Archive for astral journey

PROJECT STARGATE VAGINA

Posted in Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Demon, Demonology, Discordianism, Ghost, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 22, 2015 by FAUSTUS CROW

During 1970, United States intelligence operatives became aware that the Soviet Union was spending 60 million roubles annually on psychotronic research, whose parapsychologists had discovered the original book upon which H.P. Lovecraft’s Necronomicon was based, being the medieval grimoire, entitled the Goetia.

At first, the US intelligence operatives believed that the Russian’s had totally lost the plot, until they realised what the very sneaky Soviets were up to. The Soviet parapsychologists had devised a psychotronic means to subvert the religious indoctrination of the masses.

This involved reversing the all male focus upon the deified ‘Animus,’ made as a God/Devil of the numerous Playgirl grimoires, such as the Goetia.

The reversal invariably leads to the eventual undermining of the gender fixated religious foundation upon which these grimoires are based; for it will then reveal that the monotheistic patriarchy of the deified Animus had been forged by woman.

The Soviets saw the Goetia as a psychotronic device, via which they could negate the media machine influence of the Bible thumping American’s who are infatuated with Animus archetype superheros.

This involved conjuring up the spirits of the Goetia as female entities called (Succubi) Succubae; whereby the Goetia would then be transformed into a Playboy grimoire. This was taken much further, since the Soviets had discovered that the Succubae are the energetic fluctuations of the Fallen ‘Anima,’ called the Great Old Ones.

The Soviet research into the Goetia was triggered off when their parapsychologists noticed that the Zodiac association of the spirits listed in the Goetia correlated with hot spots around the Earth.

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During the 1960’s, the historian, Nikolai Goncharov, construction engineer, Vyacheslav Morozov and the electronics specialist, Valery Makarov had the idea of re-examining the globe of the Earth to see if any pattern should emerge, linking significant places in history, which had been forged by the male. The belief that the Earth has a basic harmonic symmetry of an interlaced weave of a web linking places of power is very ancient.

In Plato’s Phaedo it is related that Socrates once told his pupil Simmias: “My dear boy, the real Earth viewed from ‘above’ is supposed to look like one of those balls made out of ‘twelve’ pieces of leather sewn together.” Socrates was describing a dodecahedron; the twelve pentagonal faces of the dodecahedron were anciently associated with the Zodiac, whose stars are pentagrams.

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Some 2000yrs later the Soviet findings indicated that such a pattern did indeed exist. After several years of research in Moscow, the three researchers published their findings in 1973 within the, popular science journal Khimiya i Zhien of the USSR Academy of sciences, entitled: Is the Earth a large crystal?

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The Soviets started to suspect that the dodecahedron indicated that our experiential reality is a hologram, the ancient Hindu mystics termed as being Maya. They then sought to find an internal structure, that was generating our holographic reality, so that they could find a way of psychotronically influencing it, and eventually reprogramming the religious programming of the Animus cultists, who have enslaved the collective mind.

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The Soviet parapsychologists were aware that a cube and a tetrahedron can be placed within a dodecahedron; both of whose vertices match up with all the vertices of the dodecahedron. But it was not until 2003 that Swedish scientists from Uppsala University vindicated the suspicions of the Russian parapsychologists concerning a cubic structure at the centre of the Earth, the ancient Egyptian’s considered to be the throne of Isis, the Hebrew’s called the Merkabah.

The Swedish scientists published their findings in Nature and Science that the Earth’s core assumes a body centred cubic crystal structure at high temperatures, a structure, which despite its high degree of symmetry evinces a surprisingly high level of elastic anisotropy. The Soviets had previously suspected that the Hellraiser cube is some form of computer, which can be programmed by a dreamer, who can conjure up its Succubae programs from within the microcosmic symbolic interface of his virtual reality dreams, via which he can then influence macrocosmic Maya.

