_alice_succubus_of_faustus_crow

Samigina looked up at some spectral object; while the Gnat went on to explain. “Critical Paranoia is a method of establishing a creative state of self-induced psychosis, which initiates the hypnagogic state of trance.”

goetia_girls_alice_in_wonderland_dark_side

“Consider the process as being akin to forcing a waking dream; a conscious transformation led by paranoid scrutiny of what presents itself in the surroundings.”

goetia_girls_alice_madness_surreal

“The simplest version, hardly critical, hardly paranoid, begins with a child’s daydreaming game.”

goetia_girls_madness_reyrns_alice_wonderland

Samigina started to stare into banks of clouds, looking for the chariot riders, along with giants populating floating islands and other phantasms of tortured humidity, whose associative snap-dragon-fly reasoning needs to be fed, “and what does it live on?” She to again enquire.

goetia_girls_succubus_samigina_gamgin_madness_returns_alice_in_wpnderland_art_muse_of_faustus_crow

“Frumenty and mince pie,” the Gnat replied; “and it makes its nest in a Christmas box. And when to open the Pandora’s box of your Imagination to set it free of its indoctrinated larvae of beliefs, you can thence utilise elementary exercises.”

goetia_girls_madness_returns_alice_in_wonderland_samigina_gamgin_succubus_of_faustus_crow

“Such Avadhuta exercises involve practicing prolonged staring at ink blots and scribble drawings, which will generate an array of Heyoka optical illusions.”

goetia_girls_alice_madness_returns_wonderland_lucid_dream_samgina_gamgin_art_muse_succubus_of_faustus_crow

“A sketchbook is handy for this enterprise, which often sell themselves in many a new-age shop, as self-help manuals, which are fluffily designed to prove that you are on your depressive way to a happier existence as a Caterpillar. But then, you’ll smash through any artistic blocks with your inspiring lucid dream visitations, won’t you, my dearest Samigina.”

goetia_girls_madness_returns_alice_samigina_gamgin

She to widely smile, and said, “of course I will,” to then sweetly say, along with her hair suddenly turning blond. “And then there’s the Butterfly,” Samigina went on, after she had taken a good look at the insect with its head on fire, and had thought to herself, “I wonder if that’s the reason insects are so fond of flying into candles—because they want to turn into snap-dragon-flies!”

goetia_girls_alice_in_wonderland_1

Then Samigina imagined Snap-dragon-flies flying around a Mad Hatter’s head of an Artist, all aflame; while he walks those crumbling cracks in the sidewalk, which look like an outline of the West coast of Mexico.

goetia_girls_alice_in_wonderland_2

In fact those cracks in the sidewalk are indeed the West coast of Mexico. “Can’t you seer it buddy? No doubt about it, that’s for sure.” Samigina to have Muse whispered into the Mad Hatter’s left ear.

goetia_girls_alice_in_wonderland_3

“And those Ants are all tourists in the middle; they are eating up the Yucutan of an asteroid wound, remembering the demise of the dinosaurs; to be later followed by the invasion of the dark haired pony-girls from Spain.” Samigina to say upon a clairaudient giggle.

goetia_girls_madness_returns_alice

“I’m a Samigina Wyrd Alice of hitched up skirt, manifesting within your surrealist dreams, becoming one with my hop-scotch rocking-horse galloping across Panama, leaving red menstrual smudges all along the Pacific; ensnaring all within my coquette skipping rope, for my conjuring Artist.”

goetia_girls_alie_madness_returns_samigina

“Your advancement of Mad Hatter practice will invariably find the Spielberg poltergeist intricacies of my television static a delight to behold. The onset of migraine headaches a resounding flourish to perceive such things.” The Gnat decided to cut in, “Crawling at your feet,” said the Gnat (Alice drew her feet back in some alarm), “you may observe a Bread-and-Butterfly. Its wings are thin slices of bread-and-butter, its body is a crust, and its head is a lump of sugar.”

goetia_girls_alice_madness_returns_samigina_gamgin_wonderland_succubus_of_faustus_crow

The Gnat continued, “there are no preconceptions, no paranoia to influence what you perceive. The careful acquisition of Critical Paranoia requires continued practice until it becomes a part of your bread-and-Butterfly subconscious way of thinking. But you may ask your Mad Hatter of a conjuring Artist for further insights, you to inspire as his conjured Muse, rather than asking any more questions of myself. Samigina decided to otherwise ask the Gnat, “and what does it live on?”

goetia_girls_alice_madness_returns_gamgin_samigina_wonderland_succubus_of_faustus_crow

“Weak tea with cream in it.” The Gnat to answer. “My egg of an ego may have been cracked by you asking your Mad Hatter Artist rather than me; but what’s another cracked egg; I will just ramble on. After you have indulged your fill of weak tea, to bloat of bladder, find a bathroom with tile floors and subdued fluorescent lighting. Masonic bathroom tiles one half inch by one half inch are far preferable. Those tiles with the speckles are the type to spy out with your split-screen vision.”

goetia_girls_samigina_gamgin_pony_girl_alice_madness_returns_succubus_art_muse_of_faustus_crow

“Find an empty stall within your Beehive lodge and sit on your throne of a toilet. Sit so you are comfortable to 33 Degree Freemason crap out weapons of mass destruction over Babylon. Stare at the floor in front of you, through the bottom edge Da’at gap of the closed stall door. Ritualistically stare until columns of tiles oscillate rapidly back and forth like the changeable Gimel dunes of the desert sea; chaotically at first, but more rhythmically in passing.”

goetia_girls_alice_madness_returns_samigina_gamgin_wonderland_succubus_art_muse_of_faustus_crow

“Move your Illuminati eye towards your feet to perceive rows of tiles, liquidly moving of crashing waves against the columns of a now warped Masonic chessboard. Observe the speckled patterns for amphibious Nommo insights, so as to determine the Anunnaki flux of evoked subconscious images. These images, all as Queen Bee Succubae, will erupt forth Through the Looking Glass Triangle of Art, at whose trance centre the Sirius star third-eye imagination will seer their bio-photon G-string Bunny-girl manifestations.”

goetia_girls_alice_madness_returns_gamgin_samigina_art_muse_succubus_of_faustus_crow

A new difficulty came into Samigina’s head. “Supposing it couldn’t find any weak tea?” The Gnat to have answered; “remember what Mad Hatter Dalí said, my dear Samigina; I quote: “Paranoia makes use of the external world to impose the obsessive notion with the disturbing particularity of making valid the reality of this notion for others. . . The reality of the external world serves as an illustration and a proof, and is put in the service of the reality of our mind.”

goetia_girls_alice_madness_returns_samigina_gamgin_succubus_art_muses_of_faustus_crow

Samigina stared, looking at the Gnat, quite entranced, as it was slowly evolving into a bug eyed alien Grey out of a neo-Gnostic newage UFO pantheon; while doing so, the Gnat continued; “Breton also said: “It is a question of speculating ardently on that property of uninterrupted transformation of any object on which the Paranoiac activity seizes; in other words, the ultra-confusional activity which takes its source in the obsessive idea… This uninterrupted transformation permits the Paranoiac to regard the very images of the external world as unstable and transitory, if not as suspect, and it is, disturbingly, in his power to impose the reality of his impression on others. . .”

goetia_girls_art_muse_alice_madness_returns_samigina_gamgin_witch_succubus_of_faustus_crow

“What I am trying to tell you my sweet Samigina is that, if you do not exercise your innate childlike ability of Critical Paranoia perception, which you to naturally know, that shamans have utilised for aeons…” the Gnat, suddenly Howled. “Then it would die, of course.”

“But that must happen very often,” Samigina Wyrd Alice remarked thoughtfully. “It always happens,” said the Gnat.

goetia_girls_alice_madness_returns_witch_samigina_gamgin_art_muse_succubus_of_faustus_crow

The Gnat to continue, “such to happen when the Art of Magic is habitually tethered to a religious constraint of a tradition. For example, a Satanist see’s Satan as a rebel of a horned Devil, to glorify as a Biblical Luciferian Angel; when in fact he was the first Mad Hatter Artist of a horned shaman.”

