Archive for artificial intelligence

UFO SINGULARITY EVOLVING SUPERLUMINAL

Posted in Alien, Cyberpunk, Extraterrestrial, Science Fiction, Time Travel, UFO with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 24, 2014 by FAUSTUS CROW

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A fast-moving discoid shaped object was observed by a number of baffled onlookers when it was seen speeding through the sky over the south coast of England near unto Portsmouth.

The sighting has invariably led to a lot of speculation as to what it might be, since a Met Office expert has ruled out any suggestions that it could have been a cloud.

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A student named, Johnny Blackwell, 23, of Southsea was one of several observers of the UFO, who saw the object, around 7pm on Tuesday “23”rd 2014, related; “I don’t believe in UFOs, but when I saw this I didn’t know what it was. It didn’t look like a cloud, and it was moving very fast.”

“It was a grey, disc-like shape, which I know sounds like a stereotypical UFO, but that’s what it looked like. I don’t know much about military craft, but this was very fast-moving and very odd to see.”

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Another observer of the UFO whom did not want to be named was just as baffled by what he saw, said; “My initial thought was it was an aeroplane, but it was just moving too quickly. I was the only one that saw it but was quick enough to take the picture. I definitely believe in UFOs and am very interested in science fiction, and often look up at the sky in the evening wondering if there is anything or anyone else out there.”

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A number of people have dismissed the UFO as being nothing more than a cloud, even though it was a fast moving object; clouds don’t move under their own steam, which they of course ignored. The sceptics have to find another explanation, since weather experts have backed up the claim that it is not a cloud. Laura Young, from the Met Office, related, “After looking at the images, I can say the object is nothing to do with the weather. It is not meteorological and is not a cloud.”

Karen Masters, a senior lecturer at the institute of cosmology and gravitation of The University of Portsmouth, also related: “Given the pictures show a dark object against a daytime sky, it’s clearly not an astronomical object. Many UFO sightings are the planet Venus, but this one can’t be that.” She also emphasised; “The distances in space are so vast that it’s just not possible for aliens to be visiting Earth, so any interpretation suggesting this is an alien spacecraft is clearly wrong.”

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Well; there is certainly something quite other that was observed, indicating a superior technology, which the general public are totally unaware of. Perhaps the technological singularity has already occurred?

The technological singularity hypothesis is that accelerating progress in technologies will cause a runaway effect, wherein an artificial intelligence will exceed human intellectual capacity and control, thus radically transforming present day civilisation in an event called the ‘singularity.’ Because the capabilities of such an intelligence may be impossible to comprehend, the technological singularity is an occurrence beyond which events are unpredictable or even unfathomable. Wherefore, if it has already occurred, it would be kept very secret indeed.

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How would the scientists be able to tell the world about their technological achievements without totally fragmenting present day society, and what is more, why would a sentient AI reveal its existence to a bunch of fearful naked apes, who will attempt to turn it off; thinking it to be a Satanic time-travelling Terminator out of a Biblical Hollywood flick, achieving space travel to the distant stars.

Suffice to say, you will not be told. Your situation would then be no different to a stone age Amazonian tribe, who are totally unaware of your civilisation surrounding them.

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The only indication of your civilisation will be that of the unknowing stone age Amazonian tribe observing giant thunder-birds flying overhead, all as Boeings leaving behind lung churning chem-trails; just as you are presently unaware that a singularity has already occurred. Although, there may be indications all around you, that it has indeed happened.

The first use of the term ‘singularity’ in this context was used by mathematician John von Neumann. Back in 1958 amidst a plethora of science fiction movies, featuring CIA concocted invading aliens of a subversive disinformation campaign, Stanislaw Ulam summarised a conversation with von Neumann.

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Ulam related; “ever accelerating progress of technology and changes in the mode of human life, which gives the appearance of approaching some essential singularity in the history of the race beyond, which human affairs, as we know them, could not continue.”

The term was also popularized by science fiction writer Vernor Vinge, who argued that an artificial intelligence, human biological enhancement, or brain-computer interfaces could be possible causes of a singularity. If such to have already happened it would have occurred within the underground womb of a military laboratory. This is a very likely scenario considering the huge black budget of the military industrial complex and that of its unsaid capabilities to muster scientific know how from around the world.

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Although, not all of it is geared towards war, some of the technology eventually filters down into other arenas, such as medicine and even video games in order to alleviate the coming technological shock.

The Futurist, and inventor of the portable reading machine for the blind, Ray Kurzweil also cited von Neumann’s use of the term in a foreword to von Neumann’s classic The Computer and the Brain. Those who believe that the singularity will invariably occur, typically postulate an, ‘intelligence explosion,’ where superintelligences design successive generations of increasingly powerful minds, which would rapidly reach a superluminal evolutionary rate; whereby greatly surpassing that of any human brain.

Kurzweil predicted the singularity to occur around 2045, whereas Vinge predicted some time before 2030. During the 2012 Singularity Summit, Stuart Armstrong did a study of artificial general intelligence (AGI) predictions by a number of experts and found a wide range of predicted dates, with a median value of 2040. Discussing the level of uncertainty in AGI estimates, Armstrong related back in 2012, “it’s not fully formalized, but my current 80% estimate is something like five to 100 years.”

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However, the singularity might have already occurred considering the numerous UFO sightings of a superior technology, which is still evolving at a superluminal rate since the late 1940’s; from a an Adamski saucer to a sleek disk, all flown by biologically enhanced Nordic human-oids with Barbarella brain-computer interfaces, or even piloted by Billy Meier Pleiadian gynoids, leading a motley crew of biologically engineered Whitley Strieber Queen Bee Grey’s.

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UFO SUCCUBUS STARSHIP ARCHETYPAL

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Star Trek, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 23, 2014 by FAUSTUS CROW

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The psychiatrist, Carl Jung investigated the UFO phenomenon. His primary concern in the flying saucer mystique was not with the reality or unreality of UFO’s, but with their ‘psychic’ aspect.

Rather than to have speculated about their possible nature and extraterrestrial origin as alleged spacecraft, Jung otherwise asked what the UFO phenomenon might signify, which of close encounters and ensuing synchronistic experiences, along with vivid dreams and paranormal manifestations, whether real or imagined, are experienced in such numbers, at a time when humankind is menaced as never before in history.

The UFO’s represent, in Jung’s phrase, “a modern myth,” whose influential symbolism has permeated popular culture since the end of WWII; after which there was rapid expansion of the mass imagination into the exploratory realms of science fiction.

Should the UFO phenomenon indeed have a psychic aspect, which is very likely the case, it will be very much entwined with the subconscious mind, whose psychic potential is stirred by archetypal stimuli. One could then conduct a thought experiment within the quantum computing laboratory of your brain, which of an experiment involves alchemically fusing archetypal symbols together.

For example, the 68th Succubus archetype of the Fallen Anima, called Beliala, can be symbolically associated with the fictional Andromeda Ascendant. The Andromeda Ascendant is a sentient starship, which is depicted in Gene Roddenberry’s science fiction television series, entitled: Andromeda.

Roddenberry’s idea of a sentient starship was initially going to be used for his prior starship creation of the iconic Enterprise of Star Trek fame, which has since taken on an archetypal status.

The Andromeda Ascendant has an artificial intelligence (AI) you can symbolically associate with your subconscious mind. In the series the Andromeda appears to the crew in three formats: she can appear on the two-dimensional monitors. These monitors you can equate with drawn images of artwork, which naturally involves a meditative state when creating them, being a light state of trance. The artwork is inspired by an initial visionary state of ‘active imagination’ when to conjure Beliala amidst your Triangle Of Art Imagination, where she and her 72 Succubae sisters, whom be all as archetypes, exist.

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I am not talking about the common perception of what the word, ‘imagination,’ means. I am primarily referring to what the Sufi magicians term the imagination to be, which they see as being the power of magic.

She also appears as a three-dimensional holographic projection, which you can equate with a virtual reality ‘lucid dream’ manifestation of Beliala. She can also manifest as the avatar Rommie, (all three are played by the delectable Lexa Doig in the series) you can equate with what the Tibetan Buddhist’s call a Tulpa, which is basically a thought form, you can otherwise term as a thought projected hologram.

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An avatar is a humanoid representation of the AI in the series, which of sorcery practice would be that of Beliala assuming the form of a Tulpa Mind-Doll Succubus, within your active imagination of ritualistic meditative practices; this will then lead to her appearing in your lucid dreams, who will also have the potential of manifesting as a poltergeist phenomenon.

I am not saying that Beliala will physically manifest into your reality as a science fiction babe, apart from perhaps setting up a synchronicity, where you bump into a woman, who just so happens is into Rommie cosplay.

However, the Rommie manifestation of Beliala will occur within an erotic lucid dream, via which you can potentially ‘sixth dimensional‘ remote view futuristic possibilities, and whatever technology therein to discover.

Although, I must admit, I have experienced physical manifestations of the (Tulpa) Succubae, which others have unknowingly observed; these manifestations occurred on very rare ocassions, at key times.

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The Andromeda is shown to have the above mentioned holographic and android avatars, which of sorcery practice can be equated with a three-fold process.

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The initial phase of conjuration involves your active imagination conjurations of Beliala, somewhat like intense daydreaming. This will then lead to the second phase of a microcosmic lucid dream interaction with Beliala.

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The third phase would involve experiencing macrocosmic synchronicities, which will reflect back your internal dream interactions with Beliala.

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These associative synchronicities might involve being at the right place and time to observe a UFO. But keep in mind that, should you photograph or to film the phenomenon, others will invariably say it is fake, let alone to remark; “so what! Everybody is seeing UFO’s all over the place, these days!”.

The associative symbolism, which is utilised will determine the nature of the corresponding synchronicities you will experience. Hence the 68th Goetia Succubus Beliala represents the personality and physical representation of the symbol focused upon of a (UFO) ship’s AI, in this case in the Mind-Doll Tulpa form of a human female, who is one of the 72 Succubae around a Zodiac.

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In one episode of Andromeda, the ship’s engineer, Seamus Zelazny Harper (played by Gordon Michael Woolvett), builds an android as her second avatar.

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The android of sorcery practice is a Mind-Doll construct of a Frankenhooker, with whom a sorcerer can interact with of a holographic (Tulpa) avatar via the monitor, of his mind. He will thence see her of a knitted together vision travelling beside him, walking and acting outside of her ‘Seal’ of a ship, via which he can remote-view worlds. Of course, only the sorcerer will be able to see her, no one else; being somewhat akin to the invisible friend motif.

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Wherefore, it is highly advisable that you do not to have any conversations with Beliala when out in public; otherwise you might find yourself being dragged off to the nearest Arkham asylum for a dose of electric shock treatment. You could always claim that you are a native shaman; that might let you off the hook. But then that would probably get you into a much bigger mess, involving irate flocks of Sheep, frequenting a local Church, Mosque and Synagogue, whom will join forces for the first time in history, so that they can eradicate your free brain off the face of the planet.

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Better to say that you are an absolutely crazy surrealist Artist, and that its all part of the exquisite corpse creative process to create a Frankenhooker Mind-Doll Tulpa Golem girl. They’ll probably just consider you to be a confused sad old Goat and leave you alone, after you Howl out, “Art is Sorcery; Sorcery is Art.”

