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BELPHÉGOR GHOST GIRL OF THE LOUVRE AND HER WITCH SISTERS OF PURGATORY

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2017 by FAUSTUS CROW

Salem’s Vampy Vampira of Goetia Girls Research TV here, at my usual haunt of a bar. Although this time around, I’m in the Le Crazy Horse de Paris. I am ever so excited to be in Art central Paris, interviewing ghost hunter Jacques Bellegarde and the psychic detective Chantecoq about their paranormal investigations into the ghostly apparitions of the Seven Sisters Of Purgatory, haunting the Musée du Louvre. Check out their book. 

VV: Thank you both for talking to Goetia Girls Research TV and our still living audience. You both make the claim, in your book, that supernatural activity is everywhere on the dark side of Paris, but what makes a place truly haunted, such as the labyrinthine Art gallery of the Louvre?

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CHANTECOQ: Well, it’s about the belief, the mystery, and the culture around the myth. the major Art attraction of the Louvre is not just by chance, but by design. The whole Art instillation acts something like a psychic battery… a Ley line focal point. Some of the locals believe that a number of the paintings in the Louvre are actually painted with the blood, harvested from human hearts, creating inter-dimensional portals into other realities, which open at certain key-times around the zodiac.

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VV: Ley lines… the Louvre is a psychic battery… paintings painted in human blood acting as stargates; sounds like something right out of H.P. Lovecraft’s Necronomicon brain; I love it!

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JACQUES: It is all symbolic of course… an occult blind, which refers to a primordial shamanic technique the ancient Egyptian’s also practiced in their temples. The chest area of the heart is where most of the nerve fibres of the Central-Nervous-System are to be found, which are activated by the inducement of hypnagogic trance at certain circadian rhythm key-times. Basically, the Artist who to have painted the painting was in a state of hypnagogic trance while doing so. Whereas the motif of blood refers to the Artist’s emotional state when creating the Artwork. As for Ley lines and the psychic battery bit, that’s where it gets really interesting…

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VV: I must admit, I never got my head around all this Ley line stuff, for real; let alone psychic batteries… the Louvre being a massive psychic battery sounds far too New-Age fluffy to me… no offence…

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CHANTECOQ: No offence taken… You just figured it out without realising it, when you said… head; and I must say you do have a very pretty head… (All three laugh) 

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VV: You are such a bad boy Cthulhu flirt… (All three laugh)

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CHANTECOQ: (Continues) The Ley lines, which are generally seen to be hypothetical energy lines covering the Earth like a web, actually exist within your crystalline skull. What you externally observe, with your eyes is interpreted by your brain, which has a liking for patterns; whether you are aware of it or not.

Beelzebub Umineko Cosplay by vzl

CHANTECOQ(Continued) Should you look at the world as an Artist would, you will soon realise that wherever you look, you will notice that the area you are observing has an underlying composition to it, a symmetry; hence, having a pattern. That is why, when accessing hypnagogic trance, you will sometimes experience entoptic phenomena, made up of geometric patterns looking like grids, zigzags, cones, dots, spider webs or that of Ley lines underneath the internally experienced visionary material, which is associated with what is externally observed.

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VV: Is that why Palaeolithic cave paintings often feature geometric patterns; whereby indicating they were painted while in a state of hypnagogic trance?

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CHANTECOQ: Yes. The caves of Lascaux for example, were the first Art gallery temples. At an external level, the cave is just a cave; but when accessing hypnagogic trance, the cave becomes a psychic battery, whose stored energy is emotion. Or should I say, it evokes an emotional reaction from one or more of the Seven Chakras of the endocrine system, within an individual, via the symbolic stimuli of the paintings. This then leads to thoughts making nigh instantaneous associative connections, which generates the entoptic phenomena of the experienced Ley lines, corresponding with the conjured visionary material of deep memories.

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VV: Hang on a minute, just to clarify what you just said… when in hypnagogic trance, the symbolic stimuli of a painting evokes an emotional response from the Seven Chakras, equalling energy, which then sets up associative thoughts, being entoptic phenomena Ley lines… and that these lines of thought correspond with visionary material, that are conjured memories…

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CHANTECOQ: Yes. emotion, thought and memory is symbolised as the Triangle Of Art in occult practice; but it is essentially that of Art. At the midst of the Triangle Of Art you then have the ‘eye’ of the imagination, which allows an Artist to introvert his or her five senses into the dream consciously.

CHANTECOQ: (continues) Wherein of a sixth sense lucid dream a two-dimensional painting becomes as a three-dimensional interactive reality. Whereby, a macrocosmic painting can indeed act as a Vaginal stargate into another microcosmic reality.

Beelzebub Umineko Cosplay by vzl

VV: Whoa! So the Louvre is like the painted caves of Lascaux… are you saying that the reported ghosts of the Louvre were seen by individuals who had inadvertently accessed hypnagogic trance, by any chance?

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JACQUES: You are now getting very close to… Le secret du Louvre. But it’s not quite the whole story, there’s far more. Chantecoq and myself resorted to using the classic Ouija board of Surrealist automatism in a number of the Louvre galleries to see if an entity would communicate with us.

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CHANTECOQ: We found that the ghost sightings are associated with singular entity, such as sightings of old guards walking through the museum, as well as the Red spectre of the Tuileries, which was initially considered to be a male ghost. But we soon discovered that the ghost in Rubedo Red is actually a female entity, which had communicated with us via the Ouija board. She even revealed that she has six other ghostly sisters as well revealing her symbolic-key of a name.

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VV: So, what is her name?

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JACQUES: She said her name is Belphégor. We decided to look into her name, which is listed in the grimoires as being that of a spirit. Belphégor is one of the very few spirits described manifesting as a female entity, appearing as a young girl, when conjured into a lucid dream.

JACQUES: (Continues) She is said to inspire innovative invention, especially via her Art Muse inspired dreams, which, for example could be that of innovative Art movements. However, her name is originally derived from the ancient Egyptian Goddess Ahathoor as well as being associated with another Egyptian Goddess named Amunet.

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CHANTECOQ: We found it very curious indeed that Ahathoor means the house, or temple of Horus. When we looked at the Ahathoor temple plans of Edfu, we found out that the Louvre is based upon the same temple plan.

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JACQUES: Going back to the Red spectre… or a red Rose, of the TuileriesAhathoor is depicted dressed in scarlet, who is the original scarlet woman… she is sometimes shown to be naked. The reason for her nakedness and the colour Red, is that it is associated with menstrual blood, the Rubedo of alchemy, which points at a naked Vaginal portal of ingress into this reality. As for Amunet, also pronounced Amonet or Amaunet, she was a primordial Goddess in Ancient Egyptian religion. She is a member of the Ogdoad and the consort of Amun

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CHANTECOQ: Amun is sometimes depicted as being a pyramid of light surrounded by the primordial ocean called Nun, which of similarity points at the Louvre pyramid, whose symbolism of a pyramid is associated with the Masonic symbol of the Beehive having a Queen Bee Witch.

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VV: So, by using an Oiija board, you both come across the name Belphégor, which then led you to an ancient Egyptian Goddess called Ahathoor pointing at the Edfu temple, having the same ground plan as the Louvre. Are you saying that the Louvre is the house of Horus?

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JACQUES: Well, actually, here in France, the Horus hawk, equates with a type of hawk called a Merlin, which is flown from a ladies hand. This then leads you to the wizard called Merlin who as a deified shaman is also associated with Amun, whose consort is Amunet. The Egyptian Goddess Amunet would then equate with Morgana le Fay coupled with Merlin, which then leads you to the locale of Glastonbury tor in the Uk, having a Seven fold Chakra spiral… Glastonbury tor was once surrounded by an inland sea, just like Amun’s pyramid, which in turn, as said, leads you to the Louvre pyramid… As for the name of Amunet, it means, ‘the female hidden one,’ like that of being masked, who is depicted wearing a Red crown wielding a staff of papyrus.

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CHANTECOQ: When you have papyrus it is symbolically associated with paper unto canvas; hence, Merlin can be seen as a bearded shaman Artist, whose house is the Louvre… Funnily enough, In the innovative British and American TV series Penny Dreadful, the character of Vanessa Ives, is played by the French actress Eva Green, who is implied to be an incarnation of Amunet. You also have another French actress, Sofia Boutella playing Ahmanet, who is Amunet, in the Mummy film, which is the first official instalment in the Universal Monsters Cinematic Universe… you could say, the Mummy film, of a moving painting will act somewhat like a Vaginal portal, whose ageless archetype of the Arts is Belphégor.

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VV: Curious, sounds like Belphégor is very French, no wonder Kamasutra Paris is the Art central of symbolic Alchemy, whose sorcerer Artists, inspired by their Succubus Art Muses, transmute the Seven hedonic sins into golden Tantric virtues. You mentioned that all of this is by design, what do you mean by that… who or what designed it all?

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JACQUES: We suspect that it has something to do with the junk DNA, which is tied up with language. The language we are talking about here is at a far deeper level, it is symbolic, manifesting within dreams… not that of words. It’s as if, there is a symbolic code embedded in all of us, which physically manifests its self via trance Art; whereupon you then find various cultures throughout history, manifesting similar symbolic motifs across the globe, which are all interconnected.

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CHANTECOQ: We found that the Belphégor dream code is associated with certain zeitgeist times, when innovative Art movements in Paris influenced the whole world. One such zeitgeist Art movement was initiated by Les Humanoïdes Associés, a publishing house specialising in comics and graphic novels. It was founded in December 1974 by Mœbius, Jean-Pierre Dionnet, Philippe Druillet and Bernard Farkas in order to publish their adult fantasy magazine, Métal Hurlant; it quickly expanded to include a variety of science fiction work.

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JACQUES: Métal Hurlant was innovatively revolutionary in the comic book Art-form at the zeitgeist time; because of its inventive focus on the genre of science fiction, it inspired many generations of authors and filmmakers, such as George Lucas for his film Star Wars and Ridley Scott’s Blade Runner and Alien, as well as influencing Wachowskis Matrix trilogy. The American version of Métal Hurlant is the magazine Heavy Metal whose base of operations is in H.P. Lovecraft land Massachusetts.

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VV: Yeah! Salem, that’s where I come from; born and bred as a salaciously sinful Witch… I wonder what one of the Seven very naughty Chakra sins I would be? (all three laugh.)

Mammon - The Seven Stakes of Purgatory by Miihelmina

CHANTECOQ: We also discovered that the Paris base of Les Humanoïdes Associés is aligned with the Louvre pyramid, which both of us find to be rather curious…

Mammon - The Seven Stakes of Purgatory by Miihelmina

VV: Looks as if Belphégor not only travels around the Ley lines like a Witch riding her broomstick, she is also into Bandes dessinées…

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CHANTECOQ: What do you expect, she is a Succubus Art Muse Catwalk model out of Vogue, looking like a Vampy Vampira… (all three laugh)

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VV: So, what will be the next zeitgeist Art movement, she is going to inspire, do you think?

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JACQUES: Well, we did have the word, Crow, that kept on cropping up when using the Ouija board. What that means, we haven’t as yet determined…

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VV: Crow… Belphégor… Crow… Belphégor… sounds familiar; I’m sure I have come across that association somewhere… not sure… where… (shakes her Louise Brookes bob style raven tresses) sorry, please continue…

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JACQUES: Perhaps, going by the sensual French actresses playing the Penny Dreadful and Mummy manifestation of Amunet… pointing at Belphégor, that the next zeitgeist will occur in tandem with the return of the Universal Monsters and their sinfully delicious EC comic Cinematic Universe…

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CHANTECOQ: Whatever the zeitgeist Art movement to be of an artistic manifestation; it will be very much dependent on the bearded Artist who has conjured Belphégor as his ‘throne’ of Muse inspiration… as the saying goes, “behind every great man there is a woman,” although I far prefer the Hindu adage, “a God is not a God without his Shakti.” (Chantecoq winks at Vampy Vampira. All three laugh, while drinking a third bottle of Faust, Cabernet Sauvingnon. )

VV: Thank you both for the interview. Salem’s Vampy Vampira of Goetia Girls Research TV signing off from the dark side of Paris. Hell! I’ve just been asked to do a Belphégor mask dance on the Crazy Horse Dakini stage with my six other most salacious Witch sisters.

VV: (continues) But before I do, I’m going to Cat burglar steal another bottle of Faust. Make sure to subscribe to the Goetia Girls Research TV on YouTube, to catch my Crazy Horse Performance Art dance, it’ll send you into a surrealist trance.

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DREAM BOOK SUCCUBUS GRIMOIRE

Posted in Alien, Anime, Art, Chaos Magic, Comics, Demon, Demonology, Devil, Extraterrestrial, Ghost, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Manga, Occultism, Poltergeist, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 25, 2015 by FAUSTUS CROW

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A grimoire is a textbook of magic, which is the literary fare of Harry Potter. These books typically have instructions on how to create magical objects, like talismans and amulets, as well as to how to perform magical spells, charms and divination.

A grimoire also lists supernatural entities, such as Angels, Spirits, and Daemons, which are sometimes liberally illustrated; they are somewhat likened to that of art books; although they are more like proto-comics in style.

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The illustrated entities, which populate a grimoire, are of similarity to a Yidam. A Yidam is essentially a two-dimensional image, which is seen to be a repository for a type of deity associated with Tantric or Vajrayana Buddhism.

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The Yidam usually depicts a deity, who is shown copulating with a female counterpart, called a Dakini; the imagery of which tends to be highly erotic. The term, erotic, is the operative word here, not pornographic! Those whom castigate this practice as being merely pornographic entirely miss the point of Dream Yoga, more so those who indulge in externalising it of base hedonism.