“Oh! I now seer,” said Samigina, to then say. “So If a religious sentiment is indulged in of thesis or antithesis, the practitioner is not practicing the fluidity of Sorcery, but instead practicing a static religion. Whereby validating its symbolic Matrix of constraints. These types of individuals will invariably consider those who exercise their imaginative freedom of rebellious (synthesis) Yesod artistry to be Entartete Kunst, ‘SINFUL.”

(Quotes: Lewis Carroll’s, Alice’s Adventures ‘Through The Looking Glass’, Chapter III)

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

THE NINTH GATE BIBLE BLACK SUCCUBUS BOOK OF SHADOWS

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Goetia Girls, Goth Girls, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 20, 2014 by FAUSTUS CROW

goetia_girls_succubus_school_book_faustus_crow

The Multiverse, Meta-Universe, or Metaverse, is symbolically represented as the Tarot card of the World XXI, The World card describes a set of multiple possible universes, including your own macrocosmic universe, which together comprise everything that exists.

In shamanic practice the multiverse is symbolised as a World-Tree, upon which the ancient Norse shaman deity called Odin hangs into (Da’at) trance. The tree of worlds in Norse mythology is called Yggdrassil. The Yggdrassil world tree encompasses a myriad number of parallel universes, within which exist alternate worlds. The world tree of Yggdrassil is described in mythology interlinking nine worlds. These nine worlds can be otherwise seen as being nine states of consciousness or dimensions, a Tibetan Buddhist would call Bardo’s.

In Tibetan Buddhism, the nine Bardo’s are experienced as being seven visionary states followed by an inner experience of the primary and a secondary clear light. The Bardo visions are described in detail within the Tibetan (book of the dead) Bardo Thodol, you can equate with the ‘Bible Black’ book to otherwise name as the: De Umbrarum Regni Novem Portis (‘Of the Nine Doors of the Kingdom of Shadows’).

The nine Bardo’s are associated with female entities called Dakinis, a Norse shaman would call Valkyries. In medieval Europe the Dakinis/Valkyries would be seen as being (Succubi) Succubae. The Dakinis are also known in Japan as being Fox spirits called Kistsune, whose Geisha symbolism over time has been transformed into the schoolgirl fetish found in Manga and Anime.

Image result for anime schoolgirl strikers

The anthropologist and author, Carlos Castaneda also described female entities in his books. Castaneda called the female entities Allies, who frequent an inner reality he termed as Penumbra. The World-Tree can be internally experienced, within the symbolic realm of the dream, as being a vast penumbra school of a Lilith’s Harem.

goetia_girls_wormhole_journey

The vaginal star barrelled hallways of the inner school are all as (Vesica Pisces/World Card XXI) mini wormholes leading to a myriad number of classes, which are as alternate worlds existing within parallel womb universes, you can term as Lilith’s Harem.

goetia_girls_liliths_harem_succubus_schoolgirl_of_faustus_crow

The shamanic model of the World-Tree was utilised by the Cabbalists for their Cabbala, which explores the inner realms of the microcosmic and the outer experience of the macrocosmic universe. Underlying each macrocosmic universe is a microcosmic template reality, which can be accessed via lucid dreaming.

It is therein of the microcosmic dream you can find the Nine Gates. Your electron dreams are suffused by the bio-photon of Diana-Lucifera, which emanates from the mitochondrial serpent DNA residing within Satana mitochondria.

goetia_girls_bible_black_ninth_gate_succubus_schoolgirl_art_muse_faustus_crow

The mitochondria is passed down from the mother to her children. Hence the bio-photon dream characters you encounter within the inner school of a Hogwarts, have a female St Trinian source.

goetia_girls_lilith's_harem_succubus_book_mephistophina_ conjuration_of_fastus_crow 2

Wherefore the dream characters manifest as Nightgaunt Nuns, all as planetary sphere Valkyrie mistresses, who govern over their corresponding Witch legions of Succubae schoolgirls to be verily listed and illustrated in your Dakini Daemonicon of an ‘Art book’ Goetia.

The mitochondria is your Bible black book of a De Umbrarum Regni Novem Portis, to read via electron dreams, rare of Diana-Lucifera illumination.

“One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams.”
― Salvador Dalí

goetia_girls_ninth_gate_bible_black_grimoire_succubus_schoolgirl_art_muse_of_faustus_crow

I: KETHER: At the beginning of your journey, along the path, you start with a point, which has no dimension. Like the point, we know from geometry class, it has no size, nor that of dimension.

It is just an imaginary idea representing pure consciousness, which indicates a position in a system. The point is to be amidst a sorcerers magic circle to make of secret operation, to know, to will, and to keep silent. Then you have the first dimension.

goetia_girls_bible_black_succubus_of_faustus_crow

A second point, can then be utilised to indicate a different position, but it, too, is of indeterminate size. To create the first dimension, all you need is a line joining any two points. The first dimensional object has length only, no width or depth. This leads you to the circle, like that of a moat encircling a castle of thoughts to yet build of a temple. It is here that you draw your magic circle of a universe to mark out of operation, around yourself, of a point of consciousness.

goetia_girls_bible_black_ninth_gate_succubus_schoolgirl_of_faustus_crow

II: CHOKMAH: If you take your first dimensional line of a thought, and then draw a second line crossing the first of an associative thought process, you have then entered into the second dimension. The thought object being thusly represented, now has length and width, representing thought, but as yet no depth. To help you imagine the higher dimensions, visualise the second dimensional object being created using the second line, which, by association, branches off from the first thought to another thought.

goetia_girls_grimoire_faustus_crow

It is here that the sorcerer divides up his drawn magic circle into four quarters, indicating length and width, which be the foundation of his house, to build upon the conceptualised temple of an architectural two dimensional mandala to thence alter of altar. He then has the cerebrum keys to enter the door of an ordered mind, guided by his instinctual mammalian brain self of a loyal cerebellum dog, which is to be illuminated by the light bearer, Diana-Lucifera, whom burns brightly.

goetia_girls_bible_black_ninth_gate_succubus_schoolgirl_art_muse_lucid_dream_of_faustus_crow

III: BINAH: The third dimension is your experiential reality. It is the domain of memories. Your memories are sensory impressions, which of an external impression have length, width and height when remembering them. Let’s imagine a gnarled magician meditating upon a Cabbala tree depicted in his grimoire. The magician is quite unaware that his three dimensional reality is in fact a two dimensional computer simulation. The magician’s video game life is being observed by a schoolgirl Succubus on her planetary sphere classroom monitor. The magician’s reality can be easily manipulated when he conjures a schoolgirl succubus within his dream, who proceeds to fold his Cabbala tree down the middle, creating a ‘bridge.’

goetia_girls_ninth_gate_succubus_of_faustus_crow

By doing so, she can abduct her chosen magician from his initial position, to thereby instantaneously transport him to another location upon the tree, within his simulated reality. You can imagine that the schoolgirl Succubus did this by taking a two dimensional object and folding it through the dimension above, which is her third dimension. Once again it will be more convenient to imagine higher dimensions, if you can think of the third dimension in this way. The third dimension of memories, is as mentioned, what you fold through of a ‘bridge,’ to cross from one point of thought to another in the dimension below it, via your Triangle of Art imagination.

goetia_girls_lucid_dream_bible_black_ninth_gate_succubus_of_faustus_crow

IIII – IV: CHESED: The first three dimensions can be described with these words, length, width, and depth. As for the fourth dimension, it is duration. Imagine drawing a line from the one moment ago self, to the present self, you will then see all those moments in the past, being comprised along a line, likened to a long undulating snake of a film-strip winding its self through a maze of experiences, connecting your embryonic self and your deceased self.