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The Soviet program had produced a number of psychotronic results by reversing the symbolism of the Goetia, which enabled the Soviets to release the Succubae Great Old Ones from their symbolic bondage at key points around the dodecahedron structure of the Earth’s hologram. In response to these claims, the CIA initiated secret funding, for a new program, its codename was, SCANSUC (Scan by Succubus) in 1970.

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The conjuration of Succubae for remote viewing research began in earnest during 1972 at the Stanford Research Institute (SRI) in Menlo Park, California. Proponents of the research said that a minimum accuracy rate of 65% required by the clients was consistently exceeded in the later experiments. The experiments involved the introversion of the sexual impulse for the empowerment of lucid dream conjurations of the Succubae, via whose vaginal portals, the dreamers could then remote view throughout space and time. Because of the sexual element, the research had to be kept very secret from the general public, who would construe it as being black magic.

The Soviet parapsychologists as well as their American counterparts had found that at around 7.8hz, your brain is on the border of an Alpha or Theta state, which is requirement for remote viewing. It is an extremely relaxed state of mind, when experiencing hypnagogic trance and lucid dreaming. The resonant frequency of the electromagnetic field of the Earth, also resonates at 7.8hz, which is called the Schumann resonance.

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The Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth’s electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances, which are excited by lightning discharges within the cavity formed by the Earth’s surface and the ionosphere. The Soviet and American researchers had discovered a link between human brain activity and the electromagnetic field of the earth, which extends from the Earth’s interior (cube) to where it meets the (sexagram) solar wind.

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SCANSUC eventually evolved into the Stargate Project, which was the Hogwarts code name for a U.S. Army unit established in 1978 at Fort Meade, Maryland, by the Defence Intelligence Agency. SRI International, a California contractor was also involved; both of these shadowy organisations investigated the potential for psychic phenomena in military and domestic applications. The Defence Intelligence Agency were aware that the Soviets had also determined that the religious indoctrination of many minds to focus upon a shared language involving the associated conjuration of certain symbolic stimuli, was influencing the electromagnetic field of the Earth.

Wherefore, the Defence Intelligence Agency had to find a way to influence the collective mind by implementing a global communications network. This led to the development of the Advanced Research Projects Agency Network (ARPANET), which was an early packet switching network and the first network to implement the protocol suite TCP/IP. Both of these technologies became the technical foundation of the Internet. ARPANET was initially funded by the Advanced Research Projects Agency (ARPA) of the United States Department of Defence.

As for the term, Stargate it is a reference to the vaginal star barrelled tunnel, that many of the dreamers had experienced when conjuring up a Succubus within their time travelling lucid dreams. The vaginal Stargate was experienced when the dreamer became lucid within the dream, at which point the dreamer was then enabled to access the interconnected informational ‘web’ of the collective mind.

The vaginal tunnel was formulated, when the dreamer initiated the cross-referencing of information, via which the dreamer was then able to tune into an informational fractal dream domain. The dream domain being that of a remote viewed target. The accessed information was determined by what type of Succubus was conjured within the lucid dream.

The Stargate was also represented as the vaginal symbol of the Vesica Pisces by the project, which of an inner experience was later correlated with browsing the world-wide-web of the internet, like that of riding an eight-legged-Night-‘Mare,’ which is otherwise called a Spider Horse, or a Hobbyhorse to ride over the web.

The correlation between the processes of consciousness, dreaming and browsing the internet came very much to the fore when Dr. S. James Gates, Jr., a theoretical physicist, the John S. Toll Professor of Physics at the University of Maryland, and the Director of The Centre for String and Particle Theory, reported that certain string theory, super-symmetrical  equations, describing the fundamental nature of the Universe and reality, contain embedded computer codes.

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These codes are digital data in the form of 1’s and 0’s. Not only that, these codes are the same ones, which make web browsers work, and are error-correction codes. Gates related: “We have no idea what these ‘things’ are doing there”.

