Archive for comedy

VRIL UFO ALIEN GIRL

Posted in Alien, Art, Chaos Magic, Dating, Discordianism, Extraterrestrial, Goetia Girls, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 13, 2015 by FAUSTUS CROW

Watch the skies; for the Vrilerinnen UFO Witches from Aldebaran, who belong to the Grey Valkyrie coven of the Secret Space Program, Vril Gesellschaft, which is commonly known as the Vril Society, are always on the lookout for eligible Sorcerers.

But said Sorcerers will have to be of an erect Alpha-Male Mars quality, the Babalon Vril Witches habitually seek as their Bad-Boy Great-Beasts, who will fit nicely into their moist Venusian eugenic agenda.

The Vril bubble Witches are not at all interested in Good-Guy Christ’s, who are invariably friend-zoned before being Crucified.

You can easily fathom the ulterior motives of the Babalon Vril Witches when to look at their deified ‘Animus,’ made as a God and Devil.

The Flying Lizard Vril Witches are the ones who had created the Oily Petrodollar patriarchy, of the Illuminati trinity of ‘Animus’ God cults out of Sumerian UR.

It is the biological duty that a Worker Bee Warlock always provides; no bucks, no F£$K’s. So, all yea fellow Warlocks, be verily warned, always carry a Trojan condom around with you, when going on a blind Sabbat.

Because you may just, be abducted by a Spartan Vrilerinnen from Bene Gessirit Aldebaran, that’s if she hasn’t been dissected on a Military Industrial Complex lab slab.

If you do not have a Rubedo flavoured Trojan upon your personage, proudly hold onto your erect Wand.

Then to remember the litany against fear, and hope for the best; while entering the Nigredo Sun of the vaginal star barrelled torsion tunnel of the Vulcan Vrilerinnen:

“I must not fear.

Fear is the mind-killer.

Fear is the little-death that brings total obliteration.

I will face my fear.

I will permit it to pass over me and through me.

And when it has gone past, I will turn the inner eye to see its path.

Where the fear has gone, there will be nothing.

Only I will remain.”

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Should you survive the penetration of the Vrilerinnen wormhole, which has hungrily received your Albedo seed, be ready for the distinct possibility of her birthing your Indigo Moon Childe, when she returns back to her Area 51 home planet of Dreamland Aldebaran.

For extra protection, it be wise that a Warlock becomes aware of his Fallen ‘Anima,’ so that the Vrilerinnen Sirens will not be able to hypnotise him with their feminist wiles.

Otherwise, the Warlock may just find himself being Soy-Boy castrated by their patriarchal ‘Animus’ projection, which they will blame him for.

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BLACK WIDOW AVENGER PSYCHIC SPY SABNOCK

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on December 2, 2014 by FAUSTUS CROW

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The Forty-third Succubus archetype of the Fallen Anima, is called Sabnock.

Other spellings of the name include, Sabnacke, Salmac or Savnok, though ‘Animus,’ of a common label; the ‘Anima’ version of which is Sabnocki.

She is a Marchioness of the ninth planetary dimensional sphere, mighty, great and strong, who looks like Natasha Romanova, out of the grimoire comics of Marvel.

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Sabnock had originally been incarcerated into a male form by Solomon’s monotheistic minions of the deified Animus in order to bind her ‘Anima’ power.

But she eventually escaped her patriarchal prison of a deified ‘Animus’ fixation.

She then took flight into her new Genie residence within a Russian doll, which found its way to Stalingrad (now Volgograd) prior to WWII.

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It was from this Russian doll of a spirit repository, Sabnock’s Succubus influence set about influencing the dreams of those around her during the Cold War.

Who, as mentioned earlier, was seen to look like Natasha Romanova out of the capitalist Marvel comics, of which many of the KGB personnel secretly read.

This led to Sabnock being known as the, ЧЕРНАЯ ВДОВА, ‘Black Widow,’ who of secretive whispers among the KGB became a most sensual shadow Muse of Russian psychic agents.

She informed the Russian psychic agents in the spy craft of remote-viewing, psychic martial arts, and dream assassination, which of dark psychic warfare teachings she communicated in depth, via those erotic dreams she induced.

When a male practitioner was visited by this fellatio loving Succubus, her hungry kiss was termed by the Russian operatives as the electrifying, ВДОВЫ УКУС, ‘Widow’s Bite.’

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Her look is very feline, like that of a Lioness, who of visionary manifestation amidst the Triangle Of Art imagination initially wore a tight clinging evening dress and a veil, but symbolic fashions do change.

In response to growing intelligence claims, that the Soviet program had produced results in the arena of psychic warfare, via their conjuration of a Fallen Anima archetype of a Succubus, the American’s reacted.

Even though it sounded absolutely crazy, the American’s decided they had to rapidly nip it in the bud. The U.S. wanted her Black Widow beauty for their own Psychic Avengers.

Sabnock was eventually appropriated by the U.S., when her spirit repository of a puzzle doll was secretly smuggled out of Soviet Russia by sea, within a small statue of a pale silver Pegasus by United States intelligence operatives.

The American’s believed that the Soviet Union was spending 60 million rubles annually on ‘psychotronic’ research, which was based upon Sabnock’s dream revelations.

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After appropriating Sabnock the CIA Avengers initiated funding for a new program: SCANSUC (Scan by Succubus) in 1970, which had been inspired by Sabnock’s dream communications.

Remote viewing research began in 1972 at the Stanford Research Institute (SRI) in Menlo Park, California.

Although she initially missed her Baba Yaga homeland of the Russian Bear.

Proponents of the research said that a minimum accuracy rate of 65% required by the intelligence clients was consistently exceeded in the later experiments, when the operatives had erotically interacted with Sabnock within their lucid dreams as a very hot Marvel superheroine.