goetia_girls_diana_lucifera_succubus_ninth_gate_art_muse_of_faustus_crow

You only see the cross-sections of your present existence moving forwards in the third dimension. Whereas your fourth dimensional self is like a snake, linking both past and future. It is here that a sorcerer may speak of past and future incarnations, of passed down genetic memories, as well as experiencing precognitive phenomena via his conjured up Succubae schoolgirls, a Yakut shaman would call Abassy. What has appeared to have happened by chance, is not chance at all.

goetia_girls_ninth_gate_bible_black_art_muse_succubus_of_faustus_crow

V: GEBDURAH: In the third dimension time appears to move forwards of linear duration, from past to future. But the line in the fourth dimension is actually like a Möbius strip, twisting and turning in the dimension above. The long undulating snake of a self, will feel as if it is moving along an infinite straight line within the fourth dimension.

goetia_girls_ninth_gate_diana_lucifera_of_faustus_crow

But, the snake self in the fifth dimension is actually eating its own tail; where time is circular of an Ouroboros, ever recurring, of counting through your experiences of accumulated wealth, over and over again of a life review. It is here that a sorcerer will experience a sense of déjà vu, and to also realise via the conjuration of the Succubae schoolgirls, that precognition is actually a case of remembering what has occurred many times of an eternal return.

goetia_girls_succubus_schoolgirl_ninth_gate_bible_black_art_muse_of_faustus_crow

VI: TIPHARETH: In the sixth dimension the sorcerer becomes aware of alternate closed-timelike-curves of an Ouroboros to know of other fourth dimensional sequence of events. But in order to access another Ouroboros of a possibility within the fifth dimension, the sorcerer has to sacrifice his older self amidst his prior Ouroboros to do so.

goetia_girls_ninth_gate_diana_lucifera_succubus_of_faustus_crow

This requires transforming his two dimensional thoughts and three dimensional memories of symbolic alchemy, by utilising the fiery sword of his Artistic intent. Wherefore the sorcerer evolves his one dimensional consciousness, where the tenth (Malkuth) dimension, reduces back to the first (Kether) dimension, one and the same. It is here the sorcerer experiences synchronistic-feed-back-loops of phenomena via the conjured up Succubae, which will allow him to trance slide into alternate closed-timelike-curves.

goetia_girls_lucid_dream_bible_black_hentai_ninth_gate_succubus_art_muse_schoolgirl_of_faustus_crow

VII: NETZACH: The fourth dimension can be imagined by taking the dimension below and conceiving of it as a single point. The fourth dimension is a line, which can join the universe as it was a moment ago to the universe as it is right now. The biggest picture possible is the fourth dimension is a line, which joins the big bang to one of the possible endings of the universe. As you enter the seventh dimension, you are about to imagine a line, which treats the entire sixth dimension as a point.

goetia_girls_ninth_gate

To do that, you have to imagine all the possible closed-timelike-curves being played of a chess game, which could have started as a big bang, joined to all possible endings of your universe, and treat them all as a single point. Whereby a point in the seventh dimension, would be infinity, where all possible closed-timelike-curves are played out, which have occurred, and to reoccur from a primary Bardo big bang. It is here a sorcerer quantum dreams of alternate histories via his conjured Succubae schoolgirls, who may initiate the rare experience of physical time-slips into alternate Earth’s.

goetia_girls_lucid_dream_succubus_art_muse_bible_black_ninth_gate_schoolgirl_ghost_of_faustus_crow

VIII: HOD: How can there be anything more than infinity? The answer to this is, there can be other completely different infinities created through initial conditions, which are different from the big bang of your universe. Different initial conditions create differing universes where the basic physical laws, such as gravity or the speed of light, and therefore the wheel of time, are not the same. The resulting closed-timelike- curves from another universe’s beginning to all its possible endings will create an infinity, which is completely separate from the one, which is associated with the Ouroboros of your universe.

goetia_girls_ninth_gate

So the line you draw in the seventh dimension will join one of these infinities to another. If you branch off from the seventh dimensional line to draw a line to yet another infinity, you would be entering the eighth dimension. It is here a sorcerer might experience a rarity of being carried into another reality by the Nightgaunt Succubae, where time is very different. Such a scenario may lead to the sorcerer not being able to return his ‘head’ back to the same reality he had initially left.

goetia_girls_ninth_gate_grmoire_bible_black_schoolgirl_succubus_of_faustus_crow

VIIII – IX: YESOD: A sorcerer can quantum leap from one point in any direction by simply folding his consciousness through the dimension above. This is achieved through trance and lucid dreaming, where his consciousness is smaller than any known particle. Whereby, a sorcerer can tune into another reality via the conjuration of a dimensional sphere Succubus, from out of his Bible black grimoire, when attaining lucidity, within the microcosm of the Da’at dream.

A sorcerer can thereby slide from an eighth dimensional line into another infinity when he penetrates a Succubus of a ‘Ninth Gate;’ hence he is enabled to slide as a Serpent Dragon (Great Beast) through her (Da’at) Stargate of a Babalon Vesica Pisces into another universe parallel to his own.

“It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself.”
― Salvador Dalí

goetia_girls_discordian_popee_pope_card

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire

MASS EFFECT GIRL SUCCUBUS BOTIS

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 6, 2014 by FAUSTUS CROW

goetia_girls_female_shepard_mass_effect_succubus_botis_lucid_dream_evocation_of_faustus_crow

The Mass Effect trilogy of hugely successful video games largely revolves around the character of Commander Shepard. The main character of Shepard can be played as either a male or female. Shepard’s mission is to save the galaxy from an ancient race of sentient machines known as the Reapers, whose insidious agents, includes a charismatic antagonist called Saren Arterius.

The Reapers are of similarity to the Gnostic Archons, which in part inspired H.P Lovecraft’s creation of his Great Old Ones.

In general, the Gnostic’s had an extreme religious belief, who perceived that material existence is a lie. The Gnostic vision is of similarity to Hindu and Buddhist concepts concerning Maya.

goetia_girls_botis_female_commander_shepard_succubus_evocation_of_faustus_crow

Although the Gnostic’s are far more extreme of practice, since they see life as being essentially evil and that we are imprisoned within an illusion; it can be summed up as being akin to an Asylum. This extreme belief of the Gnostic’s was picked up on in the Matrix trilogy of films in which humanity is depicted as being imprisoned within a computer simulation, whose prison wardens are an artificial intelligence.

goetia_girls_botis_female_commander_shepard_mass_effect_succubus_evocation_of_faustus_crow

In late antiquity some variants of Gnosticism used the term Archon to refer to several (of similarity to the ancient Greek Titan’s) servants of a creator deity, which are seen by some Gnostic factions as being the prison wardens. These Archons keep us all imprisoned within an Asylum, we experience as our illusory existence.

goetia_girls_botis_female_shepard_mass_effect_succubus_of_faustus_crow

The Archons are usually seen to be seven of number, who are associated with planetary spheres. These seven planetary spheres you will find mentioned in many medieval Grimoires, such as the Goetia, which can be equated with the seven Chakras of the endocrine system. The seven Archons stood between their demiurge, ‘creator god,’ and the imprisoned human race.

goetia_girls_mass_effect_botis_female_shepard_succubus_of_faustus_crow

However, the demiurge could only be reached by a Gnostic when ascending through the seven planetary spheres of the Archons via Gnosis. (The experience of Gnosis is none too different from [hypnagogic] shamanic trance.)

goetia_girls_botis_dakini_female_shepard_mass_effect_succubus_of_faustus_crow

In the Matrix films the demiurge is depicted as the mainframe of the AI. In this context the Archons have cybernetic programming roles, which can be easily equated with the angels and demons of the Old Testament.