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The deity is considered to be a particular manifestation of Buddhahood, as well as the enlightened mind of the Yogi; whereas the Dakini represents the creative power of the deity.

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In medieval Europe a Dakini would otherwise be termed as being a Succubus; although, a Dakini is also like a Genie as well as being an inspiring Muse.

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During personal meditation (Sadhana) practice, the Yogi identifies himself with the focussed upon deity, which represents an attribute, power and state of mind the Yogi seeks to assume, of an inner-self-image, for the purpose of self transformation.

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The Yogi visualises himself copulating with the Dakini, as her deity, which is depicted in the Yidam; whereby he introverts his sexual impulse. This will enable the Yogi to implant his now sexually charged desire into his subconscious mind.

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The introversion of the sexual impulse will then empower the emotive spin of his electron dreams; the goal being to attain a lucid dream, within which the Yogi consciously experiences copulating with the Dakini, who is a bio-photon aspect of the Shakti (Electron) power of the dream.

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The Dakini will then enable the Yogi to assume the guise of the (strange attractor) deity, since the (informational associative fractal) dream, which is the (Shakti) power of the Dakini, will reflect him back as the deity.

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The Dakini is sometimes seen as a self created thought-form, which is termed as being a Tulpa. A Tulpa can be constructed from varying symbolic stimuli like that of knitting together a Frankenstein’s creation of a Golem, this is done consciously of artistry; there is nothing strange or unnatural about this creative process, since your dreams are already populated with Tulpas.

The practice involves working towards the chosen Tulpa construct manifesting into three-dimensional form as a fully interactive reality.

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As mentioned, this is very much the case within a lucid dream, which is the initial phase of a Tulpa manifestation. It is also believed that a Tulpa can manifest into physical reality; although this only occurs on very rare occasions, for a brief time, as a kind of Ghost, which tends to be only seen by the operator. However, such a conjuration into physical reality usually manifests as associative synchronicities, which is sometimes followed by corresponding poltergeist phenomena.

When a lucid dream is achieved, the dream will be the three-dimensional experiential manifestation of the two-dimensional image of the Yidam.

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In other words, the three-dimensional experiential inner reality of the dream will be pre-programmed by the focused upon two-dimensional Yidam.

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The Yidam would equate with an illustration of a spirit in a grimoire. The term, Yidam is sometimes translated as meaning, meditational deity, or, tutelary deity.

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Examples of Yidams include the meditation deities of, Chakrasamvara, Kalachakra, Hevajra, Yamantaka, and Vajrayogini, all of whom have a distinctive iconography, with associated mandalas and mantra rites of conjuring them as Tulpas.

You can then see a grimoire being illustrated with Yidams of the spirits, which have accompanying mandala sigils and seals, as well as having mantra names, via which a practitioner can conjure the spirits as Tulpas within his/her lucid dreams.

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Not all Yidams depict a deity copulating with a Dakini; many of which just illustrate Dakinis, upon whom the Yogi meditates, while imagining himself sexually engaging with them of Dream Yoga.

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This is of course dependent on whether the Yogi is of a heterosexual persuasion or even of a bisexual orientation.

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A Dakini can be depicted of modern expression as a female character out of a comic, Manga or Anime who symbolically represents a psychic power or an ability the practitioner seeks to attain.

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A Dakini can even be seen as an alien girl, piloting a time travelling UFO of a TARDIS, who represents (Sleipnir) information pertaining to the Star Trek future, to thereby remote view via a lucid dream by the practitioner, who has assumed the (deity/Odin) guise of a ‘Dr Who’ shaman.

Whatever form the Dakini is depicted as, of a two-dimensional Yidam painting, it will determine the type of scenario the practitioner will access of a three-dimensional interactive reality within a dream.

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The male version of a Dakini is called a Daka, which is the primary focus of the patriarchal grimoires; hence, I have totally reversed their all male (Daka) paradigm, towards that of the female (Dakinis) of ‘Anima’ preference.

Although, if your sexual orientation is otherwise predisposed, you can stick with conjuring up Daka Angels and Demons of traditional commonality, betwixt and between your ‘Animus’ fixation upon a machismo God and a butch Devil seeking to enter unto your orifice.

This fact of symbolic logic can either put a broad smile on your knowing face when to become as the Shekhinah vessel for your God, or for you to rapine scream that you are being possessed, due to your sheepish ignorance. Well, what do you bloody expect, a male does enter into a woman, it’s ‘fucking nature!’

GOETIA GIRLS SUCCUBUS ART BOOK ‘TWO’ IS NOW AVAILABLE. 

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON CREATESPACE, CLICK HERE.

GOETIA GIRLS: SUCCUBUS ART BOOK II: CREATESPACE PREVIEW, CLICK HERE

GOETIA GIRLS: SUCCUBUS ART BOOK II: BLACK & WHITE BOOK AVAILABLE ON AMAZON, CLICK HERE.

The COLOUR version of Book Two will soon be published. The cover artwork below is for the Black & White version of book Two.

GOETIA GIRLS: Succubus Art Book 2 Fully Illustrated, Black & White version.Can be obtained via Createspace: Please Click Here.Book PREVIEW of Goetia Girls: Succubus Art Book 2: Please Click Here.

Book Two will only be available in ‘Paperback,’ likewise with Book Three. These Books will ‘Not’ be available on Kindle. Book Three will soon be available on Createspace and Amazon.

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HELL GIRL HORROR ART MUSE

Posted in Anime, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Lucid Dreaming, Manga, Occultism, Sex Magic, Shamanism, Sorcery, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on June 5, 2015 by FAUSTUS CROW

The Forty-Fourth Succubus archetype of the Fallen Anima, whom is listed in the Goetia, is Shax, Shaxi, or Shazi (or Shassi).

She is a Great Marchioness of the ninth dimensional sphere of Surrealist Luna, who at first appears as a Stock-Dove, like unto the Dove of Love, speaking with a most seductive voice, but yet subtle.

At the command of the conjuring Artist she will then manifest of a vision as a most ravishingly beautiful Japanese Schoolgirl who is Manga chained to an Anime Jade Rickshaw, which she will be pulling.

Her Ninja office is to take away the sight, hearing, or understanding of any Man or Woman, at the command of her conjuring Artist, should they be of malign intent to cause harm to either himself or others under his care.

She will also appropriate money for her conjurer from out of many an Animus establishent Bank, which have been a party to subjugating her peoples throughout history.

She remembers the Atomic Hell of Hiroshima and Nagasaki, sired by the hypocrites of the Illuminati triad of the deified Animus, made as a God and Devil, which she seeks her Samurai revenge against.

What wealth she will appropriate as a Yakuza Witch, she will carry it back again after 1,200 years when the radiation wound of ages has finally healed. If commanded, she will fetch vehicles of transportation at the request of her conjuring Artist, as well as many another thing, which her conjurer desires.

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But she must first be commanded into the Triangle of Art imagination, wherein her doll of a spirit repository is to be visualised being bound up and tied; for she greatly hungers as a Succubus Art Muse to suck upon the erect paint-brush of her conjuring Artist.