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The embedded code was not just any code, it was first invented by Claude Shannon back in the 1940’s, embedded within the equations of superstring theory. Gates published his findings in the British journal, Physics World, entitled: Symbols of Power, which describes his research that begun in 2004 on Adinkras, linking computer codes like those used in browsers to the supersymmetric equations of fundamental physics. It thereby appears that we are living within a computer simulation, Socrates had prior equated the dodecahedron symbol of power.

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The principle Succubus that the Soviets conjured up as well as by the Stargate operatives was called Orobasi. Her primary office is that of bestowing the ability to remote view events throughout space and time, such as enabling the conjurer to retrieve technological information from the future. Due to the focus upon Orobasi, whose classical symbol is a horse, the Vesica Pisces incorporated a horse at its almond shaped midst, with an Ouroboros surrounding the two interlaced circles. The name of Orobasi (Orobas) is derived from the term: Ouroboros, which describes Eternal Recurrence; suffice to say, the one who remembers on the battlefield of life can avoid the bullet.

Orobasi was ridden by the dreamer into the ‘little death’ of his dreams when he penetrated the superimposition state of the vaginal Stargate as binary code. The binary code equates with the emotional state of the dreamer; whereby he has to be in emotional balance when accessing the inner (vaginal vortex) Stargate.

The project was overseen until 1987 by Lt. Frederick Holmes ‘Skip’ Atwater, who was an aide and psychic head-hunter to Maj. Gen. Albert Stubblebine. Atwater later became president of the Monroe Institute. The unit was rather small-scale, comprised of fifteen to twenty operatives, which was initially run out of an old, leaky wooden barracks. The Stargate Project was said to have been terminated in 1995 after a CIA report had inadvertently divulged that the operatives were conjuring up Orobasi as a scantily clad Ponygirl.

This caused a lot of embarrassment to those funding the project with tax payers money; most of whom being devout Christian’s, as well as Muslim’s, and of course those of the Jewish faith from which Christianity and Islam had originally stemmed of an established Illuminati trinity, amidst whose monotheistic triad, their Orwellian eye of Abraham over-watches all, atop of an Oily UR ziggurat situated in war torn Iraq.

Wherefore the project had to be quickly covered up. Otherwise it could potentially trigger off religious strife, which would feed into the ongoing forever wars raging across the Middle East of continual blood-letting sacrifices to their deified ‘Animus,’ made as a three faced God. Although some to say the Stargate Project had been renamed as the Sleipnir Project, which has since been relocated to Dreamland of Area 51 and Montauk.

NOTE: Although written tongue in cheek of Discordian humour, the techniques discussed can be personally utilised for the Shamanic practice of lucid dreaming. The reasoning for satirising Project Stargate as well as Project Pegasus and the Montauk material is to negate the formulisation of religious sensibilities, which invariably leads to the creation of Cultic paradigms, based upon cultural constructs.

I would also like to point out that I am not an Atheist. The Atheism of the materialists is none too dissimilar to the religious beliefs of the God (Animus) worshippers. The symbolic paradigms of the God (Animus) worshippers in particular are primarily based upon Cult-ural constructs, which can be generally defined as being those of Jerusalem, Rome and Mecca.

You cannot Brand the mystery of existence with a Cult-ural construct; whether it be Hebrew, Roman or Arabic; for if you do so, you then have a Cult attempting to sell you a Product of an ‘Oily’ Religion, which of a theocracy is often tied up with politics, whether it be Capitalist, Communist, Socialist or Fascist, etc. As for the belief system of the Atheists, who believe that everything has happened by chance, it is often seen to be aligned with science, which is somewhat of a misnomer, since science is not, and never was a belief system, it is neutral!  

Also, Shamanism is not a religion; for it has no particular symbol system, nor a dogma; hence it is neutral. Those who consider Shamanism to be a religion, do not know what the Hell they are talking about. Shamanism is comprised of a set of techniques, which are utilised to induce an altered state of consciousness, such as inducing trance and conscious dreaming. These techniques are used by numerous cultures across the globe due to our shared neurology. The techniques of Shamanism are entirely separate from the differing cultural constructs of a religious sentimentality.  

