Archive for Ayahuasca


Posted in archaeology, Chaos Magic, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on July 14, 2017 by FAUSTUS CROW

Göbekli Tepe, is an archaeological site atop a mountain ridge in the Southeastern Anatolia Region of modern-day Turkey, approximately 12 km (7 mi) northeast of the city of Şanlıurfa.

What makes Göbekli Tepe unique is the date, when it was built, which is roughly twelve thousand years ago, circa 10,000 BC, going way beyond anything Hollywood can misdirection conjure up.

Archaeological artefacts have been discovered at Göbekli Tepe, one of which is an image of a human, wearing what looks to be a bird mask in profile, having a pronounced singular (Sun) ‘eye,’ whose spine is represented by the recognisable (Caduceus) symbol of two entwined serpents forming a double (DNA) helix. There are also nine spheres, whose number is considered to be very important in shamanistic systems. The number nine is usually associated with nine spheres of consciousness, planets, worlds or dimensions, which are personified as deities, the nine Rishis and their corresponding ‘wives,’ or as the nine ‘Muses.’

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The motif of the serpent is found elsewhere in Göbekli Tepe along with anthropomorphic bird imagery. The symbolism of the serpent and the bird is well known of in shamanistic practices across the globe. The serpent and bird (feathered serpent) points at the experience of (hypnagogic) trance. When experiencing (hypnagogic) trance, the practitioner experiences the sensation that he/she is swimming like an amphibious fish/serpent in the ‘watery’ realm of the (lucid) dream, which is also equated with (nine planets) space. The serpent describes the experience of an energy rush within the body, which feels as if it is moving up the spine (Chakras/endocrine-system) towards the top of the head, when inducing (hypnagogic) trance.

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This then leads to a ‘flying as a bird,’ like that of becoming a (inner Sun) winged-eye, of an Out Of Body experience, experiencing inner visions:

“In their visions, shamans take their consciousness down to the molecular level and gain access to information related to DNA, which they call “animate essences” or “spirits.” This is where they see double helixes, twisted ladders, and chromosome shapes. This is how shamanic cultures have known for millennia that the vital principle is the same for all living beings, and is shaped like two entwined serpents (or a vine, a rope, ladder…). DNA is the source of their astonishing botanical and medicinal knowledge, which can be attained only in defocalized and “nonrational” states of consciousness, though its results are empirically verifiable. The myths of these cultures are filled with biological imagery, and the shamans metaphoric explanations correspond quite precisely to the descriptions that biologists are starting to provide.”

Jeremy Narby – The Cosmic Serpent, DNA And The Origins Of Knowledge.

Jeremy Narby is a Canadian anthropologist and author. In his books, Narby examines shamanism and molecular biology, and shamans’ knowledge of botanics and biology through the use of entheogens across many cultures.

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Narby has spent several years living with the Ashaninca in the Peruvian Amazon cataloging indigenous use of Ayahuasca.

Dr. Matthew Clark Post-Doctoral Research Associate, SOAS (affiliate), postulated that the ancient Vedic drink of India called Soma could have been an Ayahuasca analogue. If so, a certain pillar in Göbekli Tepe could be describing the Soma preparation of an Ayahuasca counterpart. This would require the plant materials being mixed and crushed together, using ritualistic ‘handled’ tools for the purpose of creating a (Scorpion) poison, which initiates the little death of (hypnagogic) trance.

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There is also an image of an anthropomorphic bird, looking at a circle it is holding, which could represent a sphere, perhaps it is the Earth? If so, they knew that the Earth was spherical, twelve thousand years ago. That or the sphere is an ancient (Soma) pill; but then, both the Earth and a sacred hallucinogen would be seen as being one and the same, all are connected. There are also other symbols, which look like Runes; one of which looks like the 15th Norse (Valkyire) Rune, called Algiz. Although, said (Valkyrie) Rune, in its infancy probably pertained to the motif of the tree and in turn the axis-mundi of the spinal column, and its (Autonomic/Central – Nervous System) three-nerve-channels, which in Hinduism is symbolised by the trident wielded by the shamanic deity called Siva, who partook of (hallucinogen) Soma.

