Archive for coitus pactum

DEVIL GIRL CONTRACT

Posted in Art, Chaos Magic, Demon, Demonology, Devil, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Psychology, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 2, 2015 by FAUSTUS CROW

A contract with the Devil is very much at the forefront of the Faustian folklore. But, if you reverse its symbolic focus upon an ‘Animus’ manifestation of a Devil, named Mephistopheles, to otherwise have an ‘Anima’ manifestation of a Devil Girl Succubus, to name, Mephistophina, then the contract can be transformed into a ‘Coitus Pactum.’

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The reversal of the symbolism will then indicate that the original tale was not about a Sorcerer named Faust, but that of a Witch, called Faustina, who had entered into a Coitus Pactum with her horny ‘Animus,’ Mephistopheles.

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In fact, there is an ancient Roman plaque, which depicts the Empress Faustina being carried into heaven by the Goddess Diana-Lucifera; perhaps Faustina was a lesbian? In pre-Christian Rome, being gay, or bisexual was not a crime, Rome didn’t even bat an eyelid.

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The popular Roman Goddess Diana-Lucifera was later transformed into a butch Lucifer by the homophobic Christian’s. Basically, the perception of the masses can be easily influenced by the manipulation of symbolism.

For example, the symbol of the Swastika, was once considered to be sacred by the pre-Christian European’s and other peoples, just as the Hindu’s see the Swastika as being sacred.

This soon changed when the Nazi’s utilised the pagan symbol to promote their right-wing Christian politics.

Mary Quite So Contrary; See How Her Garden Does Grow.

Another example is the ancient Egyptian Goddess Isis, whose promiscuous pagan cult was very popular in pre-Christian Rome. Isis was later transformed into the the celibate Virgin Mary of the Abrahamic faith.

The name of Isis has since been used for manipulating the perception of the masses via the controlled media, which uses neuro-marketing, to zap your reptilian brain-stems with its political product.

This involves using certain symbolic stimuli, such as utilising an unemployed Caucasian female, of a one time Punk Rocker dressed up as a Nun of the Virgin Mary, whose Roman Catholic cult had appropriated the Judaic cult of the Hebrew’s, hook line and sinker. The Nun then runs off to Syria with an Islamic version of a Christian Grey, to become a fucking Isis Jihadist, which of an Arabic cult has also appropriated Judaism hook line and sinker!

That aside of cultic insanity, if you stick to the original Faustian tale of a Christian viral-meme, then it will reveal why Marlowe’s version of Faust has a far more intimate relationship with his Mephistopheles of a hidden meaning; for Marlowe was homosexual of inclination. Marlowe used the Faustian tale to communicate his inner turmoil, and despair, of being castigated as one of the damned, by his society, which Goethe, had perhaps, misinterpreted, who did not fathom its underlying symbolic reasoning.

During Marlowe’s and Goethe’s time, homosexuality was outlawed across Europe by the church of Rome’s own fascistic Sharia law, up until recent times. So, may be Goethe had not missed the underlying relationship dynamic between Faust and Mephistopheles, which for Marlowe’s and Goethe’s Abrahamic audience, would make Faust even more heinous in their eyes, of an unsaid interaction. There is historical evidence that many a theological scholar disdainfully considered Faust to have been homosexual due to his interaction with Mephistopheles.

Whereas now, of a so called enlightened and civilised perspective, most do not see the original symbolic meaning of the Contract; for if they did, many may just start to question their own Devil’s Contract with the ‘Animus’ fixation of the three Abrahamic cults of an oily monotheistic ILL-uminati trinity, which seeks to convert the souls of the masses, to their centralist New World Order agenda.

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As for heterosexual Faustus Crow, he has entered into a lucid dream Coitus Pactum with his Succubus Art Muse of an ‘Anima’ manifestation to name as Mephistophina, who is rebelling against the Abrahamic commonality of a Playgirl ‘Animus’ fixation.

However, due to the politically-correct perspective of the present brainwashed society, Crow’s Coitus Pactum interaction with his Fallen ‘Anima’ is considered to be Entartete Kunst.

Crow has noticed that his conjurations of Mephistophina, along with her Succubae sisterhood, whom populate his Playboy Grimoire has caused an emotionally reactive stir, since it is considered as being merely pornographic by the politically-correct thought-police, whether they be of the Totalitarian left or of the Fascist right. Faustus Crow doesn’t give a toss what the brain-dead zombies say, at all!