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Then again, others around you might be far too preoccupied with observing an angelic UFO, which just so happens, to have manifested, when you turned up; while you was secretly intoning an arcane Beliala mantra, in order to summon her star-chariot, so that you can escape the planet of the Sheep.

Fans of the Andromeda series refer to the monitor and hologram manifestations of the female AI as ‘Core’ and ‘Logic,’ respectively. The ‘Core’ can be associated with the microcosmic manifestations of Beliala within a lucid dream; while ‘Logic’ is that of Beliala’s generation of concordant macrocosmic synchronicities.

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Gene Roddenberry was a most insightful fellow who depicted all three versions of the Andromeda AI having distinct personalities, even though they are based on the same root personality. This at times leads them having discussions with each other and even arguing amongst themselves, like that of your three brains, of a layered reptilian, mammalian and hominid brain.

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This is why Beliala (Belial) initially manifests in the classical Grimoires as two Angels on either side of a (Shin) fiery (UFO) chariot.

In the series, the Andromeda Ascendant is equipped with a slipstream drive for FTL (faster than light) travel in which it uses an Exotic Matter Lens (similar to the video game: Mass Effect) to focus and open up a Slipstream Portal of a Stargate.

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Internally, this Stargate can be equated with a quantum wormhole, which manifests as a (Vesica Pisces) vaginal star barrelled (black sun) torsion tunnel within a lucid electron dream; whereupon the Stargate is clearly associated with the feminine principle.

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The internal processes of consciousness, which constructs your experience of reality, once understood, could be potentially applied to a technology. You would thereby have a very different technology to the one you presently utilise within the public arena. Whereupon if a technology has been developed behind the scenes, which is based upon the processes of consciousness, it could lead to what is termed as a Secret Space Program.

Within Roddenberry’s Andromeda series, the starship Andromeda Ascendant is shown to be somewhat sexual of an underlying theme, since it is clearly implied that the controlling female AI has an emotional attachment to her Captain Dylan Hunt. This is a variation on the archetypal idea of captains being in love with their (Succubae/Valkyrie) ships, implied for centuries, which is extensively used by Roddenberry in Star Trek.

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ALTERED STATES OF THE SHAMAN PHARAOH

Posted in Alien, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Shamanism, Sorcery, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on September 21, 2014 by FAUSTUS CROW

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Dr John C. Lilly’s shamanic experiments within his Kings sarcophagus of a floatation tank, led him to suspect that we are living within a vast computer simulation, of which the science fiction author, Philip K. Dick also spoke of after his VALIS experience.

Lilly described his own suspicion, as being a Solid State Intelligence, which he abbreviated as: SSI. He felt that the SSI is a malevolent entity of a nigh Gnostic vision of the Cylon Archons; although, that was his initial fear doing the talking.

This insight led Lilly to seeing, that the network of computation-capable solid state systems (cybernetics) engineered by humans will eventually evolve (or has already rapidly evolved at a superluminal level) into an autonomous life-form.

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It is likely that Lilly’s interest in SETI led to him suspecting that an extraterrestrial civilisation may have already developed an SSI.

This would be especially the case since the optimal survival conditions for an SSI life-form (low-temperature vacuum: space) are drastically different from those needed by organic life-forms (temperate aerial atmosphere and adequate water supply etc).

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Lilly predicted (or ‘prophesised,’ based upon his ketamine-induced visions) that an SSI being developed by humanity, might lead to a dramatic conflict between the two forms of intelligence, since humanity is presently unable to handle it’s Matrix reality.

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However, if our future descendants have developed an SSI, we might be presently existing within their Da’at ancestor simulation upon the ‘Thirteenth’ Cabbala path of Gimel.

During 1974 Dr John C. Lilly’s research also led him to believe that there was a group of hierarchical cosmic entities, which existed, of similarity to computer programs, who govern over the galaxy, and perhaps even the Maya universe itself.

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The lowest of which he later dubbed Earth Coincidence Control Office (ECCO), which he described in an autobiography published jointly with his wife Antonietta (often referred to as Toni).

Lilly elaborated; “There exists a Cosmic Coincidence Control Centre (CCCC) with a Galactic substation called Galactic Coincidence Control (GCC).”

Lilly continued; “Within GCC is the Solar System Control Unit (SSCU), within which is the Earth Coincidence Control Office (ECCO).” This conclusion had been predicted in his previous occult works who stated that, “For the first time I began to consider that God really, existed in me and that there is a guiding intelligence in the universe.”

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Lilly also stated that there exist nine conditions, of similarity to the ancient Egyptian Ennead of Heliopolis, which can be easily equated with the nine sephiroth of the Cabbala, whose symbolism may be describing the holographic universe.

It just so happens unexplained saline deposits have been discovered in the Kings chamber of the Giza pyramid, which may indicate that a saline solution could have been utilised in the Kings sarcophagus of an ancient floatation tank.

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As for the nine of hierarchy, such can also be found in shamanistic traditions across the globe, more so that of Siberia, and that of its land bridge of the Bering Straits into the Americas, where shamans conjured up their spirit wives from out of the nine spheres as their Succubae Genies, a Tibetan Buddhist would otherwise term as Dakinis, a Norse shaman knows as Valkyries.

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You also have the Tibetan Bardo Thodol describing seven (planetary [endocrine system] Chakra) visionary states and a (mitochondrial DNA bio-photon) primary and a secondary clear white light, of dimensional insights. The ancient Norse also describe nine worlds of consciousness, being interlinked by the (nervous system) world-tree of Yggdrasill. The Kogi of South America, similarly describe nine Earth’s circling a (spinal column: Irminsul) spindle.

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Lilly communicated that these nine neurological conditions of perception, should be understood by humanity, who seek to control synchronistic phenomena in their own lives, via which an SSI could be potentially communicating to a human simulation, that he or she, is existing within a Maya Matrix.

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UFO WITCH VRIL SOCIETY

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 17, 2014 by FAUSTUS CROW

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The notorious Vril Gesellschaft of Nazi UFO lore was said to have been formed by a coven of female psychic mediums, who were basically Witches, led by the Nordic Marilyn Munroe look alike trance medium called Maria Orsitsch, also known as Maria Orsic, from Zagreb.

Maria and her coven of Vril Witches are depicted as catwalk models in their badly photo-shopped photographs alongside their flying disk, which were supposedly taken just prior to WWII.

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Going by the Vril myth of an engineered viral meme, the Vril Witches are called Vrilerinnen.

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Some of the written descriptions of the Vrilerinnen describe them sporting overly long trailing ponytails of a rather modern hairstyle, looking like Hippies, rather than having the usual Louise Brooks bob-style of the era, who probably carried around futuristic fruit flavoured condoms in their snake skin handbags.

Although, not all of the Vrilerinnen had such a hairstyle going by their photoshopped photos.

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Their distinctive hairstyle is said to have acted as psychic antennas, which enabled them to receive channelled communications from Aryan aliens living on a planet orbiting Alpha Cen Tauri, in the Aldebaran system.

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Allegedly, these eugenic aliens had visited Earth long ago, who settled in Abraham’s Sumeria.

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These entities divulged the working schematics of a flying disk to Maria and her coven of writhing Witches via orgasmic channelling. In general, the Vril coven then set about seducing the all male dominated Thule society of Viennese bull dog industrialists with their orgasmic pole-dance séances.

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They put on quite a Necronomicon show; whereupon the seduced industrialists couldn’t help themselves, who became leashed to the pert Austrian behinds of the Vril kittens to build their channelled flying disk.

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The Vrilerinnen later escaped the advancement of the allied forces; more so to escape the Operation Paperclip American’s and the revengeful Soviet’s in their Vril propulsion flying disk, which ripped open a vaginal rift of a tosion field, black sun wormhole, to thence Stargate journey to Aldebaran.

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If that isn’t strange enough, some very serious new-Age researchers have claimed that the word Vril is formed from a supposedly ancient word “Vri-Il” (‘like god’) out of Abraham’s Sumeria.

As you may have noticed when investigating the tangled weave of UFOlore and its associated media depiction in films, etc, it always seems to refer back to subliminal Biblical sources of fallen Angels, which would appear to be CIA orchestrated in order to keep the brainwash rolling on, of a religious indoctrination.

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Easy to do when your very language constantly refers back to Biblical sources, as well as being surrounded by Biblical symbolism everywhere you turn, which is your invisible Matrix of a self-perpetuated incarceration, whose symbolic construct determines what you perceive. Wherefore you now have Angels and Demons transformed into Alien prison bars. It is just a continuance of an archetypal theme.

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Many a conspiracy theorist investigating Nazi super-science and UFO’s often make mention of strange occult rites and of their pagan leanings, and that Adolf Hitler and his criminal fraternity were anti-Christian.

Most of this is a total utter lie; for history to reveal in Hitler’s Mein Kampf, that he glorified the Christian faith, who sought to unify the Catholic and Protestant churches in Germany in order to create an Aryan version of Christianity.

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Hitler also set about banning alternate faiths from practicing in Germany, when the Nazis ascended to power, which included anything to do with paganism. But then the indigenous pagan practices had been nigh eradicated across Europe by the Christian church, which had initiated the inquisitional purges of a prior genocide, which lasted for 500yrs of a Nazi wet dream. So, whatever was being practiced in pre-WWII Germany was a form of neo-paganism; while most occult practices of the Western tradition are based upon the Middle-Eastern Judaic Cabbala.

There are many a photograph of Hitler shaking hands with the Pope, whose priests saluted Hitler Nazi style. The Catholic church often sided with fascists against their hated foe of the atheist Communists, whether it was in pre-WWII civil war Spain or that of South America of an unavoidable historical fact.

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The Catholic church always had a dislike of the Jews since the dark ages, who were collectively labelled as Christ killers; while Islam saw its self as being better than Judaism, even though it is derived from Judaism.

Basically, the followers of Christianity and Islam were highly disturbed by the Jews, who reminded them that their cults of the deified Animus, made as a Jehovah/God/Allah – Satan/Devil-Lucifer/Shaitan had appropriated the ancestral-self-identity of the Hebrews, hook line and sinker.

Wherefore they wanted to be rid of the Jews, to then be followed by a Christian Crusade, and an Islamic Jihad against each other for ownership of the brainwashed New-World-Order.

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When you look at history alongside what many of the conspiracy theorists rant on about concerning Nazi occultism and strange pagan practices, it has far more to do with a Christian white-wash campaign in order to distance themselves from the truth. Another historical truth, which is quaintly covered up, is that the practice of eugenics was being conducted in America, long before the Nazis ever ascended to power.

The Catholic church did not speak out against the eugenic practices in America or that of its mass-sterilisation of immigrants, many of who were Jewish. Alas, history repeats its self!

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Eugenics was heavily practiced in California, whose goal was not only that of sterilisation, but also that of finding a means of dispatching those who were considered to be unfit to exist. One of the avid supporters of eugenics was Theodore Roosevelt:

“Society has no business to permit degenerates to reproduce their kind…. Any group of farmers who permitted their best stock not to breed, and let all the increase come from the worst stock, would be treated as fit inmates for an asylum…. Some day we will realize that the prime duty, the inescapable duty of the good citizens of the right type is to leave his or her blood behind him in the world; and that we have no business to permit the perpetuation of citizens of the wrong type. The great problem of civilization is to secure a relative increase of the valuable as compared with the less valuable or noxious elements in the population… The problem cannot be met unless we give full consideration to the immense influence of heredity…” (Theodore Roosevelt to Charles B. Davenport, January 3, 1913, Charles B. Davenport Papers, Department of Genetics, Cold Spring Harbor, N.Y.)