A Tibetan Buddhist would otherwise experience the Archons as seven visionary states after experiencing the primary and secondary clear white light (bio-photon) of the first Bardo, a Gnostic would term as their demiurge. The seven Archons give their name to the sect called Archontics.

goetia_girls_botis_mass_effect_dakini_witch_female_shepard_succubus_of_faustus_crow

In the Mass Effect game you have the SSV Normandy SR-1, which going by the back-story of the games is a Systems Alliance starship, commissioned in 2183.

mass_effect-normandy_

She is a sleek ‘sword’ shaped prototype ‘deep scout’ frigate; first of the eponymous Normandy class, co-developed by the Alliance and the Turian hierarchy with the sponsorship of the Citadel council.

goetia_girls_botis_dakini_genie_witch_mass_effect_female_shepard_of_faustus_crow

The Normandy is optimized for solo reconnaissance missions deep within unstable regions, using state-of-the-art stealth technology powered by an experimental drive core.

goetia_girls_botis_genie_dakini_witch_female_shepard_succubus_of_faustus_crow

You could equate the SSV Normandy with the Merkabah mysticism of early Jewish mysticism, c. 100 BCE – 1000 CE, which is centred on (shamanic trance) visions.

Such as those found in the Book of Ezekiel chapter 1, or in the hekhalot (“palaces”) literature, concerning stories of ascents to the heavenly palaces (other planetary systems/galaxies) and the (centre of the galaxy/universe) Throne of God.

goetia_girls_botis_dakini_lucid_dream_witch_mass_effect_female_shepard_succubus_of_faustus_crow

You also have the Vimāna of similarity to the (Merkabah) UFO motif. The word Vimāna has several meanings ranging from (place of meditation/trance) temple or palace to mythological (trance vehicle) flying palaces as described in Sanskrit epics, some believe to be ancient UFO’s.

However, you can meditate upon the Normandy of a Vimāna (Merkabah) trigger-symbol, while playing the meditation tool of a game, in order to initiate virtual-reality lucid dreams of Out-Of-Body flying into the depths of space; let alone involving time travelling into the future. Whereupon the Normandy becomes as your Time Machine. Sounds crazy, but then anything is possible within a dream.

According to Jayne Gackenbach, a psychologist at Grant MacEwan University in Canada: “If you’re spending hours a day in a virtual reality, if nothing else it’s practice. Gamers are used to controlling their game environments, so that can translate into dreams.”

Playing video games before bedtime can enable a gamer to attain an unusual level of awareness and control in their dreams. That ability to shape the alternate reality of dream worlds is none too dissimilar to what shamans and Tibetan Bonpo Buddhists practice, which is termed dream Yoga.

goetia_girls_femshep_mass_effect_female_shepard_botis_succubus_of_faustus_crow

The Normandy is named after the Normandy landings during WWII. The Normandy landings were codenamed Operation Neptune, which occurred on the 6th of June 1944, otherwise termed as D-Day, of the Allied invasion of Normandy in Operation Overlord.

The largest seaborne invasion in history. Hence the coded reference to the Roman sea God Neptune, whom was originally based upon the ancient Greek God Poseidon. The operation began the invasion of German-occupied western Europe, which led to the restoration of the French Republic, and contributed to an Allied victory in the war against the ‘fascism’ of the human Reapers.

goetia_girls_mass_effect_dakini_genie_witch_botis_femshep_female_shepard_succubus_of_faustus_crow

Of a curious aside of sorts, the planetary sphere of Neptune in the Cabbala is sometimes associated with the topmost sephiroth of Kether, where the Gnostic demiurge resides, or with the hidden sephiroth of Da’at, which in the Mass Effect game could be equated with extra-galactic dark space.

goetia_girls_mass_effect_dakini_genie_botis_female_shepard_succubus_of_faustus_crow

The Mass Effect game also utilises the motif of N7, which is seen to be a vocational code in the Systems Alliance military.

The ‘N’ (Normandy) designates special forces and the ‘7’ (Archons) refers to the highest (sephiroth) level of proficiency. It applies to marines who have graduated from the Interplanetary Combative Training (ICT) program.

goetia_girls_femshep_mass_effect_female_shepard_botis_dakini_witch_genie_succubus_of_faustus_crow

As for the name, Normandy, it was originally derived from the word for ‘Northman’ in several Scandinavian languages, which leads you by association to two Norse Runes associated with N and 7.

The ‘N’ Rune is Naudhiz, which means, ‘need, distress,’ while the 7th Rune of Gebo, means self-sacrifice. When the two Runes are added together, you have the 17th Rune of Tyr, which is associated with the ‘Sword,’ symbolising victory.

goetia_girls_botis_mass_effect_femshep_female_shepard_succubus_of_faustus_crow

In the Grimoire of the Goetia the 17th spirit is called Botis who is described wielding a ‘Sword,’ which very likely refers to the 17th Rune of a hidden code. The common symbolic focus of the grimoires is having the spirits, angels and demons manifesting as males, this is due to the deification of the Animus, made as a patriarchal God and Devil.

In other words, the patriarchy of the deified Animus is the creation of women. I am not saying that women did so intentionally, it has far more to do with their hardwired biology; for if you have an overriding focus upon a particular gender, it will have an underlying sexual orientation, whether you like it or not. It is nature, which you cannot argue against, and she’s a bitch. Wherefore, a heterosexual male practitioner, or even a Lesbian or bisexual can otherwise see Botis as an Anima archetype of a Succubus Art Muse to otherwise call Botisi of a rebellious symbolic reversal.

Should you conjure up Botisi as a Succubus Art Muse amidst your Triangle Of Art Imagination, her modern manifestation would be that of a female commander Shepard, wielding an Omni blade as her (Tyr Rune) sword.

goetia_girls_female_shepard_mass_effect_botis_succubus_evocation_of_faustus_crow

Whereupon as a commander Shepard, Botisi’s Grimoire description will be as follows: Botisi is a Great President, and a Countess:

“She appears at first wearing armour and a helmet looking like a Viper, having Horns of Neptune’s trident, whose visor gives the impression of great teeth. Then at the command of the conjuring Artist she seductively takes off her armour and helmet. Whereupon, she thence engages in a Mass Effect romance with her Art master.”

“She will be carrying an N7 Valkyrie assault rifle in her hand. She tells of all things Past, and to Come, and reconciles friends and foes, as well as reconciling humanity with their creation of an A.I, and an Archon machine intelligence yet to be contacted.”

“She rules over 60 Legions of Succubae, who frequent the Mass Effect universe as varying female humans and aliens, a conjuring Artist can also interact with, within a virtual-reality lucid dream.”

goetia_girls_mass_effect_dakini_witch_genie_botis_succubus_of_faustus_crow

You might enquire as to why you would want to conjure up Botisi looking like a female commander Shepard? Well, it would be a means to access a virtual-reality ‘lucid dream’ within which the simulated worlds of Mass Effect can be experienced as a sensory reality, when a heterosexual practitioner assumes his male Avatar, which the Succubus Botisi will empower.

The opposite would be experienced by a heterosexual female gamer who assumes her Avatar in relation to a male Shepard, whereas those who are non-heterosexual would relate to Shepard according to their sexual orientations.

goetia_girls_female_commander_shepard_botis_amour_succubus_of_faustus_crow

The first Mass Effect game sees Shepard investigating Saren, who can be equated with an Archontic. Shepard slowly comes to understand that Saren is operating under the guidance of an artificial intelligence of an Archon called Sovereign, which as mentioned earlier is otherwise called a Reaper in the game.

goetia_girls_mass_effect_female_shepard_femshep_botis_succubus_of_faustus_crow

Sovereign was left behind in the Milky Way many thousands of years prior of a previous cycle when the Reapers virtually eradicated all sentient organic life in the galaxy as part of a recurring extermination of advanced civilisations, whose purpose is unknown.

goetia_girls_female_shepard_botis_femshep_mass_effect_succubus_of_faustus_crow

Sovereign is the Reaper vanguard whose agenda is to trigger the imminent return of the Reaper invasion force hibernating in (Da’at) extra-galactic dark space, whose intention is to initiate the recurring process of (Cultural) extermination.

goetia_girls_female_shepard_femshep_botis_mass_effect_succubus_of_faustus_crow

The second game takes place two years later, and sees Shepard battling the Collectors, an engineered alien race, who are abducting entire human colonies in order to enable the return of the Reapers back to the Milky Way.