The shocking details concerning the erotic empowerment of the operatives remote viewing lucid dreams was of course covered up.

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During 1977, the Army Assistant Chief of Staff for Intelligence (ACSI) Systems Exploitation Detachment (SED) started the GONDOLA WISH program to ‘evaluate potential adversary applications of Sabnock’s communicated remote viewing techniques, which of Genie practicality, required that she rode the Gondola erections of the operatives.’

Army Intelligence then formalized this in mid-1978 as an operational program GRILL FLAME, since Sabnock is a really hot Succubus.

It was based in buildings 2560 and 2561 at Fort Meade, MD as INSCOM Detachment ‘G,’ which of a letter is used in Freemasonry. (The letter G refers to the seventh Gebo Rune, looking like an X of Crossbones, which represents hypnagogic trance. The experience of hypnagogic trance is known as the little death, wherefore you have the Skull.) 

In early 1979 the Sabnock research at SRI was integrated into GRILL FLAME, which was re-designated INSCOM CENTER LANE Project (ICLP) in 1983.

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During 1984 the existence of the Sabnock program was reported by Jack Anderson; a similar situation had previously manifested in Budapest.

This had occurred when an an unimaginative Soviet bureaucrat out of a Kafka novel, reported about the blacker than black psychotronic research to his superiors. However, bureaucrat Anderson was thankfully unaware of Sabnock’s salacious Succubus influence; although in that year his report was unfavourably received by the National Academy of Sciences National Research Council.

 

In late 1985 the army funding was terminated. But the program was re-designated SUN STREAK and funded by the Defence Intelligence Agency Scientific and Technical Intelligence Directorate (office code DT-S).

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In 1991 most of the contracting for the Sabnock program was transferred from SRI to SAIC, with Edwin May controlling 70% of the contractor funds and 85% of the data.

Its security was altered from Special Access Program (SAP) to Limited Dissemination (LIMDIS), and it was given the name STAR GATE.

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Both of these names, Sun-Streak and Star-Gate refer to the bio-photon emanating from the mitochondrial DNA, which illuminates your electron dreams.

In 1995, the defence appropriations bill directed that the program be transferred from DIA to CIA oversight.

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The CIA commissioned a report by American Institutes for Research found that remote viewing had not been proved to work by a psychic mechanism, and said it had not been used operationally.

The CIA subsequently cancelled and declassified the program so that it could continue underground.

This was more so the case since the operatives were conjuring up Sabnock to look like Scarlett Johansson wearing a spray-on superheroine costume, who took to her Genie residence within their Marvel meditation tool dolls, which had been specially designed by DARPA.

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Sabnock’s office is to build labyrinthine mind maps of ‘dream Inception’ in order to protect her conjurer from the malign intent of others, which involves creating high towers, castles and cities, and-to furnish them with armour, etc.

Also, she can attack her conjurer’s enemies with her Elf shot arrows, who will for many days be afflicted with psychic wounds, opening up traumatic emotional sores, which be rotten, and full of self afflicting worm thoughts, until they change their ways. This affliction is somewhat akin to being bombarded by a microwave weapon.

She bestows most loving Succubae familiars upon her conjurer at his request. She commands 50 Legions of Succubae; and her seal of the Fallen Anima is to be meditated upon prior to conjuring her into your lucid dreams.

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Sabnock is a composite name, which is derived from the words, Sab and Nock. Sab refers to, a person engaged in direct action to prevent a targeted activity taking place, which is derived from the word ‘Sabotage.’

Wherefore Sabnock takes deliberate action, which is aimed at weakening the oppression of a polity or corporation through subversion, obstruction, disruption, or destruction.

In society, sabotage can be otherwise artistically exercised by reversing the established symbolic dialogue in order to set about causing change of a statically controlled perception, of which the Dadaist’s and associated Surrealist’s engaged in, of sabotage, as artistic saboteurs.

An example of which is sabotaging the establishments use of politically-correct Entartete Kunst mass-censorship and its corporate funded SJW agenda, which is tied up with eugenics and population control.

It is said that the word Sabotage was originally derived from the Netherlands, now Belgium, during the 15th century.

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The word cam to the fore when workers threw their ‘sabots’ (wooden shoes) into the wooden gears of the textile looms to break the cogs, fearing the automated machines would render the human workers obsolete.

As for the word, ‘Nock,’ it refers to fitting an arrow to a bowstring; mentioned during the 1510’s, which symbolically alludes to an arrow of thought being set to fly by the bow of your rebellious mind.

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OUIJA BOARD ZOZO PHENOMENON

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2014 by FAUSTUS CROW

Ose is the fifty-seventh Succubus archetype of the Fallen Anima, listed in the Goetia, who is a Great President of the eighth dimensional planetary sphere. She rules over thirty Anima legions of (Succubi) Succubae.

Other authors mentioned three legions; whereas the Pseudomonarchia Daemonum gives no number of Anima legions.

(As you will probably know, the classical Playgirl grimoires, which populate many a Hogwarts bookshop, only list the all male Angel/Demon Incubi archetypes of the deified Animus, made as a God/Devil, whose monotheistic pantheon has castigated the politically-incorrect female archetypes of the the fallen Anima into Hell. Hence, there are no historical examples of Playboy grimoires listing [Succubae] Succubi. Whereby a very real Necronomicon would list the Succubi archetypes of the fallen Anima.)

Ose makes the conjurer of her Fallen Anima archetype wise in all liberal sciences and gives true remote viewing answers concerning divine and secret things via her seal of a spirit board.