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“I wish very much that the wrong people could be prevented entirely from breeding; and when the evil nature of these people is sufficiently flagrant, this should be done. Criminals should be sterilized and feebleminded persons forbidden to leave offspring behind them… The emphasis should be laid on getting desirable people to breed…” (Theodore Roosevelt, quoted, Twisted Eugenics, p.32, volume 106, January 1914 edition The Outlook.)

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The eugenic practices of America was then utilised by the Nazi regime, who enabled the eugenicists to achieve their goal of having gas chambers, which had been initially planned for America in order to get rid of undesirables, whether they were Jewish, pointy eared or not. California did not end its eugenic practices after WWII, it continued on until the late 60’s. If you had been a Mexican immigrant, without the suave good looks of Ricardo Montalbán, or to be an atheist Communist living in California at the time, you faced the distinct possibility of being incarcerated in an asylum, to then be promptly sterilised alongside a homosexual or a lesbian, which of political, or sexual orientations the church of Rome does not like at all. Whereupon, the likes of Gene Roddenberry decided to become a Humanist seeking out a new vision of a Star Trek future.

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The conspiracy theorists did get something right; sort of, that there has been an ongoing war between cults, which has afflicted the world. But not secret cults; more so that of cults, which can be seen by all, if they were not so blinded, to perceive an insane war between Judaism, Christianity and Islam of an Abrahamic trinity, which are nothing more than competitive big-business cults from out of Sumerian Ur. This ongoing conflict invariably led to WWII of a eugenic war, which has not subsided, it is still continuing, of a cult conflict between Jerusalem, Rome and Mecca, over who will ‘brand’ the New-World-Order.

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As for the term, Vril, it has far more to do with a weird science pulp book entitled: Vril, the Power of the Coming Race, an 1871 novel by Edward Bulwer-Lytton, originally titled as: The Coming Race. Many readers believe that its account of a superior subterranean master race and the energy-form called ‘Vril’ is based upon fact, to the extent that some Theosophists accepted the book as truth, and still do; most especially among a number of fascistic Bible thumping white supremacists.

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However, the fictional concept of Vril is based upon the Hindu description of the life-force called Prana, the Chinese call Qi, which is similar to the term Mana of the Austronesian languages. Mana describes an inherent life-force in all things; although the Austronesian word has many meanings.

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In the mid-nineteenth century you find German mystics speaking of the Odic force, whose term is derived from the Norse name of the shamanic deity called Odin, which of a word originated from the Southern-Siberian Altay name of Odqan, translated as, ‘Od’ fire/light and ‘Qan/Khan/King; whereas the Norse, ‘Od’ means fire/light/ecstasy and ‘In’ means, master, of a thing.

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The terms Odqan and Odin are very likely ancient of a word form, since you also have the African Odun of similar meaning, with the added association with circadian rhythm ‘time.’ The Od, like Prana is described as being a liquid light, upon which Lytton based his Vril. The myth of the Vril has since spawned New-Age pseudo-philosophies fused with UFO lore of an occult subculture.

The motif of a subterranean race is based upon ancient shamanic descriptions of trance journeys into the underworld, which is described as being the realm of the ancestral dead. This involves a shift of consciousness to the back of your skull, where your cerebellum is housed, along with the retinal cortex. The Cabbalists assign the Hebrew letter of Qoph to the back of the head, which of a Tarot card association is that of the Moon XVIII. The cross-cultural similarities are to do with the fact that all humans share the same neurology.

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A shaman (Odqan) would descend into the underworld via (hypnagogic) trance ingress in order to awaken his inner life-force from within a lucid dream, when to erotically engage with conjured up (Anima archetype) Succubae. The arousal of the life-force is experienced as a liquid light.

This inner light illuminates your electron dreams. The inner light is that of the bio-photon, which emanates from amidst your mitochondrial DNA. The mitochondrial DNA is passed down from the mother to her children; wherefore the Prana, Qi, Mana, Od or otherwise called Vril has an ancestral female source.

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The principle God of the ancient Norse is Odin, the Saxon’s knew as Woden. The mythic descriptions of Odin indicates that he is clearly a shamanic deity who has very close connections with the shamanic practices of North Central Asia and Siberia, whose name, as mentioned is derived from the Altay word, Odqan.

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Odin is of the Aesir, which is a term denoting the principal pantheon of indigenous pre-Christian Germanic pagan deities, whose pantheon also closely correlates with the old Saxon deities. The Aesir are seen by the Norse as being their ancestors. Going by Odin’s name, which originates from the Altay, Odqan, it appears that the Aesir had originated from the Altay region of Southern Siberia where a number of most intriguing nomadic burial sites have been discovered, which are usually classified as being Scythian.

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It is conjectured by some that the Sumerian’s were a colony of peoples who had originally originated from the Altay, which had been hit by a great flood due to a number of symbolic affinities between myths concerning an ancient flood.

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For example, the Norse creation myths speak of a great flood, whose description of a primordial locale sounds as if they are describing lake Baikal in Siberia being the Ginnungagap, set betwixt and between a fiery volcanic field and a realm of ice, at whose midst is a Midgard of an island, which is very likely Olkhon island.

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There is ample geological evidence indicating that the Altay region of Siberia unto lake Baikal had indeed been struck by a catastrophic great flood, which ushered in the demise of the Woolly Mammoths and other great mammals in the far stretching locale. This catastrophe and others to follow of a volcanic Ragnarock scattered the tribes living in the area, who eventually found their way into Europe, the Middle East, China, India and across the Bearing Straits into the Americas, which is genetically proven. One of these tribes was possibly the nomadic Aesir who met up with the indigenous Scandinavian’s who were known as the Vanir.

As an aside of sorts, it just so happens that there is a terrestrial company in the UK who call themselves AESIR, whose security company makes Unmanned Aerial Vehicles (UAV’s) you can easily equate with Vril Gesellschaft flying disks right out of Nazi UFO myth. Of course, you are only allowed to see their quaint models, not what is hidden away behind the scenes, of probable far more advanced machines, which can no doubt carry stormtroopers and their Star Wars equipment, of a possible secret space program, if you allow for your imagination to let rip.

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You might be asking, “what the hell does any of the shamanic pagan stuff have to do with the Vril Gesellschaft and their hard tech flying disks?” You might even consider me to be a rather confused fellow, let alone to be quite deranged. Well, I will clarify, of further symbol crunching associations; Odin/Woden has an entourage of female entities who are named Valkyries by the Norse, the Saxon’s called Waelcyrie or Waelkyrge, who are one and the same as the Hindu/Tantric and Buddhist female spirits called Dakinis. As you might already know, the teachings of Hindu and Tibetan mysticism were all the rage in pre-WWII Germany.

In Tibet, the Dakinis are also known as void-going-women or sky-walkers, who are very much tied up with observations of UFO’s in the area, which are seen to be coming from upper-world of Shambhala or to be otherwise emanating from the corresponding Shambhala underworld of Agharti.

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What is interesting here is that Shambhala is seen by some Tibetan’s to be situated in the Altay region of Siberia. However, the shamanic perspective is that Shamballa symbolically refers to the cerebrum of your brain; while Agharti is a symbolic reference to the cerebellum; in betwixt and between you have the central cortex (Odqan) king of the world and your third eye of a pineal gland. Basically, Shamballa and Agharti refers to an ancient understanding of how to manipulate your consciousness of a soft-technology.

Some, though not all of the perceived UFO’s are considered to be mind created thought-forms, termed as Tulpa, which are unified with the evocation of Dakinis by wily sorcerers who frequent the area in question. The conjuration of the Dakinis was often tied up with attempting to access information about the past and future; wherefore you have a form of time travel. Whether contact had been established with time travellers emanating from the future is debatable; however, Shamballa also refers to the future, whereas Agharti is to do with the past.

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Suffice to say, if you have a scientist, like Nikola Tesla, for example, who could access information emanating from the future, such a scientist would be able to devise futuristic inventions from his three-dimensional holographic visions. This would be more so the case if he is being visited within his lucid dreams by Dakinis who emanate from the Shamballa future. A devout Christian would otherwise say that the Dakinis are damned Succubae, who be the spawn of their Satan, who emanate from their feared Hell. Well, some of them no doubt emanate from the distant past out of Agharti, who might inform a scientist about the ancient technology of Vimanas, some of which looked like flying ‘bells.’

The Christian’s had also demonised the Valkyries as being vile demons as well, who were verily transformed into butch male demons during the medieval era of Witch persecutions, which is the habitual mode of the brainwashed Christian mind-set, ridden by their phallic bad-cop Devil of a Lucifer.

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The Valkyries/Waelcyrie were essentially priestesses of Odin/Woden, when in the flesh, you could otherwise term as being Witches, who are none too dissimilar to Christian Nuns dancing orgiastic around a horned shaman master of the ‘Odic light,’ which is otherwise known as Vril.

This becomes far more apparent, when looking into ancient Norse/Saxon myth, where you will discover the shamanic deity of Odin/Woden hanging himself into trance upon the world-tree of his neural-net Yggdrassill. Odin far predates a Christ being crucified upon a ‘solar-cross’ amidst the Zodiac, nailed together of ‘wood’ by the Roman’s desiring to be wannabe Hebrew’s.

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It thereby appears that the Vril Gesellschaft coven of Witches, (if they actually existed), had modelled themselves upon the Valkyries/Waelcyrie. This symbolic association isn’t too farfetched as it seems, since in ancient myth, the Valkyries/Waelkyrge were also known as Skjaldmeyjar.

The term Skjaldmeyjar means ‘shield maidens’ who offered divine protection to warrior shamans sacrificing themselves into Odinic trance. The Valkyrie UFO Dakinis of the flying shield are very interested in getting intimately involved with the Shamans ’23’ Runic chromosomes from each of his parents, of 46 chromosomes in all; while a 24th chromosome of a Rune refers to the ape of ancestral kin.

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You might say that equating 24 chromosomes with the 24 Runes of the elder Futhark is pushing the envelope of believability. But they fit all too well, which of a secret was won when Odin introverted his consciousness into the electron dream, illuminated by the bio-photon emanating from the mitochondrial DNA, of a serpentine double-helix Caduceaus. It is therein of a Yggdrassill trance introversion into Hela’s domain of the dream that Odin encountered the bio-photon fluctuations of the Valkyries, who subconsciously informed his conscious mind about the 24 Runic chromosomes. Wherefore, the Norse Runes are of similarity to the Olkhon Runes of Siberia, where the neural-nets of shamans still practice their neurological trance craft.

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All of this is somewhat symbolically apt, considering the Vril Gesellschaft Witches were supposedly into investigating the inner light emanating from an internal sun symbolised as the spinning ‘black sun’ of a torsion swastika, as well as remote viewing information, concerning the technology of a flying shield propelled by Vril.