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SUCCUBUS HOUSE OF THE HUNGRY GHOST GIRLS

Posted in Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 8, 2015 by FAUSTUS CROW

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Do spirits live in houses within their otherworldly domain, just like the living? Many have conjectured that they do, which is especially the case, if they be discarnate; who would have memories of those houses where they once lived, to later repeatedly haunt.

It is one of the reasons why some shamans build spirit doll houses as their altars, whose ‘meditation’ aid dolls, looking like sexy Anime/Manga kit model icons are macrocosmic repositories for their microcosmic spirit wives of the dream.

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Sounds all rather odd, doesn’t it. But should you observe your dreams, you will find that the motif of the house is somewhat of a habitual constant, along with its surroundings of a city, whose spectral abodes are occupied by numerous denizens of the dream.

These entities who may be manifold (Tulpa) creations of your own psyche, all as mind-dolls; or being otherwise discarnate spirits, then again, they could be other dreamers; perhaps all of the above, and far more besides.

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Your dreams are definitely made of layered memories; much of them are personal to you at one level, which of an analogy, is like you being in your surrealist house, surrounded by the symbolic possessions of varying memories, becoming jumbled into differing surreal scenarios.

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But as soon as you go out of your front door within a dream, of an out of body experience, it is a distinct possibility that you will then find yourself engaging with a mind-map, which is collectively created by the many minds of others, along with your own, where time flows in both directions, from past to future, future to past.

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So, ghosts of the past are presently living, along with ghosts of the future, and you too are as a ghost, yet alive simultaneously like a Schrödinger’s Cat.

Of course, the collective mind-map is not just a creation of other human minds, but also of all those creatures who too share your world; some of them being discarnate; while others primarily exist within the informational realms of the dream, which of the quantum domain, unifies everything between the ‘binary code’ horns of sex and death, the (Alpha) living and the (Omega) dead. But the Alpha of birth and Omega of death are as the head and tail of an Ouroboros; they are both the same of  a superimposition (vaginal) door.

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Your dreams are made of electrons, which can be in many places simultaneously, so say the physicists, which has led to successful experiments in quantum teleportation; whereby your dreams are not just in your quantum computing brain alone.

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It is conjectured that electrons are in fact mini wormholes, whose informational phenomena within the symbolic interface of the dream, would very likely manifest as virtual reality doorways, windows, hallways and stairways amidst your simulated dream house, populated by bound sentient programs.

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All of which of symbolism has been conjured up by your quantum computing brain. Or that of otherwise manifesting as tunnels, caves, whirlpools or bodies of water, whose primary symbolism is organically derived from the feminine principle of the vagina, via which your consciousness can slide through like an erect serpent.

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Whereby it is possible that you can gain spermatazoic ingress into alternate (womb) possibilities, just as the ancient shamans communicated, whom interacted with a feminine intelligence of these inner (vaginal) portals, they termed as their spirit wives, a European would call (Succubi) Succubae.

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The psychologist Carl Jung would otherwise term the Succubae as being manifold aspects of the Anima, which has Fallen out of the symbolic paradigm.

The established paradigm has an emphasis on the deified Animus, made as a God and Devil; hence the Playgirl grimoires both historical and modern only list Chippendale male archetypes of the Animus.

So, should you dream of a beautiful woman opening her (vaginal) door to then wantonly guide you into her (womb) bedroom, you might just find that you are no longer in Kansas anymore of a planetary sphere, when to leap of rebirth out of her Rose tinted window.

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That’s if you can pull yourself away from her hot embrace; for her vaginal star barrelled wormhole is forever hungering for your emotional charge to spin its uterine vortex.

When to become lucid within an electron dream, you are then enabled to conjure a particular Succubus; wherefore you are then able to slide into a desired dream (womb) locale of another mind-map underlying an alternate Earth next (vaginal) ‘door.’

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Should she let you into Lilith’s Harem, that is; since you will then be aware that she is a Succubus, along with knowing of the existence of her myriad legions of ever hungry ghost girl sisters, whom forever hunger for your introverted emotional ejaculations, in order to spin them into sentience.