She also brings insanity to any person who afflicts her conjurer with their malign maledictions, making them believe that they are the creature, or thing her conjurer desires. (In other words, when the conjurer realises what the Animus and Anima means of a biological reality, the religious/political indoctrination of the deified Animus is seen for what it actually is. Whence, those who push a religious/political agenda are promptly seen as brainwashed cultists wearing Mickey Mouse eared hats!) 

Ose at first manifests as a vision of a black Panther or as a Cat; but after a while she transforms amidst the Triangle of Art imagination into a beautiful woman, who is very much a Valkyrie due to her name, which is derived from fourth Norse Rune name, of ‘Os’, meaning mouth, as in to chant or sing of spell-casting.

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Wherefore, you can imagine Ose to be a singer of Runic songs, like that of a bird. The technique of using a song refers to the monotonous chanting of a (Mantra) by a shaman, which facilitates hypnagogic trance, of similarity to that of an Icaro.

An Icaro (or Ikaro) is a song sung in Shipibo healing ceremonies, or by Vegetalistas. The word Icaro is believed to be derived from the Quechua verb Ikaray, which means, “to blow smoke in order to heal”. Shipibo shamans relate that the spirits, particularly plant spirits, teach them their Icaros.

The Icaros are used to bring about the Mareación (the visionary effects of the Ayahuasca), take Mareación away, call in different plant spirits, call in the spirits of others, or the deceased, take away dark spirits and negative emotional energies, for protection and to manage the ceremony. Experienced shamans are able to recite hundreds of Icaros as well as knowing how to be Heyoka wise as a Crow or a Coyote Clown in order to overcome negative influences via contrary wise humour.

Icaros are either whistled or sung, as well as being expressed in any language. The shamans generally sing in a (language of the birds) spirit dialect, which is a mixture of their native language (i.e. Quechua, Shipibo-Conibo, Asháninka, etc.), Spanish, and different evocative sounds. Icaros represent a system of communication between the shaman and the spirits as well as the participants in the ceremony.

The shamans believe that every living thing has its own Icaro and that these icaros can be learned. The singing of Icaros is sometimes accompanied by the Chakapa, rattle of bundled leaves, which is used to carry the rhythm of the ceremony. The shaman will use his Chakapa to direct the emotional energy of the Icaros, as well as send away dark or unwanted emotional states.

Other spellings of Ose’s name are: Osé, Oze, Oso, Voso or Zoso and Zozo. The Rune of Os, is also that of the German word, Ose, which means eyelet, small hole, loop or noose. You also have the word, Oz, which is very likely derived from, Ose, and therefore, Os, being the title of L. Frank Baum’s Wizard of Oz. The word Oz specifically refers to the fourth Rune of Os, which is sacred to the shamanic deity of Odin; one of whose power animals is a mercurial Crow. Odin is described as having a singular eye, as in a (third eye) small hole of an eyelet, who is also the lord of the hanged; hence you have a loop of a noose.

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Wherefore, Ose is a (Dakini) Valkyrie Witch (Nightgaunt Succubus) daughter (Anima) of Odin. Many of the Valkyries assume the shapeshift forms of birds, such as Crows as well as predatory felines and other animal forms, which of a Skinwalker power the Valkyries bestow upon a shaman to whom they are attached as his (Succubus/Spirit Wives) Allies, so that he can travel about in animal forms when to trance and lucid dream.

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The Crow is traditionally associated in occult lore with the planetary sphere of Saturn, whose sigil of lead leads you to the Zoso symbol from page 51 of an 1850 reprint of a 1521 French grimoire, entitled: Dragon Rouge and Poulet Noire (The Red Dragon and The Black Hen), which is also to be found on page 31 of Frinellan’s 1844 book Le Triple Vocabulaire Infernal Manuel du Demonomane.

When to look into such works of the deified Animus, just remember that during the 16th century, many a Witch was tortured, raped, beheaded, stoned, crucified, let alone being burnt at the stake by insane closeted worshippers, whom be far worse than their Demonic archetypes, whose poisonous legacy has a repetitive tendency to rear its religious fundamentalist head again of a repeat.

So, it is entirely probable that there are indeed legions of angry ghosts who desire to return back their pain to those whom blindly dance around a three faced deity of a deified Animus, whose cloned Rabbis, Priests, Mullahs, and their numerous brainwashed flocks tend to repeat their indoctrinated ways, since they act out a Bronze age script like programmed automatons.

Whereby a follower of the deified Animus, made as a God/Devil has to beware a spirit board, otherwise he or she will conjure up Munnin memories. A variation of the Zoso symbol also appears in Jerome Cardan’s 1557 grimoire, De rerum varietate (page 789 of this 1580 reprint). However the symbol reads, Oso, with what looks like a lightening streak, ‘Zorro,’ shaped sigil before Oso, being one of the alternate names of Ose; wherefore it is generally interpreted as Zoso, leading thence to Zozo.

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It just so happens that in the language of the Basque and (Haitain Vodou) Creole, Zozo (Zoso) is a name applied to a Crow, which is seen to be a ‘sacred fool’ of similarity to the Native American Heyoka clown of a Crow.

In other words Ose empowers a shaman to assume the Skinwalker shapeshift dream form of a Crow who is Avadhuta Monty Python contrary wise. You could cojecture that the Zozo phenomenon is an expression of the howling collective unconscious, which is seeking to initiate a rebellion against a religious brainwash of a viral-meme by creating an anti-viral-meme.

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The motif of hanging concerning Odin is not literal, it symbolically refers to the reptilian brainstem of the throat area having governance over hypnagogic trance ingress; whereas the loop of a noose is associated with the Ouroboros of eternal recurrence, being that of a ‘closed timelike curve’ symbolically represented by a (noose) Torc (Ouroboros) around the neck or that of a nine-fold ring. Ose can reveal the nature of eternal recurrence and that it repeats of a (Karmic) leaden repeat until it is transmuted into (Dharma) gold, which can be in part attained via a Heyoka understanding around a Runic Ouija board of a rebellious Mantra conjuration.