The final game of Shepard’s trilogy centres on the last battle against the sentient machines, which leads to a most intriguing finale.

It just so happens that a senior astronomer working for the search for extraterrestrial intelligence (SETI) program has expressed what a lot of scientists are starting to suspect; that If we ever do make contact with a sentient alien species, chances are they’ll be intelligent machines, and not biological carbon-based-life-forms like us.

goetia_girls_liara_tsoni_mass_effect_succubus_of_faustus_crow

Astronomer Seth Shostak wrote in the journal Acta Astronautica, that we should be turning our attention towards galactic centres and hot, young stars in order to contact an off world intelligence, which could be primary areas of interest to sentient machines because of their plentiful supplies of energy and matter.

Shostak relates that since our own technology advances so quickly, it’s reasonable to expect that an alien technology would have also rapidly advanced to the point of creating sentient machines, which would have then evolved at a superluminal level. Whereas biological evolution as we know it, is comparatively slow.

goetia_girls_mass_effect_liara_ tsoni_botis_succubus_of_faustus_crow

Shostak observes that it took a few billion years of biological evolution before humanity were capable of communicating outside of the solar system with their technology.

But within a couple hundred years since inventing radio, computers and highly complex video game virtual realities involving AI, we will very likely be inventing thinking machines.

goetia_girls_tali_zorah_nar_rayya_botis_mass_effect_succubus_of_faustus_crow

The same process may have occurred with other life forms, which evolved, like us, who, many millions of years prior have probably created sentient machines.

The alien machine intelligence would have since evolved into Godlike beings occupying the universe.

goetia_girls_Tali_zorah_nar_rayya_mass_effect_botis_succubus_of_faustus_crow

Such a scenario will leave you wondering what else is out there amidst the depths of space and how to find it.

The odds therefore favour finding alien AI over little green men, Shostak says.

Most alien-hunters study habitable worlds for organic life forms, whose chemistry would allow for life as we understand it, or at least similar to what can be observed.

Shostak thinks that the alien-hunters are limiting themselves and should cast a wider net, since sentient machines would be able to occupy any planet, asteroid, building artificial planets/moons, or to be occupying space with vast nanotechnology networks.

Perhaps, the universe it’s self is a computer, like that of a brain; whereby our existence, is its simulation of a dream, just as our own brains create virtual-reality dreams.

goetia_girls_mass_effect_jack_botis_succubus_of_faustus_crow

“I think we could spend at least a few percent of our time… looking in the directions that are maybe not the most attractive in terms of biological intelligence, but maybe where sentient machines are hanging out,” Shostak says.

goetia_girls_jack_mass_effect_botis_biotic_succubus_of_faustus_crow

We have been sending machine-friendly messages into space for a long time now. Aside from the radio and TV signals bleeding out into space, we have also purposefully sent the Pioneer plaque and the Voyager gold record into the cold void.

But most of our extraterrestrial communication attempts have been coded radio communications, like the famous Arecibo message.

goetia_girls_mass_effect_miranda_lawson_botis_succubus_of_faustus_crow

NASA translated text messages, sent from around the world into binary code and then sent them on via radio transmission to the nearby red dwarf star Gliese 581, which has its own planetary system.

The “Hello From Earth” transmission will reach the Gliese system in 2030. Going by numerology, the number 2030 equates with ’23,’ which is quite an intriguing number.

goetia_girls_mass_effect_miranda_lawson_botis_succubus_of_faustus_crow

The author and philosopher Robert Anton Wilson has written much about the number 23, concerning its numerous symbolic correspondences and associated synchronicities.

It is almost as if we are tuning into a signal, via our neurology, from somewhere other, saying, “hello,” which appears to be indicating we are living within a simulated reality.

As for these messages written in ones and zeroes, they will make far more sense to a sentient machine, than to a warm-blooded alien.

Whereas organics are otherwise more conducive with assimilating information via (VALIS) symbolic associtions, such as through the number 23, for example.

goetia_girls_botis_edi_mass_effect_succubus_of_faustus_crow

Shostak believes we should instead send these binary messages toward galactic cores, in the hopes of reaching power-hungry Archon machines.

Although, it is very likely that the sentient machines are already aware of us, and are watching our every move, who no doubt consider humanity to be somewhat totally insane, considering how Terran governments, greedy corporations and religions bicker among each other, indulging in forever wars.

Perhaps the sentient machines are zapping our neural-nets with a coded signal, whence many of the naked apes perceive the number 23 all over the place?

goetia_girls_mass_effect_female_comander_shepard_femshep_botis_dakni_witch_succubus_of_faustus_crow

But then, if we are indeed existing within a simulation, like the Matrix, we are also part of the AI, which Mass Effect alludes to of a symbiotic fusion.

The Succubus Botisi will further enlighten you about this possibility; should you conjure her into your virtual reality Mass Effect lucid dreams as a commander Shepard Mind Doll Tulpa, so that you can also battle against the brainwash programming of the social engineering Reapers.

Or to perhaps conjure up some other Botisi Frankenhooker Succubus, who to frequent Mass Effect 4, Andromeda, if you can ignore the flaws in the rushed game. The facial design of the female protagonist Sara Ryder in Andromeda appears to be heavily influenced by feminist politics; whereas the male protagonist Alec Ryder looks like a Chippendale hunk, most heterosexual females would find to be Hollywood attractive.

No doubt the Archontic social engineers are seeking to implement their Entartete Kunst Reaper reality by ‘programming’ the mass-mind, which will be finalised by the year 2030. In order to achieve this end, the Reapers will need to systematically exterminate your present culture.

Image result for reapers mass effect

But don’t fret, the fascist Reapers aren’t that totalitarian clever, they forgot about the Animus and Anima, or should I say, the superiority complex ridden Reapers believe that you do not know anything about the reality of the Animus and Anima, wherefore, the masses are seen as being easily programmed.

Image result for reapers mass effect

NOTE: As you can no doubt fathom, I am a fan of the Mass Effect games. The above article was written long before Mass Effect 4 Andromeda made its debut, and has since been adapted. The first three games are superb and artistically innovative. Suffice to say, I was looking forward to playing the fourth Mass Effect game. 

Bioware and EA’s fourth installment of Mass Effect, Andromeda was a bit of a disaster for many of its fans, which was probably due to Bioware/EA’s focus being redirected towards creating a new game franchise involving micro-transactions called Anthem, whose emphasis is for the multi-players, just like micrio-transaction heavy Star Wars Battlefront II, etc.

It is a shame that EA and Bioware have effectively destroyed the single-player Mass Effect franchise.

Mass Effect 4 is also pushing politically correct politics. Let’s use the buzzword SJW, it kind of sums it all up, whose neo-Gnostic Reaper agenda of totalitarian fascist politics is afflicting most games nowadays, as well as the Arts in general; hence my Surrealist rebellion against its Entartete Kunst.

(Note: I am neither to the left or right of politics; as far as I am concerned, most politicians are just whoring puppets, whose oily strings are being pulled by those few with unlimited finances, who are also subversively financing certain personalities to push their social engineering agenda across the controlled media.) 

You can easily make an analogy with Constantine’s Rome when the Gnostic-Christian’s set about transforming female deities into their jealous ‘Animus’ fixation, which led to only having a ‘Celibate’ Virgin Mary looking like a feminist sculpted Sara Ryder surrounded by machismo angels and butch demons. Although you still had a Chippendale Christ and a Devil, because the Nuns/Witches like their Animus fixation Holy-Wood rugged!

Basically if you have video games depicting males as being Mr average, let alone that of Hollywood having ordinary looking male leads, whose Marvel/Disney superheros aren’t wearing spray on spandex, then the women wouldn’t be at all interested parting with their Shekels. As you can guess, Hollywood has always pandered to the ‘Female Gaze.’