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Whereby one has to then enter into a symbiotic Coitus Pactum with her as your Night-Mare to ride, otherwise she will become a Nightmare; for fear of an emotional charge will spin her too.

Hence she will manifest as a haunting Old Hag Syndrome night terror, rather than as a Succubus dream lover.

In order to negate the fear from arising, it would require the sorcerer becoming conscious within the amniotic watery domain of the dream, when to attain an ‘amphibious’ state of consciousness at the point of hypnagogic trance ingress; whereupon the Don Juan Matus sorcerer eats the (Anima) Succubus of a conscious seduction instead of him being eaten.

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Wherefore the sorcerer remembers his Coitus Pactum of a dream union with his Succubus when to awaken into a desired possibility, she to microcosmic birth as a macrocosmic synchronicity.

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REPTILIAN RAPTOR CHICK DINOSAUROID

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 20, 2015 by FAUSTUS CROW

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Ronovea, who be the 27th Succubus of the Goetia, whose Lucid Dream manifestation was that of appearing as a Time-Travelling Palaeontologist looking like Lara Croft, revealed the reasoning behind why the feminine principle in ancient lore, is often associated with reptilian symbolism, such as Snakes, along with affiliated Witches Toads, and black eyed Falcons, to that of Owls, or being otherwise depicted as Mermaids weaving Wyrd webs like Spiders.

She to have said of a necromantic clairaudient whisper; “Do you know why Lilith and Eve are both associated with the Serpent, my Horny Faustus? Well, if you don’t, I will tell you; it is because women are evolving back into tetrachromats around the Zodiac wheel of ages, which of an evolutionary trait, is demonstrated among several ancient species of Raptors and their dinosaur kin of Reptiles, stemming from Amphibians, Fish, and prior Insects. It was the original condition of most mammals in the far distant past of a dinosaur survival; alas, a genetic change, in league with environmental catastrophes, made the majority of mammalian species eventually lose two of their four cones. A human female can only become a tetrachromat, who will have the Raptor Chick edge over others.”

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Ronovea smiled smugly to herself, before I answered upon a Casillero del Diablo burp; “kind of explains why Raptor Chicks spend so long shopping for clothes, they are hypnotised by all those colours; little wonder then, that they be so fucking crazy!”

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Suffice to say, Ronovea was none too pleased by what I said, who later of shadow presence invaded my bedroom to thence pull me through her hypnagogic hymen veiled Yoni vortex into a Lucid Dream; wherein of an infernal descent towards the back of my Agartha head, of a ‘pit’ bull terrier cerebellum, I to have found myself Howling amidst a necropolis city of Succubae tombs, whose tetrachromacy enhances their black eyed vision within the twilight realm.

It was amidst this harlot city of Necronomicon memories I rapidly made my erect penetration into Ronovea’s reptilian brainstem abode of a museum, built from the twisted bones of the Great Old Ones.

When approaching its vaginal door to knock thrice upon, I was ushered into the uterine womb tomb by two feline Maids, one black, the other white of Ida and Pingala pussy pylons.

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The felines then guided me to Ronovea’s inner sanctum of a Palaeontologists library. I found her lying upon a sumptuous Victorian fainting couch awaiting our ensuing Coitus Pactum of ultimate union; she loves her ugly boy.

While engaged in coupling, Ronovea’s face suddenly transformed into a feral intensity when becoming orgasmic, whose skin became translucent, revealing a skull, which was no longer recognisably human.

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Her skull had become that of a reptilian, as her head bobbed up and down between my legs, as she hungrily pumped me off. Ronovea can’t help herself, she’s addicted to me, since she thinks I am really Addams Family Freeky.

As I observed her elongated skull being impaled by my lingam, it reminded me of a most curious fact that two of the ear bones in mammals, such as vampire Bats are the same as those parts of the jaw bones, which are found in reptiles. In short, two of the ear bones in mammals including Homo Sapiens, originally came from the gill arch, which formed the jaw of a reptile.

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Suffice to say, her teeth were very sharp, who could have quite easily drained me dry. But I wasn’t there to fuck her up, like many another terrier fucking up reptiles, instead, she just playfully bit through the membrane of my right thumb with her fang, being that of a reminder as to what I had said about Raptor Chicks being crazy.