This is more so the case, when to thereafter observe ensuing synchronistic phenomena. But, if you become far too exorcist serious, allowing your indoctrinated fears to overcome you, your own Inquisitional shadow of a leaden deified Animus cult Demon will be duly reflected back at you of monotheist Hell fire. Wherefore you will blindly play into the damned repeat of history as the numbered, where religious fundamentalism returns under the guise of the theocratic New World Order, whose all male pantheon of Animus Angels, Demons dancing around an egregore God and Devil will promptly upend your anus to possess.

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However, should you learn to laugh at your self, you will otherwise win a Discordian Pussy Daemon of an anarchistic Ose Ally, whom be a very feline Zozo Succubus archetype of the Fallen Anima.

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VOODOO QUEEN KIMARIS

Posted in Addams Family, Chaos Magic, Cyberpunk, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 18, 2014 by FAUSTUS CROW

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Kimaris is the sixty-sixth Succubus of the Goetia, whose name is a composite of Ki, as in ‘Kia,’ and Maris. The word, Kia is derived from the language of the Kalahari Bushmen of South Africa, which is a term describing, trance.

Whereas, Maris, is of the Latin, meaning, ‘of the sea,’ from the term Stella Maris, which refers to the Virgin Mary, the Sirius star of the sea, and the ocean of space, somewhat like the ancient Egyptian Goddess Nuit.

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Although, space in the context of Kimaris, refers to the amniotic astral ocean of inner space; hence her connection to trance.

She is also known by the alternate names Cimeies, Cimejes and Cimeries, which could be construed as being misspellings of Kimaris.

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She manifests as a goodly Mambo riding a black ’58 Thunderbird; who may appear looking like the horror hostess, Elvira, wearing a black, gothic, revealing, cleavage-enhancing gown.

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Her wickedly vampish appearance is offset by her comical character, quirky and quick-witted personality, and Valley girl-type speech out of New Orleans.

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Or she may manifest as a female version of Baron Samedi, smoking a Cuban cigar. She possesses the abilities of locating lost or hidden treasures, teaching trivium (grammar, logic and rhetoric) as well as making her master into a powerful Houngan.

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It is said she carry her master over seas and rivers very quickly in her macabre Voodoo car, which symbolically refers to hypnagogic trance. She holds the rank of Marchioness, and is served by 20 legions of Succubae.

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Kimaris can be seen as being similar to, Maman Brigitte (Grann Brigitte, Manman, Manman Brigit, Manman Brijit) who is a death (trance) lwa and the female counterpart of Baron Samedi of the Vodou pantheon.

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She has a liking for drinking rum infused with hot peppers, whose power animal is a black Rooster. Although, Kimaris probably has a Dog as her psychopomp familiar called Sirius, or Gonk.

Like Samedi and the Guédé, Brigitte has a wicked sense of Discordian humour, which tends to be liberally peppered with outrageous sexual innuendos and various hilarious obscenities.

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The over the top Monty Python humour of Brigitte, Samedi and the spirit family of the Guédé’s is utilised to remind you not to take yourself too seriously, as well as making wiry social comments about the insanity of those in power.

For example Maman Brigitte would have exposed her right breast at a Super Bowl XXXVIII, which was broadcast live on February 1, 2004 from Houston, Texas on the CBS television network in the United States, just like Janet Jackson did.

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She might even say: “It’s truly embarrassing for me to know that 90 million people saw my breast, and then to see it blown up on the Internet the size of a computer screen … But there are ‘much worse things in the world,’ and for this to be such a ‘focus,’ I don’t understand.”

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It just so happens, while Jackson’s exposed Entartete Kunst breast shocked hypocritical church, synagogue and mosque leaders, along with whoring politicians, whom raged and frothed at the mouth, demanding an immediate crackdown, and widespread debate on Elvira indecency in broadcasting, there was an inquiry into the failure to find WMD’s in Iraq, which damaged the credibility of the US and Britain.

However, the general public had been otherwise whipped up to be far more concerned about Jackson’s baby feeder breast, of perceived pornography, than to be worried about the pornography of a war raging in Iraq. When you see the joke, you have to laugh, otherwise you will go quite mad.

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The humour of the Guédé’s is also utilised to offset a morose state of mind, which tends to afflict those whom explore the arena of the occult, which is primarily due to their dogmatic attitude of an indoctrinated religious sentiment.

The comical antics of the Guédé’s entered upon the worldwide stage, when they influenced the dark humour of the 1960’s sitcoms of The Addams Family and The Munsters, whose characters are akin to the Guédés.

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As a New World lwa, Maman Brigitte is syncretized with various saints, including: Saint Brigid, and Mary Magdalene who protects gravestones in cemeteries if they are properly marked with a ‘solar’ cross. Brigitte originally comes from pre-Christian pagan Britain of a Woad skinned Cimmerian.

Her name originates from Brigid, the Celtic ‘triple goddess’ of light, poetry, smithcraft, and healing. It is very likely that Brigitte entered into Haiti when pagan Europeans were fleeing the persecution of their elder faith by the inquisitional church, during the genocide of the Witch burning era.

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Brigitte’s origins is revealed by a Creole song, which is chanted in ceremonies: “Maman Brigitte, li soti nan anglete; when translated is: “Maman Brigitte, she comes from England…”.

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Maman Brigitte is presently seen to be the wife of Baron Samedi, who is the Master of the Cemetery and chief of all the departed ancestors, who are collectively known as lwa Guédé. Hence Kimaris is described in the Goetia, ruling over the spirits of Africa; but as Brigitte she rules over the spirits of Europe as well; suffice to say, she has no time for racists. The connection between Brigitte and Samedi indicates a wedding of a sublime synthesis between the European and African pre-Christian elder faiths.