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Little wonder then that the established monotheistic religions are getting in on the act, who are laying claim to Göbekli Tepe as their own to ‘brand,’ since the symbolic focus upon the Middle East has been knocked, which is due to Göbekli Tepe far predating their religious cultural-constructs.

(Much of the shamanistic symbolism has been appropriated by the monotheists, who do not understand it. For example, the symbolism of the horned ‘Cow’ or ‘Bull’ and that of other horned animals are associated with the horns of the shaman, which describe the hemi-synchronisation of the hemispheres of the brain, when accessing [hypnagogic] trance. The shaman will [Serpent] experience the [hypnagogic] trance sensation of having [Cow/Bull] horns growing out of his/her head, or to feel he/she is wearing a crown, or feeling as if his/her head is [pharaoh crown] elongating. This then leads to accessing the inner [Spider] web, which interconnects all things.) 

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However, Göbekli Tepe didn’t just appear out of nowhere, the site was very likely interconnected with other sites. These other sites could potentially far predate Göbekli Tepe, which are yet to be discovered.

That’s if they haven’t been destroyed, since their discovery will totally shatter the theological politics of the monotheistic religious constructs, who are seeking to keep the focus on the Middle East.

(One of the motifs you find in the Middle East is the worship of ‘fire;’ however, this is also known of by other peoples, such as the nomadic Aryans and Mongolian peoples of the steppe, etc. The fire represents the inner [bio-photon] fire, which is associated with the [Mitochondrial DNA] serpent.)

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However much they try to lay claim to Göbekli Tepe their fixation upon a deified ‘Animus’ made as a God, just keeps on getting in the way, which invalidates their shared symbolic constructs of theological politics.

(The monotheists tend to be anti-sex, whereupon when confronted by serpent symbolism, which has a phallic association, they cannot handle it. When accessing [hypnagogic] trance, the conscious awareness of the practitioner is seen to be fertilising the womb of the [lucid] dream, giving birth to visions. The phallic symbolism of the serpent also alludes to the shamanic usage of Psilocybin mushrooms.)

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Their religious cultural constructs are not important here at all, anyway, it is the inner experience, which is of importance; for it is the legacy of everyone upon the planet, which cannot be ‘branded,’ nor owned by any religious cultural construct.

What has been noted is the similarity between the Kundalini Shakti of Yoga practice, out of ancient India and the Göbekli Tepe symbolism of the entwined serpents. The arousal of the Kundalini Shakti (‘Fire’ snake/goddess) is experienced as an inner energy arising along the (Chakras) spinal-column, which then strikes the back of the head like a ‘Scorpion’ sting; this then engenders (hypnagogic) trance visions of the (Muses) Dakinis, the American ethnobotanist Terence McKenna would have equated with his mechanical Elves. The anthropologist and author Carlos Castaneda called the Dakinis, ‘Allies,’ which he described as being an inorganic feminine intelligence associated with power plants. (The stele below is of Siva and two entwined [Caduceaus] serpents from South India) 

This has led to the monotheists getting into a rumble with the animist Hindus, who have come to a shaky agreement that the name of monotheist Abraham could be linked to the animist Hindu deity called Brahma, should you use dodgy etymology as well as moving the letters of Brahma’s name around; they even threw in Siva for good measure. I kid you not!

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But the experience of the Kundalini Shakti is known of in other cultures, under differing names, which of a symbolic communication has its source in ancient shamanistic practices. For example, the symbol of the (Kundalini Shakti) Caduceus was originally carried by Apollo, who it is said had migrated from Hyperborea, which is the ancient Greek name for Siberia.

(The specific Hyperborean area in question could be the Altay [Altai] region of Southern Siberia, which had been hit by a massive Atlantean inland flood during the last ice age. This also ties in with the intriguing genetic findings of the 2012 genome project concerning a genetic cradle from the [Altai] Altay to Lake Baikal that a number of dispersed peoples share.) Apollo then exchanged his Caduceus with Hermes for his seven-stringed lyre, when Apollo eventually reached the land of the Hellenes.