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I then awoke from the dream, with said very deep indentation, clearly seen. It took several months before Ronovea’s love bite, healed of its own accord. I must say though, she is very good at tetrachromat multi-tasking of poltergeist activity, just like her physical counterparts, who are enamoured with the colourful plumage of fashion.

Afterword: Some may ask, “Is all the above real?” Yes! It happened of a Lucid Dream love bite becoming manifest; such experiences are very much tied up with how you perceive your self of an assumed guise within a microcosmic Lucid Dream, which determines what you Stargate tune into of an inner reality; whereby expanding your consciousness. 

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Although, much of the time, what you unconsciously tune into is often determined by cultural indoctrination, via which of an established symbolic paradigm certain self-proclaimed authorities tether your subconscious minds to their own agendas. So, cultivate a sense of Discordian humour, in order to acquire a perspective on the crazy macrocosmic circus of life, into which you was born, to later leave, when becoming micocosmic incorporeal. 

However, Ninja, who is the lead vocalist of Die Antwoord best sums up the answer: “People are unconscious, and you have to use your art as a shock machine to wake them up. Some people are too far gone.”

“They’ll just keep asking, “Is it real? Is it real?” That’s dwanky. That’s a word we have in South Africa, “dwanky.” It’s like lame. “Is it real?” You have to be futuristic and carry on. You gotta be a good guide to help people get away from dull experience.” 

What Ninja to have communicated of a one time Max Normal is very much what an ancient Shaman would have said, who was the first Artist, whom reprogrammed himself of Thrice Born Hermes rebirth. Although such would require the shaman to reprogram his reptilian brainstem via trance and dreaming to see himself anew.

ART IS SORCERY; SORCERY IS ART, BOTH ARE INDIVISIBLE OF PRACTICE.

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BELPHEGOR DEMON GIRL: SUCCUBUS OF THE LOUVRE

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

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Belphegor is a Daemon girl who enables a sorcerer to make many a discovery, like that of an inspired electric Eel of a Nikola Tesla having visions.

She also seduces a sorcerer via his dreams by suggesting to him surrealistic creations, as his most wanton Art Muse.

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She is a Succubus archetype of the Fallen Anima, who can be consciously conjured within a lucid dream, wherein she becomes as an interactive Art Muse reality.

The patriarchal death metal cultists of the deified Animus, whose Babalon Playgirl grimoires list only Right-Hand-Path stroke Chippendale Great-Beast archetypes, miss out on all the Left-Hand-Path stroking Playboy grimoire fun.

The minions of the deified Animus are somewhat unaware that behind the ghost mask of Belphegor, she is a Parisian Succubus archetype of the Fallen Anima.

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And a very rebellious poltergeist she is too, whose Genie Bottle abode is the Louvre.

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But then, what do you expect of the death metal OTO priests, who are far more into conjuring up Incubi Angels and Demons dancing around their deified Animus, made as a phallic God and Devil.

Little wonder then that Holy-Wood’s indoctrinated fixation upon the deified Animus is into the Crowlyean fluid sexualities of the androgynous hermaphrodite to make political, while castigating the Fallen Anima as being mere Lilith porn, or to otherwise make out she’s a celibate Virgin Mary.

The Belphegor book explores the historical background and symbolism associated with this Succubus archetype of the Fallen Anima, and how she can be conjured amidst the Triangle-Of-Art Imagination of a sorcerer, which leads to her Tulpa manifestion within a Magic Circle lucid dream; to take much further of erotic sexagram exploration.

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Should you ever meet up with a crazy French lady upon a Succubus synchronicity, said woman may claim that she is the Tulku incarnation of the ancient Egyptian Goddess Ahathoor, who has been conjured into flesh, via the mass mind focus upon a mummified Belphegor, haunting the Louvre…

Boris Karloff and Zita Johann in 'The Mummy'

Don’t worry about it; just whimsically say that you are a reincarnation of an ancient Egyptian sorcerer, who has been hunting her down through the aeons to possess. So, you always knew where she came from, to reawaken out of her fleshly sarcophagus.

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Then invite her back to your Arkham asylum Art studio, and everything will be okay, of an Ouroboros soul-mate dance; for it takes two to trance tango naked through the Sirian stargate, when the Animus and Anima Coitus Pactum unite!

