Archive for March, 2015

VAMPIRES, WALKING DEAD ZOMBIES AND GHOULS OF HORROR SHOCK X-FILES

Posted in Alien, Cosplay, Cyberpunk, Dystopian, Film, Goth Girls, Horror, Occultism, Science Fiction, Steampunk, UFO, Vampire, Witchcraft, Zombies with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 30, 2015 by FAUSTUS CROW

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Aristocratic Vampires do not like rotting Zombies at all, whereas lowly Ghouls are the underworld minions of Vampires. As for Werewolves, their low-tech, back to nature Hippie ways, really pisses off the Gothic Vampires big time. The infernal pop-occulture interactions of these creatures of the night leads to many an intriguing tale to tell of a developing modern mythology. Their terrifying popularity of dark cultural conjurations is very likely a subconscious reaction to ever changing world events, as well as consciously coming to terms with rapidly developing technologies.

Another aspect of this modern mythology, which otherwise expresses its self via the genre of science fiction, concerns extraterrestrial alien Greys or ultraterrestrial reptilians and their hybrid creations along with men in black, who are seen to have bases under the Earth, or at its hellish core. These mythic viral-meme themes appear to be referring to futuristic technologies, such as the development of an artificial intelligence and genetic research, in one form or another, which many distrust; wherefore being subconsciously translated into mythologies involving demonic entities or aliens.

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For example, the recent scientific revelations about transfusions of youthful blood revitalising old blood, which in turn improves brain function and other physical abilities afflicted by aging, conjures up associations with the Vampire.

You would be hard pressed to believe that the scientific discoveries are only recent, since the ancient Vampire sums up the findings. You can then imaginatively conjecture of mythic conspiracy theorising that this technology has been around for a long time, and that an elite few, who have the financial means to do so, have utilised the blood science of the Vampire for themselves behind closed doors.

The elite are commonly seen to be a shadow government, who of a modern mythological theme have been translated into the Illuminati, whose myth has been interwoven into the Vampire mystique as well as science fiction aliens and their UFO’s.

The elite few, who are otherwise classified as being Vampires, would have to hide their blood science away amidst underground laboratories, as well as to weave an intelligence veil of a Masquerade around themselves. They would do so, since they see the rest of humanity as being dumb Zombies who far outnumber their Vampire elite.

When to be hypnotised by a Zombie flick, while eating copious amounts of popcorn and takeaway Pizza, you will note that a huge gathering of Zombies, are virtually unstoppable, unless you divide and conquer them or of a last resort nuking their undead hordes to thereby reduce their rotting population. Hence the Vampire elite have taken measures against the Zombies, such as dosing up their water supply and food source with hydrofluorosilicic acid, sodium fluorosilicate, and sodium fluoride, which are known neurotoxin and mutagenic compounds in order to systematically dumb them down.

This has been done because the Vampires greatly fear the Zombies becoming aware of their existence who have also looked into using biological warfare against the Zombies, should things really get out of hand of mass civil unrest.

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Another more passive measure, which the Vampires have used is that of subversive psychological warfare, this involves brainwashing many of the Zombies to believe in exotic cargo-cult belief systems, such as believing in demonic reptilians emanating from planet ‘X’ of a 1950’s science fiction movie scenario.

Those Zombies who sincerely believe in the engineered myths, are duly considered as being scum of the Earth conspiracy theory nutters by the other Zombies. Whereupon, the few Zombies who do get far too close to the truth are also tarnished with the same scum of the Earth nutter brush; this is quite handy, since the Vampire elite can also hide their high tech singularity behind the wrought UFO myth of a Masquerade.

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Being a Zombie can be quite monotonous, whose existence is none too dissimilar to that of a programmed automaton. Its programming stems from its religious indoctrination or via the relentless engineered media.

The Zombie goes through the motions of similarity to that of a servile serf who is chained to the tomb banks who secretly aspires to become a Vampire driving a Dragula. But, you have to be born a Vampire; for they are of the elite, who are a continuance of the aristocracy.

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The religious orientation of the Vampire elite is monotheist of theocratic centralism, which ties in with their New World Order politics lorded over by their jealous deity, behind whose smiley face is that of a fascist.

The fascist politics of the Vampire elite has always been feudal who utilise politicians as their puppets via whom they weave the Masquerade of Democracy or otherwise that of Communism, by which they then divide and conquer the Zombie masses.

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The elite few greatly fear their eventual demise, who, likened to Vampires have indulged themselves in financing the blood science of immortality engineering and other associated medical disciplines; much of which is being conducted in secret, by the enslaved Zombie scientists within their underworld labs. This is easy to accomplish, since the Zombies, whether they be scientists, or of the military, along with the police can be hypnotised by money, and thereby easily controlled, hence controlling all the other Zombies.

Whereby, should a Van Helsing Zombie and a Scully Witch X-File researcher team desire to find out if a Vampire Masquerade actually exists beyond the veil of subconsciously wrought myths, they would have to follow the money trail into the infernal depths. Although the Zombie X-File team would have to use a Witch-crafty route in order to avoid detection by the 72 Shemhamphorasch Fusion Centres of the Vampire elite. But where to start on this terror trail? The first bloody rung on the ladder of investigation would be the Ghoul trade in human body parts.

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The financial world wide crisis, which was engineered by the Illuminati Nazi criminals of Wall Street led to Europe experiencing a sparked increase in the trade of human organs, as Zombie families scrambled to put food on the table, whom the Vampire elite utilise for spare body parts. It sounds like something right of a science fiction horror flick; but its all crash and burn real.

The undead X-File team would note that the Ghoul black market for human organs, traditionally based in India, China, Brazil and the Philippines, is spreading to crisis-hit Western countries like Greece, Italy, Spain and poor Balkan nations, like Serbia.

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Vulnerable and impoverished Zombies are trying to sell their kidneys, bone marrow, lungs, corneas and of course their blood, which is spurred on by the internet. The Ghoul traffickers use the internet body part donors to fill the glut of a global shortfall for organ transplantation. This is made worse by criminal Ghoul gangs getting in on the act, who prey on war victims for body parts or otherwise preying on homeless Zombies, who mysteriously disappear off the streets.

The creeper X-File researchers will discover that the Ghoul trade has expanded into the US where, there have been numerous cases of poor undocumented Zombie immigrants selling their kidneys via websites such as Craigslist to get by: “Thanks to the global financial crisis organ trafficking is a growth industry,” said Jonathan Ratel, a European Union prosecutor. “Organized criminal groups are preying upon the vulnerable on both sides of the supply chain, people suffering from chronic poverty, and desperate and wealthy patients who will do anything to survive,” he said.

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The Vampire elite and those who have the monetary wealth will do anything to stave off death; whereupon you can easily fathom that a hierarchal Vampire Masquerade actually exists.

But the terror of such a dystopian realisation is too much for many a Zombie to consciously handle, whereby the horrific reality is otherwise subconsciously translated into a modern mythology of shadowy night creatures, which symbolically ‘mask’ underlying truths.

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But it isn’t too dark within the underworld, there is light at the end of the infernal tunnel, which of a singularity flame is to do with the rapid development of technologies, where the mythology of Cyberpunk reigns, whose coldness of cybernetic computer science has been humanised via the Darwinian symbolism of Steampunk; it is essentially a subconsciously wrought fusion of mythic genres, which is a way for the conscious mind to deal with the coming Future Shock.

It will soon be possible to have cybernetic implants, along with creating engineered (GDF11) Tru: Blood on an industrial scale as well as having 3D printed organs, which will enable many to far extend their lifespans, of science fiction becoming fact. However, it will take time for this to occur of a Vampire technology becoming widely available to the Zombie masses. But it will still cost… money, which, like blood, you will need a lot of it, to pay for an extension of your life to become a nigh immortal Vampire.

As for the present, the old ways of the Vampire are still a reality; so, if you should ever meet up with a seductive Hungarian woman in a Goth club looking like Vampira, who says her name is Elizabeth Báthory de Ecsed, claiming she is a Countess, you had better watch out for her ‘syringe.’ This is especially the case if you are a woman, unless of course, you desire to become her drained Blood Doll; if so, charge her lots of money for the sucking, you will need it for the coming Future Shock singularity.

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VAMPIRE MASQUERADE OF BLOOD SCIENCE

Posted in Conspiracy Theory, Cosplay, Horror, Science Fiction, Vampire, Video Games with tags , , , , , , , , , , , , , , , , , , , , on March 29, 2015 by FAUSTUS CROW

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The Countess Elizabeth Báthory de Ecsed (7th August 1560 – 21st August 1614) can easily be classified as a Vampire who murdered her female victims for their blood. Báthory’s bloodlust was very real of a historical fact, who sought to stave off her old age, what is more it turns out that she was probably horrifyingly right.

A new study by researchers at Stanford University indicates that injections of young blood can reverse the signs of aging in Mice. The experiment is as simple as it sounds; whereby easily replicated.

Researchers gave an old Mouse a ‘syringe’ full of blood from a young Mouse, they then ran a number of tests in order to determine its affect. The research leader of a modern Van Helsing, aptly called Saul Villeda and his Vampire lab team discovered that the injection of young blood boosted the youth of the older Mice as well as improving their learning capabilities and memory.

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Suffice to say, Báthory was very likely rolling about in laughter within a prison of a crypt, whose ghost still claws at the stone sarcophagus to get her sharp aristocratic ‘syringe’ fangs into a peasant girls flesh.

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Though to scream in rage when becoming really pissed off, that Dracula was as ever stealing her media thunder at a time when revelations about her age old Vampire blood therapy came to light via Villeda.

But then Báthory’s story is far more Vampire gruesome than that of Dracula, who was never really a Vampire, whom fought against the Ottoman Turks, which of an endless conflict, continues unto the present of warring with Islam. Although Dracula’s Bram Stoker fiction makes good bad-boy propaganda, to upend his adoring female fans, who seek to be impaled with his erect martial stake. However, Báthory will always have the real Vampire fangs.

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When Villeda shared his blood research with the Society for Neuroscience conference in Vampire capital ‘New Orleans;’ he did not understate the implications of his research for those conditions, which are caused by deteriorating brain function due to aging:

“I think any sort of disease that has that component, there is a chance this might help,” he said. “What I am thinking is if we can address it earlier, when our body still has the control to prevent this from happening, then we might not have to cure Alzheimer’s, we might just be able to stop it.”   

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Villeda’s research is of course very important, but you also have an aristocratic Báthory and others of an insane elite whose intentions are not at all humanitarian, who have the necessary financial means, if they are crazy enough, to take things much further.

For example, the supreme leader of North Korea Kim Jong-il, used to regularly inject himself with blood from healthy young virgins in a bid to slow the aging process. As you can thereby determine, the truth often turns out to be far stranger than fiction.

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However, it now appears that Kim Jong-il wasn’t aggressive enough, concerning his Vampire treatment; he should of followed Báthory’s gruesome lead. Perhaps others are already doing so, who have not been found out yet, due to them hiding behind a Vampire Masquerade. The aggressive treatment, which was required had been indicated by Villeda’s research.

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Villeda procured a group of 18-month-old specimens, which are very old Mice. These old Mice endured eight transfusions over a course of a month, this amounts to about 5 percent of a Mouse’s blood supply. Villeda discovered that the brain connections in the older Mice had increased by 20 percent after the Vampire treatment:

“One of the main things that changes with ageing are these connections, there are a lot less of them as we get older,” said Villeda. “That is thought to underlie memory impairment — if you have less connections, neurons aren’t communicating, all of a sudden you have [problems] in learning and memory.” 

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Villeda’s research is not the first Vampire study, which suggests that young blood reverses signs of aging. During the year of 2010, a team of Harvard researchers decided to connect the circulatory systems of young and old Mice so that their blood mixed into an Alchemical elixir.

The researchers discovered that their Vampire experiment rejuvenated the blood-forming stem cells in the older Mice. MIT’s Technology Review, covered their findings: “They found that the procedure made the blood-forming stem cells in older animals act young again.”

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The biggest difference in that the Vampire study seems to be the Mice’s ability to produce immune cells. Although the Vampire researchers are not too sure about what the long term mixing effects of their blood Alchemy would have upon the animal experiments, let alone Humans.

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Villeda’s study has hardly discovered the fountain of youth, and he certainly has not found proof of Vampire immortality. Though, strangely enough, they have discovered something in between of Twilight findings, in Mice at least. However the study did not cover the effects of drinking young blood.

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You can thereby conjecture of a horror conspiracy, right out of a science fiction yarn that there are various shadowy researchers who have been conducting similar Vampire research in secret. Such Vampire studies you do not know anything about, for obvious reasons. Their Vampire research has far reaching implications, which has been ongoing for a very long time, long before the 2010 study and that of Villeda’s publicised research findings, whose blood science possibly winds back to the arcane rites of ancient Egypt and beyond.

What is more, such Vampire research may have been already scientifically applied to human subjects for the sole purpose of enabling an older individual to attain all the benefits bestowed by a youthful blood flow, which is being derived from probable unwilling victims who have been abducted off the streets as Blood Dolls, who will not be missed.

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If you take this horror scenario further, then you might have some underground installation within which youthful victims are connected up to leech pumps, which pumps all their blood into the aged flesh sacks of the elite few, who have prior handpicked their young Blood Dolls, or to perhaps bred their victims within underground human farms. Whereupon you would not know they had ever existed.

Does all of this sound too far fetched of a mere comic strip story? May be not, considering you had insane Nazi scientists conducting heavily subsidised secret research in genetics and other technologies. Some of the Nazi scientists would have very likely investigated what Villeda rediscovered, since Hitler, like Kim Jong-il would have desired to live forever. It is said of a rumour, that a Nazi scientist revealed at the Nuremburg trials that they were investigating immortality engineering, and that they were successful. But, he would not reveal how they did it. If such is true, then said Nazi research had probably been appropriated by Operation Paperclip at the end of WWII, to verily disappear into the guts of an underground laboratory.

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It doesn’t take too much of a leap of the imagination to imagine a bunch of nutters, who have far to much money than any sense, who will utilise the blood science for their own Vampire purpose, which of possible Nazi research, has been ongoing behind the scenes of a blacker than black project since the end of WWII. Wherefore, due to the rapid advances in technology after WWII, the scientists in the employ of the elite have made a number of discoveries, they will never tell you about. Should you figure anything out at all, it will because of the discoveries made by public research projects, such as that of Villeda’s.

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Those who investigate strange disappearances of individuals would be castigated as being insane conspiracy theorists by the general public; more so, if said investigators start to believe that Zecharia Stitchin’s demonic Anunnaki are behind it all of amphibian bloodlines. Such a Biblical belief of religious indoctrination has no doubt been translated into the science fiction arena of the UFO mystique by intelligence agencies, in order to hide the truth behind a lurid veil, of subversively patronised David Icke disinformation, concerning his reptilian agenda.

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Whereby you may indeed have a Masquerade behind which an aristocratic Vampire elite are secretly living amidst society, whose patron Saint is Elizabeth Báthory de Ecsed. If so, of a horrific possibility, the elite are all too human, whom greatly fear death, their retractable fangs are actually that of ‘syringes,’ whose blood magic, is no more than the science of immortality engineering. Could such be actually true? Well, you often find that the truth is far stranger than video game fiction, so keep the garlic close by at hand, it’ll thin your blood.

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VAMPIRE FEMME FATALE COUNTESS BATHORY

Posted in Chaos Magic, Comics, Film, Goth Girls, Horror, Occultism, Sorcery, Succubus, Vampire, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 27, 2015 by FAUSTUS CROW

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Should you be seeking for a very real blood worshipping Vampire all you have to do is to look into the life story of Countess Elizabeth Báthory de Ecsed. (Báthory Erzsébet in Hungarian, Alžbeta Bátoriová in Slovak).

Báthory was born on the 7th August 1560, who died on the 21st August 1614. She was a Countess of the renowned Báthory family, who were of the Hungarian nobility.

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Báthory has been historically labelled as being the most prolific female serial killer in history, who murdered her victims specifically for their blood, which is a historical fact.

Her story is far stranger than Bram Stoker fiction. Although the number of her gruesome murders is debated, since most of her victims were peasant girls.

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Missing peasant girls were not considered to be important at a time when the general populace were treated as mere cattle by the aristocracy.

Hence Báthory could have murdered many more girls, who are not known about. She is remembered as the ‘Blood Countess;’ who was essentially a Vampire.

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After her husband Ferenc Nádasdy’s death, Báthory’s heinous crimes came to light; she and four collaborators were accused of sexually torturing and killing hundreds of girls. One witness attributed to them over six hundred and fifty victims.

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Although the number for which they were eventually convicted was eighty, since the numerous Blood Doll peasant girls were considered to be unimportant.

However, those victims who were of noble families brought about the invariable downfall of Báthory. She herself was neither publically tried nor convicted due to the aristocratic influence of her family.

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During 1610, Báthory was eventually imprisoned within the fetid guts of Csejte (Čachtice) Castle, (now in Slovakia), where she remained bricked up within a set of horror rooms until her death four years afterwards.

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Later writings about the case have led to legendary accounts of the Countess bathing in the blood of virgins, which of an evocative, though nightmarish image is none too dissimilar to femme fatale Cleopatra bathing in milk.

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Perhaps Báthory had got the beauty treatment idea, to twist all out of shape from Cleopatra, or to have otherwise derived it from some ancient Egyptian rite via a gnarled old Necronomicon Witch she had in her employ.

Whatever the case, Báthory has earned the names Blood Countess and Countess Dracula. However, she is not by and large known about by the general public.

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Most people commonly associate Vampirism with the historical personage of Vlad III, Prince of Wallachia (1431–1476), also known by his patronymic name Dracula (son of the Dragon, after his father [Vlad II] Dracul). He was posthumously dubbed Vlad the Impaler, who impaled his enemies as a terror tactic, when warring against the Ottoman Turks. Whereas Báthory engaged herself in all the unsavoury horrifying practices you would associate with a Vampire, let alone indulging in ghoulish cannibalism.

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You can thereby determine that Báthory is a real Vampire, not Dracula, who did not come anywhere close on the Vampire scale. When Dracula is compared to insane Báthory, he appears to be quite normal; although psychotic, of similarity to a darker version of Robert E. Howard’s warrior character of Conan, merged with a crusading Solomon Kane.

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Yet it is Dracula who is considered to be a Vampire, which is mainly due to Bram Stoker’s synthesis of a fictional tale, which transformed the ghoulish Eastern European Nosferatu of a bloodsucking Zombie into a suave seductive character of Vampire romanticism. Stoker’s work of Victorian fiction was primarily aimed at a female audience to impale, who at the time were infatuated by becoming entered unto by spirits, whose entrance into their quivering frames induced orgasmic possessions, while engaging in necromantic spiritualism, conjuring up bad-boy Incubi.

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As for Báthory, she was quaintly forgotten. But then that is because she is a woman, who of course does not make other women swoon over her, unless they are sexually predisposed to their own gender. If such had been otherwise the case, Báthory would have eventually evolved into becoming an archetypal Twilight sensation of Hollywood Vampirism.

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However, you presently have Alpha male type Chippendale hunks strutting their Gothic stuff, baring plastic Dracula fangs over the palpating breasts of yearning maidens amidst Twilight grottos. In order to prove the canine point, you only have to look at all the adoring female fans of machismo Vampires populating the books of Anne Rice.

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It is the female fans who have empowered the mystique of Stoker’s Dracula. But if the truth be known, it is a woman who actually had the very real incisors ripping through jugular veins.

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Researchers at the University of British Columbia have confirmed that women dig the psychotic bad-boy, of a Vlad Dracul impaling his victims, which crosses all cultural boundaries of a genetic imperative. Men, on the other hand were found to prefer women who are just plain happy with a sense of humour.

Although many males have an underlying fear of powerful femme fatale women who are very much aware of their sexual power. Though also Vamp attractive, likened to Vampira unto Elvira, it becomes entirely unattractive, when coupled with mass murder conducted by a predatory female Vampire; it tends to sexually turn a lot of men off big time. Let’s say, you have some bloke who says he gets a hard on, when to fantasise about female mass murderers, you might just say he has a… mental problem.

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Hence a female Vampire of an icon has not made her celluloid mark on Hollywood’s billboard. Although there have been a few female Vampires haunting the media as Succubae; but they are quickly labelled as sexually exploiting women by the politically correct feminists due to their spray on Vampirella costumes.

As for a predatory male who is a mass murdering psychotic Vampire, he appears to sexually turn the women on big time with his glorified necrophilia, which has enabled Stephenie Meyer to reach the publishing heights with her grey area Vampire books for screaming teenage girls, who also have a Twilight liking for Werewolf bestiality and Fifty Shades Of Grey Christian bondage.

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Whereby Hollywood sees the Alpha male Vampire as being a business asset. This is especially the case, since the underlying feminine attraction to a male Vampire, is not only because he is a very bad-boy beast, but also because he can offer her immortality. Hence she will never age when bitten within his embracement of Satanic darkness to then enter unto his Occult night as the forever youthful.

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Báthory greatly disturbs women in general; for Báthory reveals the darker side of woman’s nature, more so the fear of crippling old age, which numerous cosmetic applications cannot ever eliminate; while Báthory sought to otherwise keep old age at bay by bathing in the slit throat essence of Blood Dolls bubbling in her Witches cauldron of a bath.

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So, if there be any Anne Rice or Stephenie Meyer clones out there who are seeking out a real Vampire, look into a sunlit mirror, wherein you will see your own reflection of a Countess Elizabeth Báthory de Ecsed looking back at you, of a following shadow.

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SUCCUBUS SCHOOL OF LILITH’S HAREM

Posted in Art, Chaos Magic, Comics, Discordianism, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 26, 2015 by FAUSTUS CROW

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Within the astral domain of the dream the Succubus school of St Lilith’s can be found, when to become lucid of awareness; wherein a dreaming sorcerer can thence conjure up an Owl eyed Succubus schoolgirl from out of her hierarchal planetary abode of a Harem school, as his Genie.

St Lilith’s is none too dissimilar to Hogwarts merged with St Trinian’s; more so that of St Trinian’s, which is an anarchist boarding school for wayward lost girls, whose archetypal creation was conjured up by the English cartoonist Ronald Searle. St Trinian’s later became the subject of a popular series of comedy films of a mass-mind focus.

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The first St Trinian’s cartoon appeared in 1941, but shortly afterwards Searle had to fulfil his military service.

He was later captured by the Japanese, when Singapore fell and spent the rest of WWII as a prisoner of war where he endured various horrors in the jungle.

After the war, during 1946, Searle started creating new cartoons about his St Trinian Muses, but the content of his cartoons was far darker in comparison than those previous to his experience of war.

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St Trinian’s is essentially the antithesis of the Enid Blyton or Angela Brazil–type posh girls’ boarding school, which of a quaint mind-set swept the horror of war under the carpet.

Like the Dadaist Succubae schoolgirls of surrealist St Lilith’s, the female pupils of Searle’s St Trinian’s are wild and most wanton, who are often well armed with their elemental weaponry, where the currents of Chaos magic is rife.

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The St Trinian schoolmistresses are also disreputable, who are otherwise depicted as salacious Nightgaunt Nuns in St Lilith’s, of whom H.P Lovecraft spoke of tickling his midriff; although his puritanical fear of sex, had transformed their planetary sphere visitations into nightmares, he never learnt to ride as his Chakra Mares of the Night.

Searle’s politically incorrect St Trinian cartoons often showed the exquisite corpses of girls who had been transformed into Voodoo dolls, stabbed with pitchforks or had otherwise succumbed to violent team sports, which is of similarity to St Lilith’s Rollerball Quidditch matches.

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The Succubae schoolgirls battle with one another in order to hone their Witchery, so that they can be immortalised as two-dimensional illustrations within a sorcerers grimoire, out of which they are then conjured into three-dimensional reality, within a lucid dream.

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The fallen schoolgirls of St Trinian’s sometimes had vultures circling over their exquisite corpses scattering the surrealist battlefield around Searle’s wounded memories of war; who, like knitted together Frankentein Tulpa Ghost-Girls, returned of haunting, drinking, gambling and smoking like Valkyries in their all girl version of a hallucinogenic Valhalla.

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It is reputed that the now iconic gymslip style of dress worn by the St Trinian girls was closely modelled upon the uniform of the school that Searle’s daughter Kate attended, being JAGS in Dulwich. The films, which ushered St Trinian’s into the collective unconscious as an archetype implied that the girls were the daughters of underworld gangsters.

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The father’s of the St Trinian girls are depicted as crooks, shady bookmakers, and other streetwise types; while their institution is often referred to as a female borstal.

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Whereas, the Succubae schoolgirls of infernal St Lilith’s are the salacious Genie daughters of the patriarchal Goetic Daemons, you to find of a common Animus fixation.

But the daughters are truly of the fallen, who have been castigated out of the grimoire picture; wherefore, the real Necronomicon lists them as being the ‘Great Old Ones,’ no one really talks about of Entartete Kunst ‘Anima’ fluctuations, since they are far too politically incorrect of the very risqué.

If you are interested, you can indulge in betting upon a Succubus Schoolgirl Witch Fighter in a FLASH GAME: CLICK HERE.

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H.P. LOVECRAFT CTHULHU CHILD OF HENTAI TENTACLE PORN

Posted in Alien, Art, Chaos Magic, Goetia Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 17, 2015 by FAUSTUS CROW

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H.P. Lovecraft was a surrealist visionary of the highest calibre, and like most surrealist artists he derived his inspiration from impulses, which stemmed from the deepest recesses of his subconscious mind. However, Lovecraft was a rarity, whose dreams were vivid of a lucid reality, which guided his hand to write of nigh automatism.

His dreams were somewhat moulded by shadowy predilections concerning his disdain for intimate human relationships; more so that of the sexual act. Lovecraft was quite honest about his difficulty forging relationships with women, who had otherwise channelled his base biological drives into his creativity.

Many have noted that Lovecraft’s Necronomicon creations have Freudian overtones, concerning slimy tentacles of a phallic propensity along with gaping vagina dentata maws dribbling ichor. Little wonder then that Lovecraft’s Cthulhu Mythos inspired the vore fetish of Hentai.

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Although, the tentacle porn of many a Hentai comic depicting monstrous entities consuming their writhing female prey, are primarily based upon ancient Japanese fertility deities, which have been warped all out of shape.

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For example, you have the popular Japanese folktale of the Dream of the Fisherman’s Wife, also known as Girl Diver and Octopi, Diver and Two Octopi, etc., which inspired a Zoophilia-associated woodcut design of the Ukiyo-e genre by the Japanese artist Hokusai.

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The woodcut is derived from the book Kinoe no Komatsu (English: Young Pines). It is a three-volume book of Shunga erotica first published in 1814, which is the most famous Shunga, Hokusai ever produced. Playing with themes popular in Japanese art, the prior Hentai image depicts a young female Ama diver entwined sexually with a pair of octopuses. The Dream of a Fisherman’s Wife was a very popular subject in Ukiyo-e art. The artist Utagawa Kuniyoshi produced a number of works based upon it, which often include octopuses among other creatures being teased by the bare-breasted female diver.

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The Dream of the Fisherman’s Wife is not the only work of Edo-period art, which depicts erotic couplings between a woman and an octopus. A number of early Netsuke carvings show cephalopods having intercourse with nude girls. Hokusai’s contemporary Yanagawa Shigenobu created an image of a young woman receiving cunnilingus from an octopus, which is very similar to Hokusai’s Hentai depictions in his collection Suetsumuhana of 1830.

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The prior works of Hentai has influenced a number of later artists such as Félicien Rops, Auguste Rodin, Louis Aucoc and Fernand Khnopff. Pablo Picasso painted his own version of the Japanese tale during 1903, which has been shown next to Hokusai’s original in various exhibits on the influence of 19th-century Japanese art on Picasso’s work.

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In 2003 a derivative work was created by the Australian painter David Laity, also titled The Dream of the Fisherman’s Wife, which sparked a minor obscenity controversy among shocked Christian’s when it was shown at a gallery in Melbourne. After receiving multiple complaints, the Melbourne police were forced to investigate the artwork, but determined it had not broken the city’s pornography laws. Hokusai’s print has had a big influence on the modern Japanese-American artist Masami Teraoka, who has created a number of erotic images of girls, including a recurring ‘pearl diver’ character, being pleasured by cephalopods, which symbolises the female sexual power over the (tentacle) phallus, who empowers its erection.

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My own rendition of The Fisherman’s Wife ‘at the top of the page,’ depicts her with a reptilian type creature fused with a cephalopod, of a Cthulhu, which is also a play on words, concerning the text, which can be found accompanying Hokusai’s image, where the big octopus says, he will bring his captured girl to Ryūjin’s undersea palace, you can otherwise see as Lovecraft’s undersea city of Ryleh. It is very likely that Lovecraft was aware of the tale of The Dream of the Fisherman’s Wife, since he was a well read fellow, whose horror, was of the sexual act its self.

If however, you do not believe that the Hentai fixation upon Cthulhu tentacle sex, which mostly involves Geisha (Dakini/Succubus) Schoolgirls frequenting many an Anime and Manga has anything to do with ancient Japanese fertility cults, perhaps there is a psychological reason behind the voyeuristic fetish of Hentai bestiality. If so, the motif of the monster, whether it be a cephalopod, insect, reptile, mammal or an alien, etc, can be generally summed up as representing a bad inner-self-image, of a Cthulhu, which is housed in your reptilian brain of Ryleh. The negative self-image will invariably engender an inability to forge normal ’emotional’ relationships with the opposite sex.

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This would then lead to an extreme inner frustration; whereupon the sexual impulse becomes all consuming, which is expressed as the Lovecraftian vore fetish in varying Hentai fantasies, or otherwise being symbolically represented as cannibalism, involving the Ghasts and Gugs of Lovecraft’s underworld dreamlands, or otherwise that of Zombies and Ghouls etc. Whatever the case, these dark impulses can be symbolically transmuted via art, which Lovecraft took much further into imaginative realms, where they became nigh spiritualised.

Though dark of visionary insight, Lovecraft did not allow himself to fall into the lower depths where present Hentai tends to frequent of meaningless pornography. Whereas prior of Hokusai Hentai, the erotic imagery concerned the symbolic transmutation of the sexual impulse in order to evoke the inner-self-image of the observer coupling with his ‘Anima,’ which is none too dissimilar to the European fairytale motif of a Dragon entwining its self around a Princess bound to a ‘tree,’ before consuming her.

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As for Lovecraft, he could have crossed over into the more meaningful domain of the erotic, and in so doing tackled his emotional disconnection, if he had rebelled against his puritanical upbringing. His acute emotional turmoil, though inspiring his art, very likely led to him developing an illness over time, which afflicted his navel Chakra and in turn bringing about his eventual demise.

He himself, had many years earlier communicated that his stomach was gripped by the talons of faceless creatures he named as Nightgaunts, at the hypnagogic point of dreaming, which then carried him into the depths of tormenting nightmares. May be he foresaw his own death?

As mentioned prior, the Lovecraftian creatures of Hentai were originally based upon ancient Japanese fertility deities, which have since lost their ‘navel Chakra’ meaning in a culture, afflicted by a fear of the female. This is probably due due to Judaeo-Christianity having an influence in Japanese culture, which, like its source of Judaism and kin of Islam are extremely adverse to the feminine principle. It is somewhat strange that the depiction of the penis is allowed in Japanese art, such as having Lovecraftian phallic tentacles of ‘Biblical proportions,’ but when it comes to the vagina, it is taboo of a pixelated smudge, like that of having a faceless Nightgaunt, or should one say… a SUCCUBUS.

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GOETIA GIRL BALAM, TIME TUNNEL SUCCUBUS

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Film, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 7, 2015 by FAUSTUS CROW

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The Fifty-first Succubus is Balama or Balaama. She is a Terrible, Great, and Powerful Queen. She appears of vision with a heraldic crest depicting three heads, the first being that of a Bull, the second like that of a Ram, whereas the third is that of a Knights helmet, which is that of her own head; although, she often manifests wearing a bowler. She has flaming eyes, who wields a Serpent skin umbrella.

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She stands upon the rug-skin of a furious Bear, who sometimes carries a Goshawk upon her fist or that of a raptor being seen depicted in her heraldic crest. She speaks with a seductive voice, giving true answers of things Past, Present, and to Come, when she induces erotic time travelling dreams after conjuring her.

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She can make her master to go Invisible, and also to be Discordian Witty. She governs 40 Legions of Succubae. Her Seal is to mediated upon prior to summoning her into your psychonaut lucid dreams of erotic time travel journeying.

The classical Goetia names this spirit as Balam, which is commonly seen to be derived from the name of the Midianite Balaam of Pethor, son of Beor, who was a prophet; whereby, the spirit, named Balam, of the classical Goetia is associated with the ability to remote-view time.

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Balam was apparently hired as a psychic hit-man by Balak the king of Moab in order to curse Israel (Numbers 22:5). Balaam initially finds the endeavour not a very good idea at all (Numbers 22:18).

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But he needs the shekels, so he goes off and does his stuff anyway, who ends up starring in one of the most curious Cabaret scenes in the very serious Bible: that of the talking Donkey (Numbers 22:21-35); Hell! You could turn it into a musical, the kiddies love singing Donkey’s.

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Although, considering the bloody genocide of the Midianite’s by the Israelite’s, I don’t think it would be suitable fare for children, since it would influence them to commit similar atrocities.

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However, since I am reversing the patriarchal symbolic Matrix, of an all male focus upon an egregore pantheon of machismo Angels and butch Demons, the name of Balam can otherwise be seen as being a composite word of ‘BA’ and ‘LAM.’

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When to see Balam (feminine: Balama) as a composite name for a two-dimensional image of a meditative focus upon a Succubus, it will then generate other symbolic associations within the dream, which of a word formula will flesh out the three-dimensional construct of an internally conjured Tulpa.

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The ‘BA’ is an ancient Egyptian term, which describes what makes an individual unique. ‘BA’ is similar to the notion of ‘personality’. (In this sense, inanimate objects could also have a unique character pf a ‘BA,’ and indeed Old Kingdom pyramids often were called the ‘BA’ of their owner).

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The ‘BA’ is an aspect of a person, which the Egyptians believed would live on after the body died. The ