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MAGU GODDESS OF CANNABIS

Posted in Art, Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 10, 2018 by FAUSTUS CROW

Faustus Crow decided to conjure an ancient Chinese Art Muse archetype of the Fallen Anima, who is mantra named, Magu. Although translating her Succubus name of a mantra into mundane English is however, problematic, depending upon whether her evocative name is symbolically interpreted as being a Maid, Priestess, or a Goddess of Cannabis.

Some researchers have proposed that the Chinese, Wu, for Shaman is pronounced, ‘Myag’ in Old Chinese, which might be the original of the Old Persian Maguš, thence leading to Magician and Magi. Whether such is comparable with Magu, is of course purely hypothetical. But if correct, Magu is also a Shaman girl of Hemp, whose alternative name of an ancient root word, Ma, which is pronounced as Mar, leads you to Marijuana.

Magu is also called, Mago in Korean, and Mako, in Japanese. Mago is a cosmogonic Hemp Goddess in Korean Shaman myths. There are some researchers who see Mago as the Great Goddess, who propose Magoism, as being the archaic gynocentric cultural matrix of East Asia, which derives from the shamanic worship of Mago as a creatress, progenitress, and a sovereign deity.

According to the Budoji, Korean mytho-history, it had began with the era of Mago. Whereas the Japanese Mako is usually a literary reference to the Chinese story about Magu’s distinctively long birdlike fingernails, whose neuro-somatic essence can make your head grow wings, and disappear into a spiraling vaginal vortex.

For example, the Japanese saying, “Mako soyo,” meaning, “Magu scratches the itch,” metaphorically means, “things are going just like you have…Imagined,” when you imagine (visualise/active imagination) with your, inner ‘Eye,’ amidst your Triangle Of Art imagination.

Magu appeared amidst Crow’s Triangle of Art Imagination as a beautiful young woman of eighteen or nineteen years of age, having luxuriant four-inch birdlike nails.

At first her hair was done up, having several loose braided strands, which hung down to her slim waist. Then her hair was long and luxuriant, and upon her head she wore a fluorescent peaked cap. Her tight trance dance clothing of Hemp had a pattern of eyes, but it was not woven; it seemed to shimmer, dazzling the inner observer, and was indescribable.

Her overall hypnotic look was likened to a shape-shifting Anime character out of a Manga – she was not of this world.

She approached and bowed to Crow, who bade her rise. Then as she arose a vivid active-imagination vision of China town appeared around Crow, wherein he found himself approaching a bustling market with Magu.

Magu sat down upon a market bench behind a small I-Ching engraved table. The bench was ornately carved with interlacing dragons. She bade Crow to sit down next to her upon the bench, which became as a jade throne.

When Crow imagined himself sitting down next to, Magu, she called for a travelling canteen of cooks who manifested as DMT Machine Elves looking like pointy eared Vulcan maids wearing next to nothing apart from stiletto ballet shoes and T-shaped chef hats, making them look like Magic Mushroom fetish Ballerinas.

The psychedelic Ballerina maids cooked up exotic Star Trek dishes, which were piled up on gold platters along with serving jade cups containing an inebriating pineal gland elixir without limit.

There were also rare delicacies from around the world, whose alchemical recipes stem from other Zodiac ages; many of them made from Cannabis, and their spectral fragrance permeated the mouth to lung air of the ghostly market.

There was also meat made out of Marijuana, the bookish magician-technicians called Shujia, consume with ginseng, which gives them preternatural knowledge of events in the remote-viewed future.

When the meat was sliced and served, it resembled broiled Mo, and it was announced by the giggling Elfin Ballerina maids as being derived from a Kirin or Qilin.

The Elfin Ballerina maids informed Crow that the Kirin is a mythical hoofed chimerical creature known in Chinese and other East Asian cultures.

Crow noticed that the Elfin Ballerina maids had perfect Kung Fu poise as they tip-toed around him on their Kirin hooves, who further revealed that the Kirin appears with the imminent arrival or passing of a sage or illustrious ruler.

Magu nonchalantly ignored the Elfin Ballerina maids as she took a deep draw on her Cannabis oil vape, whose flicking tongue looked to be serpentine. Magu then declared through the thick CBD vapour: “Since I entered your eternally recurring service, I have seen the Eastern sea turn into mulberry fields three times.”

“As I proceeded across from Penglai, so as to enter your Triangle of Art imagination, the Soma waters of the ‘Elixir Of Life’ came only up to my waist, which I regularly imbue with my healing essence, when I bleed.”

“Using my Daoist Arts, I sometimes walk across the astral waters, even in my Hemp shoes. I wonder whether the electron sea dividing the myriad worlds will turn to a dry land-bridge once again?”

Magu seductively passed her vape to Crow, who partook of a deep draw on its CBD oil, and answered with a sigh, “Oh, the sages all say that the Eastern Sea will again become as a desert of the Allies around the Moon phases, when the Fallen Anima and her Succubae Art Muses return, manifesting upon Hemp paper.”

Magu laughed, and then said, “There was a time long ago when I was known all over ancient China and across the globe, whose peoples relied upon my life bestowing properties. But later during a time of great darkness a greedy megalomaniac from another land, murdered me and dumped my body into a deep lake.”

“Following the current of time, I floated upon the tumultuous waves, down the ages until I once again reached a Göbekli Tepe Zodiac age temple.”

“A subordinate Shaman of a prior aeon had directed that I should be entombed there, but not immediately buried, in order to avoid me from being entirely eradicated by the insanity of the later murderers who ever seek my demise.”

“A square, lacquered coffin has now zeitgeist appeared in the shrine hall of the uncovered temple. From now on, at the end and beginning of each lunar month, people will look back through the fog of memories to understand my indistinct Bhang ghost, wearing Hemp shoes.”

“Because of the present climate change, which the greedy megalomaniac and his corporate cronies have exacerbated, the lands around my temple and further afield have become polluted.”

“The insane violators are facing losing their illusory power and influence, drowning in their own lying poison, who are becoming increasingly desperate.”

“The murderers will be whipped and flung to the ground, their eyes running blood, who will then realise I am the divine transcendent, Shenxian. Those who know me, are the ones who read the thoughts of the murderers, and it will be they who will do the punishing.”

“The Shamans seek justice, who have hope in healing the Earth. It is the Shaman within all who are conjuring my return, reborn anew. Because I had suffered a painful death, I hate to see other beings cruelly murdered because of the corporate greed of a few inbred ingrates.”

Here ends Faustus Crow’s Surrealist ‘divergent thought’ active imagination conjuration of a Fallen Anima archetype who is mantra named, Magu.

NOTE: For over a decade, industrial Hemp growing in proximity to the abandoned Chernobyl nuclear power plant in Pripyat, Ukraine has been helping to reduce soil toxicity. But Hemp cannot be used around Fukushima because it is banned in Japan due to the prohibited use of Cannabis, which had been first initiated in the USA.

Hemp has little THC content, which cannot make you high, yet it is banned, does this make any sense at all? Maybe you’ll have to indulge in some THC rich, cancer combating Marijuana in order to see beyond the lying facade of the politicians, or at the very least take some anxiety reducing CBD oil, which will give you an ‘insight’ into how the mass populace have been collectively brainwashed.

As a proven, valuable plant in the fight to repair human-inflicted damage to our soils and ecosystems, Hemp could benefit hundreds of thousands of polluted sites across the globe. it is estimated that in the USA alone there are 30,000 severely damaged sites requiring remediation.

As is so often the case, US restrictions on Hemp cultivation precludes any large-scale operations from being implemented, and the contaminated sites are largely left unremediated, through lack of both funding and interest on the part of the US government and other governments who whore themselves with the Oily corporations.

The likes of Elon Musk should look into Hemp, since Musk says he is into saving the planet, who might be interested in the Supercapacitor capability of Hemp, along with Hemp based batteries for his Tesla car, whose shell can also be made out of Hemp.

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Considering all the myriad uses that Cannabis allows for, it does make one wonder whether it had been genetically engineered by an advanced civilisation. However, the truth might just be far stranger, that the evolution of the Cannabis plant has its self, intelligently evolved, by having a symbiotic relationship with humanity.  

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Who knows, when Musk eventually realises his dream of colonising Mars, the logo on the side of the spacecraft and that of the Star Trek others might be that of Magu’s humble Cannabis leaf.

Since Magu can survive the rigors of Chenobyl, she sure can handle the terraforming of an already terraformed Mars.

NOTE: Bhang was first used as an intoxicant in India around 1000 BC and soon became an integral part of Hindu culture. In the ancient text Artharvaveda, Bhang is described as a beneficial herb, which “releases anxiety”. Bhang preparations are sacred to Shivam who is represented by Saturn in Vedic Astrology.

Bhang goli (Cannabis paste ‘Balls’ for making Bhang) can be associated with the planet Saturn and in turn Shiva who is also associated with (Kundalini Shakti Yoga) serpents. One of Shiva’s epithets was “Lord of Bhang” as he is said to have discovered the transcendental properties of the (Magu) mixture.

The mixture involves pulversing the Cannabis plant using a large pestle and mortar, other methods involve utilising a stone tool, such as one having a handle. The mixture is then placed into a large bowl. The symbolism of a handled stone tool and a bowl can be found on the Göbekli Tepe standing stone, above the bird symbolism of what can be seen as a Garuda, which is associated with the constellation of Aquila. Garuda is an essential part of the Vaishnavism mythology.

The Garuda also features prominently in Shaivism mythology. Shaiva texts such as the Garuda Tantra and Kirana Tantra, and Shiva temples have a Garuda bird representing Atman, the universal self, identical with the eternal core of the personality, which after death either transmigrates to a new life or attains release (Moksha) from the bonds of existence.

Shiva’s proto-form was Rudra who corresponds with the Orion constellation in ancient Greek myth. Orion was a great hunter and became quite boastful about his skills, claiming there was no animal he could not kill. When Orion boasted to the Goddess Artemis, that he would kill every animal on earth, Gaia, the Goddess of the Earth, sent Scorpius (constellation) to kill Orion. A great battle ensued which saw the demise of Orion.

The Göbekli Tepe symbolism of the headless figure (Rudra/Orion: Shiva) and that of the bird/Garuda indicates the ecstatic release of his ‘Atman.’ In other words, the headless figure represents a Shaman who partakes of (Magu) Bhang, whose spirit then becomes as a bird/Garuda.

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FORNEUS OCCULT INGESTION HENTAI DREAMS

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on May 22, 2018 by FAUSTUS CROW

Abdul Alhazred’s conjuration of the Thirtieth Succubus archetype of the Fallen Anima, named, Forneus as well as the subsequent remote viewing session of her within his Arkham asylum padded cell, was no doubt a memorable experience. This Mind-Doll, said Alhazred, manifested as a Hokusai vision in the Tulpa form of Babalon being consumed as R’lyeh fish bait by a great sea-monster.

Alhazred sensed that this infernal Art Muse induced a Hentai vision, which of an erotic tentacle scenario went, “no further than the corner view of my cell where the conjuration has taken place. She was held within the circle and begins to ‘speak’ or should I say, sing to me like a hypnotic Siren as I remote view her.”

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He added that this Succubus, “appears to be manifesting as a plasma like figure who is speaking a Necronomicon language that I do not recognize.”