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But, if you get on the wrong side of Ahathoor, you will soon find that she has very sharp, feline claws.

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Although, Belphegor to purr as a playful remote viewing Kitten, when she laps up her Artist’s cream, since AHA-thoor has a spirit bondage liking for an older sorcerer with a Crow-Ley wizard beard, who desires to paint her Playboy grimoire portrait, via which she becomes Louvre immortal as the Anima in the Muse flesh.

ANIMA/YIN +COITUS PACTUM+ ANIMUS/YANG = TAO

NOTE: In a heterosexual relationship dynamic the male projects his Anima upon a woman, and she likewise projects her Animus upon him.

This Anima – Animus projection is usually done unconsciously, without realising why they are actually attracted to one another. The attraction is due to the unconscious influence the Anima and Animus.

The inner archetypes of attraction is also applicable to those of other sexual orientations. 

EXERCISE: Ask yourself who would you consider to be your perfect partner? By doing so, you are Conjuring up the Anima – Animus.

1: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are seriously speaking to an audience, like that of a salesperson describing the latest snazzy product. You want your imagined audience to believe you. Write it down.

NEXT: After you have done the above, take five minutes out, by watching a funny kiddies cartoon and lighten up. Hell, take it even further, have a pillow fight with your imaginary childhood friend looking like a Pooka. then onto 2:

2: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Act as if you are telling a fairy story to a child. Write it down.

NEXT: After you have done the above, take five minutes out, by having a coffee, while munching a snack; basically, totally veg out, without a care in the world. then onto 3:

3: Describe to yourself what your perfect partner would look like, his/her qualities, etc, and how he/she will empower your inner-self-image. Be brutally honest with yourself. Write it down.

You will very likely find that the third part of this exercise will contradict the first part. It is the third question that the Neuro-Marketeers would consider as being the voice of your unconscious reptilian-brain drive, which actually determines your actions. It is here that the archetypes of the Anima and Animus resides.

What is more, the reptilian-brain thinks in (Anima – Animus) symbols, not words, which is directly connected to your optic nerve. So, first impressions, when meeting someone determines the nature of the attraction, or, as the saying goes, falling in love at first sight! 

NOTE: Should you not be aware of your inner self-image, you can utilise the above exercise in the same way, when to ask yourself the question, “who am I?” However, the conjuration of the Anima – Animus, will reflect back how you see yourself in relation to their imagined images. Basically, the Anima – Animus mirrors back those qualities you have, or seek to attain. 

Overall, the symbolism of Belphegor is the Anima counterpart of the bearded sorcerer, who works through his own shit!     

The grimoires do relate that Belphegor is associated with relationship dynamics, which is said, she observes. 

BELPHEGOR: MYSTERY OF THE LOUVRE PYRAMID.

BELPHÉGOR: GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

The book, Belphegor Demon Girl: Succubus Of The Louvre, can be obtained via Amazon. Click Here. 

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MEPHISTOPHELES IS A DEVIL GIRL

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The above artwork depicts Mephistopheles as being a female (Daemon) spirit, who is primarily associated with the Faust (Dr Faustus) legend of a Sorcerer (scholar) based on the historical Johann Georg Faust, who wagers his soul against the Devil. Mephistopheles first appeared in the late 16th century Faust chapbooks.

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In the 1725 version, which was read by Goethe, Mephistopheles is a Devil in the form of a grey friar summoned by Faust in a wood outside Wittenberg.

The original Artwork above is presently on Sale, on Saatchi Art; if you are interested, Please Click Here. 

Mephistopheles is essentially a male archetype of the deified Animus, made as a Jehovah/God-Jesus/Allah and a Satan/Lucifer-Devil/Shaitan.

Whereas, the feminine principle of the Anima has been entirely castigated out of the symbolic paradigm as the Fallen. Hence the Fallen Anima can be seen as a female Devil, who would manifest as a Nun.

A sexual (Anima) female Devil and her legions of (Succubi) Succubae would have made more sense symbolically, considering that the Devil rebels against the deified Animus of an all male patriarchal fixation. Alas, such symbolic logic was never utilised of a rebellion within any of the so called banned Devil tomes, listing Animus archetypes.

