Archive for Bon Po

CRAZY HORSE ART VISIONS

Posted in Art, Chaos Magic, Comics, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 21, 2017 by FAUSTUS CROW

Should the Oglala Lakota warrior and visionary mystic, whose name is Tȟašúŋke Witkó (‘His-Horse-Is-Crazy’ or ‘His-Horse-Is-Spirited’) generally known as Crazy Horse (ca. 1840 – 1877), had foreseen that his name was to be later adopted by Le Crazy Horse Saloon, or Le Crazy Horse de Paris, his Black and White pinto Mare named Inyan, may have become even crazier.

Then again, perhaps that is why Crazy Horse’s Surrealist Night-Mare was Chaos Magic Art Muse crazy.

Crazy Horse is a Parisian cabaret known for its artistic stage shows, performed by nude female dancers, a Tibetan Bonpo Tantric Buddhist would equate with Dakinis, who to dance around the four elemental quarters of their medicine wheel, which is curiously similar to the native American medicine wheel.

Crazy Horse also features a diverse range of magical acts and esoteric variety ‘turns’ between each Tantric show.

Its visionary owners have helped to create related shows in other power place cities around the dodecahedron globe , followed by unrelated businesses, which to have used the name of Crazy Horse as well.

The Crazy Horse of Art central Paris occupies former wine cellars (12 in all of Zodiac number, which have been knocked together) of an impressive Haussmanian building at 12 Avenue George-V (from the British king George V, in French “George Cinq”).

Suffice to say it is situated at a power place of historical importance, which isn’t too far away, as the Crow flies, from the Belphégor pyramid of the Musee du Louvre.

Should the Crow to fly a little further along the Yoni Rose line, you will duly find the rubedo door of the grand Art lodge of the Les Humanoïdes Associés, which is a French publishing house specialising in comics and graphic novels.

The Art lodge was founded in December 1974 by the sorcerer Artists, Mœbius Giraud, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their highly influential grimoire, Métal Hurlant, which quickly expanded to include a variety of erotic orientated science fiction work. Métal Hurlant in English means, Howling Metal. By the way, the Greek term, ‘Goetia’ means, Howling, as in to Howl out barbarous mantras, just as Allen Ginsberg Howled out his performance Art, Howl poem.

Métal Hurlant was considered to be not only rebellious, but also revolutionary of the ninth Art Muse comic book artform at the time, chiefly due to its adult focus on the sci-fi genre, which was an Entartete Kunst rebellion against the spandex superhero media empire of America.

The Entartete Kunst grimoire inspired many generations of authors and filmmakers, such as Ridley Scott for his film Blade Runner.

Not too long after Métal Hurlant’s debut, the American’s created their own Howling grimoire version of Métal Hurlant, which was renamed, Heavy Metal, whose Art lodge is based in the H.P Lovecraft landscape of Easthampton, Massachusetts.

However, top-shelf Heavy Metal has since become a politically correct thought police morass of lower shelf Disney/Marvel fare, whose present editor is the superhero industry giant, Grant Morrison. Gone are the days, when Heavy Metal had the Entartete Kunst Métal Hurlant edge.

It isn’t too hard to imagine the original rebellious Métal Hurlant Artists frequenting the Crazy Horse, which had been opened by Alain Bernardin along the Yoni Rose Line in 1951. Bernardin personally ran the Crazy Horse for decades until his death by suicide in 1994.

The Crazy Horse Tantric Dakinis may have been deliberately chosen to be indistinguishable upon the medicine wheel stage, in height, breast size and Palaeolithic Venus figurine shape in the past.

But now they have a more diverse group of Goetia Girls, all of whom are gymnastic of Dakini form and very Necronomicon skilled in their grimoire Muse Art.

Along with its Dakinis, the Crazy Horse has also been a popular coven venue for many other Performance Artists, including Avadhuta magicians, Heyoka jugglers, and Yogic mimes.

Bernardin, like a sorcerer, explained that he loved magic because it corresponded with his ‘mystical vision’:

“Magic is a dream. There is no show that is more dreamlike than a magic show. And what we do with the girls is magic, too, because they aren’t as beautiful as you see them onstage. It’s the magic of lights and costumes. These are my dreams and fascinations that I put onstage.”

Under new shareholders, and new management from 2005, Crazy Horse started to feature prestigious Artists Performance Art stripping, for a limited number of Tantric shows, including Dita Von Teese, Carmen Electra, Aria Cascaval, Arielle Dombasle or Pamela Anderson.

The new management also hired Philippe Decouflé as choreographer; Kelly Brook became a Métal hurlant Crazy Horse Dakini in the fall of 2012.

Perhaps Bernardin was originally seeking to spiritualise the symbolism of various fetish costumes worn by his ‘Anima’ Mares of the Night, who as Dakini Art Muses would inspire Tantric lucid dreams, wherein they are ridden as shaman Crazy Horses into other Métal hurlant realities.

Whether such was the actual case of symbolic Alchemy, is of course debatable. But a ridden Crazy Horse Art Muse, knows no Night-Mare visionary limits, who as a Coyote spirit girl knows how to Tantric dance around the Dakini dream wheel.