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It is traditional that the grave of the first woman buried in any cemetery in Haiti is consecrated to Maman Brigitte, upon which her ceremonial cross is erected. She is then invoked to ‘raise the dead,’ in order to cure and save those who are afflicted with a deathly illness caused by malign maledictions. Below is a song about Maman Brigitte sung in Vodou healing ceremonies in Haitian Creole:

“Mesye la kwa avanse pou l we yo! Maman Brigitte malad, li kouche sou do, Pawol anpil pa leve le mo (les morts, Fr.) Mare tet ou, mare vant ou, mare ren ou, Yo prale we ki jan yap met a jenou.” 

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English translation: “Gentlemen of the cross (deceased ancestors) advance for her to see them! Maman Brigitte is sick, she lies down on her back, A lot of talk won’t raise the dead, Tie up your head, tie up your belly, tie up your kidneys, They will see how they will get down on their knees.”

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The healing chant can be interpreted as meaning, “tie up your belly, ‘gird up your loins’ to prepare for the strain of the ritual, we will make the people who did this evil spell get down on their knees to beg pardon and receive their punishment.”

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The primordial practices of Haitian Vodou appears to be quite separate from the high tech futuristic world of cold cybernetics. However, the Cyberpunk author William Gibson sought to forge a Neuromancer bridge between these apparently separate realities in his novel Count Zero. The principle character of the novel is a hacker extraordinaire, going by the name Bobby Newmark, whose handle is Count Zero. Newmark encounters an artificial intelligence on one of his jaunts into the virtual realities of cyberspace, which manifests as a woman, surrounded by wind and stars who saves him from flatlining.

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Newmark does not why he had encountered the woman on the net, or why she had saved him from certain… death. Newmark’s journeying into cyberspace is none too different to that of a shaman attaining trance ingress into a lucid dream.

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Further on into Gibson’s mythic work of synthesis, we meet up with the mysterious girl, Angie Mitchell, whose head has been rewired with a neural network, which enables her to channel entities from out of Cyberspace without a deck, who is in essence, possessed, like a medium communing with the realm of the dead.

Newmark eventually meets Beauvoir, who is a member of a Vodou cyber sect, whom relates that in cyberspace the entity he actually met was Erzulie, and that he is now a favourite of Legba, the lord of communication. Erzulie is a lwa of love and sexuality, you can also fuse with Kimaris, since sex (1) and death (0) become one in superimposition state orgasmic trance.

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Erzulie’s full title is Erzulie Freda Dahomey. The name of, Freda is derived from the Norse Goddess of sexual love and Witchcraft called, Freyja, mistress of Cats, the Saxon’s knew as, Freo.

Catwoman Freyja is also a Goddess of the dead, who has similarities with the Celtic Goddess Brigid.

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Freyja’s male counterpart is the shamanic deity called Odin, the Saxon’s knew as Woden. Odin is seen to be very much akin to the ancient Greek shamanic deity called Hermes, who is the lord of communication; whereby similar to the African lwa Legba.

Odin is also the lord of the dead, who has similarities to Baron Samedi. Although, another lwa called Papa Ghede, who is similar to Baron Samedi wears spectacles with one lens missing, which appears to refer to Odin having a singular eye. In other words, the Northern European deities have been assimilated by African Vodou, which has led to a superb cross-cultural symbolic synthesis.

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Beauvoir explains to Newmark that Vodou is the perfect spiritual paradigm for this era, because it is pragmatic – “It isn’t about salvation or transcendence. What it’s about is getting things done .”

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Gibson’s book intuitively grasps that there is a need for a symbolic interface with the coming cybernetic technologies of virtual reality systems, which leads the reader into the organic symbolism of Haitian/New Orleans Voudou.

As a fan of jazz and other urban music, which Gibson knows is heavily influenced by African rhythms, he instinctively found a symbolic interface, which had the necessary fluidity to evolve alongside an ever evolving technology, whereby allowing the user to not forget their humanity in the process.

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There are many intriguing associations, which Gibson had discovered between the African-descended spiritual system of Vodou and an emerging high-tech future of cybernetics; these associations are shamanic of orientation. But, what do you expect, shamanism is all about altered states of consciousness, which requires you to have an in depth understanding of your own neurology. Gibson is tapping into the zeitgeist concerning the coming singularity, which fuses cybernetics with the science of neurology. Though at first seemingly unrelated, Gibson sees the synthesis of Vodou as providing us with one of the hidden keys to the Matrix, which is the need for a symbolic language form to be used by a virtual reality interface with the machine; this is in essence none too different to the symbolic language form of the dream.

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Kimaris empowers shamanic trance ingress into the amniotic astral ocean of inner space, which is technologically mirrored by Cyberspace, where a sorcerer can conjure the Succubae into his lucid dreams, who are all as sentient programs; with whom he can thence engage himself with, within their virtual reality dream worlds.

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Kimaris may make you wonder if the singularity has already occurred and that you are existing within a vast computer simulation.

When you come to this realisation, you might just hear Livivng Dead Girl Kimaris purring into your left ear of clairaudience, reminding you of a Schrödinger feline, along with smelling a waft of cigar smoke, mixed with the aroma of rum.

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YELLOW SUBMARINE ILLUMINATUS GIRL

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Discordianism, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Remote Viewer Aaron C. Donohoo may have been the first magician to have ever had a tangible glimpse of the Forty-second Goetian Succubus Vepara, otherwise called Vephara.

His flat psychic photograph, which was taken just after conjuring this Succubus of the Fallen Anima into his temple of a padded bedroom, depicts her as a sensual submariner seated astraddle his altar to orgasmic alter.