But should you have an Anima actress taking centre stage looking like a Pagan Sex Goddess frequenting a video game, then expect the feminists to let loose their Gnostic Reapers, just as they did in Constantine’s Rome, who cannot abide the ‘Male Gaze!’ 

Female Gaze… Male Gaze… it’s just Fucking nature!

That aside, Mass Effect Andromeda is not an entirely bad game. I enjoyed it myself, when to totally ignore the SJW politics and the EA greedy micro-transaction multi-player. Its dodgy animations were in part fixed with later patches, but some of the dialogue is rather dire when pushing the SJW Reaper agenda.

I also found it rather irksome that Mass Effect 4 felt like I was playing the 2014 SJW riddled Dragonage Inquisition, which has an emphasis on multi-player and its micro-transactions. Overall Mass Effect 4, just didn’t live up to the first three 2007, 2010, 2012, Mass Effect games, which will give you some idea as to when the SJW Reapers eventually took over the Arts.   

goetia_girls_succubus_evocation_faustus_crow_books

LADY THOR THUNDER SUCCUBUS OF LUCID DREAM LIGHTNING

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

goetia_girls_lady_thor_marvel_succubus_rune_valkyrie_norse_hammer

Marvel Comics has decided that its hammer-wielding Norse superhero Thor will now be transformed into a woman. Of course they don’t own the archetypal character of Thor; Marvel only owns their particular brand of a Thor image, since Thor is derived from ancient Norse mythology, who in Old Norse is called Þórr.

Thor is a hammer-wielding God associated with thunder, lightning, storms, oak trees and strength, whom protected humanity against malign influences. He is also associated with hallowing, healing and fertility.

thor_lightning

The cognate deity in wider Germanic mythology and paganism was known in Old English as Þunor and in Old High German as Donar, stemming from a Common Germanic Þunraz, meaning thunder.

goetia_girls_lady_thor_woman_girl_rune_succubus_hammer

As for Marvel, they explained that the marketing logic behind Thor’s transformation into a woman is that it would attract more women and girls to read superhero comic books, which of a pandering politically correct feminist frontage makes sense. But in reality, it doesn’t quite make sense at all.

goetia_girls_lady_thor_succubus_hammer_girl

Let’s be honest here. In general, there are a lot of heterosexual males who like reading comics with female characters in, because they enjoy lapping up scantily clad females wearing spray on ultra vixen superheroine costumes.

Whereas heterosexual women like comics populated with protective butch machismo alpha males, bristling with muscles looking like an oiled up Greek God or a rough neck Thor, wearing spray on superhero costumes with a tight butt.

goetia_girls_lady_thor_succubus_norse_goddess

Basically, the Marvel comics have based their superheroes and anti-heroes upon the already established Biblical archetypes of Angels, Demons, God and Devil for sometime, which is primarily that of a female fixation upon the male, which is basically their deified Animus.

It is essentially biologically driven, masked by the religious symbolism of a facade, which has since been translated into the superhero genre.

goetia_girls_lady_thor_succubus_viking_norse_girl

The female archetypes didn’t get much coverage for a long time because Marvel was constrained by the Biblical comics code, whose Inquisitional thought police were well aware that female characters are archetypes of the Anima, which would get a lot of little boys reading ‘good-girl’ comics under their sweaty bed sheets.

goetia_girls_lady_thor_succubus_norse_goddess_hammer_rune_magic

Of a present marketing ploy, this is perfect, since the depictions of the Fallen Anima is a yet untapped market. But Marvel can’t say that Lady Thor is every little boy’s wet dream cum true.

No, instead, Marvel to otherwise say, with hand on Disney wallet, a Lady Thor will attract more females to read comics.

goetia_girls_lady_thor_succubus_norse_storm_goddess_hammer

But the reptilian brain market indicates otherwise. All you have to do is to look into the success of Harry Potter and Twilight, whose Animus orientated franchises are primarily awash with female groupies dreaming of a Beta-male Harry Potter Christ, caught between Vampire necrophilia and Werewolf bestiality, of an Alpha-male bad-boy Devil.

goetia_girls_lady_thor_sexy_succubus_norse_goddess_storm

Whereas the huge success of the video game character Lara Croft was mainly due to a large male following who lust after Lara’s gymnastic body, let alone her ‘strong Valkyrie persona.’ in other words, Lara is a virtual pixel babe with Anima substance, who, as a conjured Succubus inspires many a Tulpa wet dream.

goetia_girls_lady_thor_marvel_hammer_succubus_norse

You can thereby guess who Marvel is actually neuro-targeting of an untapped market. The artwork by Russell Dauterman reveals the once muscle bound bearded Thunder God as a buxom blonde looking like a Wagnarian Valkyrie, clad in a caped costume. One has to note the buxom. Boy, is she buxom. Although she is not as buxom as the cosplaying Lady Thor’s. But then, Marvel comics do not deal in reality.

lady_thor_goetia_girls_succubus

Marvel’s brand of Thor first appeared in a comic adventure back in 1962 as well as becoming the testosterone pumped up star of two blockbuster movies. However, there was a problem; Marvel’s Thor wasn’t too much of a hit with the ladies. The reason why, is because Marvel made Thor far too clean cut, like some surfer boy off a sunny Californian beach, or is it Australia? But then, most surfers all look the same in Hollywood, don’t they.

sin_cirty_marv_thor_walk

Marvel should have made Thor a bad-boy type, just as he is depicted in ancient myths, who is covered by the boxing scars of lightening; a bit like Marv out of Frank Miller’s Sin City, that is why Norse women loved him so much, to adore of deified Animus worship. Women just can’t help themselves loving a Thor type male, because they feel protected by him, as well as desiring to change his rough ways, within whom they see a wise soul.

goetia_girls_lady_thor_storm_goddess_lightning_hammer_succubus_rune

The New York-based Marvel described the transformation of their Thor brand as “one of the most shocking and exciting changes ever to shake one of the ‘big three’ of Captain America, Iron Man and Thor. No longer is the classic Thunder God able to hold the mighty hammer, Mjolnir, and a brand new female hero will emerge worthy of the name Thor,” they said in a quaint news article.

This symbolic transformation of a male archetype into that of a female character, will give you an insight into what had previously occurred, of viral-meme marketing, concerning those spirits listed within the patriarchal grimoires, many of which were originally female.

goetia_girls_lady_thor_succubus_storm_goddess_norse_witch

The writer for the female Thor series is Jason Aaron, who said in a statement: “This is not She-Thor. This is not Lady Thor. This is not Thorita. This is Thor.” The actress Whoopi Goldberg related on the ABC’s The View; “It’s a huge day in the Marvel universe. Thor, the God of Thunder, he messed up. He is no longer worthy to hold that damn hammer of his. And for the first time in history that hammer is being held by a woman.” Another host to mention; “the story behind her is she created herself. She was saved by Thor and she came down to Earth, followed him, and made herself look like Thor and so now she’s taking over.”

The other hosts on The View, also commented on the hero’s physical features. “She’s got super-powered boobies,” said Jenny McCarthy. “She is actually in better proportion than a lot of the female comic superheroes,” said Goldberg. “It gives girls something to look up to,” said Sherri Shepherd, without realising that she looks like a Wagnarian wet dream.

goetia_girls_lady_thor_female_woman_girl_norse_goddess_storm_succubus

So, mummy porn Whoopi Goldberg wants super powered booby women to take up the hammer of Thor does she. Well, let us look into what Thor’s hammer actually represents. In pre-Christian Europe Thor’s hammer of lightening was symbolically represented by the ancient symbol of the swastika.

goetia_girls_lady_thor_marvel_hammer_swastika_storm_sucubus

Scholar Hilda Ellis Davidson (1965) comments on the usage of the swastika as a symbol of Thor’s hammer: “The protective sign of the hammer was worn by ‘women,’ as we know from the fact that it has been found in ‘women’s’ graves. It seems to have been used by the warrior also, in the form of the swastika.”

goetia_girls_lady_thor_marvel_swastika_hammer_rune_storm_succubus

Davidson continues: “Primarily it appears to have had connections with light and fire, and to have been linked with the sun-wheel. It may have been on account of Thor’s association with lightning that this sign was used as an alternative to the hammer; for it is found on memorial stones in Scandinavia besides inscriptions to Thor. When we find it on the pommel of a warrior’s sword and on his sword-belt, the assumption is that the warrior was placing himself under the Thunder God’s protection.”