As for (Tȟašúŋke Witkó) Crazy Horse he was very likely Coyote wise to the fact that the European invaders weak spot is their insane belief in a jealous God, which of an ancestral-self-identity had been appropriated from another people, Carl Jung would term as an ‘Animus’ fixation.

Whereby Crazy Horse’s Heyoka ghost would Coyote conjure the Fallen ‘Anima’ and her (Succubae) Succubi Dakini emanations of an artistic rebellion, around the dodecahedron globe, who might just relate via a Ouija board, “the wand of a virile paint brush is mightier than the castrated gun.”

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FRANKENSTEIN NIGHT NURSE HORROR MUSE

Posted in Cosplay, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 9, 2014 by FAUSTUS CROW

The fifth Succubus of the Goetia is called Marbas. She will manifest amidst your Triangle of Art imagination as a surrealist exquisite corpse, looking like a knit together Frankenstein nurse. She is a great President who rules over 36 legions of Succubae like herself. The name of Marbas is a composite name, made up of the words: ‘Mar’ and ‘Bas.’ The word ‘Mar’ in Spanish, means sea, which is also etymologically connected to ‘Myr’ and ‘Mer’ of the Welsh name, Myrddin and the Norman variant, Merlin.

You also have the Hebrew name of, Mary and even the name of, Mars, since the sea is associated with the menstrual blood of the mother and the amniotic watery realm of dreams. As for the word Bas, it is derived from, Bass (/bæs/bass), which is a name shared by many different species of fish.

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The term Bass encompasses both freshwater and marine species. All belonging to the large order of Perciformes, or perch-like fishes. In fact the word Bass comes from Middle English Bars, meaning ‘Perch.’ The name of Marbas, can then be translated as, ‘Sea Fish.’

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Some will argue that Marbas is derived from the name Barbas, which comes from the Latin, barba, meaning beard, leading thence to a beard trimming, barber; or to be otherwise associated with the hellebore, which is one of a plants used in witchcraft. However, the Goetia specifically states that the name of the fifth spirit is Marbas, not Barbas. Although, in ancient times a barber could also function as a hellebore dispensing doctor/nurse.

It is very likely, when the name Marbas is interpreted to mean ‘Sea Fish,’ the symbolism will be invariably ignored, by those looking for an Anton LaVey number one haircut, and a goatee beard trim at the local barber, sniffing hellebore.

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One of the principle functions of Marbas is to initiate the experience of shifting into other forms, which occurs when the practitioner is experiencing pure trance.

The experience of pure trance, is often described as feeling like swimming in an ocean by many shamans from various shamanic cultures across the globe. But then, we all share the same neurology.

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For example; the Kalahari Bushmen of South Africa, who practice the trance dance, when attaining pure trance, will fall to floor to then be seen acting as if they are (Nommo) fish or (Annunaki) serpents, who believe they are such amphibious creatures within their watery hypnagogic visions.

While within the visionary state the Kalahari Bushmen can assume other shapeshift forms of particular animals in order to then heal a patient of their affliction, or to otherwise call upon a power animal, such as a Lioness.

Those cultures who live near Lions are well aware that the female Lion is far more vicious than the male Lion, because it is the female Lion’s who primarily do the hunting. So, when a Kalahari Bushman seeks to heal a patient via the trance dance, a female Lion is quite a powerful spirit ally to have.

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Whereby the Tibetan Bon Po Buddhist’s conjured up the Lion headed Dakini Simhamukha in order to negate negative influences. Hence Marbas is traditionally seen to be associated with a Lion, which is probably a predatory Pure Trance Kitty Lioness.

This technique can of course be otherwise utilised to afflict an enemy with an illness, although such to often rebound of Karma. It is more of a Simhamukha case of Marbas returning the Malediction of others back to its ignorant source.

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Marbas is also described as emanating from the eighth dimensional planetary sphere of Mercury, who is able to heal various afflictions as a psychic healer, or to otherwise afflict others with their own reactive angry ghost Maledictions, of psychic warfare. This will of course overflow into the temporal arena of medicine and in turn anatomy, as well as associated Marbas technologies, which are rapidly evolving.

Marbas is also described as being associated with the mechanical arts, which can be interpreted in different ways, in relation to Art as well as technology. Wherefore you can see Marbas as being a female doctor, scientist or nurse who is highly versed in pure trance, as well being an Art muse who has feline Kitty qualities.

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When an Artist, such as Leonardo Da Vinci, looked into the necessary prerequisite of understanding anatomy, he became aware that the anatomy of organic creatures as well as humans can be replicated by machines. This understanding can be easily equated with the present and future scientific arenas of robotics and cybernetics. Wherefore, Marbas can also be seen as a female version of Frankenstein’s knit together creature.

Marbas bestows the shamanic ability to assume shapeshift forms from within a lucid (sea) dream, which can be accessed via hypnagogic (fish) trance. When assuming other shapeshift forms within a lucid dream or via trance, such as that of power animals, it can enable a sorcerer to heal others. A sorcerer will also attain the Dr Frankenstein ability to construct Mind-Dolls, a Tibetan Buddhist would call Tulpas, you can otherwise term as Frankenhooker Succubae, via whose erotic (programs/memes) mind (robot/golem/egregore) constructs, a sorcerer can access hidden or secret information to remote view.

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