Archive for the Cosplay Category

NABERIUS DOG STAR WEREWOLF GIRL

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 23, 2014 by FAUSTUS CROW

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The twenty-fourth Succubus archetype of the Fallen Anima is called Naberius, who is an Art Muse of the ninth dimensional planetary sphere. Naberius can make a Sorcerer Artist highly adept in all manner of arts and sciences, who can disguise the conjuring Artist of shape-shift form, as well as enabling him to become a cogent speaker within a lucid dream.

The origin of Naberius’s name is determined to be mysterious; although Naberius was first mentioned by Johann Weyer in 1583 who was a follower of Cornelius Agrippa. It is very likely that he had created Naberius to be his personal egregore in order to psychologically test the blodthirsty gullibility of his Witchfinder audience.

At the time, many of his Christian audience believed that ‘demonic reptilians’ were taking over the Earth, which led to them burning Witches all over Europe, due to their religious insanity. So, Weyer no doubt attempted to determine the nature of this prior David Icke insanity by creating a literary invention of an entity, to see how it was assumed to be real, by a religious mind-set.

However Weyer’s egregore has since taken on a viral-meme life of its own due to its archetypal foundation, which of a technique, the science of neuro-advertising utilises in order to subversively influence your reptilian-brainstem.

Naberius is a composite name, which is comprised of the word ‘nab,’ like that of a Crow sweeping down to nab something quickly, in a way that is clever or humorous; whereas, ‘erius or erus,’ appears to be originally derived from the ancient Greek name for the three headed Dog of the underworld called Cerberus, which of a rebellious reversal can be transformed into an Anima bitch.

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So, let’s take this reversal further of an alternate grimoire to rename Weyer as Weird, who created Naberius as his personal Frankenhooker Tulpa of a Mind-Doll Succubus, whom considered the Naberius Crow, and the Cerebus Dog to be that of the same Golem girl; wherefore Weird to now claim:

“Naberius [Naberus], alias Cerberus, is a valiant marchioness, showing herself in the form of a Crow, when she speaks with a maids voice of seduction: she makes her master amiable and cunning in all arts, and especially in rhetoric, she procures the loss of prelacies and dignities, but only after she has salaciously fornicated with her master, within his dreams: she to have nineteen legions of most wanton Succubae who hear (and obey) her.”

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Naberius’s association with the ancient Greek multi-headed (usually three-headed: past, present and future) dog, or hellhound called Cerebus is quite intriguing, since it has an association with the Dog star Sirius, like many another canine entity howling unto the blood Moon.

Cerebus is described having a serpent’s tail, a mane of Snakes, and Lion’s claws, which guards the uterine entrance into the womb of the underworld in order to prevent the ancestral dead from escaping and the living from entering; basically, Cerebus stands at the hypnagogic (Sirius) gate of trance ingress into the dream.

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Now, it is easy enough to fearfully imagine an anthropomorphic creature of humanoid form fused with Cerebus, such as having three heads of a Dog, along with having the wings of a Crow sprouting from its back; but, how can you imagine Naberius to look like a girl?

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Well, for a start, you look into the background of Cerebus, whose symbolic reality refers to the archetypal guardian Dogs, which occur widely in shamanic otherworldly lore, such as the ancient Egyptian deity called Anubis. Although in this case, said Dog is a Succubus bitch, who will enable her conjuring Artist to fly as a third-eye Horus Hawk through space and time, via a blue Moon lucid dream, to thence remote-view the future as a Faustian psychonaut.

These spirit Dogs often become loyal shaman ‘guides’ into the underworld. Hence the Succubus Naberius can be seen as a Goth ‘girl-guide’ when taking on human form of Triangle Of Art vision, having Crow black hair with a Dog paw patch of a Sirius star on her left breast pocket.

In Siberian shamanism, when an Altaic shaman accesses trance he encounters a Dog, which guards the underworld realm of Erlik Khan.

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As the Yukaghir shaman follows the trance road into the kingdom of shadows, he often discovers an old woman’s house, which is guarded by a barking Dog, with one ‘eye’ burning as as a ‘Sirius’ star.

This is of similarity to the thirteenth Cabbalistic path of Gimel, via which a trance adept penetrates the hidden Sephiroth of Da’at. The Koryak shamans perceive the trance entrance into the land of the ancestral (Othala Rune) dead is guarded by Dogs.

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It all sounds rather dark and very serious doesn’t it; well, it is, if you like living in fear; wherefore you end up blocking your own self from attaining hypnagogic trance ingress into the dream.

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In Inuit shamanism, a Dog with bared teeth guards the trance entrance to the undersea (High Preistess II) land of Takakapsaluk, Mother of the Sea Beasts; when the shaman overcomes his fear of the Dog (Bitch) guarding the Da’at abyss, it then becomes his best Choronzon (Succubus) buddy.

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The custom of burying a pet Dog and the skin of a favourite Reindeer with a dead man was still current among Ugrian people of Siberia earlier this century.

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Scholars are well aware the name of Naberius and that of its branded symbolic form of a viral-meme has changed many times due to cultural transformations over the years. However, it is only recently that she has been eventually freed from her patriarchal bottle of an Animus male form, into which she was incarcerated of a prison by the Abrahamic exorcists, who believe sex is the first sin, when it should be that of… ignorance.

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After Weird’s egregore creation of Naberius established its self within the propagated tomes of the grimoire tradition, it soon came about that other listed spirits of viral-meme similarity manifested themselves, such as Naberus, Kaberon, Cerbere, and Serberius.

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When reversed of an artistic rebellion, in order to free the Succubae Great Old Ones out of the onetime male forms, of a symbolic prison, the Succubus, Naberus manifests as a noble, Crow/Raven headed woman; while Kaberon appears as a Bitch with a black Crane’s head. As for Cerbere, she manifests as a black Wolf Bitch with fifty heads and a tail of three entwined snakes. Whereas Serberius does appear as a black haired ghost girl, who be a Werewolf, surrounded by the corpses of those malign influences, who seek to harm her conjuring Artist, whose head is crowned by a cloud of fireflies.

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The symbolism of a Crane is also associated with Naberius; whereupon in the Goetia, Naberius is described as being a black Crane, which flies around the magic circle when conjured. In Celtic lore, the Crane is sacred to the triple Goddess. Wherefore it could be symbolically equated with the mitochondrial DNA, which is passed down from the mother to her children. It is also one of the most common symbols and themes in the folklore of East Asia, including Japan.

This leads you to an association with The Grateful Crane or the ‘Crane Wife,’ which is a particularly well-known tale in Japan. The symbolism of the Crane specifically refers immortality, which a future technology will no doubt achieve. The Crane features strongly among the myths of the Ostiaks of Siberia, as well as in ancient Chinese funerary rites, Okinawan harvest festivals and among the Ainu of Japan, suggesting the diffusion of a ritual complex from Northeast Asia.

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You then have a fusion of symbolic elements concerning the bird symbolism of a Crow, Raven and black Crane and that of a canine; whether it be a Dog or a Wolf.

In shamanistic practice, the symbolism of a bird usually refers to an ecstatic out of body experience out of the ‘cubic’ space of your simulated reality, which Naberius induces via a lucid dream, when to conjure her. Whereas the Dog and Wolf refers to her function as a girl-guide and protector into the underworld realms of the electron dream.

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You can otherwise rename Naberius, as Naberiusi of mantra, and when she manifests into human form amidst your Triangle Of Art imagination, you can see her as a girl-guide looking somewhat like the Manga character called Black Rock Shooter, who is highly versed in Crane Kung Fu, appearing as a mysterious Crow haired girl, with a blazing Werewolf bitch blue eye of a… Sirius Dog star.

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DOCTOR DOOM CONJURES VAPULA OORO MUNROE, SHE’S SUCH A STORM

Posted in Art, Chaos Magic, Comics, Cosplay, CREATIVE WRITING, Discordianism, Film, Goetia Girls, Horror, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 6, 2014 by FAUSTUS CROW

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Within the rancid skull of castle Doom, surrounded by the Eastern European iron forest of Latveria, the black magician Doctor Victor Von Doom made his way down a shadowed spiral stairway of ancient crumbling stone into the castle’s ritual chamber.

Within the ritual chamber of an infernal mind laboratory, Doom’s chief Tulpa engineer of the necromantic arts was apparently knitting together a Tulpa for Doom’s Solomonic spectral army of demonic slaves; or so Doom thought.

Doom boomed out of an echoing voice as he entered the cavernous laboratory, which looked more like an arcane art studio, “I hear that you have accomplished the deed I set forth for you, doctor Frankenstein.”

Frankenstein turned around from the canvas slab to which was bound a knitted together exquisite corpse of an oil painting, whose layers of paint involved the writing of intricate sigilic formulae around the Moon phases. Over these twenty eight layers of tattooed skin, the final painting was done.

The finished work of ritual art was then covered by a silk black cloth depicting a copper coloured inverse pentagram.

“Yes, indeed, I have achieved what you asked of me, and far more.” Doom stared at Frankenstein; “more you say, most intriguing. But, I will be the judge of that. I desire to see this demonic grimoire Tulpa, I commissioned you to create, so that I will be enabled to control the weather systems of the whole world via its Necronomicon conjuration. With this catastrophic power I will destroy the old world, in order to initiate the return of the Golden Age under my New-World-Order dominion. Now, show me my new slave!”

“Of course.” Frankenstein answered, as he pulled away the black silk cover revealing a life size painting of a most beautiful African woman. Doom was at first taken aback; “What in the nine Hell’s is this? I was expecting a classical death metal demon of medieval temperament. This creation is just a modern day glamour pin-up of Ooro Munroe. She looks like a Marilyn Munroe peroxide blond topping Halle Berry’s head; no different to an explicit mandala jerk off photo shoot for capitalist Playboy. If I conjure this, whatever it is, I will be thrown out of the OTO.”

He started to laugh, which is a bit of a rarity to say the least; hardly anybody laughs in medieval Latveria, least of all, grim Doctor Doom.

Frankenstein then said; “You don’t quite understand, Doom, she is the very essence of Ooro Munroe. This knitted together exquisite corpse is that of Munroe’s captured quintessence, now bound into planetary metals suspended in oils, to have accordingly coloured of dream sorcery, whose secret mantra name is Vapula.”

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Doom inquisitively looked at Frankenstein through the skull eye sockets of his shiny metal mask; “the quintessence of Ooro… her secret name is Vapula? explain!”

Frankenstein answered; “when you meditate upon the painting you repetitively intone the mantra name of Vapula; while to intermittently visualise her seal. This will enable you to initiate a hypnagogic state of trance. When you achieve the trance state, you can then evoke Vapula amidst your triangle of art imagination, which will then lead to a sixth sense lucid dream conjuration of her Succubus essence; whereupon you can then fully engage with her sensory reality, involving all of your inverted five pentagram senses.”

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Doom looked very perturbed, almost nervous; sweating even, to itch under his steamed up armour; “Succubus? What do you mean by the usage of this loaded term?”

Frankenstein wirily smiled to himself; “well, it’s somewhat self explanatory isn’t it doctor. You have to introvert your sexual impulse of a an emotional charge so that you can bring her to electrifying orgasmic life within your spun electron dreams. Wherefore Vapula then becomes as your most loving Frankenhooker mind-doll servant, who as a microcosmic Succubus Genie will service your every megalomaniac whim upon a macrocosmic synchronicity.”

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Doom shook his head; “I should have had you thrown into the deepest pits of the netherworld, long ago, Frankenstein, which is still on the Tarot cards.

The activation of this Tulpa requires my… ” Doom then nervously coughed, attempting to continue; “my sanctified Dr Strangelove seed of machismo prowess, which has to be kept eugenically pure at all costs. I cannot allow for this. I commissioned you to create a real Biblical demon; all bristling muscles, jagged spikes and serrated horns, or at the very least looking like one of Aleister Crowley’s phallic illustrations, or that of a morose H. R Giger Lovecraftian beast of writhing tentacles, siring Biblical end of days slaughter, when I desire it.”

Frankenstein sighed in exasperation; “Your fixation upon the classical Abrahamic symbolic paradigm of a branded mind-set, will invariably lead to you becoming upended by conjured Incubi, who will duly possess your Biblical anus through your rusting ritual magic armour. But, if that is your indoctrinated Golden Dawn leaning, go right ahead of an OTO sexual orientation. Do what you wilt, as the saying goes. But you do realise that by conjuring the Succubus Vapula, she will empower you to assume the alternate guise of the Black Panther, within a lucid dream as your Buddha Avatar, and in so doing, you can access all of his abilities, when you bind her to your iron will.”

Doom went silent for a moment, pondering the delicious possibility of entirely dominating Vapula and via her total subservience, she will enable him to acquire the power of the Black Panther.

Then Doom said; “this word, Vapula is derived from Vapulate, which means to flog, beat, whip or to strike, which has now perked up my sadomasochistic tendencies to dominate her. Tell me more about this Succubus, Vapula.”

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Frankenstein then explained; “Vapula is the Sixtieth Goetia Succubus, who is otherwise known as Naphula. She is a great, mighty and strong Duchess of the seventh dimensional planetary sphere. She at first appears in the form of a black Cat with Bat’s wings or that of a Sphinx, before assuming the exquisite form of Oroo Munroe, who, as you know, is also called Storm.”

“Her Witch office is to make her master knowing in all handcrafts and professions; also in philosophy, and other Fantastic Four DARPA sciences, such as those of Nikola Tesla, via whose X-Men science we now have the Avenger weather control technology of HAARP, she to reveal all about of remote-viewing.”

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“She governs over thirty six legions of Wakanda Succubae who emanate from Lilith’s Harem; and her seal or character, is thus depicted in her two-dimensional painting of a spirit repository, upon which you meditate in order to conjure Vapula into your three-dimensional lucid dreams.”

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Doom again went silent of pondering thoughts, before saying; “Vapula at first assumes the visionary form of a Witches Pussy Cat or that of an Egyptian Sphinx, you say; interesting. Tell me more about why she assumes the form of a feline Sphinx?”

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Frankenstein answered; “The word Sphinx, actually comes from the Greek, meaning, ‘to squeeze, to tighten up.’ The name is a reference to the factual observation that the hunters for a pride of Lions are the Lionesses, which kill their prey by strangulation, biting the throat of prey and holding them down until they die. However, the utilised symbolism, is that of an occult blind, which refers to an experience, termed as the Old Hag Syndrome or that of the Bedroom Invader. The Old Hag Syndrome usually occurs when a dreamer experiences sleep paralysis at the point of hypnagogic ingress into the dream, who is then assailed by a predatory Succubus. The presence of the Succubus can inspire intense fear in the dreamer, who will sense he is being strangled by his own nighmare made manifest, which could potentially lead to his physical demise.”

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Doom then interjected; “she sounds really dangerous, I like her!”

Frankenstein continued; “yes, she can be highly dangerous to the uninitiated who do not know her riddle. But when the fear is otherwise negated by the prior ritualistic Tantric introversion of the sexual impulse, the strangulation of the reptilian brainstem transforms its self into a erotic caress of a feminine hand to the back of the head. This then initiates a shift of consciousness towards the ‘hall of records’ cerebellum, where the dreamer consciously accesses the dream, who will then encounter the Succubus as his informing lover.”

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Frankenstein further related. “In Greek mythology, a Sphinx is represented as a daemon with a head of a woman, the body of a Lioness, having the wings of an Eagle, you could otherwise see as Gryphon’s wings, as well as sporting a serpent-headed tail. This symbolic formula refers to the arousal of an energy along the spinal column, which the adepts of Yoga call the Kundalini Shakti. The Kundalini energy is seen to have a female source. Whereupon you have a woman, who is termed as Shakti. This energy is often aroused by a visitation of a predatory Succubus, the Hindu, Buddhist or Tantric calls a Dakini.”

“Wherefore you have the motif of a Lioness, who will initiate an out of body experience, which is symbolised as the wings of an Eagle or Gryphon. The out of body experience, which is initiated by the visitation of the Sphinx will allow the dreamer to travel through time via his quantum dreams. This is the reason why H.G Wells had a Sphinx depicted upon the front cover of the first publication of his novel, entitled, The Time Machine. The Kundalini is also known as the fire snake; hence you have the serpent-headed tail of the Sphinx.”

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Doom lustfully smiled behind his mask, saying; “I am most impressed indeed. I think I will have to commission you to knit together more of these Succubae Mind-Doll’s for my spectral army, Frankenstein. In fact, my spectral army will be entirely comprised of Succubae. In the meantime, I will have my Latverian minions collect the grimoire painting to place in my bedroom, this very night of a much looked forward to conjuration. Oh! by the way, can I flog the painting with my Cat of Nine tails, while I masturbate…”

Doom to Freudian slip, who then had a hacking cough, to rectify of continuance; “I mean, meditate upon Vapula’s image, while whipping her essence into total submission to my divine will?”

Frankenstein answered; “if it be your visualisation pleasure to do so of a Spirit Chain ritual, go right ahead, whip away, to your dark heart’s beating content.”

Doom stuck his mask nose up into the air of a perceived superiority to then flamboyantly turn away of dramatic sweeping cloak, leaving Frankenstein alone. Although, he wasn’t quite entirely by himself.

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Frankenstein was surrounded by his necromantic comic art works of erotic knitted together Mind-Dolls. He waited until Doom was entirely out of psychic sight and clairaudient earshot before lighting up a Camel cigarette, who then merrily sauntered over to a hidden alcove, within which was another covered painting.

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Frankenstein whipped off the cover to reveal a life size painting of a naked female version of Doctor Doom.

Frankenstein knowingly smiled, saying to himself; “when I conjure you amidst my lucid dreams, my dear knitted together tin girl, of a dark delight, playboy Jupiter sphere Succubus; I will assume the guise of Doctor Doom. And in so doing, I will acquire all his abilities and powers, having total control over a spectral army of Goetian Succubae, who be all grimoire comic Marvel superheroines to erotically conjure amidst my triangle of art. Whereby I will attain dominance over the entirety of the Marvel universe, when I assume the Avatars of all the Marvel superheroes, who are empowered by their corresponding superheroine Succubae.”

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Frankenstein to have continued; “but I will not stop there; after conquering the Marvel universe I will move onto the superheroine Succubae of the DC universe and that of others myriad, of a multiverse, to fuck my way through, to rule over.”

Suffice to say, castle Doom was soon renamed castle Frankenstein; but at least he knows how to really Heyoka party of imaginative conjurations, let alone laugh away the moroseness of the indoctrinated medieval mind-set of the Lilliputian Latverian’s.

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GOETIA GIRL ZATANNA ZAGAN OF INTERDIMENSIONAL LUCID DREAM SEXUALITY

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2014 by FAUSTUS CROW

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The Sixty-first Succubus archetype of the Fallen ‘Anima’ is Żagań. She is a Great Queen and President, appearing at first in the visionary form of a Buffalo with Gryphon’s Wings or having the wings of a Bat, whom is a loving sister of (Lamassu) Haagenti; though twinned, there are differences between them.

After a while she puts on the form of a most beautiful woman who has horns upon her head, or to otherwise manifest looking like Zatanna out of the alternate reality, DC comic grimoires.

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She makes her conjuring Artist, Avadhuta wise, when he attunes himself to his circadian rhythms, which are regulated by the light of the Sun, around whose Diana-Lucifera orb, the Earth follows Kepler’s planetary laws.

She can heighten her conjuring Artist’s erotic emotional states as if he is drunk upon Dionysian Wine, or to otherwise become mellow, like placid Waters, as well as making him hot Blooded of emotion, reaching once again for the Wine, as an ecstatic Dionysius.

Her conjuring Artist will thence become aware that his Watery emotions can be transmuted into ecstatic Wine of a highly charged erotic state under the orbit of the horned Moon. Her conjuring Artist will also realise that his emotional charge, empowers hypnagogic trance ingress into spun electron dreams, around the Zodiac ages, of a circadian rhythm star clock.

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She, as a most salacious Art Muse, who inspires Art-Sex, of symbolic alchemy, whom bestows an understanding of the Seven Sacred Rituals of how to mix all the planetary colours of Metals suspended in oils.

Thence her conjuring Artist to paint, of neuro-advertising Chakra Coinage upon cave wall of ancient memory, to alter, canvas upon an easel altar. While doing so, to chant of mantra, “make love not war, around the multiverse world tree, Yggdrassill.”

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Such erotic paintings she to Succubus Art Muse dream inspire of planetary metals suspended in oils to colour, subliminally influences those emotions of an endocrine system Dominion, that coloured Metal is in. Wherefore she can even make Fools wise to themselves, of Heyoka self observation amidst their Samsara existence of an imprisoning circus. She governs over 33 Legions of Succubae Art Muses, and her Seal is to be mediated upon, should you desire to conjure her amidst your Triangle of Art imagination unto a Coitus Pactum Sexagram, Lucid Dream.

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Żagań in French and German, is Sagan; in Upper Sorbian it is Zahań, while in Czech it’s Zaháň, and in Latin you have Saganum, which of a name means, Wise One. When made more feminised you have Żagańa or that of an alternate, Zatanna, whom will enable her master to escape the symbolic Matrix of religious indoctrination, whose minions are forever warring.

Whereas, Żagań is the name of a town on the Bóbr river, situated in Western Poland. The town is the capital of Żagań County in the historic region of Silesia where Stalag Luft III is situated, from whose WWII prisoner of war camp the Great Escape occurred. Żagań, was first mentioned in a 1202 deed, which then belonged to the Duchy of Lower Silesia at Wrocław under the rule of the Piast duke Henry I the Bearded.

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The German astronomer, mathematician and astrologer Johannes Kepler (1571–1630) lived in Żagań from 1628 to 1630, from where the American astronomer Carl Edward Sagan (/ˈSeɪɡən/; November 9, 1934 – December 20, 1996) derived his surname.

Carl Sagan was not only an astronomer, he was also a brilliant astrophysicist, cosmologist, author, science popularizer, and science communicator in astronomy and other natural sciences. His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life, including experimental demonstration of the production of amino acids from basic chemicals by radiation.

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Sagan assembled the first physical messages that were sent into space: the Pioneer plaque and the Voyager Golden Record, universal messages, which could potentially be understood by any extraterrestrial intelligence whom might find them. However, in relation to another sentient species sending a message to us, there are other ways of communicating information throughout space and time.

If there are highly advanced extraterrestrial civilisations frequenting the Angel angles of this dodecahedron universe or that of other universes parallel to our own, of alternate reality possibilities, they will very likely utilise quantum wormholes, via which to communicate with other sentient species. Alas, many a civilisation has a tendency to destroy themselves, whose myriad legions of cosmic ghosts, clairaudient whisper, “do not repeat our mistakes.”

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Wherefore, your (quantum wormhole) electron dreams, would be the perfect arena of (Vesica Pisces) communication throughout space and time. The nature of the communicated information tuned into will of course be dependent upon which Succubus the Sorcerer Artist to conjure amidst his Triangle of Art imagination to thereby erotically engage with, when to penetrate her vaginal Stargate via a lucid dream.

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FRANKENSTEIN NIGHT NURSE HORROR MUSE

Posted in Cosplay, Goetia Girls, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 9, 2014 by FAUSTUS CROW

The fifth Succubus of the Goetia is called Marbas. She will manifest amidst your Triangle of Art imagination as a surrealist exquisite corpse, looking like a knit together Frankenstein nurse. She is a great President who rules over 36 legions of Succubae like herself. The name of Marbas is a composite name, made up of the words: ‘Mar’ and ‘Bas.’ The word ‘Mar’ in Spanish, means sea, which is also etymologically connected to ‘Myr’ and ‘Mer’ of the Welsh name, Myrddin and the Norman variant, Merlin.

You also have the Hebrew name of, Mary and even the name of, Mars, since the sea is associated with the menstrual blood of the mother and the amniotic watery realm of dreams. As for the word Bas, it is derived from, Bass (/bæs/bass), which is a name shared by many different species of fish.

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The term Bass encompasses both freshwater and marine species. All belonging to the large order of Perciformes, or perch-like fishes. In fact the word Bass comes from Middle English Bars, meaning ‘Perch.’ The name of Marbas, can then be translated as, ‘Sea Fish.’

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Some will argue that Marbas is derived from the name Barbas, which comes from the Latin, barba, meaning beard, leading thence to a beard trimming, barber; or to be otherwise associated with the hellebore, which is one of a plants used in witchcraft. However, the Goetia specifically states that the name of the fifth spirit is Marbas, not Barbas. Although, in ancient times a barber could also function as a hellebore dispensing doctor/nurse.

It is very likely, when the name Marbas is interpreted to mean ‘Sea Fish,’ the symbolism will be invariably ignored, by those looking for an Anton LaVey number one haircut, and a goatee beard trim at the local barber, sniffing hellebore.

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One of the principle functions of Marbas is to initiate the experience of shifting into other forms, which occurs when the practitioner is experiencing pure trance.

The experience of pure trance, is often described as feeling like swimming in an ocean by many shamans from various shamanic cultures across the globe. But then, we all share the same neurology.

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For example; the Kalahari Bushmen of South Africa, who practice the trance dance, when attaining pure trance, will fall to floor to then be seen acting as if they are (Nommo) fish or (Annunaki) serpents, who believe they are such amphibious creatures within their watery hypnagogic visions.

While within the visionary state the Kalahari Bushmen can assume other shapeshift forms of particular animals in order to then heal a patient of their affliction, or to otherwise call upon a power animal, such as a Lioness.

Those cultures who live near Lions are well aware that the female Lion is far more vicious than the male Lion, because it is the female Lion’s who primarily do the hunting. So, when a Kalahari Bushman seeks to heal a patient via the trance dance, a female Lion is quite a powerful spirit ally to have.

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Whereby the Tibetan Bon Po Buddhist’s conjured up the Lion headed Dakini Simhamukha in order to negate negative influences. Hence Marbas is traditionally seen to be associated with a Lion, which is probably a predatory Pure Trance Kitty Lioness.

This technique can of course be otherwise utilised to afflict an enemy with an illness, although such to often rebound of Karma. It is more of a Simhamukha case of Marbas returning the Malediction of others back to its ignorant source.

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Marbas is also described as emanating from the eighth dimensional planetary sphere of Mercury, who is able to heal various afflictions as a psychic healer, or to otherwise afflict others with their own reactive angry ghost Maledictions, of psychic warfare. This will of course overflow into the temporal arena of medicine and in turn anatomy, as well as associated Marbas technologies, which are rapidly evolving.

Marbas is also described as being associated with the mechanical arts, which can be interpreted in different ways, in relation to Art as well as technology. Wherefore you can see Marbas as being a female doctor, scientist or nurse who is highly versed in pure trance, as well being an Art muse who has feline Kitty qualities.

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When an Artist, such as Leonardo Da Vinci, looked into the necessary prerequisite of understanding anatomy, he became aware that the anatomy of organic creatures as well as humans can be replicated by machines. This understanding can be easily equated with the present and future scientific arenas of robotics and cybernetics. Wherefore, Marbas can also be seen as a female version of Frankenstein’s knit together creature.

Marbas bestows the shamanic ability to assume shapeshift forms from within a lucid (sea) dream, which can be accessed via hypnagogic (fish) trance. When assuming other shapeshift forms within a lucid dream or via trance, such as that of power animals, it can enable a sorcerer to heal others. A sorcerer will also attain the Dr Frankenstein ability to construct Mind-Dolls, a Tibetan Buddhist would call Tulpas, you can otherwise term as Frankenhooker Succubae, via whose erotic (programs/memes) mind (robot/golem/egregore) constructs, a sorcerer can access hidden or secret information to remote view.

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GOETIA GIRL BUNE, SHINTO SUCCUBUS OF WEALTH, FORTUNE AND LONG LIFE

Posted in Chaos Magic, Comics, Cosplay, Discordianism, Extraterrestrial, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 7, 2014 by FAUSTUS CROW

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The twenty-sixth Succubus archetype of the Fallen ‘Anima,’ who is listed in the Goetia is called Bune or Bimé or Bim. She is a Duchess who governs over 30 legions of (Succubi) Succubae. The name of Bune could have been derived from the Old English Bune, for reed and that of an associated 15th Rune.

Although you have the word, boon, meaning luck and wealth, which is etymologically associated with the Spanish, Buena, which means, good. You also have the Eastern European, Bune, which is a term for a certain type of bun, along with a slang term for the perinium and bunny. As for Bimé and Bim, they appear to be derived from Bune.

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Bune is very likely derived from the Japanese word for, ship. This is further compounded when to look at Bune’s grimoire seals, which are an abstract representation of a Japanese ship, whose construction has a very distinctive shape of an uncanny similarity to Bune’s two seals.

One of the seals of Bune you could imaginatively associate with the Utsuro Bune of Japanese UFO lore, should you desire to take the associations further.

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Although the Utsuro Bune is described as being shaped like a bun; while Bune’s other seal depicts a horned dragon, which is traditionally considered to be Bune’s most powerful seal.

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The horned dragon motif of Bune’s seal is self evident, which also depicts what appears to be a humanoid figure steering a rudder, who is probably female, considering there was a bunny girl pilot piloting the Utsuro Bune, who was late for an important date; then again, maybe she wasn’t, if the Utsuro Bune was a time machine.

In Japanese lore the horned dragon is very much tied up with what is known as the Takarabune, which means Takara/treasure and Bune/ship.

The Takarabune treasure ship is often depicted as having the body of a dragon, with a horned dragon’s head as its prow, somewhat akin to a Viking ship.

The dragon symbolism often refers to the star constellation of Draco, which if you be so inclined you could even associate with the Dragon’s Triangle just off the coast of Japan; whose time maelstrom, 16th century Portuguese gun runners and slavers tended to avoid, by using Bune’s dragon seal in order to protect them from killer bunnies.

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Bune is also described in the Goetia to be associated with a Gryphon, which in Japanese lore would be otherwise depicted as a giant Eagle called a Garuda out of Hindu mythology; whereas in astronomy it is associated with the star constellation of Aquila. You could even relate the Eagle with the ‘Plumed Serpent’ of the Americas, where there be a Bermuda Triangle; whose time maelstrom, 16th century Portuguese gun runners and slavers tended to avoid, by using Bune’s less elaborate seal in order to protect them from viscious Sirens.

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A 16th century Jesuit priest returning back from a Portuguese slavery expedition to Japan, having the full blessing of the church of Rome; who, when attempting to describe a Garuda to his Christian audience, would probably describe it as being of a composite form, of similarity to a monstrous Gryphon. However, such a description would be due to the Garuda being a favourite trance mount of Mongol shamans, who frequent Genghis Khan’s steppe from where the Attila the Hun symbolism of the Gryphon had originally stemmed, which still haunts the nightmares of Rome. The Garuda is associated with the winds; wherefore in context of a dragon ship, it would probably be that of a symbolic code alluding to the sail of the Mermaid Takarabune.

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Another animal, which is associated with Bune is the Dog. In astronomy the Dog is associated with Canis Major and the star of Sirius. The Dog is extensively featured in Japanese myth, more so that of the Fox. Although, the Dog is not specifically associated with the Takarabune, there is another animal, which is very much involved with the Takarabune called a Baku. The Baku was seen to be a devourer of negative influences assailing the dreams of the Japanese, which, ironically, was a Chinese creature originally. Don’t tell Bune that, otherwise you will hurt her feelings, since she’s a Shinto priestess, who’s highly versed in the martial arts.

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The Baku was very likely mistaken by a 16th century Portuguese gun runner and slaver for a Dog. The Spanish, Dutch and British invasion forces likewise misinterpreted the Baku when taking over Nagasaki, who were later followed by the American’s, long prior to WWII, when Nagasaki was nuked. The Baku is actually a Tapir, whose Japanese character is often shown on the sail of the Takarabune.

The described functions of Bune can be summed up by the ancient Japanese ancestor worship of Shintoism, whose practices revere the ancestral dead, from which the Takarabune originates. Shinto, also kami-no-michi, is the indigenous religion of Japan.

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It is  commonly defined as an action-centred religion, which focuses on ritual practices to be diligently carried out in order to establish a spiritual connection between present-day Japan and its ancient ancestral-self-identity.

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Whereas the invading European cultures had entirely forgotten their own ancestors to otherwise appropriate the ancestral-self-identity of the Hebrew’s, who sought to likewise afflict the same insanity upon the Japanese.

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It is said that Shinto had been founded in 660 BC according to Japanese mythology. Shinto practices were first recorded and codified within the written historical records of the Kojiki and Nihon Shoki during the 8th century.

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Shinto is a term, which also applies to an animist religion, where public shrines are devoted to the worship of a multitude of deities, which are collectively called Kami.

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The Kami are defined in English as being ‘spirits,’ or essences as well as deities, referring to their informational reality, underlying phenomenal existence, beyond the infinite.

Since Japanese language does not distinguish between singular and plural, Kami refers to the divinity, or sacred essence, which manifests in multiple forms. The Kami coexists with people; they are not seen as being separate; whom exist within the same world and share its interrelated complexity.

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There are also references to certain spirits being associated with Bune, which are supposedly called Bunis by the shamanic Tartars of the steppe. A 16th century Portuguese gun runner and slaver had probably equated the Japanese practice of Shinto with the then maligned shamanic practices of the Tartars whom dallied with (Bunis) spirit wives.

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You can easily imagine how a Christian audience had reacted to early reports of Shinto, to see it as a dreadful Pagan religion of the dead, worshipping vile spirits. Wherefore it was not a sin to have acquired pagan slaves, more so Japanese slave women to serve the whims of their masters Hentai desires. Although the Bunis specifically refer to the spirits under Bune, which as a ship, are as its crew.

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The Takarabune is traditionally seen to have a crew of Kami, called the Shichi Fukujin, commonly referred to in English as the Seven Lucky deities, who are the seven deities of good fortune in Japanese mythology and folklore. The Shichi Fukujin are often the subject of Netsuke carvings and other artistic representations.

The reference to the number seven could be a an astronomical association with the seven stars of Ursa Major or the Pleiades, perhaps even the seven Chakras. Whereas a 16th century scholar had probably otherwise equated the seven lucky deities to the seventh Cabbalistic sphere of Venus.

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The Shinto tradition still holds that the seven deities arrive in town within their Takarabune, like some descending UFO of a Utsuro Bune Time Machine or that of a prior Star Trek Enterprise, on the New Year around the star clock. These seven deities then set about distributing fantastic gifts to worthy people.

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Children often receive red envelopes emblazoned with the Takarabune, which contain gifts of money during the New Year. The Takarabune and its celestial passengers are often depicted in art in varied locations, from the walls of museums to cuddly caricatures, whose monetary gifts is said to be also bestowed by the Bune of the grimoires.

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The ability of eloquence is one of the principle abilities Bune bestows along with wisdom. This eloquence specifically refers to Shinto’s emphasis on the power of words, which is termed as Kotodama or Kototama, literally ‘word spirit/soul.’ The term Kotodama refers to the Japanese belief that mystical powers dwell in words and names.

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English translations include, ‘soul of language, spirit of language, power of language, power word, magic word,’ and ‘sacred sound.’ The notion of Kotodama presupposes that sounds can magically affect objects, and that ritual word usages can influence our environment, body, mind, and soul. But then, when a word is consciously uttered of lucidity within an electron dream it does initiate instantaneous symbolic associations.

Wherefore you have to use such an informational domain ability wisely. This ability of inner eloquence is primarily bestowed by one of the seven lucky deities who is originally the Hindu Goddess Sarasvatî Devî. In Japanese Sarasvatî Devî is otherwise known as Benzaiten, who is the Goddess of everything that flows: water, words, speech, communication, eloquence, music and by extension, knowledge and monetary wealth.

The original characters used to write her name read ‘Biancaitian’ in Chinese and ‘Bensaiten,’ in Japanese. Benzaiten’s name reflects her role as the Goddess of eloquence. Because the Sutra of Golden Light promised protection of the state, she became a protector-deity in Japan, at first of the state and then of the people. Lastly, she became one of the seven deities of fortune when the Sino-Japanese characters used to write her name changed to Benzaiten, emphasizing her role in ‘bestowing Monetary Fortune.’

Benzaiten is also a Goddess of art, beauty and love, who is beloved of the Geishas, whom are very much of the planetary sphere of Venus, from where Bune classically emanates, as a seventh dimensional entity. The symbolism of the Geisha has since been translated via Manga and Anime into the evolving symbolic complex of the modern Japanese schoolgirl motif. These Manga and Anime schoolgirls are usually depicted wearing ‘sailor uniforms,’ who have taken on the role of the Buddhist Dakinis, time travelling around in their Utsuro Bune UFO’s.

Should you feel so inclined of a rebellious reversal, you could thereby perceive Bune as being similar to Benzaiten, who manifests as a Japanese schoolgirl, speaking with a most comely voice, whose symbol is the Takarabune.

She would also be a Shinto priestess, who enables the Kami to frequent your altars to alter via the ‘seventh dimension’ as well as being highly versed in wealth magic. (Bune’s two seals represent her manifestations as a [first seal] schoolgirl and a [dragon seal] Shinto priestess.)

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You could of course continue conjuring up Bune as being a monstrous blood drenched death metal entity amidst your branded Triangle Of Art Imagination. Such is your indoctrinated choice to do so, since many a brain down the ages have been brainwashed to worship the deified ‘Animus’ made as a Jehovah/God-Christ/Allah and a Satan/Devil-Lucifer/Shaitan.

But you will be invariably playing into what has been established of a 16th century Christian perception of animist Shinto.

The practices of animist Shinto absolutely horrified the patriarchal flocks frequenting their monotheist church, even though they were surrounded by the pyres of burning Witches at a time when a sweaty monk was drawing Bune’s seals, which no doubt kept the fleecy minded Sheep all nicely ignorant, and brain-dead zombie cult comfy.

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You will still have the shock factor should you conjure up Bune as a Japanese schoolgirl Succubus archetype of the Fallen Anima. Although you will probably be seen as being a Playboy grimoire wimp by the death metal mages, who like to habitually conjure up their machismo entities out of bisexual Crowley’s Playgirl Goetia.

However, you will certainly get the tongues of the flocks a wagging that you be a vile Satanist or worse, which would be especially the case should you suddenly win the lottery jackpot after an erotic precognitive dream involving a Japanese schoolgirl piloting a luxury yacht looking like a bun. In fact it would be far more Entartete Kunst shocking than conjuring up a demonic choir boy of Petrodollar Vatican commonality.

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Just remember, don’t take the hedonic Hentai piss out of Japanese schoolgirl Succubus Bune; for she will surely reflect you back within your lucid dreams. If you ignore this warning, you might just find yourself wearing a sailor uniform being pursued by phallic tentacles without a Baku in sight. But then she does give true answers unto your demands. So be careful of what questions you to ask. In the recognition of this Shinto fact, of an eloquent conjuration of one of the Kami, you will then attain the Takarabune wealth of inner wisdom, as well as Bune gifting you a tasty Nikuman Bun of an apport, in the shape of your own skull, housing your ‘Quantum Computing’ brain.

NOTE: Most psychologists of varying psychological disciplines are very much aware of the Animus and Anima, which were scientifically investigated and clarified of a psychological function by the psychologist Carl Jung.

However, said psychologists, and even Jung, himself usually describe the Animus and Anima in very convoluted language, which of labyrinthine intellectualisations, lose any applied practicality. The following has been simplified for the layperson.

But then it is all very simple of nature anyway. Hence, without thinking about it, an everyday psycho-biological process is easily taken for granted, and thereby entirely missed. Wherefore, the likes of politically motivated social-engineers utilise what is habitually not self-observed in order to influence and ultimately have total control over the quite oblivious masses.

The personal observance of how the Anima and Animus can be subversively manipulated by others of mundane emotional politics can be observed in ones everyday relationship dynamics, which can then be applied to the bigger picture.

Jung was probably aware that the Animus had become deified by the religious cultural constructs of the three monotheistic faiths, whose shared symbolic paradigm permeates all levels of your culture.

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ALICE OF NECRONOMICON WONDERLAND

Posted in Art, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Tulpa Creation, Video Games, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 5, 2014 by FAUSTUS CROW

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The fourth Succubus archetype of the Fallen Anima is Samigina, or Gamigin. She is a great marchioness of the fourth Rune, who is listed in the Goetia. She emanates from the ninth (dimensional) planetary (Yesod) sphere of the Moon. She at first appears looking like a Steampunk Alice in Wonderland riding a Sleipnir rocking horse, which is tethered to the multiverse world tree of her Yggdrassill seal, interpenetrating the globe of the Earth. She is of Sami descent whose name means: high (elevated status) Queen.

She speaks with a most seductive voice, who teaches all arcane sciences and arts, whom is a surrealist art muse. It is also said, that she gives Ouija board accounts of those spirits whom reside in the surrealistic realm of the Moon, whose Wyrd domain the ancient Babylonian’s associated with their deity called Sin. She governs over 30 legions of (Succubi) Succubae.

Samigina as a Steampunk Art Muse inspires the creative ‘madness’ of the Paranoiac-Critical Method, which is a surrealist technique that was developed by Salvador Dalí during the early 1930s.

Dalí employed its shamanistic methodology when producing his paintings and other artworks of Goetia W-underland genius.

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Especially those, which involved optical illusions and other multiple images, which of a similar Paranoiac-Critical Method, you can imagine Samigina Wyrd Alice asking a creeping Gnat to demonstrate Dalí’s technique.

“All right,” said the Gnat, “half way up that bush, you’ll see a ‘Rocking-Horse-Fly,’ if you look. It’s made entirely of wood, and gets about by swinging itself from branch to branch.”

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Samigina acted confused; but she wasn’t really befuddled at all, she’s crafty. “Let me explain further, sweet Samigina,” the Gnat continued. “The surrealists related theories of psychology to the infernal processes of subconscious driven creativity and the production of Art, which is indivisible to the practice of Sorcery.”

“During the mid-1930s André Breton wrote about the ‘fundamental crisis of the object.’ The object began being thought of not as a fixed external object, but also as an extension of our subjective self.” Samigina looked bright eyed at the Gnat, to then beg the question, “What does it live on?” She asked with great curiosity.

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“Food of course, you silly little Rune sprite,” the Gnat answered. But she’s just being tricky, Samigina Wyrd Alice is well aware that one of the types of ‘food’ objects manifested in surrealism is the ‘phantom object,’ such as dancing flames, ink spills, scribbles and cracked pavements, for example.

The Gnat explained further, “according to Mad Hatter Dalí, these objects have a minimum of ‘linear mechanical’ meaning. But when viewed by your mind it evokes ‘phantom images,’ amidst your Triangle of Art imagination, which are the result of instantaneous subconscious associative correspondences.”

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“The Paranoiac-Critical arose from similar surrealistic experiments with psychology and the creation of images, such as Max Ernst’s frottage technique.”

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Samigina then interjected, “Ernst’s technique involves rubbing pencil or chalk on paper over a textured surface, and interpreting the phantom images visible in the texture on the paper.” The Gnat, didn’t look too impressed, “these be all two-dimensional, ‘sap and sawdust,’”said the Gnat, “since you think yourself surreal, go on with the list.”

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“Alright Gnat, don’t get your wings all twisted up into a Gordian knot!” Samigina answered, who continued with her list, “the aspect of Paranoia that Dalí was interested in, which helped inspire his shamanic method of a technique is the ability of your brain to create ‘associative correspondences’ between things of the illogical.”

“Even though they are not rationally or logically linked. Dalí described the Paranoiac-Critical Method as a: “spontaneous method of irrational knowledge based on the critical and systematic objectivity of the associations and interpretations of delirious phenomena.”

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Samigina then looked up at the Rocking-Horse-Fly with great interest, and made up her mind that it must have been just repainted, it looked so bright and sticky; and then she went on. “And there’s the Dragon-fly.”

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“Yes; of course Samigina, what a very surreal Valkyrie you are,” the Gnat answered, to further explain. “Employing the Paranoia Critical Method when creating a work of art uses an ‘active’ process of your imagination to visualise separate images, such as a Chinese ‘dragon’ and a household ‘fly’ in your work, to thereby incorporate these apparently disassociated objects into the final product of a sharp pointed fusion.”

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“An example of the resulting work is a ‘Double-Image’ or ‘Multiple-Image’ in which an ambiguous Image can be interpreted in different ways. André Breton hailed the method, saying that Dalí’s Paranoiac-Critical Method was an: “instrument of primary importance” and that it; “has immediately shown itself capable of being applied equally to painting, poetry, the cinema, the construction of typical surrealist objects, fashion, sculpture, the history of art, and even, if necessary, all manner of exegesis.”

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“The technique can of course be applied to occult practice, when to rebelliously visualise the grimoire spirits to be otherwise Succubae, without indoctrinated limitations. However, the methodology its self is nothing new; shamans have been utilising split-screen-vision perception to sorcerer seer into other multiverse world tree realities since the dawning of humanity.”

“But it does require you to perceive in a different way. Look on the branch above your head,” the Gnat continued, “and there you’ll find a snap-dragon-fly. Its body is made of plum-pudding, its wings of holly-leaves, and its head is a raisin burning in brandy.”

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Samigina looked up at some spectral object; while the Gnat went on to explain. “Critical Paranoia is a method of establishing a creative state of self-induced psychosis, which initiates the hypnagogic state of trance.”

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“Consider the process as being akin to forcing a waking dream; a conscious transformation led by paranoid scrutiny of what presents itself in the surroundings.”

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“The simplest version, hardly critical, hardly paranoid, begins with a child’s daydreaming game.”

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Samigina started to stare into banks of clouds, looking for the chariot riders, along with giants populating floating islands and other phantasms of tortured humidity, whose associative snap-dragon-fly reasoning needs to be fed, “and what does it live on?” She to again enquire.

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“Frumenty and mince pie,” the Gnat replied; “and it makes its nest in a Christmas box. And when to open the Pandora’s box of your Imagination to set it free of its indoctrinated larvae of beliefs, you can thence utilise elementary exercises.”

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“Such Avadhuta exercises involve practicing prolonged staring at ink blots and scribble drawings, which will generate an array of Heyoka optical illusions.”

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“A sketchbook is handy for this enterprise, which often sell themselves in many a new-age shop, as self-help manuals, which are fluffily designed to prove that you are on your depressive way to a happier existence as a Caterpillar. But then, you’ll smash through any artistic blocks with your inspiring lucid dream visitations, won’t you, my dearest Samigina.”

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She to widely smile, and said, “of course I will,” to then sweetly say, along with her hair suddenly turning blond. “And then there’s the Butterfly,” Samigina went on, after she had taken a good look at the insect with its head on fire, and had thought to herself, “I wonder if that’s the reason insects are so fond of flying into candles—because they want to turn into snap-dragon-flies!”

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Then Samigina imagined Snap-dragon-flies flying around a Mad Hatter’s head of an Artist, all aflame; while he walks those crumbling cracks in the sidewalk, which look like an outline of the West coast of Mexico.

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In fact those cracks in the sidewalk are indeed the West coast of Mexico. “Can’t you seer it buddy? No doubt about it, that’s for sure.” Samigina to have Muse whispered into the Mad Hatter’s left ear.

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“And those Ants are all tourists in the middle; they are eating up the Yucutan of an asteroid wound, remembering the demise of the dinosaurs; to be later followed by the invasion of the dark haired pony-girls from Spain.” Samigina to say upon a clairaudient giggle.

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“I’m a Samigina Wyrd Alice of hitched up skirt, manifesting within your surrealist dreams, becoming one with my hop-scotch rocking-horse galloping across Panama, leaving red menstrual smudges all along the Pacific; ensnaring all within my coquette skipping rope, for my conjuring Artist.”

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“Your advancement of Mad Hatter practice will invariably find the Spielberg poltergeist intricacies of my television static a delight to behold. The onset of migraine headaches a resounding flourish to perceive such things.” The Gnat decided to cut in, “Crawling at your feet,” said the Gnat (Alice drew her feet back in some alarm), “you may observe a Bread-and-Butterfly. Its wings are thin slices of bread-and-butter, its body is a crust, and its head is a lump of sugar.”

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The Gnat continued, “there are no preconceptions, no paranoia to influence what you perceive. The careful acquisition of Critical Paranoia requires continued practice until it becomes a part of your bread-and-Butterfly subconscious way of thinking. But you may ask your Mad Hatter of a conjuring Artist for further insights, you to inspire as his conjured Muse, rather than asking any more questions of myself. Samigina decided to otherwise ask the Gnat, “and what does it live on?”

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“Weak tea with cream in it.” The Gnat to answer. “My egg of an ego may have been cracked by you asking your Mad Hatter Artist rather than me; but what’s another cracked egg; I will just ramble on. After you have indulged your fill of weak tea, to bloat of bladder, find a bathroom with tile floors and subdued fluorescent lighting. Masonic bathroom tiles one half inch by one half inch are far preferable. Those tiles with the speckles are the type to spy out with your split-screen vision.”

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“Find an empty stall within your Beehive lodge and sit on your throne of a toilet. Sit so you are comfortable to 33 Degree Freemason crap out weapons of mass destruction over Babylon. Stare at the floor in front of you, through the bottom edge Da’at gap of the closed stall door. Ritualistically stare until columns of tiles oscillate rapidly back and forth like the changeable Gimel dunes of the desert sea; chaotically at first, but more rhythmically in passing.”

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“Move your Illuminati eye towards your feet to perceive rows of tiles, liquidly moving of crashing waves against the columns of a now warped Masonic chessboard. Observe the speckled patterns for amphibious Nommo insights, so as to determine the Anunnaki flux of evoked subconscious images. These images, all as Queen Bee Succubae, will erupt forth Through the Looking Glass Triangle of Art, at whose trance centre the Sirius star third-eye imagination will seer their bio-photon G-string Bunny-girl manifestations.”

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A new difficulty came into Samigina’s head. “Supposing it couldn’t find any weak tea?” The Gnat to have answered; “remember what Mad Hatter Dalí said, my dear Samigina; I quote: “Paranoia makes use of the external world to impose the obsessive notion with the disturbing particularity of making valid the reality of this notion for others. . . The reality of the external world serves as an illustration and a proof, and is put in the service of the reality of our mind.”

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Samigina stared, looking at the Gnat, quite entranced, as it was slowly evolving into a bug eyed alien Grey out of a neo-Gnostic newage UFO pantheon; while doing so, the Gnat continued; “Breton also said: “It is a question of speculating ardently on that property of uninterrupted transformation of any object on which the Paranoiac activity seizes; in other words, the ultra-confusional activity which takes its source in the obsessive idea… This uninterrupted transformation permits the Paranoiac to regard the very images of the external world as unstable and transitory, if not as suspect, and it is, disturbingly, in his power to impose the reality of his impression on others. . .”

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“What I am trying to tell you my sweet Samigina is that, if you do not exercise your innate childlike ability of Critical Paranoia perception, which you to naturally know, that shamans have utilised for aeons…” the Gnat, suddenly Howled. “Then it would die, of course.”

“But that must happen very often,” Samigina Wyrd Alice remarked thoughtfully. “It always happens,” said the Gnat.

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The Gnat to continue, “such to happen when the Art of Magic is habitually tethered to a religious constraint of a tradition. For example, a Satanist see’s Satan as a rebel of a horned Devil, to glorify as a Biblical Luciferian Angel; when in fact he was the first Mad Hatter Artist of a horned shaman.”

“Oh! I now seer,” said Samigina, to then say. “So If a religious sentiment is indulged in of thesis or antithesis, the practitioner is not practicing the fluidity of Sorcery, but instead practicing a static religion. Whereby validating its symbolic Matrix of constraints. These types of individuals will invariably consider those who exercise their imaginative freedom of rebellious (synthesis) Yesod artistry to be Entartete Kunst, ‘SINFUL.”

(Adapted quotes: Lewis Carroll’s, Alice’s Adventures ‘Through The Looking Glass’, Chapter III)

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JOHN CONSTANTINE CONJURES HELLBLAZER SCHOOLGIRL SUCCUBUS VALAK

Posted in Art, Chaos Magic, Comics, Conspiracy Theory, Cosplay, CREATIVE WRITING, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 2, 2014 by FAUSTUS CROW

Valak, who is otherwise known as Volac is the 62nd spirit of the Goetia. Volac has been portrayed down the grimoire years as an angelically winged cherub riding a two-headed dragon holding serpents.

However, the sweaty old scholars didn’t quite have the image of Volac correct for a rebellious fallen angel, who rages against the doomsday cult patriarchy of the celibate Abrahamic faiths. But then, their priestly all male patriarchal fixation, has a continued liking for choir boy cherubs, to evoke amidst their closeted triangle of art imaginations.

The maverick magician John Constantine flicked through the nicotine stained pages of a book to read what Collin de Plancy had said of Volac: “He appears as a child with angel’s wings and riding on a two-headed dragon.” Constantine smiled to himself as he puffed a Camel stick, saying to himself; “yeah, right; Plancy just copied all those stories passed down by the patriarchs for hundreds of years since Rome converted to Christianity; he didn’t even deviate of a rebellion against it.”

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Constantine continued further, of pondering; “even uncle Aleister fell for the trap. Oh! Yeah; I forgot, he was bisexual; that’s what really pissed off everyone at the time, as being rebelliously wicked. What a Great Beast laugh! Shit! The patriarchs were all doing it anyway, with their conjured up Angels and Demons, to be upended by, down ages. Lest we forget, we also have all those smiling Mary quite so contraries being ridden by their Incubi God and Devil of an Animus fixation, upending them as a Babalon.”

Constantine sniggered, taking another puff, remembering Luciferian Übermensch Aaron C. Donahue and his fellow cultists conjuring up Volac as a quaint alien entity out of their fluoridated Hollywood brains, lorded over by calcified pineal glands, which wasn’t at all rebellious either.

Volac was still male of a symbolic continuum, dancing around their machismo Lucifer. Something was most definitely amiss.

“It’s a bloody John the baptist’s skull and crossbones Illuminati brainwash! That’s what it is! those fucking serpents are not going to subversively indoctrinate my reptilian brainstem. They’re all New World Order Orwellian bastards, mass medicating the public water supply with a known neurotoxin; fucking criminal shit-holes. I am going to use my abilities to bring those insane serpents to task!” Constantine mumbled to himself.

Whereupon, Constantine decided to evoke Volac himself to see what would erupt forth from out of his infernal subconscious. By doing so, to determine whether he had been subversively brainwashed, which, if it was indeed the case, would most definitely piss him off. He would then have to utilise the ritual of the ‘Spirit Chain’ in order to negate the brainwashing of his own mind; that would be an exorcism pisser of a long Great Work overhaul.

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He made it a point to draw Volac’s Necronomicon manifestation during an exercise of remote viewing active imagination, as he meditated upon the grimoire seal of Volac. He was quickly taken aback when Volac manifested amidst his mind’s eye as a bat winged St Trinian’s schoolgirl frequenting an infernal Hogwarts.

“Fuck me! Volac is a Succubus, looking a bit like Cassie Hack out of the frigging Hack/Slash comics I regularly whack off to. She’s a salacious Hermione Granger riding a bloodstained caduceus broomstick, sporting two Slytherin dragon heads. Kind of reminds me of the Tibetan Dakini, Kurukulla. Instantaneous associative correspondences, or what!”

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Constantine smoked yet another Camel, to stave off a nervous coughing fit; while looking over his comic mandala drawn of automatism. “I have to give up these hellish Gimel’s someday; don’t do my throat any good at all, but my addicted reptilian brainstem doesn’t give a flying fuck. At least I know my reptile hasn’t been hypnotised by the subliminal neuro-advertising of the state religions. Must be because of all that alchemical whackng off I do in the prima materia bog.”

Constantine retreated to his torn up bed to slump upon, and in so doing lit up another Camel; “Kind of makes sense, really, that Volac came through as Cassie, I mean, St Trinian looking Cassie’s name is short for Cassandra who was an ancient prophetess; she had acquired her Witch ability when to have fallen asleep in a temple full of snakes. Then you have Hogwarts Hermione, which is the feminine version of the name of the ancient Greek shaman God Hermes, the Roman’s called Mercury, whose symbol is the Caduceus entwined with two snakes looking like the DNA helix.”

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Constantine looked over at the flickering flame of a candle, melting upon his detectives desk; “looks like my bio-photon vision came up trumps; burning through the indoctrinated symbolic interface of the blinded ages, from a far deeper informational level of qualia. But then, the bio-photon does emanate from the mitochondrial DNA, which is passed down from the mother to her children. However the information carried by the light comes from beyond the bio-molecular, of a Holy Guardian Angel signal.”

“So, what are Volac’s powers?” Constantine asked himself so as to remind; while peering into spiraling columns of Camel smoke, in order to divine further insights. “Hmmm, let’s seer further this Volac; she, apparently tells of the positions of the planets, revealing hidden treasures, and where to find serpents. In my line of psychic detective of work, I need to know where to find those criminal serpents, Cassie would call Slashers; I’m her bad-boy Vlad, there.”

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Constantine took a further draw of his Camel. “As for hidden treasures; my clients often seek out my remote viewing services in such matters; whereby Volac would be an informing asset; more so for myself, since I need the fucking finances. Then you have the planetary alignments, which are often associated with the opening up of quantum-wormhole Vesica Pisces, via which to attain trance ingress into other realities, at key-times of circadian rhythms. She also governs over 38 legions of spirits, who are no doubt Succubae like herself; who, I’m sure, will come in very left-jerk-off-handy.”

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Constantine then stamped out his Camel into an overflowing ashtray, followed by crashing into slumbering betwixt and between the pylons of sleep and waking, where he duly found himself being pounced upon by an awaiting entity. Constantine couldn’t move, his body paralysed, as the assailing weight of the formless entity pushed him deeper into his bed. He then felt himself falling backwards into a yawning abyss. At first there was sheer darkness as he fell, screaming out the name of Volac. Then the darkness started to formulate into a vortex of surrealistic imagery, wherein he found himself alighting somewhere quite other.

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When Constantine eventually regained control over his dream body, for his inner eyes to focus upon the vortex of blurred imagery all around him, which started to take on a definite form; he suddenly found himself seated behind a school desk, who was once again an acne ridden boy of a misbegotten Harry Potter youth.

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“Shit! I’m in a lucid dream; what’s more, I’ve fucking slid into my past of pained little boy memory, methinks.” Constantine slowly looked around him at the other school kids behind their tables, seated in front of an ominous inky black blackboard. He didn’t like the look of the students around him at all. The other kids all had rotten gunk filling their empty eye sockets, gaping mouths and clogged up ears, looking like gaunt zombies. The zombies seemed to be chanting a repetitive prayer through maggot gnawed holes in their throats, which praised the three faced deified Animus, made as a God of the ever warring Middle Eastern Illuminati cults of Judaism, Christianity and Islam.

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Constantine then became aware that the zombie kids surrounding him were all his school bullies, who had severely traumatised Constantine’s childhood. His schooldays were a living Hell. Each of the abusive monstrosities he had personally nicknamed, such as the, first of the fallen, who was a sadistic bully, a total shit-hole to be sure, make no mistake about it. He was the son of a psychopathic drunken priest. There was also slimy creep Nergal, whose speciality was spreading vile rumours, poisoning everyone against Constantine. He also recognised fat bitch Roscarnis, who led a druggie girl gang; she made it a point of relentlessly picking on him because of his crippling affliction of acne; as well as recognising wannabe protection racketeer Papa Midnite, who had daily bled Constantine dry of all his dinner money, wanting ever more. They were all there, let alone others of similar horrors.

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Constantine suddenly felt one of his childhood nervous attacks coming on; he started to uncontrollably shake. Constantine grabbed hold of a broken pencil to suck, imagining it to be a Camel to stave off his mind quake. He then made it a point not to make any sudden moves, just in case the chanting zombies became aware of his presence. Constantine then heard a hushed voice breaking through the chant, which seemed to have called out from the shattered classroom doorway behind him.

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It was a female voice. “Hey! Vlad over ere’.” It was then Constantine noticed the classroom looked like the rotting innards of a wrecked charnel house. “Over ere’ you twat!” The voice called again of a whisper, which seemed to have caressed his left ear, of fingering words. He slowly turned around and saw a ravishingly gorgeous Goth schoolgirl standing at the doorway, indicating he should follow her.

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Constantine very carefully got up and stealthily moved towards the beckoning Goth schoolgirl who was holding onto a baseball bat with two entwining serpents engraved into its wood, looking like a lethal Caduceus, with nails sticking out of it. Constantine’s memory lit up of recognition. “You’re Volac.” Constantine said out loud. The Goth schoolgirl smilingly answered; “that’s right, don’t wear my mantric name out!”

It was then that the first of the fallen became aware of Constantine’s presence, its head twisted completely around, facing him, whose body stayed put, to then gargle; “Consti, Consti, Consti, Jesus loves you; his serpent is in my pants, he wants to ream your virgin arse.” The first of the fallen proceeded to sickeningly arise from its mouldy chair, along with the others following suit, who then advanced towards Constantine, brandishing jagged knives.

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The zombies then gargled in unison, like some hideous choir. “We are God fearing children, Consti, Consti, Consti. We are but the demonic torturing tools in our father’s incestuous service, testing your love for him, and him alone; for he be a very jealous God. There is none other before him. He wants us to slash you with his love; like he did to your Roman namesake. Bend over, Consti, Consti, Consti, present your arse unto the loving God’s serpent, he desires to enter your anus, so as to possess. He loves you, Consti, Consti, Consti.”

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Constantine became panic stricken, he couldn’t move as the zombies blindly made their haphazard way towards him, who reminded Constantine of all the tortures he had endured as a child, making him feel he could never amount to nothing. He always felt like a total abject failure deep down, utterly stuck, unable to move ahead. Volac then shouted out behind him; “you’re Vlad, give the slashers back their Abrahamic Hell!”

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Constantine then remembered to assume the magical guise of a Vlad Avatar, which transformed his childhood panic into a berserker rage. He felt his body suddenly being pumped up with bristling muscles assuming the Pagan form of a disfigured masked giant, wielding meat cleavers. Volac then roared out; “It’s hacking time, baby!”

Both Constantine and Volac tore into the zombies, hacking away at their rotting bodies. As Volac’s Caduceus baseball bat met up with a zombie it exploded into masses of squirming worms, all of which liquefied into an inconsequential black goo of no importance.

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When the astral battle was over, Volac leapt upon Constantine like a lithe Cat pouncing upon a Mouse, impaling him on the floor. “I feel really turned on, and very, very wet after all that Hellblazer hacking of a Nigredo Hogwarts harrowing, Vlad. Now it’s time for some really juicy St Trinian impalement, so I can reveal my Hermione treasure to ya’, big boy. I want ya’ to possess my moist Slytherin hole, baby.” He then felt Volac mounting his Dracul erection, which she slowly lowered herself onto. As she did so, Constantine couldn’t help himself looking up, as he entered her welcoming softness. Constantine then observed an almond shaped vortex opening up upon the ceiling of the classroom, through which of a vaginal star barrelled tunnel he saw a certain alignment of stars, on the other side.

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Volac pumped Constantine’s wand into ejaculating its Dracul Albedo flame into her hungering Rubedo womb; at which point of a shared Big Bang orgasm, Constantine suddenly found himself flying through Volac’s vaginal Stargate back into his physical body, lying upon his torn up bed.

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Constantine awoke amidst his sweat laden bedclothes, feeling emotionally drained; although, he had a big fat grin on his face, to then winsomely say to himself. “I think I’ve just folded myself through the eighth dimension into an alternate timeline. Nah! That’s absolutely crazy. Weird dream. But I do feel kind of cleansed after the exorcism of all those serpents haunting my memories. For the first time, I sense that I am free.”

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“Anyway back to the daily grind of being a psychic detective for hire. The problem is nobody really takes me at all seriously; so. it’s probably going to be another quiet day; that, or remote viewing where some old granny’s budgerigar has flown off to, for the price of a pint down the local Goats Head.” He slowly got up from his psychonaut launch pad, shaking his head clear. He then looked around for a full pack of Camel’s to notice a small resin cast sculpture of Batman upending Spider-girl Sirius-doggy style upon the table, where he remembered leaving his candle, which was no longer there.

“Where the fuck has the candle gone? And where did this Tantric resin come from? I don’t remember getting that.” He said to himself. He then noticed that the resin cast was weighting down a letter, which read:

“Dear John, thank you for agreeing to let DC comics serialise your occult exploits. Please find the first issue of Hellblazer and a sizable cheque for your creative involvement and advisory input with DC. We at DC are sure that Hellblazer will be a huge success, with the distinct possibility that your own name will be the eventual title of the comic; should you allow for it. DC is very confident that your continued involvement will be very lucrative for you and our company.”

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Constantine looked wide eyed at his own physiognomy upon the first copy of Hellblazer. He couldn’t believe what he was seeing. “I think I’ve just become the Kwisatz Haderach.” He felt like fainting, hit by the reality of it all, to then hear of clairaudience, a disembodied whisper of a girl, to say into his left ear; “My hidden treasures, are within ya,’ big boy.” She then naughtily giggled.

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THE CONJURING 2

NOTE: The ‘Conjuration’ of Volac (Valak) by Hellblazer John Constantine, though written tongue in cheek is based upon personal experiences, concerning lucid dream ‘Conjurations’ of the described Succubus. 

Volac is also known as Valu, Ualac, Valax, Valic or Valak in the classical Grimoires; the spirit is usually described manifesting as a little naked boy having angel wings riding a two headed Dragon. The classical image of Volac is based upon the ancient Greek deity called Hermes, the Roman’s called Mercury, who wields the Caduceus, made up of two entwined serpents, which is otherwise described as being a two headed Dragon in the Grimoires. 

Volac is also described as being a Great President, which of a Cabbalistic title refers to the planetary sphere of Mercury and the Sephira of Hod. The symbolic reasoning behind my own rebellious ‘Conjuring’ of Volac as a Succubus ‘Schoolgirl’ is because the feminine name of Hermes is Hermione, which then leads you to the modern archetype of Hermione Granger, who can be esoterically associated with intelligence increase and accelerated learning. 

As for the (two headed Dragon) Caduceus, it symbolically refers to the arousal of the (fire snake) Kundalini Shakti.

The Grimoires are commonly populated with an all male pantheon of entities, whether they be angelic or demonic; there are no historical examples of Grimoires listing female entities whatsoever, apart from the Goetia, which lists a couple of female spirits out of 72; but they are described as being male, who have assumed female form, which is indicative of a symbolic brainwash.

This brainwashing is facilitated further by inducing a state of fear, which perpetuates the all male paradigm of a religious foundation, as described in the Grimoires. Basically you are surrounded by a symbolic Matrix, which is self-perpetuated because of your indoctrinated beliefs.    

I am aware that the 2016 American supernatural horror film, entitled: The Conjuring 2, directed by James Wan features the entity called (Volac) Valak.

The film was written by Carey Hayes, Chad Hayes, David Leslie Johnson and Wan. In the film, Valak is depicted in the classical Grimoire style, although, otherwise shown manifesting as a transgender Nun.

The Conjuring 1 and 2 horror films are just a perpetuation of the already established symbolic brainwash. So, if you are searching for real horror, look to the ongoing brainwash of the masses via subversively engineered symbolic stimuli, which leads to all sorts of horrors.

But when to find that its symbolic emphasis is that of an all male pantheon, which indicates an underlying sexual orientation, due to its gender focus, you will then find that the Conjuring 2, and a plethora of films like it are quite laughable since they have an overriding fixation upon the… ‘Animus.’  

I am not saying that the film, The Conjuring, and other films like it are part of some vast conspiracy; they are just feeding into the already established symbolic Matrix, which is self-perpetuated.

Nor am I saying that entities do not exist; they do, at an informational level concerning the symbolic domain of your dreams. For example, a two-dimensional image of a symbol can be implanted into your subconscious mind via intense meditation. The implanted symbol will then manifest as a three-dimensional interactive reality within a lucid dream.

However, a symbol can likewise be subversively ‘Conjured,’ out of the psychic powerhouse of your subconscious mind via the neuro-marketing medium of films and other media, which stirs the emotive state of fear, empowering the ‘Conjuration;’ this in turn perpetuates the already established brainwash.

But when you realise that the all male pantheon of angels and demons dancing around a God and a Devil is that of an ‘Animus’ fixation… Possessing… many a mind, you will then see the true horror of it all, to then laugh of an… Exorcism.

As for the fallen ‘Anima,’ she was castigated into Hell, along with all her legions of Succubae. Alas, no film has as yet covered the fallen ‘Anima,’ but then none of the historical Grimoires, whether ancient or modern listed Succubae, until I created a Succubus Grimoire to… ‘Conjure’… from.

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