Likened to a voracious Vampire she will verily feast upon his Emotive Charge of his paint-brush Ejaculations, which to Spin her Electron vision into Tulpa flesh. If, however she is not fed the Ejaculation of her conjuring Artist she will then deceive him, to tell many illusory lies.

She can discover all things that are hidden and not kept by wicked Spirits. She will bestow good Anime Girl Familiars should she be fed the issue of her Artist’s brush-stroke Ejaculations via those vivid erotic lucid dreams, she will most assuredly induce as a Succubus Art Muse, otherwise such Anime Girl Familiars will rebel.

She Governs over Thirty Legions of Manga Girl Art Muses, who are very much into Anime and Hentai like unto herself of a Hell Girl, whereupon if her conjurer be a Comic book Artist, she will inspire him as his forever Art Muse.

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Shaxi is very much like Ai Enma from the Anime and Manga series called, Jigoku Shojo: Hell Girl , which is also known as, The Girl From Hell.

Most of the episodes of Hell Girl, featuring the main protagonist called, Ai Enma are self-contained short stories, whose series of dark tales, narrates the suffering of a different individual caused by one or more antagonists.

In general, during each arc, the protagonists’ dramas are explained in detail from the start of their grudges, through the escalation of their torment, until it becomes unbearable and they resort to accessing the Hell Correspondence website.

Although the protagonist gives the antagonist a chance, he or she usually ends up pulling a red string on his or her straw Voodoo Doll, which was given to them by Ai Enma; when the string is pulled, the antagonist is rapidly sent into the depths of Hell.

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Ai Enma coldly punishes the antagonists for his or her sins with the help of her infernal and rather colourful companions, before she takes them to their final abode of a self made Hell.

Ai is depicted as an iconic Gothic Lolita, who is a classic anti-heroine with long, straight black hair and ruby-blood-red eyes, and pale skin; she is a spiritual entity with a tragic past. Ai Enma lives in a place frozen in time, as it basks in an eternal sunset, along with her mysterious Grandmother.

Through an old computer inside their house, Ai is able to receive the names of her clients who have discovered the Hell Correspondence website, leading to the vigilante deliverance of spectral justice, beyond temporal law.

Ai normally wears a black Seifuku, or Sailor Uniform; but at other times, she wears a kimono with floral (or Temari, hand-wovern thread balls) designs when delivering the Shinto vengeance of a client.

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Ai started her career as the Hell Girl by her own act of vengeance, meted out upon the villagers who had sentenced her to a sacrificial death, long ago. She was sacrificed merely because the villagers feared Ai being different.

Her eyes, were once a deep brown, but they turned red when, Sentarou who was her childhood friend, lover and cousin was unable to stop the villagers beating her, he then gave in to their pressure, to bury her alive; he was the first to shovel soil onto her battered face.

Ai’s ghost eventually broke out of the imprisoning grave after a while, and took revenge on the entire village with her demonic wrath, burning it to the ground. Her task of fulfilling other people’s vengeance and ferrying people to Hell, is her punishment, a task which she had performed for 400 years after the incident.

A Spider, which is later revealed to be the God of Hell, gave her new life again, and made a pact with her; in exchange for her immortal form, she cannot enter Hell, and must remain on the shores of Hell, acting as the deliverer of people’s hatred and vengeance.

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In order to serve these tasks, The God of Hell demanded that Ai forget her own hatred, numbing herself to the sufferings of others, and becoming a mere observer of any worldly happenings.

If she hadn’t had this punishment, the souls of her beloved family would have been afflicted with her Karma, having to forever wander in Hell, lost for eternity. Ai had no other choice, so, she agreed with the God of Hell, and became the Hell Girl. Although this task is presented as atonement, it is unknown whether she will ever be free of it.

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You can thereby utilise the story of Ai Enma in order to give Tulpa flesh to Shaxi, as a vigilante Hell Girl. If so desired, you can access the ‘Hell Correspondance website’ within your Internet dreams made lucid of awareness. But only if you are justified in your need for Justice, and that of righteous revenge.

Otherwise you will end up creating your own self made Hell around yourself; hence, it be better that you otherwise reach for Shaxi’s Art Muse Stock-Dove of Peace, instead; for protest Art is also a weapon of Justice, and righteous revenge

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H.P. LOVECRAFT CTHULHU CHILD OF HENTAI TENTACLE PORN

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2015 by FAUSTUS CROW

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H.P. Lovecraft was a surrealist visionary of the highest calibre, and like most surrealist artists he derived his inspiration from impulses, which stemmed from the deepest recesses of his subconscious mind. However, Lovecraft was a rarity, whose dreams were vivid of a lucid reality, which guided his hand to write of nigh automatism.

His dreams were somewhat moulded by shadowy predilections concerning his disdain for intimate human relationships; more so that of the sexual act. Lovecraft was quite honest about his difficulty forging relationships with women, who had otherwise channelled his base biological drives into his creativity.

Many have noted that Lovecraft’s Necronomicon creations have Freudian overtones, concerning slimy tentacles of a phallic propensity along with gaping vagina dentata maws dribbling ichor. Little wonder then that Lovecraft’s Cthulhu Mythos inspired the vore fetish of Hentai.

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Although, the tentacle porn of many a Hentai comic depicting monstrous entities consuming their writhing female prey, are primarily based upon ancient Japanese fertility deities, which have been warped all out of shape.

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For example, you have the popular Japanese folktale of the Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc., which inspired a Zoophilia-associated woodcut design of the Ukiyo-e genre by the Japanese artist Hokusai.

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The woodcut is derived from the book Kinoe no Komatsu (English: Young Pines). It is a three-volume book of Shunga erotica first published in 1814, which is the most famous Shunga, Hokusai ever produced. Playing with themes popular in Japanese art, the prior Hentai image depicts a young female Ama diver entwined sexually with a pair of octopuses. The Dream of a Fisherman’s Wife was a very popular subject in Ukiyo-e art. The artist Utagawa Kuniyoshi produced a number of works based upon it, which often include octopuses among other creatures being teased by the bare-breasted female diver.

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The Dream of the Fisherman’s Wife is not the only work of Edo-period art, which depicts erotic couplings between a woman and an octopus. A number of early Netsuke carvings show cephalopods having intercourse with nude girls. Hokusai’s contemporary Yanagawa Shigenobu created an image of a young woman receiving cunnilingus from an octopus, which is very similar to Hokusai’s Hentai depictions in his collection Suetsumuhana of 1830.

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The prior works of Hentai has influenced a number of later artists such as Félicien Rops, Auguste Rodin, Louis Aucoc and Fernand Khnopff. Pablo Picasso painted his own version of the Japanese tale during 1903, which has been shown next to Hokusai’s original in various exhibits on the influence of 19th-century Japanese art on Picasso’s work.