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As his hands love-craft sketched the monstrous form of Forneus, Alhazred was surprised to find that the fish-bait Babalon the monster was consuming was part of the creature, which had a sucking tube of a mouth, looking like a vagina dentata.

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A mystery, indeed, as you first examine Alhazred’s’ Artwork, which is best seen on The Erotic Mad Science website, CLICK HERE. But then, dear reader, as I began to research the things known about this Succubus, something interesting emerged.

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Forneus appears as a great monster of the sea. It looks like a primitive organism, which of a body is that of a fleshy tube having a tentacle for its tongue,” said one description. “It’s scales are precious stones, it’s many eyes are like fire and the flesh of drowned Ama divers clings to its teeth.”

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S. L. MacGregore Freemason Matherson agrees that Forneus,appears as a great sea monster, but he further relates, “it had been originally created as homunculus by Professor Eustace Turpentine, of Innsmouth Institute for Marine Research. As his Little Lab Of Horrors creation rapidly grew to huge proportions, he found out that it had a liking for eating women. Turpentine named the creature, Gynephagos Turpentinii.”

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Others say the sea monster is Cthulhu, looking like an enormous octopussy, Oops! I mean, octopus. In fact, the old magicians referred to Forneus as the Marchioness of the amniotic Waters, saying that the primordial womb ocean is her natural Ry’leh home. It is also said that the Hentai tentacle visions of Forneus being consumed by an octopus points at an occult secret, which reveals that octopuses are aliens, whose ‘frozen eggs’ originally came from the womb depths of space. A controversial science paper has argued just that, suggesting that octopuses may have ‘fallen’ upon our planet as frozen eggs, which were carried to an ancient Earth within icy comets.

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The paper, by 33 degree scientists (some having reputations as mavericks) was first published in the peer-reviewed journal Progress in Biophysics and Molecular Biology. The idea of alien life spreading like ‘seeds’ throughout the womb depths of space riding comets or meteorites isn’t new, the theory is known as ‘Panspermia’.

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But the authors of the paper point out new DNA evidence about octopuses. The first full genome sequence of octopus DNA in 2015 showed that octopuses are totally different from all other animals. Their genome shows a striking level of complexity, having 33,000 protein-coding genes identified, more than in a human.

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The paper reveals: “The genome of the Octopus shows a staggering level of complexity with 33,000 protein-coding genes more than is present in Homo sapiens.” Some single-celled organisms may be able to survive extreme impacts such as within comets, scientists say. “It is plausible then to suggest they seem to be borrowed from a far distant ‘Future’ in terms of terrestrial evolution, or more realistically from the cosmos at large. ‘One plausible explanation, in our view, is that the new genes are likely new extraterrestrial imports to Earth – most plausibly as an already coherent group of functioning genes within (say) cryopreserved and matrix protected fertilized Octopus eggs.”

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Octopuses inhabit every ocean of the Earth, at almost all depths, possessing a range of features, which call to mind science fiction aliens. These include prehensile sucker-lined tentacles, highly mobile, camera-like eyes sensitive to polarised light, sophisticated camouflage systems, which alter skin colour and patterns, jet-propulsion, three hearts, and the ability to regenerate severed limbs.

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With this paper in mind, I look at Alhazred’s Artwork once more and I am instantly reminded of the famous, The Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc, which is a zoophilia-associated woodcut design of the ukiyo-e genre, by the Japanese artist Hokusai. It plays with themes, which are very popular in Japanese Art, Manga and Anime, depicting a young Ama diver who is sexually entwined with a pair of gobbling octopuses.

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But is this necessarily true, do women have the hots for Jungian tentacles? But what then about the Freudian stories told by the randy Pirates on sailing ships of old, who brought home tales of great sea monsters brushing their vaginal maws up upon the sides of their phallic vessels.

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Could it have been that these visions were all glimpses of the Succubus Forneus? Did some sorcerer accidentally summon this powerful Anima archetype from another dimension, or was Forneus simply making a friendly dream visit to a lonely sailor passing by on the great expanse of a seemingly endless sea, under the oceanic canopy of panspermia stars?

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Whatever the reason for her dream calling, Forneus probably was probably not a threat. Johann Weird, in his Succubus Sexualis of 1587, says he believes conjuring this Sucubus only brings good fortune: “She maketh a Sorcerer woondeffull in ‘explosive’ rhetorike. She adorneth a Sorcerer with a good name, and the knowledge of (tongues), and maketh one beloved as well of foes as freends,” Weird wrote in an early English text.

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BELPHÉGOR GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2017 by FAUSTUS CROW

Salem’s Vampy Vampira of Goetia Girls Research TV here, at my usual haunt of a bar. Although this time around, I’m in the Le Crazy Horse de Paris. I am ever so excited to be in Art central Paris, interviewing ghost hunter Jacques Bellegarde and the psychic detective Chantecoq about their paranormal investigations into the ghostly apparitions of the Seven Sisters Of Purgatory, haunting the Musée du Louvre. Check out their book. 

VV: Thank you both for talking to Goetia Girls Research TV and our still living audience. You both make the claim, in your book, that supernatural activity is everywhere on the dark side of Paris, but what makes a place truly haunted, such as the labyrinthine Art gallery of the Louvre?

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CHANTECOQ: Well, it’s about the belief, the mystery, and the culture around the myth. the major Art attraction of the Louvre is not just by chance, but by design. The whole Art instillation acts something like a psychic battery… a Ley line focal point. Some of the locals believe that a number of the paintings in the Louvre are actually painted with the blood, harvested from human hearts, creating inter-dimensional portals into other realities, which open at certain key-times around the zodiac.

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VV: Ley lines… the Louvre is a psychic battery… paintings painted in human blood acting as stargates; sounds like something right out of H.P. Lovecraft’s Necronomicon brain; I love it!

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JACQUES: It is all symbolic of course… an occult blind, which refers to a primordial shamanic technique the ancient Egyptian’s also practiced in their temples. The chest area of the heart is where most of the nerve fibres of the Central-Nervous-System are to be found, which are activated by the inducement of hypnagogic trance at certain circadian rhythm key-times. Basically, the Artist who to have painted the painting was in a state of hypnagogic trance while doing so. Whereas the motif of blood refers to the Artist’s emotional state when creating the Artwork. As for Ley lines and the psychic battery bit, that’s where it gets really interesting…

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VV: I must admit, I never got my head around all this Ley line stuff, for real; let alone psychic batteries… the Louvre being a massive psychic battery sounds far too New-Age fluffy to me… no offence…

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CHANTECOQ: No offence taken… You just figured it out without realising it, when you said… head; and I must say you do have a very pretty head… (All three laugh) 

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VV: You are such a bad boy Cthulhu flirt… (All three laugh)

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CHANTECOQ: (Continues) The Ley lines, which are generally seen to be hypothetical energy lines covering the Earth like a web, actually exist within your crystalline skull. What you externally observe, with your eyes is interpreted by your brain, which has a liking for patterns; whether you are aware of it or not.

Beelzebub Umineko Cosplay by vzl

CHANTECOQ(Continued) Should you look at the world as an Artist would, you will soon realise that wherever you look, you will notice that the area you are observing has an underlying composition to it, a symmetry; hence, having a pattern. That is why, when accessing hypnagogic trance, you will sometimes experience entoptic phenomena, made up of geometric patterns looking like grids, zigzags, cones, dots, spider webs or that of Ley lines underneath the internally experienced visionary material, which is associated with what is externally observed.

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VV: Is that why Palaeolithic cave paintings often feature geometric patterns; whereby indicating they were painted while in a state of hypnagogic trance?

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CHANTECOQ: Yes. The caves of Lascaux for example, were the first Art gallery temples. At an external level, the cave is just a cave; but when accessing hypnagogic trance, the cave becomes a psychic battery, whose stored energy is emotion. Or should I say, it evokes an emotional reaction from one or more of the Seven Chakras of the endocrine system, within an individual, via the symbolic stimuli of the paintings. This then leads to thoughts making nigh instantaneous associative connections, which generates the entoptic phenomena of the experienced Ley lines, corresponding with the conjured visionary material of deep memories.

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VV: Hang on a minute, just to clarify what you just said… when in hypnagogic trance, the symbolic stimuli of a painting evokes an emotional response from the Seven Chakras, equalling energy, which then sets up associative thoughts, being entoptic phenomena Ley lines… and that these lines of thought correspond with visionary material, that are conjured memories…

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CHANTECOQ: Yes. emotion, thought and memory is symbolised as the Triangle Of Art in occult practice; but it is essentially that of Art. At the midst of the Triangle Of Art you then have the ‘eye’ of the imagination, which allows an Artist to introvert his or her five senses into the dream consciously.

CHANTECOQ: (continues) Wherein of a sixth sense lucid dream a two-dimensional painting becomes as a three-dimensional interactive reality. Whereby, a macrocosmic painting can indeed act as a Vaginal stargate into another microcosmic reality.

Beelzebub Umineko Cosplay by vzl

VV: Whoa! So the Louvre is like the painted caves of Lascaux… are you saying that the reported ghosts of the Louvre were seen by individuals who had inadvertently accessed hypnagogic trance, by any chance?

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JACQUES: You are now getting very close to… Le secret du Louvre. But it’s not quite the whole story, there’s far more. Chantecoq and myself resorted to using the classic Ouija board of Surrealist automatism in a number of the Louvre galleries to see if an entity would communicate with us.

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CHANTECOQ: We found that the ghost sightings are associated with singular entity, such as sightings of old guards walking through the museum, as well as the Red spectre of the Tuileries, which was initially considered to be a male ghost. But we soon discovered that the ghost in Rubedo Red is actually a female entity, which had communicated with us via the Ouija board. She even revealed that she has six other ghostly sisters as well revealing her symbolic-key of a name.

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VV: So, what is her name?

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JACQUES: She said her name is Belphégor. We decided to look into her name, which is listed in the grimoires as being that of a spirit. Belphégor is one of the very few spirits described manifesting as a female entity, appearing as a young girl, when conjured into a lucid dream.

JACQUES: (Continues) She is said to inspire innovative invention, especially via her Art Muse inspired dreams, which, for example could be that of innovative Art movements. However, her name is originally derived from the ancient Egyptian Goddess Ahathoor as well as being associated with another Egyptian Goddess named Amunet.

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CHANTECOQ: We found it very curious indeed that Ahathoor means the house, or temple of Horus. When we looked at the Ahathoor temple plans of Edfu, we found out that the Louvre is based upon the same temple plan.

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JACQUES: Going back to the Red spectre… or a red Rose, of the TuileriesAhathoor is depicted dressed in scarlet, who is the original scarlet woman… she is sometimes shown to be naked. The reason for her nakedness and the colour Red, is that it is associated with menstrual blood, the Rubedo of alchemy, which points at a naked Vaginal portal of ingress into this reality. As for Amunet, also pronounced Amonet or Amaunet, she was a primordial Goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun

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CHANTECOQ: Amun is sometimes depicted as being a pyramid of light surrounded by the primordial ocean called Nun, which of similarity points at the Louvre pyramid, whose symbolism of a pyramid is associated with the Masonic symbol of the Beehive having a Queen Bee Witch.