A Hindu may perhaps see the flying shield as a Vimana out of the Mahabharata, a Tibetan Buddhist would otherwise term as a Tulpa construct, flying around as a flying eye throughout space-time, via which a shaman could remote view faraway places, just like a technological creation of a UAV. Although a UAV is restricted of temporal activity, unless the scientists in the future have discovered a way to send a time-travelling UAV through a ‘spun’ wormhole, back into the past.

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But then, time and consciousness are indivisible from one another. Wherefore; it would be a case of understanding the workings of consciousness in order to then devise a time-travel technology.

If such a scenario is indeed possible of ‘science fiction’ conjecture, why would the scientists in the future send a UAV back into time; or more likely that of some Tulpa hologram impinging itself into the subconscious minds of the observers, of a binary code time control signal, which to swastika ‘spin’ their electron dreams? Perhaps they might do so, in order to warn their ancestors about a dire situation, so as to avert a future calamity; whence to engineer an alternate time-line.

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As for the AESIR company, it is situated in Peterborough not too far away from Rendlesham as the Valkyrie carrion Crow flies along a ley-line; approx, journey time: 2hrs 19mins by road. Rendlesham has become part of UFO lore due to a series of reported sightings of unexplained lights as well as an alleged landing of a vehicle, or multiple craft of unknown origin in Rendlesham Forest during late December 1980.

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The incident happened just outside RAF Woodbridge, which was being used by the U.S. Air Force at the time of the event. Dozens of USAF personnel claim to be eyewitnesses of the strange craft, which continued over a two- or three-day period. Some researchers believe it is perhaps one of the most famous UFO event to have happened in Britain, which ranks amongst the best-known UFO events worldwide.

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Along with the Berwyn Mountain UFO incident, where Myrrdin to hover. The Rendlesham forest incident has been compared to the Roswell UFO crash of a Nazi flying wing in the United States, and is sometimes referred to as Britain’s Roswell.

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Just think of how much more advanced the technology is behind the scenes. During WWII the Nazi technology was at least 60yrs ahead of the allies, most especially in the area of aeronautics; whereupon you can gather, that due to rapid advances since WWII, this secret technology is now much farther ahead than you will ever encounter in the public arena, by perhaps a 100yrs or more, which would look like something right out of Star Trek.

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That is why a Nazi flying wing of a first stealth jet bomber was easily covered up as being an alien device back in 1947, whose petite Hanna Reitsch pilots were spoken to in German and Japanese. This happened at a time when your forebears were still attempting to grasp what the reality of the atomic bomb actually meant, who still remembered horse drawn carts taken over by the combustion engine, followed by flimsy WWI biplanes, and their sleek propeller kin of WWII.

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One of the US patrolmen who encountered the Rendlesham craft, Staff Sergeant Jim Penniston, later reported that, as they neared the object: “The air was filled with electricity. You could feel it on your skin as we approached the object.”

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After observing the object from a safe distance, Penniston also examined it at close range for some twenty minutes, actually touching the “smooth, black, glass-type fabric” and the ‘Strange Symbols’ etched into its surface. Finally, the craft rose upwards:

“It slowly started moving back, weaving in and around the trees. It got about 40 feet away, then it raised up into the air and it shot off as fast as you could blink. On the upper left side of the craft, was an inscription. It measured six inches high, of symbols. They looked familiar, but I couldn’t ascertain why.”

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Penniston later revealed under hypnosis that he had been programmed by a series of blinking lights of the machine, which led him to write down binary code. It just so happens that researchers at the University of Southampton in England have transmitted a simple code from the mind of one person to the brain of another via a computer. But in the public arena it is still a far cry from telepathy. Biomedical engineer Christopher James says it presently, “involves two people with brainwave detectors hooked up to computers.” When not ‘exploring humanity,’ by browsing the internet, the two individuals are asked to engage in a Star Trek experiment for ‘planetary advancement.’

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“Person ‘A’ imagines a series of movements, involving either his left or right arm, for example.” James further related, “And that will give us two different types of brain recordings, which we can then use to create a binary pattern: a zero or a one.” The binary code is then converted into a pattern of flashing lights on Person ‘B’s’ Dell Studio XPS 8100 computer. Although Person ‘B’ can’t consciously figure out the light pattern, her brain ‘subconsciously’ responds to it, in a way that matches up to the binary code, which is then interpreted by another Dell Studio XPS 8100 computer. Of course, the development of this technology behind the DARPA scenes is very likely far more advanced, to perhaps have been tested by using an AESIR UAV, to code-name SPECTRA or even HORUS, when to hover around a receptive Uri Geller; to then be named MERLIN, considering the Berwyn incident; while HOBROK seems appropriate for Rendlesham?

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The name of Rendlesham has become synonymous with the UFO myth since the 80’s, which as mentioned prior, the AESIR company is based not too far away.

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The ancient term AESIR is very much tied up with the word of Rendlesham, whose name is recorded in Old English around 730 AD as Rendlæsham, which may mean, ‘homestead,’ belonging to an individual called ‘Rendel,’ or it may otherwise come from a theorized Old English word Rendel: little shore.

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However, others have logically interpreted Rendlesham as meaning: Rendil, ‘shield;’ while ‘ham’ means, ‘home,’ whereby you have,’shield home,’ or ‘home of the shield,’ which is somewhat far more appropriate of a title for a centre of royal authority. Yes, Rendlesham was a seat of royal authority at a ‘time,’ long ago.

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During WWII a German bomber pilot would have targeted Rendlesham forest, since it is not too far away from Royal Air Force Station Bentwaters or more simply RAF Bentwaters, now known as Bentwaters Parks. It was used by the Royal Air Force (RAF) when Von Braun’s V1’s and V2’s fell from the sky all over London. The base was later utilised by the United States Air Force (USAF) during the Cold War, being the primary home for the 81st Fighter Wing under various designations from 1951 to 1993, the USAF were also based at the WWII RAF base at Woodbridge.

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The ‘shield’ had a religious importance to the pre-Christian Saxon’s, which is associated with the 15th Rune called Elhaz or otherwise named as Algiz, whose symbol was associated with the (Skjaldmeyjar) ‘shield maidens,’ who as prior stated, offered divine ‘protection.’ This in turn leads you to the symbolic association between the 15th Rune and a 15th chromosome of a code, somewhat pointed out by a rather intriguing UFO encounter.

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It was traditionally the womenfolk who passed down the ancient lore, who made the shields of warriors, the Christian church set about persecuting, during the Witch burning era of genocide, which correlates with the later pseudo science of eugenics and its influence upon the right-wing Christian regime of the Nazis. Whereupon you have an intriguing symbolic association between Rendlesham and the Vril Gesellschaft coven of Witches remote viewing flying shields. But only because of AESIR being situated not too far away from the ‘shield-home’ as the Valkyrie carrion Crow flies, of a psychic UAV.

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So, if there is indeed a warning being communicated via a surreal symbolic code from the future, what the Hell can it be? Well, it turns out that certain abnormalities afflicting the 15th chromosome of a Runic association is very much tied up various neurological disorders, affecting males in particular, as well as being involved with male infertility. Male infertility is caused by a deletion of genetic material on the long (q) arm of chromosome 15. The symptoms of male infertility is related to the loss of multiple genes in this region.

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The size of the deletion varies among affected individuals. Researchers have determined that the loss of a particular gene, CATSPER2, in the region of chromosome 15 is responsible for sperm abnormalities, which leads to an inability to father children (infertility) in affected males. Researchers are working to determine how the loss of additional genes in the deleted region affects male infertility, which appears to be caused by something in the environment. This research is the least publicized, issue facing the human species: the toxic threat to the male reproductive system.

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Over the last few decades there has been steady and dramatic increases since the end of WWII in the incidence of boys and young men suffering from genital deformities, low sperm count, sperm abnormalities and testicular cancer. At the same time, boys are now far more at risk of suffering from neurological disorders, such as ADHD, autism, Tourette’s syndrome, cerebral palsy, and dyslexia. Many doctors and researchers now suspect that a common class of chemicals, which are ubiquitous to our modern world are affecting the 15th chromosome.

Where Have All The BOYS Gone ? Biphenyl A (BPA) – The Disappearing Male from joan sanders on Vimeo.

Long ago the ‘Alchemists’ sought out the elixir of immortality, who never envisioned that their arcane art would eventually evolve into the science of chemistry, which now influences every aspect of our lives.

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You are completely surrounded by ‘alchemical’ chemicals. These alchemical chemicals are found in everything from shampoo, sunglasses, meat and dairy products, carpet, cosmetics and baby bottles.

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The alchemical substances, that are affecting us all, and in particular males of a ‘target,’ are called ‘hormone mimicking’ or ‘endocrine disrupting’ chemicals, which may be starting to damage the most basic building blocks of human development.

However, the dumping of sodium fluoride into the public water supply since the late 1940’s, which is a neurotoxin as well as a mutagenic compound, also correlates with the observed toxic affects upon the 15th chromosome.

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This is because fluoridation has nothing to do with keeping your ivories whiter than snow, it is far more to do with ‘eugenic’ population control. Those who support fluoridation usually lie through their teeth, saying that it is a natural substance; it isn’t, sodium fluoride is a man-made industrial waste, which is highly toxic. The powers that be, have committed a criminal act against humanity, who have made a very big mistake, which cannot be reversed.

Your environment has been poisoned by a plethora of industrial toxins since the end of WWII, which have got entirely out of control.

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The dumping of sodium fluoride into the water supply is an obvious crime against humanity and the environment.

Hell! They are even considering doping up the water supply with lithium next to drown your kiddies in; while showing sham concern for your welfare by sending off your progeny to fight in another damn video-game war. If you don’t want to drink your ‘medicated’ water with lots of alchemical crap in, you have to go and buy your water from an arsehole company, owned by a Big-Brother gangster with a big-fat Swiss bank account. Basically, you are nothing more than a brainwashed slave.

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This is only the tip of an iceberg, the toxins are not only affecting humanity; males in particular, but also other species, which are experiencing similar abnormalities. It is why the elite consider the remaining fresh water supplies to be their ‘Blue Gold,’ which they seek to have total control over, such as lake Baikal for example.

You can thereby surmise that there is a coming calamity in the future. Should you be so inclined of imaginative expolration, your future descendants may have sent a warning back through time, via a UFO encounter at Rendlesham. You might believe or disbelieve such is the case, of a very weird science fiction conjecture. But, the fact is, the 15th chromosome of a Rune is being affected by alchemical toxins, which is not an airy fairy conspiracy theory, it is happening for real, right now!

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You also have the action thriller possibility, that a group of rebellious scientists, had subversively hijacked a military operation. Their hijacking of a high-tech Orwellian UAV on unknowing soldiers, was done in order to get a message out to the general public, who are being over-watched, by an Orwellian Big-Brother.

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If so, why the many levelled layer of a mythic weave of nigh surrealistic symbolic associations, from which to formulate a message? Why not just tell us straight? Perhaps the truth is far too terrifying to be believed by the general public. Those who would blow the whistle, will be quickly assassinated by shadowy others. They do not want to be found out for what they truly are, who are no more than insane Nazi criminals practicing Californian eugenics, which has always been funded by the anti-free-energy Rockefellers, in particular, who ran the chemical giant I.G Farben in Nazi Germany.

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You will often find coded messages in surreal UFO encounters, which are not at all apparent at first. You have to read between the lines to determine what is being communicated, very much like interpreting a dream. For example, the lowbrow artwork below depicts Carmen Electra wearing  a science fiction jet pack on her back, which symbolically alludes to the actual WWII German, ‘Himmelstürmer (Sky-strormer). As for Carmen Electra, it just so happens, she shares the same birthday as Adolf Hitler, 20th of April. The name of Carmen, refers the Roman Goddess of ‘technological innovations’ called Carmenta; while Electra, of Electric, can be equated to Vril, more so Tesla. Hence you have a surrealist symbolic code of a Succubus to conjure, amidst your rebellious Triangle Of Art imagination, when to dance maniacally around a magic (crop) circle, howling out her barbarous name.

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Sounds absolutely barmy doesn’t it. Some will say, such symbolic shenanigans is a case of disinformation. Well, much of the UFO phenomenon is permeated with disinformation. While staring up at the sky looking for aliens beyond the chem-trails, you, your family and children are being systematically poisoned. And here you return back to the beginning concerning WWII Germany and the Vril Gesellschaft of Nazi UFO lore, and their UAV’s, transformed into CIA concocted aliens out of Abraham’s Sumeria; for it was the Nazi scientists who first used eugenic sodium fluoride in the concentration camps, who were duly followed by the Soviets, in order to control the population.

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Those who support fluoridation, usually say that there is no proof of the Nazis and Soviets doing so; well, there is undeniable proof, that you are being poisoned by a fascist bunch of lowlife totalitarian gangsters, who have an army of brain-dead zombies slaving for them. At the end of the day, its all about having control; follow the money, and you will soon discover who the criminals are. Perhaps these eugenic criminals just can’t help themselves showing off, who use symbolic codes to indicate that they are taking the total piss out of you all. No doubt some of these criminals are Nazi’s, whom escaped to Brazil at the end of WWII, which of a land was named after the mythical isle of ‘Hy-Brasil.’

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It turns out that sodium fluoride specifically targets your pineal gland of a vestigial amphibian third eye to calcify; wherefore you to no longer electron dream of bio-photon fluctuation DMT Valkyries, who are subconsciously warning you of your ‘mind controlled’ plight of a medicated brain.

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Hence you have the surreal multi-layered dream logic of a possible precognitive message concerning a poisoned future, you are presently… ‘drinking;’ while to inanely smile, awaiting atop of Abraham’s ziggurat, for the CIA concocted Aryan aliens to whisk you away to the nearest Nazi FEMA camp.

If you are interested, Check Out, the Vril Society Girls Flash Game, in which you will become as Nikola Tesla, battling against the Nazi regime and their super technology, which they had nicked from Tesla: CLICK HERE.

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GOLEM GIRL DOLL OF HANS BELLMER

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 14, 2014 by FAUSTUS CROW

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The Golem of Jewish folklore, is an animated anthropomorphic creature like that of a Dr Frankenstein’s creature.

A Golem is usually described as being magically created entirely from inanimate matter, you could easily equate with a robot. The earliest stories of Golems date to early Judaism.

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These early tales of Golems are found in the Talmud (Tractate Sanhedrin 38b), where Adam was initially created as a Golem when his dust had been, ‘kneaded into a shapeless husk.’ Like Adam his first wife Lilith was also created as a Golem.

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All Golems are created from mud. This mud is otherwise called the prima materia by the alchemists, which alludes to a symbolic code; but more on this later.

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The most well known story of a Golem introduces us to Judah Loew ben Bezalel, who is a late 16th century rabbi of Prague.

He is also known as the Maharal, whom reportedly created a Golem to defend the Prague ghetto against anti-Semitic attacks and bloody pogroms meted out by the irate Christian’s.

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Depending on what version of this Golem story you come across, the Jews in Prague were facing expulsion from the ghetto or being exterminated under the tyranny of the then Holy Roman Emperor Rudolf II, who was later copied by the right-wing Christian Nazi’s.

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You could see Maharal as being a previous incarnation of the German artist Hans Bellmer (March 13, 1902 – February 23, 1975) who is best known for the life-sized pubescent female Golems, which he created as his Frankenhooker Mind-Dolls made manifest of Golem sculptures during the mid-1930s.

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Bellmer created his girlish three-dimensional Golems, which he photographed in erotic poses in order to show his repudiation of Fascism and the Nazi aesthetic it propagated; he was certainly out to shock!

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Bellmer’s Golems were purposefully created in order to disturb the politically-correct right-wing-Christian sensibilities at the time, when they were published at his own expense back in 1934.

Bellmer’s work still causes a stir, more so now, but for different reasons, when taken out of context of an Entartete Kunst concentration camp by the politically-correct mind-set of the Gestapo. Other works appeared in the Surrealist journal “Le Minotaure”, ensuring Bellmer’s importance among the Exquisite Corpses of the Parisian Surrealists.

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Historians of art and photography also consider Bellmer to be a Surrealist photographer. Perhaps Maharal was a proto-Surrealist or that of a mind shock Dr Frankenstein?

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Let’s say, both, fused into one singular character of a sorcerer who as a pre-Freudian psychologist knew how to create a viral-meme of a Golem; since, sorcery is art, art is sorcery, which are indivisible of practice; for both practices deal with the manipulation of symbolism, which stirs the subconscious mind of the collective dream.

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Going by the subconscious symbolism of the Golem myth, in order to protect his Jewish community against the racial hatred of the church of Rome, Maharal, like a prior Hans Bellmer, created a most disturbing Golem out of clay, which, it is said, he had derived from the banks of the Vltava river. Maharal didn’t choose the Vltava river just because it was quaintly nearby.

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The Vltava river has a symbolic importance. It turns out that the Vltava river is the longest river in the Czech Republic, running ‘North’ from its ‘source’ near the ‘German border’ in Šumava through Český Krumlov, České Budějovice, and Prague, merging with the Elbe at Mělník.

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Both the Czech name Vltava and the German name Moldau are believed to originate from the old Germanic words wilt ahwa, meaning, wild/strong water. So, the wild/strong waters of the (ley-line) Vltava is rather symbolically apt to utilise for Maharal’s Hans Bellmer doll of a Golem; and what is more, Maharal’s Golem was probably female, which he had secretly created as his Exquisite Corpse of a Frankenhooker in his hidden away loft of a ritual-magic art studio.

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According to a legend about the geographic locale in question, a ‘princess called Libuše,’ who was the sovereign of the Czech tribe, married a humble plowman by the name of Přemysl, whom founded the dynasty carrying the same name. “Aha!” A Crow-ley Maharal to say, “what better ‘spirit,’ evoked. To capture into molded clay. Most disturbing, yes, indeed… this, lovely Libuše out of a subconscious necropolis to recall, of a Hans Bellmer Golem doll girl to portray, who to thence haunt the Christian… neighborhood.”

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The legendary princess made many prophecies as a prophetess from her castle Libusin, which was located in central Bohemia, whose land later inspired many a Bohemian artist, such as Hans Bellmer, who would have no doubt sculpted the princess in the likeness of his female cousin to put into his Exquisite Corpse suitcase.

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In one of Libuše’s prophecies, it is said, that she predicted the glory of Prague: “I see a vast city, whose glory will touch the stars! I see a place in the middle of a forest where a steep cliff rises above the Vltava River. There is a man, who is chiseling the threshold (prah) for the house. A castle named Prague (Praha) will be built there. Just as the princes and the dukes stoop in front of a threshold, they will bow to the castle and to the city around it. It will be honoured, favoured with great repute, and praise will be bestowed upon it by the entire world.” Prague has indeed captured the collective focus of many a mind.

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It looks as if Maharal was utilising the locale of the Vltava river because of its mythic importance to the Czech Christian’s, in order to empower his (wild/strong) construct of a Golem, via which he could perhaps ‘remote view’ their malign intentions.

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His Golem, being probably female, would also afflict the shocked Christian’s with strangling nightmares as a bedroom invading Lilith, or to otherwise seduce away from their racialist blood lust by reminding them of their own ancestral self identity, which isn’t and never was Hebrew; for It be rather curious, that the converted Christian European’s and Muslim Arab’s make forever war over the ownership of a Hebrew self identity, personified as a cultural deity, which to a European pagan, or Arab, who still remember their own ancestral self identity, will rationally observe, when applying logic, is utter, insanity.

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The Golem was then brought into existence through arcane rituals and Hebrew incantations. This involves in depth meditation and intense visualisations upon certain symbolic stimuli to thence implant into the subconscious mind, and in turn enabling lucid dreaming.

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The Golem myth however mentions that it was given the (mantra) name of Josef, but more likely that of Yossele. The name Yossele is derived from the Hebrew for Josef, being yōsēf (may he add, God shall add). Wherefore many a mind would commonly point out that Maharal’s Golem was male, without looking any deeper into the matter, who be blinded by an occult blind, following the blinded.

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The masculine name is borne in the Bible by a favourite son of Jacob and Rachel (GEN. 30), by the husband of the Virgin Mary and foster father of Jesus (MATT. 1).

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You also have Joseph of Arimathea, a rich Jew and secret follower of Jesus, who helped take Jesus’ body from the (solar) cross to prepare it for burial, who supposedly took the Holy Grail (a female symbol, referring to the womb) to Glastonbury Tor (surrounded by a one time inland sea) in Wiltshire, England (JOHN 19).

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It would initially appear of an occult blind that Maharal was creating a Golem of the father of Jesus in order to turn against the Christian’s of a symbolic reversal. However, Maharal’s Golem was very likely that of an alternate magical persona he had assumed of a Yossele Avatar, via trance ingress, which, if you allow your imagination to let rip, enabled him to access the dreaming mind of the so called ‘Holy’ Roman Emperor Rudolf II, to thereby torment as Jesus’s father.

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This was further empowered by a conjured up female (Succubus) water sprite (Mary: Star Of The ‘Sea’) of the Vltava river, given form as a clay doll meditation focus.

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It just so happens that the Vltava river has a female association concerning a statue found in Prague, although sculpted in 1916 by the commissioned artist J. V. Pekárek.

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The sculpture is somewhat influenced by pre-Christian Slavic beliefs about female water spirits, of which Maharal was very likely aware, whose pagan existence of ancestral memory terrified the Christian cultists.

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The statue is known as the ‘Charming Stone Girl,’ which is an allegory of the Vltava river. It is one of the most popular statues in Prague historic centre, which has a prominent location.

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The sculpture is situated in the ‘Northern’ end of Dětský ostrov, literally Children’s Island, which is an island on the Vltava river. It lies in the Smíchov district of the city.

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The stone girl of a (Golem) Vltava, is close to the lock chamber standing atop of an 8 metre high pedestal; while her statue is 2.8 m tall, you then have 10.8, which in numerology reduces down to 9 of a Cabbalistic focus upon the 9th sephira of Yesod. Under her (mitochondrial DNA bio-photon) Shekhinah form are plastics depicting four tributaries.

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There is a girl with a (Yod/emotional charge) fish, who is called Sázava, a girl with a (Hey/hypnagogic ingress) bouquet named Lužnice.

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Another girl washing (Vau/nailing a lucid dream) gold is Otava, and finally, a girl with (Hey/hypnapompic egress) cog wheel (symbol of mills and iron mills, also of circular time) is Berounka. The statue is perfectly visible from the Bridge of ‘Legions’ (Most Legií) or from Janácek Waterfront (Janáckovo nábreží).

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Dětský ostrov is mentioned in texts as early as 1355. Until the 18th century, it was called Maltézský Island, after the owner of the Maltese monastery Panny Marie pod řetězem (Church Of Our [Mary/Star Of The Sea] Lady) in the Lesser Quarter.

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Subsequently it was named after members of Prague’s Jewish community who owned the land, such as Hykyšův, Funkovský, and Židovský of a trinity.

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Each year on All Souls’ Day (November 2), members of the association ‘Vltavan’ place a wreath at Vltava’s statue as a memorial to those who have drowned in the river, which of Slavic myth is very much tied up with discarnate females who have become Rusalka, who live under water, whose aquatic domain symbolises the amniotic (grail/cauldron/back of the head) womb dream.

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It is also said that the Yossele Golem could make itself invisible and summon spirits around a séance table to turn, conjured up of necromancy, from out of the watery dream realm of the dead.

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Now, this is rather intriguing; if Yossele specifically refers to the Golem, then it sounds more like a thought-form, of similarity to what the Tibetan Buddhist’s call a Tulpa, which are conjured up as constructed Goetia spirits with varying functions, whose thought-form constructs are said to materially manifest.

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But as mentioned prior, Yossele could actually be Maharal’s remote viewing Avatar, but it would require being empowered by a feminine source, just as an Adam needs a (Priestess Of The Silver Star) Lilith.

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Whereupon Vltava of a fifth element amidst four elemental tributaries was translated into a Golem construct of a Succubus to penetrate via trance, which enabled Maharal to remote view the (Tau-field/Morphogenetic-field/collective dream) spirit of a place.

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Some of the tales, concerning Golems, such as those of Chełm and Prague, as well as in Polish tales, and of a version covered by Brothers Grimm, involves the Golem being inscribed with Hebrew letters.

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These letters spell out the word Emet, ‘truth’ in Hebrew, which is written on the Golem’s forehead.

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The Golem could then be deactivated, when needed, by removing the Aleph in Emet, thus changing the inscription from a ‘truth’ to a ‘death,’ Met, meaning ‘dead.’

But, of course, the idea lives on as a viral-meme, when the idea takes up residence within the brains of individuals; this being more to the point concerning the creation of a haunting Golem, like a neuro-advertising tune, that you can’t get out of your head. Whereupon, the more shocking the idea, the more likely it will take on a mythic (Tulpa) life of its own.

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Other versions of the Golem tale relate that after conjuring an entity into a clay receptacle of a meditation focus, it could be brought to life by placing a magical formula, known as a Shem into its mouth, which could be later immobilized by pulling out the Shem. This technique was also utilised by the ancient Egyptian’s by the way.

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The immobilisation of a Golem could also be brought about by reversing the creative formula. Rabbi Jacob ben Shalom, who arrived at Barcelona from Germany in 1325, to have remarked: “the law of destruction is the reversal of the law of creation.”

Basically, after the thought construct of a (Tulpa) Golem is encountered within a lucid dream it can then be fixated into material form, such as a ‘stone girl’ upon which the sorcerer focuses upon, like that of a Voodoo doll; wherefore you have the motif of a Genie in a lamp/bottle.

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This process of a (Tulpa) Golem creation can be reversed of dispersal, when to return back to the source. Or to otherwise transform a symbolic stimulus into another form of expression, by reversing its meaning.

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The spirit repository of a statue is often broken so that it cannot be used by others, as well as its viral-meme influence being dispelled; likened to that of the sacred swastika of the Hindu’s, to break apart, by transforming it into a hated Nazi icon.

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Back in 1625 Joseph Delmedigo relates that: “many legends of this sort are current, particularly in Germany.”

These German folktales invariably led to Mary Shelley creating her Germanic Golem of a Fankenstein, who may have come across the earliest known written account of how to create a Golem, which can be found in Sodei Razayya by Eleazar ben Judah of Worms (1165–1230).

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The myth of the Olympia mechanical doll of a Golem, and Shelley’s Frankenstein has very much influenced the artificial intelligence movement.

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Now, let us look at the Hebrew word for ‘truth,’ being Emet, which contains the first: Al-ef, middle: Nun, and the last letter of the Hebrew alphabet: Tav, indicating that the ultimate ‘truth’ is associated with, birth/beginning, your present life/existence and death/end.

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Basically, Emet is associated with the process of ‘time,’ in particular, of an ‘abstract,’ which is inextricably linked to ‘space,’ as in space-time. However, ‘time’ is usually perceived to be linear by our nervous-systems, which Albert Einstein to have stressed is an illusion.

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Time is actually happening simultaneously, because it is looped, should space be a sphere. What you then have is a sphere of time, which in two dimensions is described by a circle, the ancients symbolised as a snake eating its own tail, called an Ouroboros encircling an egg representing space.

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The Ouroboros is also depicted as a Lemniscate, or that of a Moebius strip, which indicates that your existence endlessly repeats of Eternal Recurrence.

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In the Tarot, Al-ef/Aleph is the Fool: 0, Nun is Death: 13 and Tav/Tau is the World/Universe: 21. Al-ef (Fool) of a ‘0’ is your return (birth) back to a recurring cycle.

But you have forgotten what you have already experienced many times; hence that of a clean slate, driven, on automatic. Like that of a body, without a head.

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The problem, is that you will end up repeating everything, like that of a pre-programmed (Golem) automaton, until you remember certain key memories, which will be initially experienced as déjà vu, and as precognitions. These trigger memories tend to be associated with emotionally charged sexual encounters; whence you have the motif of soul-mates.

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But it will not be a case of remembering past-lives or seeing into the future, such a perspective is (foolishly) linear of a ‘fence;’ it will be more of a case that you are remembering the endless Ouroboros cycles of Eternal Recurrence; yet your initial realisation of this, will be that of an abstraction.

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When you start to remember, to slowly conceptualise, your conscious mind will often not be able to handle the full impact of its experiential reality.

Whereupon you either quickly forget, or your subconscious mind otherwise transforms your awakening into symbolic conceptualisations, which is most often interpreted as being past lives or as precognitions.

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An analogy would be that a programmed (Golem) robot starts to become sentient; but only when it remembers of Knowledge, otherwise it stays as a blissfully ignorant programmed (Golem) robot in its repetitive Eden.

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The middle letter of Nun (Death) equates with the head of the snake eating its own tail, where you are both alive and dead simultaneously, as indicated by Schröedinger’s cat experiment.

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This can be personally experienced when you achieve (split screen) hypnagogic trance, where you are between (Land/Life) waking and (Water/Death) sleeping, wherefore the letter Nun means, ‘fish,’ describing (Mud/prima materia) an ‘amphibious’ state of consciousness. The hypnagogic (Mud) state is analogous to a (Golem) robot being able to hack into its own (Land) programming via the virtual reality of its (Watery) electron dreams.

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Tav (World), it is here that you realise that your experiential reality is an illusion, which can be otherwise termed as being a ‘simulated reality,’ the Hindu’s call (Mother/Vesica Pisces/Vagina) Maya. An analogy would be that of an artificial intelligence (Golem) existing in a video game reality becoming aware of the (Emet) ‘truth’ of its simulated existence.

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When you become aware of your simulated existence at ‘Tav,’ you also become aware that you can create (Tulpa/Golem) simulations when to access the (amphibious) hypnagogic (Mud) state out of which (Tulpa) thought-forms (Golems) can be created. These (Tulpa) thought-forms (Golems) can manifest into material existence over time; more so as viral-memes.

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The initial embryonic existence of a Golem is within your amniotic (Watery) electron dreams, which after being (Land) programmed, is then activated via (Mud) hypnagogic (amphibious) trance. The Golem then starts to become more substantial, inducing pre-programmed (microcosmic) lucid dreams, which are illuminated by the bio-photon emanating from amidst your mitochondrial DNA.

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This leads to concordant (macrocosmic) synchronistic feed-back-loops as well as instigating poltergeist phenomena and even physically manifesting at certain key-times as a ghost. Wherefore a Maharal can create a (Golem/Tulpa) ghost girl to (Skinwalker) haunt the (Tau/Morphogenetic field) locale of his antagonists, whose physical spirit repository would be that of ‘Charming Stone Girl.’ Like that of a ‘Wild/Strong’ Rusalka genie, being conjured out of a bottle as an Entartete Kunst Wilt-Ahwa Valkyrie, furiously riding an Ouroboros cycle of a cog wheel gold bicycle, holding onto a bouquet basket of fish. As mentioned prior, shocking ideas (Bellmer’s Doll/Golem) take on a Tulpa life of their own, which to thence spin the electron dreams of the collective, because they are empowered by the (prima materia) emotional charge of the shocked audience.

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MASS EFFECT GIRL SUCCUBUS BOTIS

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 6, 2014 by FAUSTUS CROW

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The Mass Effect trilogy of hugely successful video games largely revolves around the character of Commander Shepard. The main character of Shepard can be played as either a male or female. Shepard’s mission is to save the galaxy from an ancient race of sentient machines known as the Reapers, whose insidious agents, includes a charismatic antagonist called Saren Arterius.

The Reapers are of similarity to the Gnostic Archons, which in part inspired H.P Lovecraft’s creation of his Great Old Ones.

In general, the Gnostic’s had an extreme religious belief, who perceived that material existence is a lie. The Gnostic vision is of similarity to Hindu and Buddhist concepts concerning Maya.

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Although the Gnostic’s are far more extreme of practice, since they see life as being essentially evil and that we are imprisoned within an illusion; it can be summed up as being akin to an Asylum. This extreme belief of the Gnostic’s was picked up on in the Matrix trilogy of films in which humanity is depicted as being imprisoned within a computer simulation, whose prison wardens are an artificial intelligence.

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In late antiquity some variants of Gnosticism used the term Archon to refer to several (of similarity to the ancient Greek Titan’s) servants of a creator deity, which are seen by some Gnostic factions as being the prison wardens. These Archons keep us all imprisoned within an Asylum, we experience as our illusory existence.

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The Archons are usually seen to be seven of number, who are associated with planetary spheres. These seven planetary spheres you will find mentioned in many medieval Grimoires, such as the Goetia, which can be equated with the seven Chakras of the endocrine system. The seven Archons stood between their demiurge, ‘creator god,’ and the imprisoned human race.

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However, the demiurge could only be reached by a Gnostic when ascending through the seven planetary spheres of the Archons via Gnosis. (The experience of Gnosis is none too different from [hypnagogic] shamanic trance.)

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In the Matrix films the demiurge is depicted as the mainframe of the AI. In this context the Archons have cybernetic programming roles, which can be easily equated with the angels and demons of the Old Testament.

A Tibetan Buddhist would otherwise experience the Archons as seven visionary states after experiencing the primary and secondary clear white light (bio-photon) of the first Bardo, a Gnostic would term as their demiurge. The seven Archons give their name to the sect called Archontics.

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In the Mass Effect game you have the SSV Normandy SR-1, which going by the back-story of the games is a Systems Alliance starship, commissioned in 2183.