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In 2003 a derivative work was created by the Australian painter David Laity, also titled The Dream of the Fisherman’s Wife, which sparked a minor obscenity controversy among shocked Christian’s when it was shown at a gallery in Melbourne. After receiving multiple complaints, the Melbourne police were forced to investigate the artwork, but determined it had not broken the city’s pornography laws. Hokusai’s print has had a big influence on the modern Japanese-American artist Masami Teraoka, who has created a number of erotic images of girls, including a recurring ‘pearl diver’ character, being pleasured by cephalopods, which symbolises the female sexual power over the (tentacle) phallus, who empowers its erection.

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My own rendition of The Fisherman’s Wife ‘at the top of the page,’ depicts her with a reptilian type creature fused with a cephalopod, of a Cthulhu, which is also a play on words, concerning the text, which can be found accompanying Hokusai’s image, where the big octopus says, he will bring his captured girl to Ryūjin’s undersea palace, you can otherwise see as Lovecraft’s undersea city of Ryleh. It is very likely that Lovecraft was aware of the tale of The Dream of the Fisherman’s Wife, since he was a well read fellow, whose horror, was of the sexual act its self.

If however, you do not believe that the Hentai fixation upon Cthulhu tentacle sex, which mostly involves Geisha (Dakini/Succubus) Schoolgirls frequenting many an Anime and Manga has anything to do with ancient Japanese fertility cults, perhaps there is a psychological reason behind the voyeuristic fetish of Hentai bestiality. If so, the motif of the monster, whether it be a cephalopod, insect, reptile, mammal or an alien, etc, can be generally summed up as representing a bad inner-self-image, of a Cthulhu, which is housed in your reptilian brain of Ryleh. The negative self-image will invariably engender an inability to forge normal ’emotional’ relationships with the opposite sex.

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This would then lead to an extreme inner frustration; whereupon the sexual impulse becomes all consuming, which is expressed as the Lovecraftian vore fetish in varying Hentai fantasies, or otherwise being symbolically represented as cannibalism, involving the Ghasts and Gugs of Lovecraft’s underworld dreamlands, or otherwise that of Zombies and Ghouls etc. Whatever the case, these dark impulses can be symbolically transmuted via art, which Lovecraft took much further into imaginative realms, where they became nigh spiritualised.

Though dark of visionary insight, Lovecraft did not allow himself to fall into the lower depths where present Hentai tends to frequent of meaningless pornography. Whereas prior of Hokusai Hentai, the erotic imagery concerned the symbolic transmutation of the sexual impulse in order to evoke the inner-self-image of the observer coupling with his ‘Anima,’ which is none too dissimilar to the European fairytale motif of a Dragon entwining its self around a Princess bound to a ‘tree,’ before consuming her.

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As for Lovecraft, he could have crossed over into the more meaningful domain of the erotic, and in so doing tackled his emotional disconnection, if he had rebelled against his puritanical upbringing. His acute emotional turmoil, though inspiring his art, very likely led to him developing an illness over time, which afflicted his navel Chakra and in turn bringing about his eventual demise.

He himself, had many years earlier communicated that his stomach was gripped by the talons of faceless creatures he named as Nightgaunts, at the hypnagogic point of dreaming, which then carried him into the depths of tormenting nightmares. May be he foresaw his own death?

As mentioned prior, the Lovecraftian creatures of Hentai were originally based upon ancient Japanese fertility deities, which have since lost their ‘navel Chakra’ meaning in a culture, afflicted by a fear of the female. This is probably due due to Judaeo-Christianity having an Animus influence in Japanese culture, which, like its patriarchal source of Judaism and kin of Islam are extremely adverse to the feminine principle of the Fallen Anima.

It is somewhat strange that the depiction of the penis is allowed in Japanese art, such as having Lovecraftian phallic tentacles of ‘Biblical proportions.’ Although this is to do with the deification of the Animus, made as a God and Devil.

But when it comes to the vagina of the Fallen Anima it is taboo of a pixelated smudge, like that of having a faceless Nightgaunt, or should one say… a SUCCUBUS.

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SUCCUBUS HOUSE OF THE HUNGRY GHOST GIRLS

Posted in Chaos Magic, Ghost, Goetia Girls, Lucid Dreaming, Occultism, Poltergeist, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on February 8, 2015 by FAUSTUS CROW

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Do spirits live in houses within their otherworldly domain, just like the living? Many have conjectured that they do, which is especially the case, if they be discarnate; who would have memories of those houses where they once lived, to later repeatedly haunt.

It is one of the reasons why some shamans build spirit doll houses as their altars, whose ‘meditation’ aid dolls, looking like sexy Anime/Manga kit model icons are macrocosmic repositories for their microcosmic spirit wives of the dream.

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Sounds all rather odd, doesn’t it. But should you observe your dreams, you will find that the motif of the house is somewhat of a habitual constant, along with its surroundings of a city, whose spectral abodes are occupied by numerous denizens of the dream.

These entities who may be manifold (Tulpa) creations of your own psyche, all as mind-dolls; or being otherwise discarnate spirits, then again, they could be other dreamers; perhaps all of the above, and far more besides.

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Your dreams are definitely made of layered memories; much of them are personal to you at one level, which of an analogy, is like you being in your surrealist house, surrounded by the symbolic possessions of varying memories, becoming jumbled into differing surreal scenarios.

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But as soon as you go out of your front door within a dream, of an out of body experience, it is a distinct possibility that you will then find yourself engaging with a mind-map, which is collectively created by the many minds of others, along with your own, where time flows in both directions, from past to future, future to past.

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So, ghosts of the past are presently living, along with ghosts of the future, and you too are as a ghost, yet alive simultaneously like a Schrödinger’s Cat.

Of course, the collective mind-map is not just a creation of other human minds, but also of all those creatures who too share your world; some of them being discarnate; while others primarily exist within the informational realms of the dream, which of the quantum domain, unifies everything between the ‘binary code’ horns of sex and death, the (Alpha) living and the (Omega) dead. But the Alpha of birth and Omega of death are as the head and tail of an Ouroboros; they are both the same of  a superimposition (vaginal) door.

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Your dreams are made of electrons, which can be in many places simultaneously, so say the physicists, which has led to successful experiments in quantum teleportation; whereby your dreams are not just in your quantum computing brain alone.

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It is conjectured that electrons are in fact mini wormholes, whose informational phenomena within the symbolic interface of the dream, would very likely manifest as virtual reality doorways, windows, hallways and stairways amidst your simulated dream house, populated by bound sentient programs.

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All of which of symbolism has been conjured up by your quantum computing brain. Or that of otherwise manifesting as tunnels, caves, whirlpools or bodies of water, whose primary symbolism is organically derived from the feminine principle of the vagina, via which your consciousness can slide through like an erect serpent.

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Whereby it is possible that you can gain spermatazoic ingress into alternate (womb) possibilities, just as the ancient shamans communicated, whom interacted with a feminine intelligence of these inner (vaginal) portals, they termed as their spirit wives, a European would call (Succubi) Succubae.

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The psychologist Carl Jung would otherwise term the Succubae as being manifold aspects of the Anima, which has Fallen out of the symbolic paradigm.

The established paradigm has an emphasis on the deified Animus, made as a God and Devil; hence the Playgirl grimoires both historical and modern only list Chippendale male archetypes of the Animus.

So, should you dream of a beautiful woman opening her (vaginal) door to then wantonly guide you into her (womb) bedroom, you might just find that you are no longer in Kansas anymore of a planetary sphere, when to leap of rebirth out of her Rose tinted window.

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That’s if you can pull yourself away from her hot embrace; for her vaginal star barrelled wormhole is forever hungering for your emotional charge to spin its uterine vortex.

When to become lucid within an electron dream, you are then enabled to conjure a particular Succubus; wherefore you are then able to slide into a desired dream (womb) locale of another mind-map underlying an alternate Earth next (vaginal) ‘door.’

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Should she let you into Lilith’s Harem, that is; since you will then be aware that she is a Succubus, along with knowing of the existence of her myriad legions of ever hungry ghost girl sisters, whom forever hunger for your introverted emotional ejaculations, in order to spin them into sentience.

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Whereby one has to then enter into a symbiotic Coitus Pactum with her as your Night-Mare to ride, otherwise she will become a Nightmare; for fear of an emotional charge will spin her too.

Hence she will manifest as a haunting Old Hag Syndrome night terror, rather than as a Succubus dream lover.

In order to negate the fear from arising, it would require the sorcerer becoming conscious within the amniotic watery domain of the dream, when to attain an ‘amphibious’ state of consciousness at the point of hypnagogic trance ingress; whereupon the Don Juan Matus sorcerer eats the (Anima) Succubus of a conscious seduction instead of him being eaten.

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Wherefore the sorcerer remembers his Coitus Pactum of a dream union with his Succubus when to awaken into a desired possibility, she to microcosmic birth as a macrocosmic synchronicity.

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NABERIUS DOG STAR WEREWOLF GIRL

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 23, 2014 by FAUSTUS CROW

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The twenty-fourth Necronomicon Rune spirit of the Goetia is called Naberius, who is an entity of the ninth dimensional planetary sphere. Naberius can make a sorcerer highly adept in all manner of arts and sciences, who can disguise him of shape-shift form, as well as enabling a sorcerer to become a cogent speaker.

The origin of Naberius’s name is determined to be mysterious; although Naberius was first mentioned by Johann Weyer in 1583 who was a follower of Cornelius Agrippa. It is very likely that he had created Naberius to be his personal egregore in order to psychologically test the blodthirsty gullibility of his Witchfinder audience.

At the time, many of his Christian audience believed that ‘demonic reptilians’ were taking over the Earth, which led to them burning Witches all over Europe, due to their religious insanity. So, Weyer no doubt attempted to determine the nature of this prior David Icke insanity by creating a literary invention of an entity, to see how it was assumed to be real, by a religious mind-set.

However Weyer’s egregore has since taken on a viral-meme life of its own due to its archetypal foundation, which of a technique, the science of neuro-advertising utilises in order to subversively influence your reptilian-brainstem.

Naberius is a composite name, which is comprised of the word ‘nab,’ like that of a Crow sweeping down to nab something quickly, in a way that is clever or humorous; whereas, ‘erius or erus,’ appears to be originally derived from the ancient Greek name for the three headed Dog of the underworld called Cerberus, which of a rebellious reversal can be transformed into a bitch.

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So, let’s take this reversal further of an alternate grimoire to rename Weyer as Weird, who created Naberius as his personal Frankenhooker Tulpa of a Mind-Doll Succubus, whom considered the Naberius Crow, and the Cerebus Dog to be that of the same Golem girl; wherefore Weird to now claim:

“Naberius [Naberus], alias Cerberus, is a valiant marchioness, showing herself in the form of a Crow, when she speaks with a maids voice of seduction: she makes her master amiable and cunning in all arts, and especially in rhetoric, she procures the loss of prelacies and dignities, but only after she has salaciously fornicated with her master, within his dreams: she to have nineteen legions of most wanton Succubae who hear (and obey) her.”

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Naberius’s association with the ancient Greek multi-headed (usually three-headed: past, present and future) dog, or hellhound called Cerebus is quite intriguing, since it has an association with the Dog star Sirius, like many another canine entity howling unto the blood Moon.

Cerebus is described having a serpent’s tail, a mane of Snakes, and Lion’s claws, which guards the uterine entrance into the womb of the underworld in order to prevent the ancestral dead from escaping and the living from entering; basically, Cerebus stands at the hypnagogic (Sirius) gate of trance ingress into the dream.

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Now, it is easy enough to fearfully imagine an anthropomorphic creature of humanoid form fused with Cerebus, such as having three heads of a Dog, along with having the wings of a Crow sprouting from its back; but, how can you imagine Naberius to look like a girl?

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Well, for a start, you look into the background of Cerebus, whose symbolic reality refers to the archetypal guardian Dogs, which occur widely in shamanic otherworldly lore, such as the ancient Egyptian deity called Anubis. Although in this case, said Dog is a Succubus bitch, who will enable her master to fly as a third-eye Horus Hawk through space and time, via a blue Moon lucid dream, to thence remote-view the future as a psychonaut.

These spirit Dogs often become loyal shaman ‘guides’ into the underworld. Hence the Succubus Naberius can be seen as a Goth ‘girl-guide’ when taking on human form of triangle of art vision, having Crow black hair with a Dog paw patch of a Sirius star on her left breast pocket.

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In Siberian shamanism, when an Altaic shaman accesses trance he encounters a Dog, which guards the underworld realm of Erlik Khan. As the Yukaghir shaman follows the trance road into the kingdom of shadows, he often discovers an old woman’s house, which is guarded by a barking Dog, with one ‘eye’ burning as as a ‘Sirius’ star.

This is of similarity to the thirteenth Cabbalistic path of Gimel, via which a trance adept penetrates the hidden Sephiroth of Da’at. The Koryak shamans perceive the trance entrance into the land of the ancestral (Othala Rune) dead is guarded by Dogs.

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It all sounds rather dark and very serious doesn’t it; well, it is, if you like living in fear; wherefore you end up blocking your own self from attaining hypnagogic trance ingress into the dream.

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In Inuit shamanism, a Dog with bared teeth guards the trance entrance to the undersea (High Preistess II) land of Takakapsaluk, Mother of the Sea Beasts; when the shaman overcomes his fear of the Dog (Bitch) guarding the Da’at abyss, it then becomes his best Choronzon (Succubus) buddy.

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The custom of burying a pet Dog and the skin of a favourite Reindeer with a dead man was still current among Ugrian people of Siberia earlier this century.

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Scholars are well aware the name of Naberius and that of its branded symbolic form of a viral-meme has changed many times due to cultural transformations over the years. However, it is only recently that she has been eventually freed from her patriarchal bottle of a male form, into which she was incarcerated of a prison by the Abrahamic exorcists, who believe sex is the first sin, when it should be that of… ignorance.

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After Weird’s egregore creation of Naberius established its self within the propagated tomes of the grimoire tradition, it soon came about that other listed spirits of viral-meme similarity manifested themselves, such as Naberus, Kaberon, Cerbere, and Serberius.

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When reversed of an artistic rebellion, in order to free the Succubae Great Old Ones out of the onetime male forms, of a symbolic prison, the Succubus, Naberus manifests as a noble, Crow/Raven headed woman; while Kaberon appears as a Bitch with a black Crane’s head, as for Cerbere, she to manifest as a black Wolf Bitch with fifty heads and a tail of three entwined snakes. Whereas Serberius does appear as a black haired ghost girl, who be a Werewolf, surrounded by the corpses of those malign influences, who seek to harm her master, whose head is crowned by a cloud of fireflies.

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The symbolism of a Crane is also associated with Naberius; whereupon in the Goetia, Naberius is described as being a black Crane, which flies around the magic circle when conjured. In Celtic lore, the Crane is sacred to the triple Goddess; wherefore it could be symbolically equated with the mitochondrial DNA, which is passed down from the mother to her children. It is also one of the most common symbols and themes in the folklore of East Asia, including Japan.

This leads you to an association with The Grateful Crane or the ‘Crane Wife,’ which is a particularly well-known tale in Japan. The symbolism of the Crane specifically refers immortality, which a future technology will no doubt achieve. The Crane features strongly among the myths of the Ostiaks of Siberia, as well as in ancient Chinese funerary rites, Okinawan harvest festivals and among the Ainu of Japan, suggesting the diffusion of a ritual complex from Northeast Asia.

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You then have a fusion of symbolic elements concerning the bird symbolism of a Crow, Raven and black Crane and that of a canine; whether it be a Dog or a Wolf.

In shamanistic practice, the symbolism of a bird usually refers to an ecstatic out of body experience out of the ‘cubic’ space of your simulated reality, which Naberius induces via a lucid dream, when to conjure her. Whereas the Dog and Wolf refers to her function as a girl-guide and protector into the underworld realms of the electron dream.

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You can otherwise rename Naberius, as Naberiusi of mantra, and when she manifests into human form amidst your triangle of art imagination, you can see her as a girl-guide looking somewhat like the Manga character called Black Rock Shooter, who is highly versed in Crane Kung Fu, appearing as a mysterious Crow haired girl, with a blazing Werewolf bitch blue eye of a… Sirius Dog star.

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GOETIA GIRL BUNE, SHINTO SUCCUBUS OF WEALTH, FORTUNE AND LONG LIFE

Posted in Chaos Magic, Comics, Cosplay, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 7, 2014 by FAUSTUS CROW

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The twenty-sixth Succubus of the Goetia is called Bune or Bimé or Bim, she is a Duchess whom governs over 30 legions of Succubae. The name of Bune could have been derived from the Old English Bune, for reed and that of an associated 15th Rune.

Although you have the word, boon, meaning luck and wealth, which is etymologically associated with the Spanish, Buena, which means, good. You also have the Eastern European, Bune, which is a term for a certain type of bun, along with a slang term for the perinium and bunny. As for Bimé and Bim, they appear to be derived from Bune.

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Bune is very likely derived from the Japanese word for, ship. This is further compounded when to look at Bune’s grimoire seals, which are an abstract representation of a Japanese ship, whose construction has a very distinctive shape of an uncanny similarity to Bune’s two seals.

One of the seals of Bune you could imaginatively associate with the Utsuro Bune of Japanese UFO lore, should you desire to take the associations further.

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Although the Utsuro Bune is described as being shaped like a bun; while Bune’s other seal depicts a horned dragon, which is traditionally considered to be Bune’s most powerful seal.

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The horned dragon motif of Bune’s seal is self evident, which also depicts what appears to be a humanoid figure steering a rudder, who is probably female, considering there was a bunny girl pilot piloting the Utsuro Bune, who was late for an important date; then again, maybe she wasn’t, if the Utsuro Bune was a time machine.

In Japanese lore the horned dragon is very much tied up with what is known as the Takarabune, which means Takara/treasure and Bune/ship.

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The Takarabune treasure ship is often depicted as having the body of a dragon, with a horned dragon’s head as its prow, somewhat akin to a Viking ship.

The dragon symbolism often refers to the star constellation of Draco, which if you be so inclined you could even associate with the Dragon’s Triangle just off the coast of Japan; whose time maelstrom, 16th century Portuguese gun runners and slavers tended to avoid, by using Bune’s dragon seal in order to protect them from killer bunnies.

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Bune is also described in the Goetia to be associated with a Gryphon, which in Japanese lore would be otherwise depicted as a giant Eagle called a Garuda out of Hindu mythology; whereas in astronomy it is associated with the star constellation of Aquila. You could even relate the Eagle with the ‘Plumed Serpent’ of the Americas, where there be a Bermuda Triangle; whose time maelstrom, 16th century Portuguese gun runners and slavers tended to avoid, by using Bune’s less elaborate seal in order to protect them from viscious Sirens.

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A 16th century Jesuit priest returning back from a Portuguese slavery expedition to Japan, having the full blessing of the church of Rome; who, when attempting to describe a Garuda to his Christian audience, would probably describe it as being of a composite form, of similarity to a monstrous Gryphon. However, such a description would be due to the Garuda being a favourite trance mount of Mongol shamans, whom frequent Genghis Khan’s steppe from where the Attila the Hun symbolism of the Gryphon had originally stemmed, which still haunts the nightmares of Rome. The Garuda is associated with the winds; wherefore in context of a dragon ship, it would probably be that of a symbolic code alluding to the sail of the Mermaid Takarabune.

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Another animal, which is associated with Bune is the Dog. In astronomy the Dog is associated with Canis Major and the star of Sirius. The Dog is extensively featured in Japanese myth, more so that of the Fox. Although, the Dog is not specifically associated with the Takarabune, there is another animal, which is very much involved with the Takarabune called a Baku. The Baku was seen to be a devourer of negative influences assailing the dreams of the Japanese, which, ironically, was a Chinese creature originally. Don’t tell Bune that, otherwise you will hurt her feelings, since she’s a Shinto priestess, who’s highly versed in the martial arts.

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The Baku was very likely mistaken by a 16th century Portuguese gun runner and slaver for a Dog. The Spanish, Dutch and British invasion forces likewise misinterpreted the Baku when taking over Nagasaki, who were later followed by the American’s, long prior to WWII, when Nagasaki was nuked. The Baku is actually a Tapir, whose Japanese character is often shown on the sail of the Takarabune.

The described functions of Bune can be summed up by the ancient Japanese ancestor worship of Shintoism, whose practices revere the ancestral dead, from which the Takarabune originates. Shinto, also kami-no-michi, is the indigenous religion of Japan.

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It is  commonly defined as an action-centred religion, which focuses on ritual practices to be diligently carried out in order to establish a spiritual connection between present-day Japan and its ancient ancestral-self-identity.

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Whereas the invading European cultures had entirely forgotten their own ancestors to otherwise appropriate the ancestral-self-identity of the Hebrew’s, who sought to likewise afflict the same insanity upon the Japanese.

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It is said that Shinto had been founded in 660 BC according to Japanese mythology. Shinto practices were first recorded and codified within the written historical records of the Kojiki and Nihon Shoki during the 8th century.

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Shinto is a term, which also applies to an animist religion, where public shrines are devoted to the worship of a multitude of deities, which are collectively called Kami.

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The Kami are defined in English as being ‘spirits,’ or essences as well as deities, referring to their informational reality, underlying phenomenal existence, beyond the infinite.

Since Japanese language does not distinguish between singular and plural, Kami refers to the divinity, or sacred essence, which manifests in multiple forms. The Kami coexists with people; they are not seen as being separate; whom exist within the same world and share its interrelated complexity.

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There are also references to certain spirits being associated with Bune, which are supposedly called Bunis by the shamanic Tartars of the steppe. A 16th century Portuguese gun runner and slaver had probably equated the Japanese practice of Shinto with the then maligned shamanic practices of the Tartars whom dallied with (Bunis) spirit wives.

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You can easily imagine how a Christian audience had reacted to early reports of Shinto, to see it as a dreadful Pagan religion of the dead, worshipping vile spirits. Wherefore it was not a sin to have acquired pagan slaves, more so Japanese slave women to serve the whims of their masters Hentai desires. Although the Bunis specifically refer to the spirits under Bune, which as a ship, are as its crew.

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The Takarabune is traditionally seen to have a crew of Kami, called the Shichi Fukujin, commonly referred to in English as the Seven Lucky deities, who are the seven deities of good fortune in Japanese mythology and folklore. The Shichi Fukujin are often the subject of Netsuke carvings and other artistic representations.

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The reference to the number seven could be a an astronomical association with the seven stars of Ursa Major or the Pleiades, perhaps even the seven Chakras. Whereas a 16th century scholar had probably otherwise equated the seven lucky deities to the seventh Cabbalistic sphere of Venus.

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The Shinto tradition still holds that the seven deities arrive in town within their Takarabune, like some descending UFO of a Utsuro Bune Time Machine or that of a prior Star Trek Enterprise, on the New Year around the star clock. These seven deities then set about distributing fantastic gifts to worthy people.

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Children often receive red envelopes emblazoned with the Takarabune, which contain gifts of money during the New Year. The Takarabune and its celestial passengers are often depicted in art in varied locations, from the walls of museums to cuddly caricatures, whose monetary gifts is said to be also bestowed by the Bune of the grimoires.

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The ability of eloquence is one of the principle abilities Bune bestows along with wisdom. This eloquence specifically refers to Shinto’s emphasis on the power of words, which is termed as Kotodama or Kototama, literally ‘word spirit/soul.’ The term Kotodama refers to the Japanese belief that mystical powers dwell in words and names.

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English translations include, ‘soul of language, spirit of language, power of language, power word, magic word,’ and ‘sacred sound.’ The notion of Kotodama presupposes that sounds can magically affect objects, and that ritual word usages can influence our environment, body, mind, and soul. But then, when a word is consciously uttered of lucidity within an electron dream it does initiate instantaneous symbolic associations.

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Wherefore you have to use such an informational domain ability wisely. This ability of inner eloquence is primarily bestowed by one of the seven lucky deities who is originally the Hindu Goddess Sarasvatî Devî. In Japanese Sarasvatî Devî is otherwise known as Benzaiten, who is the Goddess of everything that flows: water, words, speech, communication, eloquence, music and by extension, knowledge and monetary wealth.

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The original characters used to write her name read ‘Biancaitian’ in Chinese and ‘Bensaiten,’ in Japanese. Benzaiten’s name reflects her role as the Goddess of eloquence. Because the Sutra of Golden Light promised protection of the state, she became a protector-deity in Japan, at first of the state and then of the people. Lastly, she became one of the seven deities of fortune when the Sino-Japanese characters used to write her name changed to Benzaiten, emphasizing her role in ‘bestowing Monetary Fortune.’

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Benzaiten is also a Goddess of art, beauty and love, who is beloved of the Geishas, whom are very much of the planetary sphere of Venus, from where Bune classically emanates, as a seventh dimensional entity. The symbolism of the Geisha has since been translated via Manga and Anime into the evolving symbolic complex of the modern Japanese schoolgirl motif. These Manga and Anime schoolgirls are usually depicted wearing ‘sailor uniforms,’ who have taken on the role of the Buddhist Dakinis, time travelling around in their Utsuro Bune UFO’s.

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Should you feel so inclined of a rebellious reversal, you could thereby perceive Bune as being similar to Benzaiten, who manifests as a Japanese schoolgirl, speaking with a most comely voice, whose symbol is the Takarabune.

She would also be a Shinto priestess, who enables the Kami to frequent your altars to alter via the ‘seventh dimension’ as well as being highly versed in wealth magic. (Bune’s two seals represent her manifestations as a [first seal] schoolgirl and a [dragon seal] Shinto priestess.)

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You could of course continue conjuring up Bune as being a monstrous blood drenched death metal entity amidst your branded Triangle Of Art Imagination. Such is your indoctrinated choice to do so. But you will be invariably playing into what has been established of a 16th century Christian perception of animist Shinto.

The practices of animist Shinto absolutely horrified the patriarchal flocks frequenting their monotheist church, even though they were surrounded by the pyres of burning Witches at a time when a sweaty monk was drawing Bune’s seals, which no doubt kept the fleecy minded Sheep all nicely ignorant, and brain-dead zombie cult comfy.

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You will still have the shock factor should you conjure up Bune as a Japanese schoolgirl Succubus. Although you will probably be seen as being a wimp by the death metal mages, who like to habitually conjure up their machismo entities out of bisexual Crowley’s Goetia. However, you will certainly get the tongues of the flocks a wagging that you be a vile Satanist or worse, which would be especially the case should you suddenly win the lottery jackpot after an erotic precognitive dream involving a Japanese schoolgirl piloting a luxury yacht looking like a bun. In fact it would be far more Entartete Kunst shocking than conjuring up a demonic choir boy of Vatican commonality.

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Just remember, don’t take the hedonic Hentai piss out of Japanese schoolgirl Succubus Bune; for she will surely reflect you back within your lucid dreams. If you ignore this warning, you might just find yourself wearing a sailor uniform being pursued by phallic tentacles without a Baku in sight. But then she does give true answers unto your demands. So be careful of what questions you to ask. In the recognition of this Shinto fact, of an eloquent conjuration of one of the Kami, you will then attain the Takarabune wealth of inner wisdom, as well as Bune gifting you a tasty Nikuman Bun of an apport, in the shape of your own skull.

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