What you would have observed in Donohoo’s two-dimensional photograph was a statuesque woman with piercing eyes and a somewhat pronounced chin.

Behind her, a vaginal rip of a wormhole, through which could be seen captain Nemo’s Nautilus of a yellow submarine, made famous by the Beatle’s song. She psychically informed Donohoo that her submarine is a Leviathan class Nautipuss.

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What was especially noticeable about the two-dimensional photograph of Vepara, was her Lovecraftian Octopussy hair. While not twisting like octopus tentacles, her hair did slither serpentine, of similarity to the hair style of the legendary Medusa.

The psychic photograph also showed something else; projecting downward, from the head of Vepara, was various distortions, like ripples from a tiny ‘stone’ dropped into a still pool of clear water. Does this suggest some kind of energy spreading away from this Succubus, or is this some kind of Sirian radio beacon?

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The legends of Vepara indicate that this demonic Succubus has been especially known to wet dreaming sailors, if not by many other cultures in ancient times, whom experienced her three-dimensional lucid dream reality.

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The mermaid legend obviously has its mythic roots in this Succubus, who is a dream creature of the astral sea between worlds.

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One story says: “Vephara appears as a mermaid, a daughter of Dagon, some to say, she has emerald scales trimmed in silver and seaweed tangled in her hair. She may also appear at times to be a beautiful slender woman, but this shape is insubstantial and is used only to lure sailors to their deaths. Her fingers are webbed and she has small gills behind her ears.”

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Yet another legend claims that Vepara: “governs the waters out of Innsmouth, who torments the armed warships of the brainwashed herd, and can cause stormy weather to verily afflict ever warring naked apes, who continually war over their Lilliputian religions of the deified Animus.”

“The three Liliputian religions of the of the Illuminati triad of UR who worship the deified Animus, made as monotheistic God and Devil has caused much woe in the world.”  

This Succubus is known of to a Discordian cult of Dadaist anarchists who worship her as, “The Illuminatus Serpent Queen of Surrealism.”

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The Medusa story . . . a beautiful woman who had her hair turn to a nest of twisting snakes because she rivaled the Goddess Athena in beauty . . . may well have its roots in the legend of Vepara.

The ancients said that Vepara has the ability to cause horrible wounds to those who seek to cause her conjurer harm.

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These wounds will manifest as gashes, which will putrefy and fill with worms; though not seen by others, the wounding will be there, invisible.

It was said that any man who looked at Medusa would be turned to stone, whose head, Perseus was to later have upon his protective shield of emblem.

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The story is that Vepara is very much at war with the Orwellian New-World-Order kingdom of a Big-Brother God, whose monotheistic totalitarian/fascist minions have poisoned the waters of the world with their eugenic insanity.

“This great and most strong Duchess, called Vephara plies the waves piloting her leviathan of yellow copper, which holds sway over the astral sea. Her crew are like she, mermaids all, who come by way of Sirius; their nature be amphibious, whose submariner city is below the amniotic waters, of infernal ocean depths. She can guide her master across the astral waters towards other worlds of isle, when he to dream, and she will always do so, at his request. She has dominion over twenty-nine legions of Succubae.”

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As for Donohoo’s two-dimensional psychic photograph, which for a time was claimed to be physical proof of a Succubus visitation from the ‘SEVENTH’ dimension, it has mysteriously disappeared.

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Although it could have turned into a pool of ‘Fluoridated’ tap water, just before the psychiatric Nurse gave him his ‘Fluoride’ based… ‘Sedative.’

The Psychic Übermensch Aaron C. Donohoo by Erin C. Donohoo (2012)

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WHY DO WITCHES LOVE CTHULHU?

Posted in Chaos Magic, CREATIVE WRITING, Dating, Discordianism, Goetia Girls, Goth Girls, Horror, Love Magic, Occultism, Sex Magic, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Have you ever wondered why Cthulhu always seems to get the girls to eat? He’s brash, cocky and he marches to the beat of his own mad drum out of Ryleh. He’s totally over the Godzilla edge, bordering on Arkham asylum insanity and doesn’t give a damn about anyone apart from himself; what exactly do Witches see in Cthulhu?

You consider yourself an outgoing Lovecraftian Mage, though conservative; interesting, but a little shy; you can keep a conversation going with the right people in your politically correct Lodge, with whom you perfectly fit into of a quaint peer group… sounds good doesn’t it? But, why does an infernal outsider like Cthulhu always seem to get the Witches?

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Here are Seven planetary reasons why:

SATURN: Cthulhu is confident

That’s right. Cthulhu wouldn’t be able to pull off half of the Necronomicon antics that he indulges in if he wasn’t brimming over with Azathoth confidence. Cthulhu isn’t just confident around his worshippers, either – his Yog-Sothoth cavalier attitude is in everything he does, from eating a sacrificial Goat in the morning, to asking a shocked dog-collared Priest for a cool glass of holy water… to chatting up the Witches dancing around a Dagon altar at a devotee’s Sabbat. No matter where you look, Witches find Cthulhu’s confidence a major turn on.

JUPITER: Cthulhu is indifferent

Cthulhu simply doesn’t give a damn. He can take it or leave it. That’s one reason why he fares well with Witches. If a Witch says no, he doesn’t care at all? He moves on as a Hastur whirlwind to the next victim, and he does it with the same Skinwalker verve and maverick attitude as he did the last Witch. Here be an arcane quote: “A Great Beast doesn’t necessarily care if he is a Great Beast.” That’s indifference in a nutshell.

MERCURY: Cthulhu is exciting and adventurous

Ask yourself, “when was the last time I took a psychedelic walk on the surreal wild side?” If you are asking yourself that question, then you obviously aren’t a rebellious fallen Angel like Cthulhu who is aware of his Fallen Anima.

You see, Cthulhu is always testing the imprisoning boundaries of society along with pushing the envelope of the space-time continuum Angel-angles when it comes to his Maya Matrix existence – and Witches can’t get enough of his Nyarlthotep consciousness expansion.

They find his alien intelligence to not only be highly attractive but also Tesla intriguing. And when you put exciting and adventurous beside the other rebellious planetary traits of Cthulhu, it sends Witches into an ecstatic trance.

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MOON: Cthulhu is challenging, brutal and mysterious

Witches have no time for Warlocks that are pushovers, whom pander to what is considered to be politically correct by a brainwashed flock of Sheep. They also don’t like smiling Jesus’s, they can be seen cumming a mile away due to their sodium fluoride smiles to duly Crucify.

Contrary to popular belief Witches are attracted to Cthulhu, because they can’t read his infernal soul, whose thoughts are hidden from their inquisitional questioning. Cthulhu goes where Witches can never go, when to transverse the Abyss, to travel internal across the Dune desert of the Inorganic Intelligence of the Allies as a ‘Don Juan’ Matus.

He is a psychonaut dreamer of microcosmic possibilities as well as being a stalker of macrocosmic synchronicities, which sets him aside as a psychic gangster, whose exploratory phallic tentacles provides them with a sense of being always on the dangerous twilight edge of forever.

Witches actually love to guess at the possibilities of becoming Cthulhu’s bestial Werewolf priestesses or to otherwise end up as his necrophilia Vampire vore meals!

It is challenging for them; they love to hate him, hate to love him, which of an age old cross-cultural contradiction is why Witches are so attracted to Cthulhu’s amphibious shapeshifting nature. Whereby the Witches keep on coming back for more of his depraved Mythos!

MARS: Cthulhu is very masculine

This often goes hand-in-hand with being confident as a God incarnate, indifferent as a Buddha, Heyoka exciting, Avadhuta adventurous… etc. Cthulhu is very reptilian brainstem Yig rugged and in-Illuminati-control. That doesn’t mean controlling others, apart from controlling his own self.

Cthulhu knows how to intelligently get what he wants. Cthulhu speaks clearly and confidently, who always looks you in the bloodshot eye, as well as being passionate about what he knows of personal necromancy experience… but most importantly, Cthulhu has an in depth passionate knowledge of how to treat a Witch as his Babalon.

SOL: Cthulhu gives Witches a feeling of power

The illusion of control is often more powerful than control itself of Samsara show. Power within a relationship, power outside of a relationship – it doesn’t matter of Tantric ritual – being with Cthulhu, encompasses all of the above traits, which gives Witches a fifth element of inner strength and outward togetherness.

Essentially the Azathoth confident, cocky Great Beast image rubs off a little bit on her of an alchemical Rose tint – and she laps it up as his Babalon, who secretly desires to birth his mutant Moon-Childe of an evolutionary leap.

Hell! Said childe may end becoming the Dagon president of the Abrahamic New-World-Order of Innsmouth. Basically, Witches brains have been hardwired to chase after Cthulhu; they can’t help themselves of a genetic imperative.

VENUS: Cthulhu knows how to talk to Witches

If Cthulhu wasn’t confident, he wouldn’t be a Witch magnet. Instead of indifferent, he would be hideously self-conscious and nervously non-committal (how many Witches have you passed up because you didn’t consider yourself to be a much maligned Beast?) – you see, Cthulhu doesn’t care about what others say, whatsoever.

Cthulhu arises out of Ryleh to the challenge of taking over the world, living the wild side of life. Cthulhu is far more than a mere stereotypical good-guy, who invariably ends up being Crucified by Witch Nuns, whom consume the flesh and blood of their scapegoat Christ after dumping their Sins all over him of emotional crap.

Cthulhu prefers being the Ante-Christ to otherwise dish out his man juice, upon which the ever hungry Witches to feast. Cthulhu always keeps a Witch guessing about him – and in turn inspiring her own Shub Niggarrath priestess potential – it’s an explosive combination! And one that is geared to success for the dating Great Beast.

This combination transforms the talking part into an unsaid Coitus Pactum – considering the Witch’s interest has already been sparked of an inferno between her quivering legs. Talking with them is to do with casting out barbed spell formulae, which reels the Mermaids in. And the Great Beast knows how to tell a Babalon just what she wants to hear of a baited hypnotic spell.

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Cthulhu knows how to talk to Witches of woven spells, because he is all of the above. Supreme confidence followed up with total indifference, enshrouded by arcane mystery, along with Necronomicon intrigue and dark excitement is what attracts most Witches to chase him.

That gets the Great Beast into their Moon lodge to talk with them; no other to know outside of the drawn circle. Once they’re interested, a Great Beast has to show them what he has to offer, while keeping his other Tarot cards well under the altar.

Cthulhu never tells all of divination; whereby he keeps them guessing. Figuring out the ritualistic observations is the Magick of Sorcery. Cthulhu uses his conversational skills of tentacle spells to hypnotise a Witch, who invariably ends up becoming entirely entangled of bound up interest, desiring to be his chained Babalon priestess, wanting to be entirely consumed within his all encompassing fifty-shades of grey shadow.

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Cthulhu is able to sense the auras of Witches within their domain of the microcosmic womb dream, to thence intuitively hunt them down, upon a lunar cycle, macrocosmic synchronicity.

When awake, Cthulhu stalks the Ley-lines interlinking sites of power, where Witches to gather; for they do collectively whisper of a ‘Chaos Unitarian Nun Templar‘ chant, within each and every cell of their being: “Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn.” It’s biological, Witches just can’t help themselves loving their deified Animus to Mantra name, Cthulhu.