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As for shamanism, it is not and never was a religion, it has no dogma, nor religious texts, it is otherwise that of a system of ‘experiential’ techniques, which enable consciousness expansion. Shamanism is essentially the science of consciousness, anyone can engage in exploring.

When symbol systems are employed as ‘tools’ by shamans, the primary symbolism alludes to experiences of the inner reality, such as the serpent representing the energy rush of (hypnagogic/Phase) trance, the bird symbolising (OOBE) ecstasy, while other animals would represent differing states of consciousness, along with symbolism referring to being re-birthed from the inner visionary world of the (lucid) dream.

Wherefore you will  find similar symbolism across the globe, which is due to our shared neurology and DNA, linking us with other life-forms, like that of being connected by a ‘Spider’s’ web.

(This does not mean that the exploration of the inner reality is disengaged from probable stellar observations, which have been noted at Göbekli Tepe, the two mutually support each other. The star-clock indicates [circadian rhythm] key-times for [hypnagogic] trance ingress into inner space.) 

Whereas a religion has a total focus upon the symbolism of a particular culture, which tends to bury the primary symbolism of an inner experience, to either negate, or keep secret, that, or demonising it. The reason why religious constructs do this, is because, it’s priests who attain power and influence over others, do not want you becoming aware of your own shamanic legacy. Should you become aware of your own inner reality, the priests of the established religious construct will then lose their illusory power over you and others, which they do not want. Otherwise they’re out of their big-business; no more Shekels!

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You can thereby conjecture as to why the builders of Göbekli Tepe later buried what they had built, who may have had the visionary foresight to protect it for their future descendents to rediscover. It does appear they were fully aware that a religious construct and its priests would have destroyed what it communicates of a shamanic legacy.

You might think that all of this sounds crazy; But there are other sites of interest, which may be of similar importance to Göbekli Tepe, the archaeologists are yet to investigate, if they ever do so, since these sites are no doubt considered as being dangerous to those who seek to keep their academic reputations intact, but more so by the present establishment.

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The monotheistic religious constructs have been around for a very long time, their shared establishment is very much entwined with politics, finance, the acquisition of land, material assets, having control over the world’s need for water, food and energy, etc, whose ‘Animus’ fixated symbolism permeates your language and every level of culture.

Hence, they do not want such discoveries being made, since it will utterly destroy the illusory symbolic focus on the religious politics of the ever warring Middle East, upon which your present ‘Oil’ dependent culture is entirely based.

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NOTE: The ancient Greeks most often associated Apollo’s name with the Greek verb ἀπόλλυμι (apollymi), “to destroy,” which is of similarity to the Hindu deity Siva, who is known as the destroyer. However, Siva destroys the illusion of [belief/Ring-Pass-Not/Limit] form, which is that of a rebellion against the accepted norm, symbolically equating with war, this leads to questioning the reality, upheld by an establishment; Siva is an anarchistic evolutionary force, who in many respects represents what a scientist should be.

Apollo is also associated with the ‘serpent’ and with ‘light.’ Hence he was seen to be a titan of the Sun; whereas, his twin sister, Artemis was associated with the Moon, whose Roman name Diana-Lucifera, refers to her being the mother of ‘fire,’ of similarity to the Altaic, Yal-un eke, the Hindus would call the Kundalini Shakti. Apollo’s association with light, is that of the inner light/fire [Diana-Lucifera/Yal-un eke] illuminating your [bio-photon] dreams.

In this context it then links Apollo with the “Southern Siberian” Altaic name, Odqan, which means, ‘Fire King,’ this then leads you to the Norse shamanic deity called Odin, the Saxons called Woden, whose name means ‘Light/ecstasy master,’ who has similarities with Siva and in turn with Apollo. Overall, Apollo – Siva – Odin/Woden was probably a deified [Altaic/Odqan] shaman.  

In regards to the term, Altaic, it is a proposed language family of central Eurasia and Siberia, including the Turkic, Mongolic, and Tungusic groups, which are invariably included in the family. These languages are spoken in a wide arc stretching from Eastern Europe, through Central Asia to Anatolia [Göbekli Tepe] and to the Korean Peninsula and Japanese archipelago in East Asia. The group is named after the Altai mountain range in Central Asia.