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VV: So, by using an Oiija board, you both come across the name Belphégor, which then led you to an ancient Egyptian Goddess called Ahathoor pointing at the Edfu temple, having the same ground plan as the Louvre. Are you saying that the Louvre is the house of Horus?

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JACQUES: Well, actually, here in France, the Horus hawk, equates with a type of hawk called a Merlin, which is flown from a ladies hand. This then leads you to the wizard called Merlin who as a deified shaman is also associated with Amun, whose consort is Amunet. The Egyptian Goddess Amunet would then equate with Morgana le Fay coupled with Merlin, which then leads you to the locale of Glastonbury tor in the Uk, having a Seven fold Chakra spiral… Glastonbury tor was once surrounded by an inland sea, just like Amun’s pyramid, which in turn, as said, leads you to the Louvre pyramid… As for the name of Amunet, it means, ‘the female hidden one,’ like that of being masked, who is depicted wearing a Red crown wielding a staff of papyrus.

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CHANTECOQ: When you have papyrus it is symbolically associated with paper unto canvas; hence, Merlin can be seen as a bearded shaman Artist, whose house is the Louvre… Funnily enough, In the innovative British and American TV series Penny Dreadful, the character of Vanessa Ives, is played by the French actress Eva Green, who is implied to be an incarnation of Amunet. You also have another French actress, Sofia Boutella playing Ahmanet, who is Amunet, in the Mummy film, which is the first official instalment in the Universal Monsters Cinematic Universe… you could say, the Mummy film, of a moving painting will act somewhat like a Vaginal portal, whose ageless archetype of the Arts is Belphégor.

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VV: Curious, sounds like Belphégor is very French, no wonder Kamasutra Paris is the Art central of symbolic Alchemy, whose sorcerer Artists, inspired by their Succubus Art Muses, transmute the Seven hedonic sins into golden Tantric virtues. You mentioned that all of this is by design, what do you mean by that… who or what designed it all?

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JACQUES: We suspect that it has something to do with the junk DNA, which is tied up with language. The language we are talking about here is at a far deeper level, it is symbolic, manifesting within dreams… not that of words. It’s as if, there is a symbolic code embedded in all of us, which physically manifests its self via trance Art; whereupon you then find various cultures throughout history, manifesting similar symbolic motifs across the globe, which are all interconnected.

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CHANTECOQ: We found that the Belphégor dream code is associated with certain zeitgeist times, when innovative Art movements in Paris influenced the whole world. One such zeitgeist Art movement was initiated by Les Humanoïdes Associés, a publishing house specialising in comics and graphic novels. It was founded in December 1974 by Mœbius, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their adult fantasy magazine, Métal Hurlant; it quickly expanded to include a variety of science fiction work.

JACQUES: Métal Hurlant was innovatively revolutionary in the comic book Art-form at the zeitgeist time; because of its inventive focus on the genre of science fiction, it inspired many generations of authors and filmmakers, such as George Lucas for his film Star Wars and Ridley Scott’s Blade Runner and Alien, as well as influencing Wachowskis Matrix trilogy. The American version of Métal Hurlant is the magazine Heavy Metal whose base of operations is in H.P. Lovecraft land Massachusetts.

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VV: Yeah! Salem, that’s where I come from; born and bred as a salaciously sinful Witch… I wonder what one of the Seven very naughty Chakra sins I would be? (all three laugh.)

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CHANTECOQ: We also discovered that the Paris base of Les Humanoïdes Associés is aligned with the Louvre pyramid, which both of us find to be rather curious…

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VV: Looks as if Belphégor not only travels around the Ley lines like a Witch riding her broomstick, she is also into Bandes dessinées…

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CHANTECOQ: What do you expect, she is a Succubus Art Muse Catwalk model out of Vogue, looking like a Vampy Vampira… (all three laugh)

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VV: So, what will be the next zeitgeist Art movement, she is going to inspire, do you think?

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JACQUES: Well, we did have the word, Crow, that kept on cropping up when using the Ouija board. What that means, we haven’t as yet determined…

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VV: Crow… Belphégor… Crow… Belphégor… sounds familiar; I’m sure I have come across that association somewhere… not sure… where… (shakes her Louise Brookes bob style raven tresses) sorry, please continue…

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JACQUES: Perhaps, going by the sensual French actresses playing the Penny Dreadful and Mummy manifestation of Amunet… pointing at Belphégor, that the next zeitgeist will occur in tandem with the return of the Universal Monsters and their sinfully delicious EC comic Cinematic Universe…

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CHANTECOQ: Whatever the zeitgeist Art movement to be of an artistic manifestation; it will be very much dependent on the bearded Artist who has conjured Belphégor as his ‘throne’ of Muse inspiration… as the saying goes, “behind every great man there is a woman,” although I far prefer the Hindu adage, “a God is not a God without his Shakti.” (Chantecoq winks at Vampy Vampira. All three laugh, while drinking a third bottle of Faust, Cabernet Sauvingnon. )

VV: Thank you both for the interview. Salem’s Vampy Vampira of Goetia Girls Research TV signing off from the dark side of Paris. Hell! I’ve just been asked to do a Belphégor mask dance on the Crazy Horse Dakini stage with my six other most salacious Witch sisters.

VV: (continues) But before I do, I’m going to Cat burglar steal another bottle of Faust. Make sure to subscribe to the Goetia Girls Research TV on YouTube, to catch my Crazy Horse Performance Art dance, it’ll send you into a surrealist trance.

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

The COLOUR version of Book Two will soon be published. The cover artwork below is for the Black & White version of book Two.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Createspace and Amazon.

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HELL GIRL HORROR ART MUSE

Posted in Anime, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2015 by FAUSTUS CROW

The Forty-Fourth Succubus archetype of the Fallen Anima, whom is listed in the Goetia, is Shax, Shaxi, or Shazi (or Shassi).