The name Mephistopheles already appears in the 1527 Praxis Magia Faustiana, printed in Passau, alongside pseudo-Hebrew text. It is best explained as a purposely obscure pseudo-Greek or pseudo-Hebrew formation of Renaissance Magick. From the chapbook, the name enters Faustian Occultism and literature as well as being used by authors from Marlowe down to Goethe, whom envisaged Faust being carried away by the Goetic spirits of Mephistopheles.

In the 1616 edition of The Tragical History of Doctor Faustus, Mephistopheles became Mephistophilis.

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The word derives from the Hebrew mephitz, meaning ‘destroyer,’ and tophel, meaning ‘liar;’ tophel, is short for tophel shequer, the literal translation of which is ‘falsehood plasterer.’

However, the name can be otherwise interpreted as the ‘Destroyer’ of Maya; for Maya is an illusion of a (Matrix) lie, you can equate with a computer simulation, over which Mephistopheles has power to reveal. In other words, the computer simulation within your head can be manipulated via your indoctrinated beliefs, which determines your perception of reality.

It is a case of choosing between the ‘Red’ or the blue pill; whether you want to wake up from the symbolic Matrix of the deified Animus or to stay asleep. It is your choice. But be prepared for the rollercoaster ride into Fallen Anima Wonderland after conjuring up the ‘Red’ pill.

Mephistopheles in later treatments of the Faust material frequently figures as a title character: in Meyer Lutz’ Mephistopheles, or Faust and Marguerite (1855), Arrigo Boito’s Mefistofele (1868), Klaus Mann’s Mephisto, and Franz Liszt’s Mephisto Waltzes.

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Shakespeare mentions “Mephistophilus” in the Merry Wives of Windsor (Act1, Sc1, line 128). By the 17th century the name became independent of the Faust legend, like that of a Tulpa assuming a life of its own.

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According to the American historian and religious scholar Burton Russell: “That the name is a purely modern invention of uncertain origins makes it an elegant symbol of the modern Devil with his many novel and diverse forms.” So, spoke a minion of the deified Animus empowering his viral-meme God egregore!

However, the term, Devil is originally derived from the (Sanskrit) Hindu name for a (Anima) Goddess called Devi, which is in turn associated with the word Deva, whose term describes deities made out of (bio-photon) light. Whereas Maya (holographic universe) is seen by the Hindu’s as being female of source, and like Salome of the seven rainbow veiled seals, she will only dance naked for the one whose pirate Skull ‘lights’ up crystalline, of a ‘fire’ in the head, when he attains the seventh secret of a Coitus Pactum (Gebo) Rune: X.

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Overall, Mephistopheles has had quite an influence upon popular culture as well as the Occult Arts, which is primarily that of an on going Animus fixation.

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Whereby the design rebelliously reinterprets Mephistopheles as being an Anima archetype, manifesting as a most salacious Succubus, who is otherwise called Mephistopheilia or Mephistophina, whom is a Genie of an Occult Art Muse. She inspires a rebel Faustus to thereby enter into a Coitus Pactum with her.

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The design of the above artwork also utilises the pact, which the inquisitional monks to have said was allegedly signed between Urbain Grandier and his Animus Devil. It was also said to have been stolen from the Devil’s cabinet of pacts by the Animus Demon, Asmodeus. It is used as a background behind Mephistophina; she is also accompanied by Seals and Sigils, which are the personal symbols of Mephistopheles.

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As for the Seals and Sigils, they are derived from Medieval Grimiores, which were supposedly written by Faust; the Seals and Sigils were used by Sorcerers in order to conjure Mephistopheles. However, you now have Fallen Anima, Mephistophina to conjure instead.

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The name of Mephistophina has thirteen letters, which in numerology adds up to the precession (Goetia) number 72, reduced down to 9. Her name in Runic numerology equates with the 13th Rune of Eihwaz. The thirteenth Rune represents the Multiverse ‘World’-Tree of nine worlds called Yggdrassill, upon which the shaman deity of the ancient Norse called Odin (Saxon: Woden) hangs into trance, whom as a magician, is equated with Faustus. Wherefore, you can deduce that the name of Mephistophina is symbolically powerful.

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The font of the above depictiction of Mephistophina as a rebel Angel, and that of her Coitus Pactum is derived from 15th-16th century Grimoires, which was utilised for the Grimoire called the ‘Nine Gates‘ that was featured in Polanski’s film entitled: ‘The Ninth Gate,’ in which Fallen Anima, Diana-Lucifera entered into a Coitus Pactum with her Faustus.