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LILITH’S HAREM, PARALLEL UNIVERSES, ALTERNATE EARTH’S

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 30, 2015 by FAUSTUS CROW

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Did Robert Monroe, also known as Bob Monroe, (October 30, 1915 – March 17, 1995) experience accessing an alternate Earth, whose technology is right out of a Steampunk novel? Sounds like pure science fiction doesn’t it. Well, he did reveal, that he had actually done so, when consciously journeying into the quantum realms of the dream, who was an idiosyncratic pioneer of out-of-the-body experience (OOBE) research, which in turn encompasses lucid dreaming. His 1971 book, Journeys Out of the Body, is credited with popularizing the term, out-of-body experience.

Munroe’s full name is Robert Allan Munroe, who was originally a radio broadcasting executive who became best known for his research into altered states of consciousness and founding The Monroe Institute. Many an individual who has had an OOBE, invariably investigates Monroe’s experiences in order to come to some understanding of their own out of body experiences along with gaining an insight into lucid dreaming.

Munroe’s research into altered states of consciousness, began during the straight laced 1950’s, just prior to the psychedelic 60’s, when his shamanic work really took off. Munroe produced evidence that specific sound patterns have identifiable, beneficial effects upon our capabilities.

For example, certain combinations of frequencies appeared to enhance alertness; whereas others induce sleep; and still other (song/icaro/mantra) sound combinations evoke expanded states of your consciousness, which at the level of the ‘electron’ dream has the ability to ‘slide’ through inner doorways, into other realities.

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His extensive research was professionally assisted by specialists in psychology, medicine, biochemistry, psychiatry, electrical engineering, physics, and education, which led to the development of Hemi-Sync, a patented audio technology, which is claimed facilitates enhanced performance of your ‘quantum computing brain.’

Monroe was very precise when describing the methods, which he had developed for ‘Sliding’ into the astral worlds of the ‘Electron’ dream.

He assiduously described the dream realms in great detail of nigh scientific scrutiny, which he divided into three specific regions with differing properties, terming them as being, ‘Locale I’, ‘Locale II’ and ‘Locale III,’ of a shamanic cosmology.

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According to Monroe, Locale I is our present everyday Earth. It is here where the Old Hag Syndrome is often experienced of a prelude to an out of body experience.

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Should the nightmare, which rides your fear be instead transformed into a Night-Mare for you to otherwise ride, the astral body is then enabled to leave its corporeal vehicle behind; whereupon it can then hover around the collective-mind-map, observing faraway places, visiting the abodes of friends or loved ones, experiencing precognitive information, accessing the past or even exploring the depths of space.

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But the dreamer is still constrained to his/her present universe, which is basically that of remote viewing from within the informational domain of the quantum dream.

In Locale II, the dreaming reality becomes far more surreal. This is the region where varying alien entities exist of similarity to what the author Carlos Castaneda termed as the inorganic intelligence of the Allies.

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Castaneda described the Allies as being a ‘feminine’ inorganic intelligence, which exists in a dimensional domain outside of three-dimensional (Maya/Matrix) space and time he called Penumbra, which of a visionary manifestation appears as a vast desert dividing worlds.

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The symbolic motif of the desert is utilised in the Cabbala for its thirteenth path, whose ascribed Hebrew letter is Gimel, meaning (Ally) Camel. The thirteenth path of the Tarot Card: The (Ally) High Priestess of the Silver Star, penetrates the hidden 11th dimensional sphere of Da’at.

It is at Da’at that the magician experiences his consciousness accessing an Abyss, which is the space between worlds. The Abyss (mini-Worm-hole/Silver-Star) is experienced (folding space) prior to attaining (Kwisatz Haderach) ingress into an alternate world.

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When Monroe’s consciousness accessed Locale II he would sometimes experience being hassled by nightmarish beings, who reflected back his fear, and in doing so, attempted to drag his astral self back to Locale I; whereby impeding his progress, and generally made his inner experience unpleasant as if these entities were seeking to block him from accessing Locale III.