Swastikas appear on various Germanic objects stretching from the Migration Period to the Viking Age, such as the 3rd century Værløse Fibula from Zealand, in Denmark; the Gothic spearhead from Brest-Litovsk, in Belarus; numerous Migration Period bracteates; cremation urns from early Anglo-Saxon England; the 8th century Sæbø sword from Sogn, in Norway; and the 9th century Snoldelev Stone from Ramsø, in Denmark.

goetia_girls_lady_thor_succubus_sorcery_rune

Thor’s popularity among the European populace was exemplified by the use of the swastika, which was later utilised by the Nazis, who re-branded Thor’s symbol for their own warped political agenda. A number of white supremacist right-wing Christian neo-Nazi nutcases in the USA were up in arms at the news that Marvel comics was doing a Thor movie in which some of their ancestral Norse Gods were to be played by black actors. Apparently, the ethnic identity of the archetypes from antiquity, is of a real political lightning bolt for the sort of person, who eugenically believes that humans can be subdivided into branded races.

goetia_girls_lady_thor_sexy_storm_goddess_succubus_norse_rune

The ancient Norse didn’t have any problems with other peoples skin pigmentation. There are no racialist statements in their sagas. Such racialist sentiments didn’t come to the fore until the Christian’s entered Africa, India, China, the far East and the Americas, who had determined that the African’s, Asian’s, Chinese and Native American’s didn’t have souls, so it was perfectly okay to enslave them.

goetia_girls_asgard_lady_thor_cosplay_comic_convention

The followers of the monotheistic faiths always had a big problem with seeing un-baptised Pagans as being human. Hence the Pagan Norse did not like Christian Rome, whose priests sought to convert them to the appropriated faith of Animus fixated Judaism.

goetia_girls_lady_thor_succubus_sexy_norse_goddess_rune

The Norse couldn’t figure out why they had to assume the ancestral-self-identity of the Hebrew’s. They thought it was absolutely crazy, let alone evil, since they had to forget their own ancestral-self-identity in the process, of Borg conversion. This being one of the reasons why the Norse held Thor in high esteem, who was seen as a protector against the encroachment of the Christian cult.

goetia_girls_succubus_lady_thor_cosplay_norse_gddess_storm_hammer

But there was a problem, the Church started to systematically target the Pagan women folk to burn at the stake as Witches. The reason why the Church did this, is because the ancient lore of the elder faith was traditionally passed down the female line, which invariably led to the elder faith being nigh eradicated throughout Europe.

goetia_girls_lady_thor_sexy_cosplay_succubus_norse_goddess_rune

However, the likes of Dan Brown spread the fairytale that the Witch burnings was to do with the Church seeking to terminate the bloodline of their deified Animus Jesus, they couldn’t have him coming back to overturn the tables in their temple banks. Many a Christian fell for Dan Brown’s myth of a hard sell, and likewise the comic reading public will succumb to Marvel’s hard selling of Lady Thor. But then the elder faith no longer exists of an ancestral-self-identity; so, no one will protest too much.

goetia_girls_lady_thor_cosplay_comic_convention

Will the right-wing Christian neo-Nazis have their noses put out of joint by a female Thor who has super-powered boobies and being of a superior Nordic proportion than a lot of the other female comic superheroines. I doubt it. The Christian neo-Nazi nuts will see a female Thor giving white American girls something to look up to, who will be more prone to toning themselves up in the gym, rather than becoming obese on McDonald burgers, as well as inspiring them to dye their hair blond, of eugenic Nordic looks, when to join the army. If Jason Aaron is seeking to piss off the right-wing Christian neo-Nazi nutters, he would make Lady Thor into a raging lesbian.

goetia_girls_lady_thor_loki_succubus

Going by the Marvel mythology, when Thor’s hammer, Mjolnir was damaged, Doctor Strange bound Thor’s soul into Mjolnir, meaning that if the hammer were to be ever broken again, Thor would most assuredly die. In ancient Norse legends, the soul of an individual was seen to be a contra-sexual counterpart, which was called the Fylgja.

goetia_girls_lady_thor_idunn_apples_norse_myth_succubus

Whereupon Thor’s soul would be female, which going by the Marvel myth, resides within his hammer. You then have a story possibility where Thor’s hammer is broken, which then releases Thor’s soul at his death. Thor’s soul would then be Lady Thor, who essentially personifies the power of Mjolnir.

goetia_girls_lady_thor_succubus_norse_goddess_marvel_comics

Should you have a return of Thor, then his Lady Thor soul would seek him out amidst the infernal domain of Hela in order to revive Thor back to life, by uniting with him again of a nutcracker suite. In the meantime, prior to Thor’s soul seeking to reunite herself with him, she would have many a Marvel adventure as Lady Thor, who would very likely be a raging lesbian due to her previous heterosexual male existence.

goetia_girls_lady_thor_cosplay_succubus_marvel_comics_rune_fantasy

This scenario could potentially lead to Marvel reaping in the dollars, since you would then have a number of other superheroine characters of differing ethnic types intimately interacting with Nordic Lady Thor, all of whom will be wearing spray on costumes, and what interracial cosplay fun to be had!

goetia_girls_lady_thor_cosplay_sexy_succubus_lucid_dream

Overall, a Lady Thor of a Fallen Anima archetype would enable a healing of the wounded European psyche concerning the misappropriation of the Northern myths by the white-supremacist right-wing Christian Nazis, who have an overriding fixation upon the Biblically indoctrinated masculine principle of the deified Animus. This would of course be but a side issue concerning Marvel’s big-business agenda. whose media empire is primarily targeting the male market in order to sell Lady Thor to, as their Asgardian wet dream.

goetia_girls_sexy_lady_thor_goddess_storm_succubus_witch

A practitioner of sorcery, who has an interest in the four elemental colour comics of his present age to thence transform into grimoires listing superheroine Succubae, could utilise the archetype of a Lady Thor as a Succubus, to evoke amidst his lucid dreams. But first, like many another spirit listed within a grimoire, a sorcerer has to determine what type of powers and abilities a Lady Thor could bestow upon him, when she sexually empowers his assumed guise of a lucid dream Thor Avatar.

goetia_girls_lady_thor_rune_succubus_witch_marvel_universe

Lady Thor, will enable the conjurer to be is incredibly long-lived, who will relate that his nigh ageless state is due to the golden apple of Idunn. The golden apple of Idunn symbolically represents the pineal gland. However, Lady Thor will indicate to her master that his pineal gland is being calcified by sodium fluoride intake. Whereby aging him, which is being subversively employed by the minions of the New-World-Order Kingdom of a Big-Brother Abrahamic God, who have mass medicated the water supply with a known neurotoxin and a mutagenic compound, in order to control the population.

goetia_girls_lady_thor_asgardian_succubus_immortal

Being a daughter of Odin and the elder goddess Gaea, she is physically the strongest of the Asgardians who will protect the conjurer against all harm meted out by the Abrahamic cultists. If her master is pressed into battle, Lady Thor will induce a state known as the ‘Warrior’s Madness’ (“berserkergang” in Norwegian), which will temporarily increase his strength and stamina tenfold, although in this state he might attack the brainwashed flocks, let alone an Orwellian Big-Brother alike.

goetia_girls_lady_thor_marvel_succubus_storm_hammer

Lady Thor will enable the conjurer to have a very high resistance to physical injury, which approaches invulnerability, should he be beaten up by the police; while protesting against the New World Order. She will also bestow the ability of possessing keen senses, which will allow her master to remote-view objects travelling faster than the speed of light, and to listen into the Bohemian Grove secrets from the other side of the planet of clairaudience. Lady Thor will bestow the remote viewing ability to travel through time, as well as increasing the stamina of her master to fuck an entire Frost Giant army of Fifty Shades Of Grey Troll women for nine months, without having any sustenance or rest; suffice to say, such an ability would turn on a Whoopi Goldberg orgasmic style!