The Altaic language group is considered to be highly controversial, as many linguists think that the common features of alleged Altaic languages resulted from borrowing rather than descending from a common ancestral tongue. A few scholars, however, take the opposite perspective and argue that Altaic is a genuine family. It just so happens that many of the peoples speaking these languages appear to have a curious [2012 genome project] genetic link with the [Altai] Altay.



Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2014 by FAUSTUS CROW

Ose is the fifty-seventh Succubus of the Goetia who is a Great President of the eighth dimensional planetary sphere. She rules over thirty legions of Succubae (other authors mentioned three legions; whereas the Pseudomonarchia Daemonum gives no number of legions). She makes her master wise in all liberal sciences and gives true remote viewing answers concerning divine and secret things via her seal of a spirit board. She also brings insanity to any person who afflicts her master with their malign maledictions, making them believe that they are the creature, or thing her master desires; or makes his enemies think they are pompously important wearing aristocratic crowns; though banker headless, they will spew judge-mental expletives, before becoming quite insane, thinking they be all knowing Guru’s, of a next Pope.

Ose at first manifests as a black Panther or as a Cat, but after a while she transforms of Triangle of Art vision into a beautiful woman, who is very much a Valkyrie due to her name, which is derived from fourth Norse Rune name, of ‘Os’, meaning mouth, as in to chant or sing of spell-casting.


Wherefore, you can imagine Ose to be a singer of Runic songs, like that of a bird. The technique of using a song refers to the monotonous chanting of a (Mantra) by a shaman, which facilitates hypnagogic trance, of similarity to that of an Icaro.

An Icaro (or Ikaro) is a song sung in Shipibo healing ceremonies, or by Vegetalistas. The word Icaro is believed to be derived from the Quechua verb Ikaray, which means, “to blow smoke in order to heal”. Shipibo shamans relate that the spirits, particularly plant spirits, teach them their Icaros.

The Icaros are used to bring about the Mareación (the visionary effects of the Ayahuasca), take Mareación away, call in different plant spirits, call in the spirits of others, or the deceased, take away dark spirits and negative emotional energies, for protection and to manage the ceremony. Experienced shamans are able to recite hundreds of Icaros as well as knowing how to be Heyoka wise as a Crow or a Coyote Clown in order to overcome negative influences via contrary wise humour.

Icaros are either whistled or sung, as well as being expressed in any language. The shamans generally sing in a (language of the birds) spirit dialect, which is a mixture of their native language (i.e. Quechua, Shipibo-Conibo, Asháninka, etc.), Spanish, and different evocative sounds. Icaros represent a system of communication between the shaman and the spirits as well as the participants in the ceremony.

The shamans believe that every living thing has its own Icaro and that these icaros can be learned. The singing of Icaros is sometimes accompanied by the Chakapa, rattle of bundled leaves, which is used to carry the rhythm of the ceremony. The shaman will use his Chakapa to direct the emotional energy of the Icaros, as well as send away dark or unwanted emotional states.

Other spellings of Ose’s name are: Osé, Oze, Oso, Voso or Zoso and Zozo. The Rune of Os, is also that of the German word, Ose, which means eyelet, small hole, loop or noose. You also have the word, Oz, which is very likely derived from, Ose, and therefore, Os, being the title of L. Frank Baum’s Wizard of Oz. The word Oz specifically refers to the fourth Rune of Os, which is sacred to the shamanic deity of Odin; one of whose power animals is a mercurial Crow. Odin is described as having a singular eye, as in a (third eye) small hole of an eyelet, who is also the lord of the hanged; hence you have a loop of a noose.


Wherefore, Ose is a (Dakini) Valkyrie Witch (Nightgaunt Succubus) daughter of Odin. Many of the Valkyries assume the shapeshift forms of birds, such as Crows as well as predatory felines and other animal forms, which of a Skinwalker power the Valkyries bestow upon a shaman to whom they are attached as his (Succubus/Spirit Wives) Allies, so that he can travel about in animal forms when to trance and lucid dream.