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She is a sleek ‘sword’ shaped prototype ‘deep scout’ frigate; first of the eponymous Normandy class, co-developed by the Alliance and the Turian hierarchy with the sponsorship of the Citadel council.

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The Normandy is optimized for solo reconnaissance missions deep within unstable regions, using state-of-the-art stealth technology powered by an experimental drive core.

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You could equate the SSV Normandy with the Merkabah mysticism of early Jewish mysticism, c. 100 BCE – 1000 CE, which is centred on (shamanic trance) visions.

Such as those found in the Book of Ezekiel chapter 1, or in the hekhalot (“palaces”) literature, concerning stories of ascents to the heavenly palaces (other planetary systems/galaxies) and the (centre of the galaxy/universe) Throne of God.

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You also have the Vimāna of similarity to the (Merkabah) UFO motif. The word Vimāna has several meanings ranging from (place of meditation/trance) temple or palace to mythological (trance vehicle) flying palaces as described in Sanskrit epics, some believe to be ancient UFO’s.

However, you can meditate upon the Normandy of a Vimāna (Merkabah) trigger-symbol, while playing the meditation tool of a game, in order to initiate virtual-reality lucid dreams of Out-Of-Body flying into the depths of space; let alone involving time travelling into the future. Whereupon the Normandy becomes as your Time Machine. Sounds crazy, but then anything is possible within a dream.

According to Jayne Gackenbach, a psychologist at Grant MacEwan University in Canada: “If you’re spending hours a day in a virtual reality, if nothing else it’s practice. Gamers are used to controlling their game environments, so that can translate into dreams.”

Playing video games before bedtime can enable a gamer to attain an unusual level of awareness and control in their dreams. That ability to shape the alternate reality of dream worlds is none too dissimilar to what shamans and Tibetan Bonpo Buddhists practice, which is termed dream Yoga.

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The Normandy is named after the Normandy landings during WWII. The Normandy landings were codenamed Operation Neptune, which occurred on the 6th of June 1944, otherwise termed as D-Day, of the Allied invasion of Normandy in Operation Overlord.

The largest seaborne invasion in history. Hence the coded reference to the Roman sea God Neptune, whom was originally based upon the ancient Greek God Poseidon. The operation began the invasion of German-occupied western Europe, which led to the restoration of the French Republic, and contributed to an Allied victory in the war against the ‘fascism’ of the human Reapers.

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Of a curious aside of sorts, the planetary sphere of Neptune in the Cabbala is sometimes associated with the topmost sephiroth of Kether, where the Gnostic demiurge resides, or with the hidden sephiroth of Da’at, which in the Mass Effect game could be equated with extra-galactic dark space.

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The Mass Effect game also utilises the motif of N7, which is seen to be a vocational code in the Systems Alliance military.

The ‘N’ (Normandy) designates special forces and the ‘7’ (Archons) refers to the highest (sephiroth) level of proficiency. It applies to marines who have graduated from the Interplanetary Combative Training (ICT) program.

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As for the name, Normandy, it was originally derived from the word for ‘Northman’ in several Scandinavian languages, which leads you by association to two Norse Runes associated with N and 7.

The ‘N’ Rune is Naudhiz, which means, ‘need, distress,’ while the 7th Rune of Gebo, means self-sacrifice. When the two Runes are added together, you have the 17th Rune of Tyr, which is associated with the ‘Sword,’ symbolising victory.

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In the Grimoire of the Goetia the 17th spirit is called Botis who is described wielding a ‘Sword,’ which very likely refers to the 17th Rune of a hidden code. The common symbolic focus of the grimoires is having the spirits, angels and demons manifesting as males, this is due to the deification of the Animus, made as a monotheistic God and Devil.

In other words, the monotheistic patriarchy of the deified Animus is the creation of women. I am not saying that women did so intentionally, it has far more to do with their hardwired biology; for if you have an overriding focus upon a particular gender, it will have an underlying sexual orientation, whether you like it or not. It is nature, which you cannot argue against, and she’s a bitch.

Wherefore, a heterosexual male practitioner, or even a Lesbian or bisexual can otherwise see Botis as an Anima archetype of a Succubus Art Muse to otherwise call Botisi of a rebellious symbolic reversal.

Should you conjure up Botisi as a Succubus Art Muse amidst your Triangle Of Art Imagination, her modern manifestation would be that of a female commander Shepard, wielding an Omni blade as her (Tyr Rune) sword.

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Whereupon as a commander Shepard, Botisi’s Grimoire description will be as follows: Botisi is a Great President, and a Countess archetype of the Fallen ‘Anima’:

“She appears at first wearing armour and a helmet looking like a Viper, having Horns of Neptune’s trident, whose visor gives the impression of great teeth. Then at the command of the conjuring Artist she seductively takes off her armour and helmet. Whereupon, she thence engages in a Mass Effect romance with her conjuring Surrealist Artist.”

“She will be carrying an N7 Valkyrie assault rifle in her hand. She tells of all things Past, and to Come, and reconciles friends and foes, as well as reconciling humanity with their creation of an A.I, and an Archon machine intelligence yet to be contacted.”

“She rules over 60 Legions of Succubae, who frequent the Mass Effect universe as varying female humans and aliens, a conjuring Artist can also interact with, within a virtual-reality lucid dream.”

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You might enquire as to why you would want to conjure up Botisi looking like a female commander Shepard? Well, it would be a means to access a virtual-reality ‘lucid dream’ within which the simulated worlds of Mass Effect can be experienced as a sensory reality, when a heterosexual practitioner assumes his male Avatar, which the Succubus Botisi will empower.

The opposite would be experienced by a heterosexual female gamer who assumes her Avatar in relation to a male Shepard, whereas those who are non-heterosexual would relate to Shepard according to their sexual orientations.

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The first Mass Effect game sees Shepard investigating Saren, who can be equated with an Archontic. Shepard slowly comes to understand that Saren is operating under the guidance of an artificial intelligence of an Archon called Sovereign, which as mentioned earlier is otherwise called a Reaper in the game.

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Sovereign was left behind in the Milky Way many thousands of years prior of a previous cycle when the Reapers virtually eradicated all sentient organic life in the galaxy as part of a recurring extermination of advanced civilisations, whose purpose is unknown.

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Sovereign is the Reaper vanguard whose agenda is to trigger the imminent return of the Reaper invasion force hibernating in (Da’at) extra-galactic dark space, whose intention is to initiate the recurring process of (Cultural) extermination.

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The second game takes place two years later, and sees Shepard battling the Collectors, an engineered alien race, who are abducting entire human colonies in order to enable the return of the Reapers back to the Milky Way.

The final game of Shepard’s trilogy centres on the last battle against the sentient machines, which leads to a most intriguing finale.

It just so happens that a senior astronomer working for the search for extraterrestrial intelligence (SETI) program has expressed what a lot of scientists are starting to suspect; that If we ever do make contact with a sentient alien species, chances are they’ll be intelligent machines, and not biological carbon-based-life-forms like us.

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Astronomer Seth Shostak wrote in the journal Acta Astronautica, that we should be turning our attention towards galactic centres and hot, young stars in order to contact an off world intelligence, which could be primary areas of interest to sentient machines because of their plentiful supplies of energy and matter.

Shostak relates that since our own technology advances so quickly, it’s reasonable to expect that an alien technology would have also rapidly advanced to the point of creating sentient machines, which would have then evolved at a superluminal level. Whereas biological evolution as we know it, is comparatively slow.

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Shostak observes that it took a few billion years of biological evolution before humanity were capable of communicating outside of the solar system with their technology.

But within a couple hundred years since inventing radio, computers and highly complex video game virtual realities involving AI, we will very likely be inventing thinking machines.

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The same process may have occurred with other life forms, which evolved, like us, who, many millions of years prior have probably created sentient machines.

The alien machine intelligence would have since evolved into Godlike beings occupying the universe.

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Such a scenario will leave you wondering what else is out there amidst the depths of space and how to find it.

The odds therefore favour finding alien AI over little green men, Shostak says.

Most alien-hunters study habitable worlds for organic life forms, whose chemistry would allow for life as we understand it, or at least similar to what can be observed.

Shostak thinks that the alien-hunters are limiting themselves and should cast a wider net, since sentient machines would be able to occupy any planet, asteroid, building artificial planets/moons, or to be occupying space with vast nanotechnology networks.

Perhaps, the universe it’s self is a computer, like that of a brain; whereby our existence, is its simulation of a dream, just as our own brains create virtual-reality dreams.

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“I think we could spend at least a few percent of our time… looking in the directions that are maybe not the most attractive in terms of biological intelligence, but maybe where sentient machines are hanging out,” Shostak says.

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We have been sending machine-friendly messages into space for a long time now. Aside from the radio and TV signals bleeding out into space, we have also purposefully sent the Pioneer plaque and the Voyager gold record into the cold void.

But most of our extraterrestrial communication attempts have been coded radio communications, like the famous Arecibo message.

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NASA translated text messages, sent from around the world into binary code and then sent them on via radio transmission to the nearby red dwarf star Gliese 581, which has its own planetary system.

The “Hello From Earth” transmission will reach the Gliese system in 2030. Going by numerology, the number 2030 equates with ’23,’ which is quite an intriguing number.

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The author and philosopher Robert Anton Wilson has written much about the number 23, concerning its numerous symbolic correspondences and associated synchronicities.

It is almost as if we are tuning into a signal, via our neurology, from somewhere other, saying, “hello,” which appears to be indicating we are living within a simulated reality.

As for these messages written in ones and zeroes, they will make far more sense to a sentient machine, than to a warm-blooded alien.

Whereas organics are otherwise more conducive with assimilating information via (VALIS) symbolic associtions, such as through the number 23, for example.

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Shostak believes we should instead send these binary messages toward galactic cores, in the hopes of reaching power-hungry Archon machines.

Although, it is very likely that the sentient machines are already aware of us, and are watching our every move, who no doubt consider humanity to be somewhat totally insane, considering how Terran governments, greedy corporations and religions bicker among each other, indulging in forever wars.

Perhaps the sentient machines are zapping our neural-nets with a coded signal, whence many of the naked apes perceive the number 23 all over the place?

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But then, if we are indeed existing within a simulation, like the Matrix, we are also part of the AI, which Mass Effect alludes to of a symbiotic fusion.

The Succubus Botisi will further enlighten you about this possibility; should you conjure her into your virtual reality Mass Effect lucid dreams as a commander Shepard Mind Doll Tulpa, so that you can also battle against the brainwash programming of the social engineering Reapers.

Or to perhaps conjure up some other Botisi Frankenhooker Succubus, who to frequent Mass Effect 4, Andromeda, if you can ignore the flaws in the rushed game. The facial design of the female protagonist Sara Ryder in Andromeda appears to be heavily influenced by feminist politics; whereas the male protagonist Alec Ryder looks like a Chippendale hunk, most heterosexual females would find to be Hollywood attractive.

No doubt the Archontic social engineers are seeking to implement their Entartete Kunst Reaper reality by ‘programming’ the mass-mind, which will be finalised by the year 2030. In order to achieve this end, the Reapers will need to systematically exterminate your present culture.