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NOTE: The deification of the ‘Animus’ as a God/Devil points at an underlying biological imperative, which is hardwired into the female psyche. Women are generalised as being more intuitive than males, but this generalisation doesn’t say or explain much. Female intuition is to do with them being more in tune with their biology, by which they are guided.

Hence, the sexual preference of females across all cultures for choosing an Alpha-Male, otherwise termed as being a Bad-Boy type, one can symbolically equate with the ‘Animus’ archetype of the Devil or Cthulhu. As for Beta-Male Good-Guy Christ’s, they often end up being Crucified!

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Males are generally oblivious to what women are attracted to; whereby they are easily manipulated by the media.

For example, Hollywood has a plethora of Alpha-Male actors, who all have a certain look. On the face of it, the film industry appears to be male dominated, but only because it is orientated towards attracting a female audience.

There has been a growing feminist furore about the depiction of women in film, which is due to the biological imperative of the female being competitive with her own sex.

Beastly Holy-Wood has always catered for the Babalon tastes of the female audience; whereby its industry is easily manipulated by Psy-Op social engineers, whose present political agenda uses the female focus in order to hijack feminist politics to make extremist.

NOTE: Feminism was at the forefront of the Newage movement and the anti-war protests during the Vietnam war, which brought down a government.

Wherefore, the war-mongering Psy-Op social engineers have been assiduously working towards totally fragmenting the Newage movement to make it look like it is populated with 2012 nut-cases; while hijacking feminist politics, which has engendered a distraction among the mass populace from what the industrial military complex is presently up to in the Middle East and elsewhere.

Whereby, there has been a consistent attack upon the expression of the ‘Anima’ in films, as well as in the Arts in general, such as in comics and video games, which is leading to the ‘Anima’ being incarcerated into a politically-correct Virgin Mary straight jacket. 

If however, you had male actors taking centre stage, who all looked and acted like metrosexual Soy-Boys, the primarily heterosexual female audience would become quite irate. There would be no more jutting chin, bicep flexing superhero flicks, which of prior female fixation manifested as the Twilight focus upon Alpha-Male necrophilia Vampires and bestial Werewolves, which evolved into Fifty Shades Of Christian Grey, the likes of Oprah Winfrey has the hots for!

This has already manifested as a religious focus, which has entirely negated the expression of the ‘Anima,’ out of the symbolic paradigm apart from having a celibate Mary quite so contrary Virgin.

You hear of Witch Nuns writhing within their cloisters, desiring to crucify a Beta-Male Good-Guy Christ, the Witch Nuns duly nail to their Cross as a scapegoat in order friend-zone assuage them of all their sins.

Yet the Witch Nuns can’t help themselves always sinning with an Alpha-Male Bad-Boy Devil, even if he is a misogynistic Sharia law Wahabist, who they will make no end of excuses for.

When a woman becomes overly masculine, whose male partner allowed himself to become feminised, she will invariably be attracted to a male who makes her feel feminine again. 

It happens all the time in a relationship dynamic, and when applied to the bigger picture it reveals where it is all leading to at a political and cultural level.

You might consider such an analysis to be simplistic in the extreme, but then, nature is quite simple. You can fathom it all for your own self by watching the above videos concerning what is occurring in Israel and Switzerland, let alone elsewhere of a similar repeat.

At first it will seem to be totally illogical, until you apply a common relationship dynamic to the bigger picture, then it becomes logical of an interconnected pattern of nature. Witches can’t help themselves loving… Cthulhu… it is hardwired into their genes!

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MONSTER X FILES

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Goetia Girls, Horror, Occultism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The 1960’s sitcom, The Munsters, utilised the iconic Monsters of Hollywood for its social satire, which became very popular. The original pilot episode was done in colour; but thereafter was shown in black and white, in order to give it a certain ambience, which was lacking in the pilot; also, the principle female character, called Phoebe was replaced with Lily. This was due to not only Phoebe looking somewhat like Morticia Addams, but also, she was far too Vampira sexy for a 60’s sitcom. The character Eddie, was also toned down, who was originally depicted as a psychopathic kid.

There have been remakes of The Munsters, one of which of recent fare was Mockingbird Lane; but it lacked a certain something. This may be due to the fact that it as directed at the children’s market, which of point of fact, the original Munsters was not targeted at. When The Munsters was first shown, which, just so happened was in competition with The Addams Family, both of these shows were directed at a more adult market during the 60’s.

At the time, when The Munsters was first shown, horror imagery in children’s comics was banned; any references to Vampires, Werewolves, Zombies or Ghosts etc, had been censored, which nearly wiped out the American comics industry. This however led to the ascendancy of the caped Superhero comic, which filled the vacuum.

You could still find horror shows on TV; but they were shown late at night, for the gathered adults. It was not until later that The Munsters and the Addams Family became the favourites of the children’s market, when these sitcoms eventually found an earlier showing time.

The present Monster X Files reinterpretation of The Munsters is primarily directed at the adult market, whose strange audience remember their childhood days watching The Munsters, which has been fused with conspiracy theories. Said conspiracy theories are not so much theory, but horrific fact, in certain cases of an on going reality; whereby, the likes of Hollywood would never explore such horrors, because they are far too close for comfort.

What type of conspiracies would The Munsters investigate? Well, the Murder of Marilyn Munroe Munster comes to mind, along with the Assassination of JFK, the Roswell Crash, Nazi UFO’s, Nikola Tesla, Time Travel, Aliens, Free Energy Suppression etc; but of course, in this universe The Munsters are for the kiddies, in no way, would Hollywood explore these Monster X File themes.

Whereas in an alternate universe, where you find the likes of Horrorwood, The Munsters reveals the dark side of humanity, which is exorcised through the medium of Discordian humour. CLICK, the above Artwork, for the infernal underground comic.

 

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