The Crow is traditionally associated in occult lore with the planetary sphere of Saturn, whose sigil of lead leads you to the Zoso symbol from page 51 of an 1850 reprint of a 1521 French grimoire, entitled: Dragon Rouge and Poulet Noire (The Red Dragon and The Black Hen), which is also to be found on page 31 of Frinellan’s 1844 book Le Triple Vocabulaire Infernal Manuel du Demonomane. When to look into such works, just remember that during the 16th century, many a Witch was tortured, raped, beheaded, stoned, crucified, let alone being burnt at the stake by insane humans, whom be far worse than their Demonic archetypes, whose poisonous legacy has a repetitive tendency to rear its religious fundamentalist head again of a repeat.

So, it is entirely probable that there are indeed legions of angry ghosts who desire to return back their pain to those whom blindly dance around a three faced deity, whose Rabbis, Priests, Mullahs, and their numerous flocks tend to repeat their blind ways, since they act out a Bronze age script like programmed automatons. Whereby a follower of the Abrahamic faiths has to beware a spirit board, otherwise he or she will conjure up Munnin memories. A variation of the Zoso symbol also appears in Jerome Cardan’s 1557 grimoire, De rerum varietate (page 789 of this 1580 reprint). However the symbol reads, Oso, with what looks like a lightening streak, ‘Zorro,’ shaped sigil before Oso, being one of the alternate names of Ose; wherefore it is generally interpreted as Zoso, leading thence to Zozo.


It just so happens that in the language of the Basque and (Haitain Vodou) Creole, Zozo (Zoso) is a name applied to a Crow, which is seen to be a ‘sacred fool’ of similarity to the Native American Heyoka clown of a Crow.

In other words Ose empowers a shaman to assume the Skinwalker shapeshift dream form of a Crow who is Avadhuta Monty Python contrary wise. You could cojecture that the Zozo phenomenon is an expression of the howling collective unconscious, which is seeking to initiate a rebellion against a religious brainwash of a viral-meme by creating an anti-viral-meme.


The motif of hanging concerning Odin is not literal, it symbolically refers to the reptilian brainstem of the throat area having governance over hypnagogic trance ingress; whereas the loop of a noose is associated with the Ouroboros of eternal recurrence, being that of a ‘closed timelike curve’ symbolically represented by a (noose) Torc (Ouroboros) around the neck or that of a nine-fold ring. Ose can reveal the nature of eternal recurrence and that it repeats of a (Karmic) leaden repeat until it is transmuted into (Dharma) gold, which can be in part attained via a Heyoka understanding around a Runic Ouija board of Mantra conjuration.

This is more so the case, when to thereafter observe ensuing synchronistic phenomena. But, if you become far too exorcist serious, allowing your indoctrinated fears to overcome you, your own Inquisitional shadow of a leaden Abrahamic cult Demon will be duly reflected back at you of patriarchal Hell fire. Wherefore you will blindly play into the damned repeat of history as the numbered, where religious fundamentalism returns under the guise of the theocratic New World Order, whose all male pantheon of Angels, Demons, God and Devil will promptly upend your anus to possess.


However, should you learn to laugh at your self, you will otherwise win a Discordian Pussy Daemon of an anarchistic Ose Ally, whom be a very feline Zozo Succubus.



Posted in Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Time Travel, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 22, 2014 by FAUSTUS CROW

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The formula of Tetragrammaton is quite intriguing; you have the initial: Yod (Father), which is the emotional charge, followed by: Heh (Mother), of hypnagogic trance ingress; then you have: Vau (Son/Sun), where your consciousness is ‘nailed’ down within the bio-photon suffused electron dream. This then leads to awakening out of the dream of: Heh (Daughter), hypnapompic egress.

It is somewhat analogous to entering the ‘womb’ of a cave out of which you are reborn. Palaeolithic shamans very likely utilised caves for their initiation rites, which probably involved dream incubation. Although, I am not talking about normal dreams here, I am specifically talking about ‘lucid dreaming.’ The cave would act like a prior sensory deprivation tank, which forced the shamans consciousness to go inward of hypnagogic trance ingress into the dream, wherein, if so desired, he can then conjure the archetypes of his ‘Anima,’ which will manifest as (Succubi) Succubae, a Tibetan Tantric Buddhist would call Dakinis.