What Munroe experienced regarding the assailing entities, is what many Siberian shamans to have spoken of. The shamans communicate that they are initially impeded in their trance ingress into other realities by Erlik Khan’s daughters, whom can assume Nightmare forms, until the shaman overcomes his fear of their father, who is death; after which they then become as his (Allies/Succubae) Night-Mare spirit wives, to thence ride into other worlds.

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However, Munroe stated, that Locale II was the ‘natural environment of the Second Body’, where thought translates directly to ‘bodily’ motion. The second body its self, although appearing of apparent human form, in relation to the dreamers memory of his/her physical body, is not its true form.

Locale III is where Monroe accessed an alternate Earth, via what he termed as being a (mini-wormhole) hole, into which he slid into an alternate reality. The alternate Earth to all intents and purposes exists within a parallel universe. Monroe experienced this alternate Earth as being a material world, whose reality is almost identical to our own.

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But there were differences, as Munroe described: “There are no electrical devices whatsoever.” Munroe observed that the transport of this alternate Earth utilised steam-driven locomotives, which sounds like a Steampunk cross between an American motor-home and a High-Speed Train, which hauls wooden cars. The automobiles of this alternate Earth were twice as wide as Munroe’s own equivalents, which are driven along huge roads at a sluggish 15-20 mph.

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After several slides into a parallel universe of Locale III, Monroe discovered an alternate Earth inhabitant who was his (alternate-self) doppelganger. Monroe involuntarily enters into his double’s body; whereupon embarrassment and confusion ensues, which often involved a Steampunkette woman called Lea.

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It just so happens that the name of Lea is etymologically connected to the name of a Celtic faerie lover called a Leannan sìth. It is with Lea, slider Monroe becomes romantically attached, as his (Ally/Succubus) dream lover, when sliding into his alternate self.

Monroe’s dream slides into Locale III, he otherwise called, ‘intrusions.’ This alternate Earth has a three dimensional reality. As stated in part, earlier, Monroe related, that his intrusion into an alternate Earth as being, “a physical-matter world almost identical to our own. There are trees, houses, cities, people, artefacts and all the appurtenances of a reasonably civilized society.”

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However, Monroe observed that, Locale III had evolved along a different technological trajectory; there was no electricity or fossil fuels; its inhabitants relied instead upon a sort of alternative power source. Perhaps, it is where the ideas of Nikola Tesla had taken root, without any impediment from gangster bankers, along with the further development of steam power, which had engendered an alternate Hippie Steampunk reality.

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As for myself, I have dream slid into differing Locale III alternate Earth’s with the assistance of the (Priestess of the Silver Star) Locale II (Lilith’s Harem) Allies. The Allies assume the forms of Succubae, whom then usher my conscious awareness through their vaginal (Vesica Pisces) stargates into alternate Earth’s.

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Some of the Locale III alternate Earth’s can be described as being Steampunk realities, although the slides into different alternate Earth’s is determined by what type of Succubus one conjures into Locale I, when to become lucid of awareness.

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OROBAS PONY GIRL TARDIS TIME MACHINE OF DR WHO

Posted in Alien, Art, Chaos Magic, Dr Who, Extraterrestrial, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

The fifty-fifth Succubus At Muse of the Fallen Anima is Orobas, or otherwise named Orobasi. She is a Great and Mighty Goetia Princess, appearing at first as a ‘Night’ born hypnagogic vision of a ‘Mare,’ when the dreaming Surrealist Artist hovers as a psychonaut between waking and sleeping.

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But after the mantric command of the dreamer, she puts on the ectoplasm form of a beautiful naked young woman riding upon a Rocking Horse or to be on all fours to look like one, of a human dream manifestation.

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Sometimes she will manifest as a bound Steampunk Pony-Girl within an attained lucid dream, who will be entirely submissive to her conjuring Surrealist Artist’s every visionary whim.

Her conjuring Surrealist Artist will also find that Orobasi’s long hair will be braided into two serpentine ponytails, which are as her reins tied together at their ends, representing a closed timelike curved loop of Time.