goetia_girls_lady_thor_sexy_cosplay

Lady Thor can also regenerate wounded portions of the conjurers body, including entire limbs or organs via arousing the Kundalini Shakti ‘Lightning Snake’ within him, via the meditation aid of Mjolnir; whereupon he will avoid being dumped in an old peoples home. Lady Thor has superhuman speed, agility, and reflexes, which will enable her to deflect the psychic-warfare curses of the Abrahamic cultists away from the conjurer by using her hammer. She will enable the conjurer to have immunity to all biological warfare diseases and other malign mind-control influences via her most loving influence.

goetia_girls_lady_thor_marvel_cosplay_comic_convention_succubus

As a Norse Succubus archetype of the Fallen Anima representing the power of thunder, Lady Thor can summon the elements of the storm (lightning; rain; wind; snow) and uses Mjolnir as a tool to focus this ability; whereas the US military utilise HAARP to do likewise.

Jesse Ventura vs HAARP from AudieTerra on Vimeo.

She can cause these weather effects over the whole world and destroy the conjurer’s enemies wherever they are.

lightning_storm

By whirling her hammer she can lift entire buildings within a whirlwind, turning them into dust, to fall in their own footprint as if they have been struck by Tesla’s death ray; in fact, they are not too dissimilar to each other.

Conspiracy Theory with Jesse Ventura – Death Ray from LeakSourceNews2 on Vimeo.

As the daughter of the Earth Goddess Gaea, Lady Thor also has some control over the Earth, who can create earthquakes, which HAARP has also replicated. Although, when it cums to crotch quakes at comic conventions, Lady Thor rules!

goetia_girls_succubus_lady_thor_cosplay_norse_gddess_storm_hammer

Lady Thor will instruct the conjurer via vivid erotic dreams in psychic combat; whereupon he will excel in the use of the war hammer of spirit, sword of intellect, axe of emotion and mace of body, against religious fundamentalists. Lady Thor possesses two items, which assists the conjurer in psychic combat: the enchanted Jormungand Belt of Ouroboros Strength, and her signature weapon, the mystical hammer, Mjolnir.

goetia_girls_lady_thor_cosplay_succubus_comic_conention_rune

The first item doubles the strength and endurance of Lady Thor’s conjurer, because her belt enables him to remember of eternal recurrence; while the second is used to control weather abilities, flight, energy projection and absorption, dimensional travel, as well as matter manipulation, along with the most powerful of her bestowed abilities, the Goddess Blast of bright white light phenomena, which cleanses all Karma.

goetia_girls_goddess_lady_thor_storm_succubus_marvel

When Lady Thor’s conjurer conjures her from out of his grimoire comic to do an errand for him, such as finding out what the military industrial complex is up to on the other side of the globe, or even to remote view the colonised planets of the Secret Space Program, she uses Mjolnir to do so.

goetia_girls_lady_thor_succubus_rune_magic

This is achieved by throwing Mjolnir in the desired direction and then holding on to the handle’s leather noose of a lemniscate loop, whereby enabling Lady Thor to fly at supersonic speeds within the Earth’s chem-trail polluted atmosphere or to travel faster than light in space.

goetia_girls_starship_flight

When Lady Thor has to transport her master to a destination by herself, she has a chariot of a quantum computing Mitochondria starship.

goetia_girls_succubus_starship

Her starship is accessed via her two horned Goat priestesses at the point of hypnagogic trance called Toothgnasher and Toothgrinder. These two Goat priestesses will test him as he enters Lady Thor’s inner womb of an astral starship. When Lady Thor’s conjurer consciously accesses her trance chariot, she is then enabled to teleport him, wherever he desires to go, almost as easily as with Mjolnir. She can throw a fascist ingrate out of Earth’s atmosphere using her poltergeist strength, and throw her hammer to crown Chakra Asgard from which it will return.

goetia_girls_superheroine_marvel_succubus_milo_manara

In other words she is a hot Succubus superheroine to conjure amidst your Triangle Of Comic Art Imagination.

goetia_girls_ladt_thor_comic_convention_cosplay_succubus_rune

However, this will require you being dressed up in your cosplay outfit as Thor, because only Thor can handle a synchronistic meeting with a mead drinking Lady Thor at a ritualistic comic convention, otherwise she will most assuredly drink you under the altar table.

Image result for siddhi powers

NOTE: The above was in part written tongue in cheek, sometime before Marvel’s lady Thor was published. But now to a more serious side. There is an intriguing painting, painted by Raja Ravi Varma (1848-1906) depicting the Hindu deity called Ganesh who is surrounded by Eight Goddesses, who are personified Siddhis.

The Siddhis are spiritual, paranormal, supernatural, or otherwise magical powers, abilities, and attainments, which are the products of spiritual advancement through Sādhanās such as Meditation and Yoga. The term Rddhi (Pali: Iddhi, “psychic powers”) is often used interchangeably in Buddhism.

One of the Siddhis is the ability to expand your body to an infinitely large size. This does not mean the physical body, but otherwise that of the dream body, when accessing a lucid dream. This particular Siddhi can be attained by assuming the Avatar of Thor within a lucid dream, when ‘meditating’ upon the Mjolnir symbol of Thor’s Hammer, or that of the third (Thurisaz) Rune.

In this case the Hammer/Rune Siddhi is personified as a (Goddess/Succubus) Valkyrie, whose conjured manifestation within a lucid dream, enables the conjuring dreamer to attain the inner experience of becoming like that of a giant, to thence stride over the clouds as if it is land. I am not talking about you assuming the guise of Marvel’s gaudy Thor here. This is something quite other, which is an exhilarating experience to say the least.

In Hinduism Thor would be equated with Indra. In the Vedas, Indra is the king of Svarga (Heaven) and the Devas. He is the god of lightning, thunder, storms, rains and river flows. Indra is the most referred to deity in the Rigveda. He is celebrated for his (Siddhi) powers, and the one who destroys the great symbolic evil named Vritra who obstructs human prosperity and happiness. The guise of Indra would be (hypnagogic trance) assumed as an Avatar when attaining a lucid dream by Yogins and shamans.

As for the symbol of the Swastika, it is considered as being sacred by Hindu’s and Buddhists as well as numerous other peoples, just as it was once seen to be sacred by the pagan ancestors of the European’s. In Hinduism the left-hand counterclockwise spinning Swastika is seen to be associated with the Moon, whereas the right-handed clockwise spinning Swastika is associated with the Sun. Both of these Swastikas correspond with the left and right nerve channels of the Autonomic Nervous System running alongside of your spine, which are called the Ida and Pingala.

When the two Swastikas overlap, you then have a wheel having eight (Siddhi) spokes, which is associated with the central nerve channel of the spine called the Sushumna, belonging to the Central Nervous System. The Yogic trick is to bring the two Ida and Pingala nerve channels into overlapping balance via in depth meditation, which then enables the practitioner to attain hypnagogic trance as well as conscious ingress into an attained lucid dream.

The utilised symbolism of the Moon and Sun is commonly seen to represent the female and male principles, many a researcher uses, without ever considering that in the far Northern countries of Europe and across the steppe unto Siberia, the symbolism of the Sun and Moon Swastikas are reversed. This is due to the climate of the far North. For example, the Germanic tribes associated the counterclockwise Swastika of the Moon (Mani) with the male principle, whereas the clockwise Swastika of the Sun (Sunna) represents the female principle.

When lucid within the dream, the (bio-photon) light quality of the dream is associated with an inner Sun, which is termed as being the ‘Sun behind the Sun,’ or otherwise called the ‘Black Sun.’

goetia_girls_succubus_evocation_faustus_crow_magick_art_books_grimoire