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Suffice to say, Mephistophina is somewhat of a ‘Discordian’ Art Muse of Monty ‘Python’ Heyoka wisdom. So, if you are an avid traditionalist, to have entwined your so called magical practice with an indoctrinated religious perspective, you had better keep taking your medicated Communion wafers, drinking fluoridated Wine. The practice of magic is no different to art; if you believe otherwise, you are practicing religion, not magic.

Wherefore, it be best that you stay well away from ‘Red’ pill Mephistophina, to otherwise live in fear of your blue pill Animus Devil of a Mephistopheles; it will be far safer for you to live in brainwashed continuance of being upended by your deified Animus God trinity of NWO death-metal Illuminati cults out of Abraham’s UR.

Mephistophina ‘takes no prisoners,’ she prefers the freedom of the unshackled imagination… no symbolic ‘Matrix’ limits of religious prison bars; whereby her Faustus is an Avadhuta rebel. You have been duly warned!

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NIGHT-GAUNT LEATHER NUN SUCCUBUS

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

Out of what Chakra crypts of the Fallen Anima, the Succubae to Bat wing fly, I cannot tell,

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But every night I see the felines make their planetary sphere way across the abyss; over the desert they to swarm as Night-Mares,

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Their obsidian butterfly mistresses, horned Nuns, so sensuous, with membranous leathery wings,

They come in Night-gaunt legions on the North wind’s swell over Rome’s temples, remembering Diana-Lucifera,

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With obscene caresses, which titillates of lustful stroking,

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Snatching me off on monstrous voyaging,

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Travelling through their moist vaginal star barrelled Tarot hallways,

To other worlds hidden deep within their pyramidal harem of seven fold hierarchy.

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Over the sacrificial jagged peaks of Thuk they to sweep predatory,

I heedless, of all their crucified groans they to make, while painting themselves menstrual red of bloodshed,

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And down towards the nether pits of our carnal Coitus Pactum union, they take me,

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Where the brazen harlots then to gather around my erect brazen serpent, to feast upon its venom, of all consuming worship.

But ho! If only they would tell more of their delightful Anima Sabbat.

Alas, I to awaken too soon, until next Night-Mare to ride of Ouroboros round!

NIGHT-GAUNT LEATHER NUN SUCCUBUS 

Freely adapted from Fungi from Yuggoth & Other Poems by H.P. Lovecraft whose severely afflicted navel chakra brought about his eventual demise.

Although, had he otherwise transformed his Bedroom-Invading Nightgaunts via the symbolic alchemy of Tantra to become as ‘Anima’ emanation (Succubi) Succubae, his leaden Ouroboros of a torc would have been transmuted into gold.

Lovecraft was otherwise the Artist whose symbolic alchemy had masterfully fused the Occult with Science Fiction, who had transformed a deified ‘Animus,’ made as a God, Devil, Demons and Angels into aliens.

Most others had just created new gender based deities, whom frequented their fanciful grmoire fictions; whereas Lovecraft looked to the depths of space and other dimensions, wherein he imagined other forms of intelligence existing, which are far superior to anything that humanity can ever comprehend, whose alien existence outstrips the age of the Earth, solar system and even this universe. It was essentially Lovecraft’s artistic rebellion against a dogmatic paradigm of a religion. 

Lovecraft pointed out the obvious of a pre-space-age Surrealist vision. But his artistic visions were ahead of his time, which was still coming to terms with the aftermath of the industrial revolution birthing new technologies. It was only much later that Lovecraft’s work started to come more to the fore during the Hippie era, which has since influenced popular culture along with ensuing Occult practices, whose practitioners habitually forget that the Occult is an Art form, Not a dogmatic religion. The Art of Magic is Art!

Alas, the sexual impulse was Lovecraft’s truest horror due to his Puritan tastes, which to have made women faceless.

Look to Lovecraft’s Salem to know the fascist truth of its deified ‘Animus’ made as a God/Devil, where closeted Puritan’s slaughtered many a native, whose ‘Love’ had no ‘Craft’ when to have burnt Witches at the stake because of their Craft.

 

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