The utilisation of the cave for dream incubation was probably later translated into the usage of burial mounds for the same purpose, since the dream realm is considered to be the realm of the dead.

This then developed into a special ritual chamber being used for lucid dream incubation purposes within the bowels of a pyramid. The pyramid represented the shamans cosmic (body/head) mountain, whose symbolism is primarily derived from North Central Asian shamanic practices, more specifically that of Siberia.


Whereas of present age, many a shaman goes under the guise of a scientist, who uses an isolation (floatation) tank within his laboratory.

Although, said laboratory is no longer that of a pyramid, it can be an Alice in Wonderlad underground cave of Dreamland; if funded by the Area 51 military industrial complex.


You might ask, “why would the military be interested?” Well, the most obvious, apart from other reasons, such as ‘Looking-Glass’ remote-viewing future technologies, etc, would be preparing Astronauts for space-travel.


During the Hippie era of the 1960’s, the scientist, Dr John C. Lilly entered into his shamanic training when he was introduced to psychedelic drugs such as LSD and (later) ketamine, who began a series of personal experiments, in which he ingested his sacred sacraments, when either in an ‘isolation (womb) tank’ or in the company of larger brained Dolphins as his familiars.

These events are described in his books Programming and Metaprogramming in the Human Biocomputer: Theory and Experiments and The Centre of the Cyclone, both published in 1972.


Following advice from Ram Dass, Lilly studied Patanjali’s system of Yoga (finding I. K. Taimni’s Science of Yoga, a modernized interpretation of the Sanskrit text, most suited to his shamanic goals).

Lilly also paid special attention to Self-enquiry meditation advocated by Ramana Maharshi, and was reformulating the principles of this exercise with reference to his human biocomputer paradigm (described in Programming and Metaprogramming in the Human Biocomputer: Theory and Experiments and The Centre of the Cyclone).


Lilly later travelled to Chile and trained with the spiritual leader Oscar Ichazo (whose attitude to metaphysical consciousness exploration Lilly characterized as ’empirical’ in his book The Centre of the Cyclone). Lilly claimed to have achieved the maximum degree of Satori-Samadhi consciousness during his shamanic training.


Lilly’s maxim: “In the province of the mind what one believes to be true, either is true or becomes true within certain limits. These limits are to be found experimentally and experientially. When so found these limits turn out to be further beliefs to be transcended. In the province of the mind there are no limits. However, in the province of the body there are definite limits not to be transcended.”


There is an intriguing Hebrew word: Da’at, which means belief. Your beliefs are ‘symbolic’ programs, which a shaman of a ‘first artist’ learnt to transmute and transcend via (Da’at) lucid dreaming. What you have been led to believe of an indoctrinated symbolic limit, will determine what you internally tune into of associative information. The ancient science of your ancestors was geared towards consciousness engineering, whom were very interested in enhancing their (inverse pentagram/microcosm/five senses) precognitive (remote-viewing dream) abilities as well as being aware of (upright pentagram/macrocosm/five senses) synchronistic phenomena etc. Wherefore, they put a lot of effort into their scientific prowess, such as building a sorcerers pyramid of a dream machine.


Many may scoff at a pyramid being a dream machine; but such individuals have very likely never experienced attaining a (Implicate Ordered/Nagual) microcosmic lucid dream, let alone that of having an out-of-body experience or experiencing (Explicate Ordered/Tonal) macrocosmic synchronistic phenomena etc. These types of dreamless individuals demand proof, which is, of course, understandable. Alas, they will have to find out for themselves, if they ever bother to (Nommo) do so.

Such will require lots of (Anunnaki) practice on their part, which is a lonely path, Angels fear to tread. But by doing so, they will start to understand why their ancestors built dream machines, which enabled their (Nommo) consciousness, to remote-view touch, the far off stars and beyond, Ad Astra, Ad infinitum, when to fly into inner (Nun) space as a Hawk winged singular (Odin) Eye through a (Succubae/Valkyrie) Vesica Pisces, all as (Vaginal star barrelled) quantum wormholes to microcosmic conjure.