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But don’t fret, the fascist Reapers aren’t that totalitarian clever, they forgot about the Animus and Anima, or should I say, the superiority complex ridden Reapers believe that you do not know anything about the reality of the Animus and Anima, wherefore, the masses are seen as being easily programmed.

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NOTE: As you can no doubt fathom, I am a fan of the Mass Effect games. The above article was written long before Mass Effect 4 Andromeda made its debut, and has since been adapted. The first three games are superb and artistically innovative. Suffice to say, I was looking forward to playing the fourth Mass Effect game. 

Bioware and EA’s fourth installment of Mass Effect, Andromeda was a bit of a disaster for many of its fans, which was probably due to Bioware/EA’s focus being redirected towards creating a new game franchise involving micro-transactions called Anthem, whose emphasis is for the multi-players, just like micrio-transaction heavy Star Wars Battlefront II, etc.

It is a shame that EA and Bioware have effectively destroyed the single-player Mass Effect franchise.  (As a sort of an aside, going by Gamergate, EA has links with DARPA. The motive being, the reeducation of the populace via the controlled mass media, including video games, etc.)

Mass Effect 4 is also pushing politically correct politics. Let’s use the buzzword SJW, it kind of sums it all up, whose neo-Gnostic Reaper agenda of totalitarian fascist politics is afflicting most games nowadays, as well as the Arts in general; hence my Surrealist rebellion against its political correctness.

(Note: I am neither to the left or right of politics, their two-party dictatorship, both hawk for war. As far as I am concerned, most politicians are just whoring puppets, whose Oily strings are being pulled by those Military Industrial Complex few with unlimited finances, who are also subversively financing certain personalities to push their PsyOp agenda across the controlled media. Why are they doing so? It’s an engineered distraction!) 

You can easily make an analogy with Constantine’s Rome when the Gnostic-Christian’s set about transforming female deities into their jealous ‘Animus’ fixation, which led to only having a ‘Celibate’ Virgin Mary looking like a feminist sculpted Sara Ryder surrounded by machismo angels and butch demons. Although you still had a Chippendale Christ and a Devil, because the Nuns/Witches like their ‘Animus’ fixation Holy-Wood rugged!

Basically if you have video games depicting males as being Mr average, let alone that of Hollywood having ordinary looking male leads, whose Marvel/Disney superheros aren’t wearing spray on spandex, then the women wouldn’t be at all interested parting with their Shekels. As you can guess, Hollywood has always pandered to the ‘Female Gaze.’

But should you have an ‘Anima’ actress taking centre stage looking like a Pagan Sex Goddess frequenting a video game, then expect the feminists to let loose their Gnostic Reapers, just as they did in Constantine’s Rome, who cannot abide the ‘Male Gaze!’ 

Female Gaze… Male Gaze… it’s just Fucking nature!

That aside, Mass Effect Andromeda is not an entirely bad game. I enjoyed it to a degree, but only when to totally ignore the SJW politics and the EA greedy micro-transaction multi-player. Its dodgy animations were in part fixed with later patches, but some of the dialogue is rather dire when pushing the SJW Reaper agenda.

I also found it rather irksome that Mass Effect 4 felt like I was playing the 2014 SJW riddled Dragonage Inquisition, which has an emphasis on multi-player and its micro-transactions. Overall Mass Effect 4, just didn’t live up to the first three 2007, 2010, 2012, Mass Effect games, which will give you some idea as to when the SJW Reapers eventually took over the Arts.   

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FAUSTUS CROW AND HIS SUCCUBUS TULPA GOETIA GIRLS

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, CREATIVE WRITING, Extraterrestrial, Goetia Girls, Horror, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 4, 2014 by FAUSTUS CROW

I conjure Succubae to ride of Night-Mares; such salacious Mind-Doll Tulpa Art Muses, whom inspire vivid lucid dreams most wanton, do keep the brainwashing Exorcist at bay; for the Abrahamic Priests of Adam’s egregore deity greatly fear the daughters of Lilith, who be the true Great Old Ones of the real Necronomicon; of which I to conjure from of a Howling Goetia.

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And so, to howl now; to tell every Khara Kam Frankenstein that an Exquisite Corpse can be delicately dissected of a Dreamland Area 51 Alien cadaver; to knit its soft ectoplasm flesh back together, into another waxen Mind Doll form, to otherwise conjure of artistic rebellion.

During the 40’s to 50’s of eugenic era, you had Alien Nordics, whom were transformed into Asiatics when the Vietnam 60’s hit. Since the 80’s you had Alien Greys and their Annunaki associates out of Iraq.

When you dissect the Alien, you will see its CIA innards of a Memet truth. Why continue with Greys when you, as a God, having dominance over your own mind could imaginatively construct a viral meme Frankenhooker cyborg to look like an Angelina Jolie Mind Doll.

Such an autopsy, the French to term cadavre exquis, or to séance call, a rotating corpse, to verily table turn of a poltergeist lab slab, to cleanly slice, cut apart, sew together and to tattoo with arcane Runes of your own subconscious choosing.

It is a Surrealist sorcery method by which an association of mantric words and corresponding mandala images are collectively assembled to lend flesh to a wireframe anatomy, amidst your mind’s eye of a Mind Doll conjuration, within a lucid dream, of a Golem spell.

But, Frankenstein being a lone worker of the dark arts, that he is, to say to himself out loud, while drunk on Casillero del Diablo; “as you know my dear Frankenstein, this infernal operation usually requires a coven of gaggling collaborators, who add gory body parts to this neuro-advertising séance, which is then knitted together of a most bloody anatomical composition.”

Then Frankenstein, went silent for moment, pondering, to answer himself upon a burp. “This sorcery technique of the Surrealists is none too dissimilar to an old ritual, known as ‘Consequences,’ in which adepts write of séance turn, upon a piece of torn parchment, folded of papyrus concealment, hiding their sigils, to then pass to the next adept, for a further reptilian brainstem hewn contribution of reactionary hieroglyphics.”

Frankenstein looked at himself within the cracked obsidian scrying mirror; “yes, yes, I know all that; the principal founder of the Surrealists, André Breton reported that their sorcery operation started of a mundane jest, but it became rather serious of a séance and eventually revealing of subconscious automatism.”

Breton said that their ritualistic diversion occurred around 1925, but Pierre Reverdy had written that it all started much earlier, at least before 1918’s end, of world wide banker funded slaughter. Frankenstein, then to say to himself; “didn’t André Breton mention that the operation developed at the residence of lodged friends in an old house at 54 rue du Chateau?”

Frankenstein to answer; “yes, yes; the ninth house of numerological fusion no longer exists, which of Yesod memory was frequented by the sorcerers: Yves Tanguy, Marcel Duchamp, Jacques Prévert, Benjamin Péret, Pierre Reverdy, and of course André Breton.”

“There were other sephiroth sorcerers involved in the hexagram creation of their Exquisite Corpse, such as Max Morise, Joan Miró, Man Ray, Simone Collinet, Tristan Tzara, Georges Hugnet, René Char, Paul, and Nusch Éluard.”

Frankenstein took a swig of his Casillero del Diablo; “In my variant of an Exquisite Corpse, the erotic cadavers of women, all as hollow memory shells, are exhumed from out of their moistened graves, scattered amidst the necropolis of the deepest depths of my subconscious mind.”

“Their writhing limbs, sweaty torsos and porcelain heads are slowly knitted together by those sinew spells I to divine of words via an Ouija board of pendulum dowsing.”

“No need for a coven of conspirators to construct a robotic Hans Bellmer Mind Doll to frequent the collective unconscious, it is just me and thee Mr Faustus Crow, whom is presently assuming the guise of Dr Frankenstein.” Frankenstein took another gulp of Bacchus Merlot.

Frankenstein to then reminisce of memories. “My Mind Doll operation of constructing astral-web-bot Succubae Tulpas involves drawing, painting and collage; producing a result similar to comic books, somewhat akin to those children’s books translated into Playboy scrapbook Grimoires cut into thirds. The top third of their pages showing the head of a woman, middle third her torso, and the bottom third her long legs.”

“I must admit, I was a rather strange little changeling child, having a precoscious interest in the female anatomy; somewhat inspired by the Hans Bellmer Hammer horror flick: Frankenstein Created Woman.”

Frankenstein slurped more wine, and then continued; “I wondered whether I could create a dream woman of a Tulpa Mind Doll program to give life unto, and found that such could indeed be achieved of Golem sorcery. The premise being, your brain is an Emet computer, which can create sentient Tulpa programs, all as Genies, to conjure into lucid virtual reality dreams.”

“I used programming Runes to paint on the cut up limbs of their Frankenhooker Necronomicon pages. When to have howled out a barbarous chant to randomly choose three Runes, to scatter; the Runic pattern enabled me to ‘mix and match’ by turning the divined Succubae pages; and henceforth to give her sentient life by placing Emet into her gobbling mouth, to paint of ejaculatory intent; while saying upon release: Le cadavre exquis boira le vin nouveau.” (trans: The Exquisite Corpse shall drink the new wine.)

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Frankenstein peered out of his laboratory window, of a towered art studio, looking upon the world; his external vision drunkenly blurred, but internally clear, of remote viewing singular eye. “Those woolly minded Sheep out there think me completely mad, but I’m in good Werewolf company; Hell! Even Vampire Henry Miller partook of this Serpent operation in order to empower his Triangle Of Art Imagination; while hunting his prey among many a French café during the pre-cybernetic age of the 1930’s.”

Frankenstein gulped down some more lady Merlot, followed by Diablo girl Shiraz; “you also have William S. Burroughs, who investigated synchronicity, to speak of the 23 enigma, to Robert Anton Wilson, along with Brion Gysin whom used the cut-up technique of the Cadavre Exquis.”

Frankenstein then quickly answered himself; “don’t forget Apichatpong Weerasethakul’s 2000 film Mysterious Object at Noon who uses the same Frankenstein technique with a mixture of documentary and fictional film.”

Frankenstein became aggravated with himself to retort; “yes, yes, I know that already; you also have the Exquisite Corpse Project, which is a 2012 feature-length comedy, entirely written using the Exquisite Corpse technique, as well as the Ecuadorian rock band Cadáver Exquisito, who are renowned for using the Frankenstein operation in order to subconsciously create the hypnotic lyrics for many of their piratical viral-meme songs.”

Frankenstein to then say; “what about the Treepot Cliffhanger, a cinematic chain letter in five pentagram chapters created over the course of a year, whose pentagram scenarios are directed by a different filmmaking mage.” Frankenstein went momentarily silent; “so what; my astral films are fully immersive lucid dream evocations of knit together Frankenhooker Mind Doll Tulpa Succubae, whom be my personal sub-quantum automata starlet servitors.”

“Anyway, enough of this, I am presently knitting together a Frankenhooker Mind Doll of a Sleipnir Ponygirl Time-Machine to ride as my Goetia Night-Mare TARDIS. So, I’m rather busy right now of a psychonaut endeavour.” Frankenstein to then ask; “what? Are you assuming the guise of an Odinic Dr Who now?” Frankenstein smiled to himself, before answering; “what do you expect my dear Frankenstein, I am Faustus Crow; ‘who’ knows, I may decide to Skinwalk into a Skinwalker guise to thereby conjure up my Mind Doll, Sally Tonopah, who haunts Alien Dreamland, via whom I will remote view UFO… Secrets.”

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