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Her office is to discover all things Past, Present, and to come; enabling her conjuring Surrealist Artist to remote-view travel without moving within a lucid dream, whilst riding upon her ‘Art-Horse Easel’ back through time, around the Ouroboros.

And all the while, she be in the Anima form of a Pony-Girl Rocking Horse.

She also bestows Dignities, and Prelacies, and the favour of Friends and Foes. She gives true answers about the nature of Consciousness, and of the erection of the Universe.

She will also tell her conjuring Surrealist Artist about the hard and soft technology of Time-travel; for she to reveal that all are enclosed within a closed time-like curve providing a Time Machine effect, over which she is a mistress of.

The Multiverse allows for such Time-Travel, within which you exist. The long-held paradox of time is no longer applicable in a Multiverse. Whence to find that your own serpentine double-helix DNA is the primordial Time-Machine of a ‘Mitochondrial’ TARDIS, from which emanates the ‘bio-photon’ illuminating your electron dreams.

You can introvert your consciousness into your electron dreams in order to access inner Stargates, which you can otherwise describe as (vortices) ‘tunnels of light.’

Although these Stargates will be symbolically interpreted by your quantum computing brain to look like ordinary (vaginal) doors and (uterine) hallways of everyday experience, which will lead to other (womb) Maya domains.

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You can ‘Quantum Leap’ backwards through Time in order to visit your own self as child via the dream, who then to have precognitive dreams of a future self to become.

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Orobasi is exceedingly faithful and most loving unto her conjuring Surrealist Artist who assumes the alternate-guise of Doctor Who, as his assumed ‘Role-Model’ of an Avatar.

She will not allow her Artist to be tempted by any other entity emanating from another alternate reality, existing within a parallel Universe. She governs 20 Legions of (Succubae) Succubi of similar Pony-Girl form to herself.

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Orobasi (Orobas) is of similarity to the eight-legged-mare, the shamans of North-Central-Asia unto Siberia knew of to trance ride. The eight-legged-mare was also ridden by the shamans of Northern Europe who named her Sleipnir.

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This eight-legged-mare of a spider horse was specifically ridden by the Norse Shaman God called Odin, the Saxon’s knew as Woden. Sleipnir enabled Odin to ‘trance’ travel the ‘Multiverse’ World-Tree of Yggdrassill, like that of a prior Dr Who riding his TARDIS.

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During the psychedelic era of the 1960’s, Dr John C. Lilly had once again tapped into the same ancient shamanic technique via his mathematical Sigil of a Brownian Operator.

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However, Lilly of an Odinic Doctor Who, had otherwise replaced the organic symbolism of the shamans-horse, and world-tree with the mathematical Brownian Operator and Topquantese language of scientific inquiry.

Lilly soon found that via lucid-dreaming you can access Un-Marked-State ‘Looking-Glass’ Stargates, which could be all as (quantum) mini-wormholes.

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These mini-wormholes are conjectured to be at the centre of electrons, which of inner doorways can be accessed within your electron dreams. This is entirely possible, since your consciousness has been reduced down to a point, smaller than any known particle, within the electron dream.

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Lilly discovered that he could access other Marked-State alternate-realities existing within parallel-universes, when to transverse an initial Unmarked-State of a void.

Lilly’s findings were initially ushered in upon the back of the mathematical symbol of the Brownian Operator, when he found himself internally travelling into other realities, while he was in a coma, after a life threatening accident.

The Brownian Operator symbol looks like an inverted ‘L,’ which of a (knight’s chess piece move) trigger-symbol his consciousness rode, when he later floated amphibious within the amniotic waters of his (TARDIS) floatation-tank, like that of the King’s Sarcophagus amidst the Giza pyramid.

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Sounds like pure science fiction, doesn’t it. I can assure you it isn’t. Speaking of science fiction, which often catches up with fact, the fictional character of Dr Who is based upon (Woden) Odin, the author, J.R.R. Tolkein had also based Gandalf upon.