She is a Great Marchioness of the ninth dimensional sphere of Surrealist Luna, who at first appears as a Stock-Dove, like unto the Dove of Love, speaking with a most seductive voice, but yet subtle.

At the command of the conjuring Artist she will then manifest of a vision as a most ravishingly beautiful Japanese Schoolgirl who is Manga chained to an Anime Jade Rickshaw, which she will be pulling.

Her Ninja office is to take away the sight, hearing, or understanding of any Man or Woman, at the command of her conjuring Artist, should they be of malign intent to cause harm to either himself or others under his care.

She will also appropriate money for her conjurer from out of many an Animus establishent Bank, which have been a party to subjugating her peoples throughout history.

She remembers the Atomic Hell of Hiroshima and Nagasaki, sired by the hypocrites of the Illuminati triad of the deified Animus, made as a God and Devil, which she seeks her Samurai revenge against.

What wealth she will appropriate as a Yakuza Witch, she will carry it back again after 1,200 years when the radiation wound of ages has finally healed. If commanded, she will fetch vehicles of transportation at the request of her conjuring Artist, as well as many another thing, which her conjurer desires.

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But she must first be commanded into the Triangle of Art imagination, wherein her doll of a spirit repository is to be visualised being bound up and tied; for she greatly hungers as a Succubus Art Muse to suck upon the erect paint-brush of her conjuring Artist.

Likened to a voracious Vampire she will verily feast upon his Emotive Charge of his paint-brush Ejaculations, which to Spin her Electron vision into Tulpa flesh. If, however she is not fed the Ejaculation of her conjuring Artist she will then deceive him, to tell many illusory lies.

She can discover all things that are hidden and not kept by wicked Spirits. She will bestow good Anime Girl Familiars should she be fed the issue of her Artist’s brush-stroke Ejaculations via those vivid erotic lucid dreams, she will most assuredly induce as a Succubus Art Muse, otherwise such Anime Girl Familiars will rebel.

She Governs over Thirty Legions of Manga Girl Art Muses, who are very much into Anime and Hentai like unto herself of a Hell Girl, whereupon if her conjurer be a Comic book Artist, she will inspire him as his forever Art Muse.

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Shaxi is very much like Ai Enma from the Anime and Manga series called, Jigoku Shojo: Hell Girl , which is also known as, The Girl From Hell.

Most of the episodes of Hell Girl, featuring the main protagonist called, Ai Enma are self-contained short stories, whose series of dark tales, narrates the suffering of a different individual caused by one or more antagonists.

In general, during each arc, the protagonists’ dramas are explained in detail from the start of their grudges, through the escalation of their torment, until it becomes unbearable and they resort to accessing the Hell Correspondence website.

Although the protagonist gives the antagonist a chance, he or she usually ends up pulling a red string on his or her straw Voodoo Doll, which was given to them by Ai Enma; when the string is pulled, the antagonist is rapidly sent into the depths of Hell.

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Ai Enma coldly punishes the antagonists for his or her sins with the help of her infernal and rather colourful companions, before she takes them to their final abode of a self made Hell.

Ai is depicted as an iconic Gothic Lolita, who is a classic anti-heroine with long, straight black hair and ruby-blood-red eyes, and pale skin; she is a spiritual entity with a tragic past. Ai Enma lives in a place frozen in time, as it basks in an eternal sunset, along with her mysterious Grandmother.

Through an old computer inside their house, Ai is able to receive the names of her clients who have discovered the Hell Correspondence website, leading to the vigilante deliverance of spectral justice, beyond temporal law.

Ai normally wears a black Seifuku, or Sailor Uniform; but at other times, she wears a kimono with floral (or Temari, hand-wovern thread balls) designs when delivering the Shinto vengeance of a client.

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Ai started her career as the Hell Girl by her own act of vengeance, meted out upon the villagers who had sentenced her to a sacrificial death, long ago. She was sacrificed merely because the villagers feared Ai being different.

Her eyes, were once a deep brown, but they turned red when, Sentarou who was her childhood friend, lover and cousin was unable to stop the villagers beating her, he then gave in to their pressure, to bury her alive; he was the first to shovel soil onto her battered face.

Ai’s ghost eventually broke out of the imprisoning grave after a while, and took revenge on the entire village with her demonic wrath, burning it to the ground. Her task of fulfilling other people’s vengeance and ferrying people to Hell, is her punishment, a task which she had performed for 400 years after the incident.

A Spider, which is later revealed to be the God of Hell, gave her new life again, and made a pact with her; in exchange for her immortal form, she cannot enter Hell, and must remain on the shores of Hell, acting as the deliverer of people’s hatred and vengeance.

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In order to serve these tasks, The God of Hell demanded that Ai forget her own hatred, numbing herself to the sufferings of others, and becoming a mere observer of any worldly happenings.

If she hadn’t had this punishment, the souls of her beloved family would have been afflicted with her Karma, having to forever wander in Hell, lost for eternity. Ai had no other choice, so, she agreed with the God of Hell, and became the Hell Girl. Although this task is presented as atonement, it is unknown whether she will ever be free of it.

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You can thereby utilise the story of Ai Enma in order to give Tulpa flesh to Shaxi, as a vigilante Hell Girl. If so desired, you can access the ‘Hell Correspondance website’ within your Internet dreams made lucid of awareness. But only if you are justified in your need for Justice, and that of righteous revenge.