The shamanic deity Odin was known as the ‘Unknowable One;’ wherefore he has many guises, like that of the Doctor Who’s Marked-State regenerated selves, whose character went through many Unmarked-State transformations.

Odin’s sacred colour is Blue like that of Dr Who’s TARDIS; his particular Rune is that of the Fourth Rune of Ansuz, which at a mundane level is to do with communication, equating with a phone box, as well as encapsulating his shamanic ability of trance travelling into other Marked-State alternate realities, to police as a (doctor) Shaman.

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The symbol of the eight-legged-mare was used in the same way as the Brownian Operator by shamanic practitioners. The eight-legged-mare was basically utilised as a trigger symbol in order to introvert into their subconscious via consciously meditating upon the organic symbolism of the Mare. This would then enable the initiation of lucid dreaming, when the symbol was recognised within the dream.

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When the shaman recognises the introverted symbolism of the (Pony-Girl) eight-legged-mare within the dream, he could then ride her into other realities. The eight-legged-mare is essentially made up of two mares, one white, the other black. Both of these mares represent the Marked (white) and Unmarked-States (black) of Lilly’s Brownian Operator; whereupon, in regards to (Orobas) Orobasi, you have two Pony-Girls.

These two Pony-Girls are also associated with the right and left nerve channels running along either side of your (Yggdrassill) spinal-column. These two nerve channels belong to your Autonomic-Nervous-System. When they are brought into balance via the practice of meditation you experience a state of (hypnagogic) trance.

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When hypnagogic trance is achieved, the two mares become one, as the (Grey) eight-legged-mare, who represents the central channel of the spine, which is associated with your Central-Nervous-System. As you access hypnagogic trance, you will experience an energy arising up your spine, along the back of your neck, which then hits the back of your head.

This arising of energy along the back of your neck in particular, is known as the ‘rush’ in trance dance culture; it is indicative of the arousal of your Reticular-Activating-System, which is based in the throat area of your reptilian brain-stem.

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In Yoga practice, this energy is known as the Kundalini Shakti, which is seen to have a female (Mitochondrial DNA) source; wherefore it was often personified as a (Shakti) Goddess whose (Kundalini) energy is symbolised as a (bio-photon) fire snake. The Kundalini Shakti is basically the eight-legged-mare Sleipnir, which can be otherwise artistically depicted as a Pony-Girl Orobasi.

So, the sexual fetish of the Pony-Girl can be artistically utilised as a meditative focus, when given a spiritual context. This is basically symbolic alchemy, which of course also involves the sexual impulse.

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The sexual impulse is introverted in league with your focus upon the two-dimensional image of a Pony-Girl, which will then (Charge) empower you to become lucid of awareness within your (Spin) electron (Lilith’s Harem) three-dimensional dreams.

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This technique is none too different to a Tibetan Yogi meditating upon a two-dimensional image of a Fallen Anima archetype, depicting the Horse headed (Succubus) Dakini, called Ankusha to then manifest as an interactive three-dimensional reality within his lucid dreams.

The only difference is that you would be using modern symbolism to do likewise of Artistic Sorcery.

If you prefer to traditionally conjure up Orobas as an Incubus, out of a commonly focused upon Animus fixated Playgirl Grimoire, go right ahead.

It is of course your traditional choice of an ingrained phallic fixation upon the woman’s deified Animus, made as a God/Devil, to do so…

Your Mind belongs to you… doesn’t it? I mean, you wouldn’t want to turn Crowley tit-over arse in his grave, heaven forbid; such a Beastly thing would be pure wickedness.

Otherwise you will end up being ostracised by your herd-mind peers, let alone by the OTO as being a depraved, perverse, vile and a most ‘Wicked’ pornographer, who indulges in juvenile Anima conjurations of salacious (Succubae) Succubi.

Hell! You may even be accused of being a disgusting paedophile or even to be in actuality a feminist Witch belonging to a coven of deranged Chaotes!