Otherwise you will end up creating your own self made Hell around yourself; hence, it be better that you otherwise reach for Shaxi’s Art Muse Stock-Dove of Peace, instead; for protest Art is also a weapon of Justice, and righteous revenge

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H.P. LOVECRAFT CTHULHU CHILD OF HENTAI TENTACLE PORN

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2015 by FAUSTUS CROW

H.P. Lovecraft was a surrealist visionary of the highest calibre, and like most surrealist artists he derived his inspiration from impulses, which stemmed from the deepest recesses of his subconscious mind. However, Lovecraft was a rarity, whose dreams were vivid of a lucid reality, which guided his hand to write of nigh automatism.

His dreams were somewhat moulded by shadowy predilections concerning his disdain for intimate human relationships; more so that of the sexual act.

Lovecraft was quite honest about his difficulty forging relationships with women, who had otherwise channelled his base biological drives into his creativity.

Many have noted that Lovecraft’s Necronomicon creations have Freudian overtones, concerning slimy tentacles of a phallic propensity along with gaping vagina dentata maws dribbling ichor. Little wonder then that Lovecraft’s Cthulhu Mythos inspired the vore fetish of Hentai.

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Although, the tentacle porn of many a Hentai comic depicting monstrous entities consuming their writhing female prey, are primarily based upon ancient Japanese fertility deities, which have been warped all out of shape.

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For example, you have the popular Japanese folktale of the Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc., which inspired a Zoophilia-associated woodcut design of the Ukiyo-e genre by the Japanese artist Hokusai.

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The woodcut is derived from the book Kinoe no Komatsu (English: Young Pines). It is a three-volume book of Shunga erotica first published in 1814, which is the most famous Shunga, Hokusai ever produced. Playing with themes popular in Japanese art, the prior Hentai image depicts a young female Ama diver entwined sexually with a pair of octopuses.

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The Dream of a Fisherman’s Wife was a very popular subject in Ukiyo-e art. The artist Utagawa Kuniyoshi produced a number of works based upon it, which often include octopuses among other creatures being teased by the bare-breasted female diver.

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The Dream of the Fisherman’s Wife is not the only work of Edo-period art, which depicts erotic couplings between a woman and an octopus. A number of early Netsuke carvings show cephalopods having intercourse with nude girls. Hokusai’s contemporary Yanagawa Shigenobu created an image of a young woman receiving cunnilingus from an octopus, which is very similar to Hokusai’s Hentai depictions in his collection Suetsumuhana of 1830.

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The prior works of Hentai has influenced a number of later artists such as Félicien Rops, Auguste Rodin, Louis Aucoc and Fernand Khnopff. Pablo Picasso painted his own version of the Japanese tale during 1903, which has been shown next to Hokusai’s original in various exhibits on the influence of 19th-century Japanese art on Picasso’s work.

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In 2003 a derivative work was created by the Australian painter David Laity, also titled The Dream of the Fisherman’s Wife, which sparked a minor obscenity controversy among shocked Christian’s when it was shown at a gallery in Melbourne. After receiving multiple complaints, the Melbourne police were forced to investigate the artwork, but determined it had not broken the city’s pornography laws. Hokusai’s print has had a big influence on the modern Japanese-American artist Masami Teraoka, who has created a number of erotic images of girls, including a recurring ‘pearl diver’ character, being pleasured by cephalopods, which symbolises the female sexual power over the (tentacle) phallus, who empowers its erection.

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My own rendition of The Fisherman’s Wife ‘depicts her with a reptilian type creature fused with a cephalopod, of a Cthulhu, which is also a play on words, concerning the text, which can be found accompanying Hokusai’s image, where the big octopus says, he will bring his captured girl to Ryūjin’s undersea palace, you can otherwise see as Lovecraft’s undersea city of Ryleh.

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It is very likely that Lovecraft was aware of the tale of The Dream of the Fisherman’s Wife, since he was a well read fellow, whose horror, was of the sexual act its self.

If however, you do not believe that the Hentai fixation upon Cthulhu tentacle sex, which mostly involves Geisha (Dakini/Succubus) Schoolgirls frequenting many an Anime and Manga has anything to do with ancient Japanese fertility cults, perhaps there is a psychological reason behind the voyeuristic fetish of Hentai bestiality, involving a number of vore beasts.

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If so, the motif of the monster, whether it be a cephalopod, insect, reptile, mammal or an alien, etc, can be generally summed up as representing a bad inner-self-image, of a Cthulhu, which is housed in your reptilian brain of Ryleh. The negative self-image will invariably engender an inability to forge normal ’emotional’ relationships with the opposite sex.

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This would then lead to an extreme inner frustration; whereupon the sexual impulse becomes all consuming, which is expressed as the Lovecraftian vore fetish in varying Hentai fantasies.

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Or otherwise being symbolically represented as cannibalism, involving the Ghasts and Gugs of Lovecraft’s underworld dreamlands, or otherwise that of Zombies and Ghouls etc.

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Whatever the case, these dark impulses can be symbolically transmuted and healed via Art, which Lovecraft took much further into imaginative realms, where they became nigh spiritualised.

Though dark of visionary insight, Lovecraft did not allow himself to fall into the lower depths where present Hentai tends to frequent of meaningless pornography. Whereas prior of Hokusai Hentai, the erotic imagery concerned the symbolic transmutation of the sexual impulse in order to evoke the inner-self-image of the observer coupling with his ‘Anima,’ which is none too dissimilar to the European fairytale motif of a Dragon entwining its self around a Princess bound to a ‘tree,’ before consuming her.

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As for Lovecraft, he could have crossed over into the more meaningful domain of the erotic, and in so doing tackled his emotional disconnection, if he had rebelled against his puritanical upbringing. His acute emotional turmoil, though inspiring his art, very likely led to him developing an illness over time, which afflicted his navel Chakra and in turn bringing about his eventual demise.

He himself, had many years earlier communicated that his stomach was gripped by the talons of faceless creatures he named as Nightgaunts, at the hypnagogic point of dreaming, which then carried him into the depths of tormenting nightmares. May be he foresaw his own death?

As mentioned prior, the Lovecraftian creatures of Hentai were originally based upon ancient Japanese fertility deities, which have since lost their ‘navel Chakra’ meaning in a culture, afflicted by a fear of the female. This is probably due due to Judaeo-Christianity having an Animus influence in Japanese culture, which, like its patriarchal source of Judaism and kin of Islam are extremely adverse to the feminine principle of the Fallen Anima.

It is somewhat strange that the depiction of the penis is allowed in Japanese art, such as having Lovecraftian phallic tentacles of ‘Biblical proportions.’ Although this is to do with the deification of the Animus, made as a God and Devil.

But when it comes to the vagina of the Fallen Anima it is taboo of a pixelated smudge, like that of having a faceless Nightgaunt, or should one say… a SUCCUBUS.

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SUCCUBUS HOUSE OF THE HUNGRY GHOST GIRLS

Posted in Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 8, 2015 by FAUSTUS CROW

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Do spirits live in houses within their otherworldly domain, just like the living? Many have conjectured that they do, which is especially the case, if they be discarnate; who would have memories of those houses where they once lived, to later repeatedly haunt.

It is one of the reasons why some shamans build spirit doll houses as their altars, whose ‘meditation’ aid dolls, looking like sexy Anime/Manga kit model icons are macrocosmic repositories for their microcosmic spirit wives of the dream.

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Sounds all rather odd, doesn’t it. But should you observe your dreams, you will find that the motif of the house is somewhat of a habitual constant, along with its surroundings of a city, whose spectral abodes are occupied by numerous denizens of the dream.

These entities who may be manifold (Tulpa) creations of your own psyche, all as mind-dolls; or being otherwise discarnate spirits, then again, they could be other dreamers; perhaps all of the above, and far more besides.

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Your dreams are definitely made of layered memories; much of them are personal to you at one level, which of an analogy, is like you being in your surrealist house, surrounded by the symbolic possessions of varying memories, becoming jumbled into differing surreal scenarios.

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But as soon as you go out of your front door within a dream, of an out of body experience, it is a distinct possibility that you will then find yourself engaging with a mind-map, which is collectively created by the many minds of others, along with your own, where time flows in both directions, from past to future, future to past.

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So, ghosts of the past are presently living, along with ghosts of the future, and you too are as a ghost, yet alive simultaneously like a Schrödinger’s Cat.

Of course, the collective mind-map is not just a creation of other human minds, but also of all those creatures who too share your world; some of them being discarnate; while others primarily exist within the informational realms of the dream, which of the quantum domain, unifies everything between the ‘binary code’ horns of sex and death, the (Alpha) living and the (Omega) dead. But the Alpha of birth and Omega of death are as the head and tail of an Ouroboros; they are both the same of  a superimposition (vaginal) door.

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Your dreams are made of electrons, which can be in many places simultaneously, so say the physicists, which has led to successful experiments in quantum teleportation; whereby your dreams are not just in your quantum computing brain alone.

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It is conjectured that electrons are in fact mini wormholes, whose informational phenomena within the symbolic interface of the dream, would very likely manifest as virtual reality doorways, windows, hallways and stairways amidst your simulated dream house, populated by bound sentient programs.

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All of which of symbolism has been conjured up by your quantum computing brain. Or that of otherwise manifesting as tunnels, caves, whirlpools or bodies of water, whose primary symbolism is organically derived from the feminine principle of the vagina, via which your consciousness can slide through like an erect serpent.

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Whereby it is possible that you can gain spermatazoic ingress into alternate (womb) possibilities, just as the ancient shamans communicated, whom interacted with a feminine intelligence of these inner (vaginal) portals, they termed as their spirit wives, a European would call (Succubi) Succubae.

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The psychologist Carl Jung would otherwise term the Succubae as being manifold aspects of the Anima, which has Fallen out of the symbolic paradigm.

The established paradigm has an emphasis on the deified Animus, made as a God and Devil; hence the Playgirl grimoires both historical and modern only list Chippendale male archetypes of the Animus.

So, should you dream of a beautiful woman opening her (vaginal) door to then wantonly guide you into her (womb) bedroom, you might just find that you are no longer in Kansas anymore of a planetary sphere, when to leap of rebirth out of her Rose tinted window.

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That’s if you can pull yourself away from her hot embrace; for her vaginal star barrelled wormhole is forever hungering for your emotional charge to spin its uterine vortex.

When to become lucid within an electron dream, you are then enabled to conjure a particular Succubus; wherefore you are then able to slide into a desired dream (womb) locale of another mind-map underlying an alternate Earth next (vaginal) ‘door.’

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Should she let you into Lilith’s Harem, that is; since you will then be aware that she is a Succubus, along with knowing of the existence of her myriad legions of ever hungry ghost girl sisters, whom forever hunger for your introverted emotional ejaculations, in order to spin them into sentience.

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Whereby one has to then enter into a symbiotic Coitus Pactum with her as your Night-Mare to ride, otherwise she will become a Nightmare; for fear of an emotional charge will spin her too.

Hence she will manifest as a haunting Old Hag Syndrome night terror, rather than as a Succubus dream lover.

In order to negate the fear from arising, it would require the sorcerer becoming conscious within the amniotic watery domain of the dream, when to attain an ‘amphibious’ state of consciousness at the point of hypnagogic trance ingress; whereupon the Don Juan Matus sorcerer eats the (Anima) Succubus of a conscious seduction instead of him being eaten.

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Wherefore the sorcerer remembers his Coitus Pactum of a dream union with his Succubus when to awaken into a desired possibility, she to microcosmic birth as a macrocosmic synchronicity.

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