Probably best that you stick to conjuring up machismo Angels and Demons, of a safe comfy zone Animus clique, just like those Hollywood gender-fluid Incubi uncle Aleister illustrated in his Playgirl Goetia.

Don’t think for a moment that Crowley didn’t ritualistically whack off his meat, when he to have conjured up his phallic choir boy Incubi to dance orgiastic around Boleskine house.

You have to keep in mind, Crowley was bisexual; and very brave for him to have admitted to his sexual orientation at a time, when such a revelation would have landed him in jail.

Wherefore, Crowley didn’t have any interest in reversing the all male Biblical pantheon of the deified Animus; for it was right up his Cabbalistic alley.

As for myself I far prefer to rebelliously conjure up the Succubus Orobasi out of my Playboy grimiore, to thence manifest amidst my Triangle of Art imagination, as a Sinful Pony-Girl Dakini TARDIS.

But then, that is what an Artist does of a natural inclination, when to visualise an Art Muse of an imaginative conjuration, to thence manifest as a work of Art. The intensity of the creative act then leads to stirred associative dreams unto Sexagram sixth-sense lucidity, as well as observing correspondingly concordant synchronicities.

In other words, the practice of Sorcery is indivisible to the practice of Art, they are one and the same of shamanic practice. Hence you have terminology, the Magical Arts and the Art of Magic. Wherefore the first Artist was also a Shaman.

NOTE: The controlled mass-media transformation of the iconic male role of Doctor Who into a female character ignores the most obvious biological driven fact that women are sexually attracted to certain archetypal ‘Animus’ characters, such as the Surgeon, Doctor and Wise Man, who symbolically equates with the Shaman.

Many a woman has the ‘Animus’ hots for a male Doctor Who of a Mad Hatter Wizard, with whom she imagines herself as being his sexy assistant of an Alice, experiencing science-fiction Wonderland adventures.

It is the women who define those male role-models men gravitate towards, so that they become more attractive to the opposite sex. Wherefore it is the female audience who determine, which male characters become successful.

By transforming Doctor Who into a female, whose politicised existence is to espouse politically-correct feminist politics does not empower women, it merely negates their ‘Animus’ focus, along with erasing an iconic male ‘Role-Model.’

By transforming Doctor Who’s female assistant into a sexless non-binary, having butch characteristics. or otherwise being that of having an effeminate Beta-male assistant, invariably negates an ‘Anima,’ archetype.

It would have been far wiser to have created a new and original female character, having those characteristics the controlled mass-media social-engineers are promoting to see if their politicised creation survives the critical onslaught of the female audience.

But it would be more likely, such a female character would not survive into a long-haul; unless, the female audience can identify with her intelligent use of Mercurial language, as well as being a manifestation of an ‘Anima’ archetype, males find attractive.

This isn’t to say other sexual orientations cannot be explored in a one time children’s program, which should be otherwise made adult, due to its self evident swing into identity politics. But it would be far wiser that new characters are introduced with said differing sexual orientations and political persuasions to creatively explore of artistic subtlety, within varying well-written story scenarios; rather than hard-selling a social-engineering agenda.

For example, the reason why the female character of Elvira is so successful is due to her quick-witted use of Mercurial language, though over-the-top, she is cosplayed by many a literary minded female admirer, who know men can’t get enough of Elvira’s media presence.

Should Elvira’s characteristics be toned down a Morticia notch, she could potentially be seen as an eccentric Steampunk Time Lady of an Angel-ina Jolie Vampira who crosses the interdimensional path of Time Lord Doctor Who. Somewhat like that of an archetypal Witch being unified with an archetypal Sorcerer.

But then, Sorcerer Doctor Who has a Witch assistant, whom often than not helps him out of a time-warp mess; they’re a Yang and Yin TAO team. It is a tried and tested formula, which of an ancient mythic foundation has worked for fifty or more so years within the modern-day framework of the Doctor Who franchise. As the Hindu Mystics say: “A God is not a God, without his Shakti.”

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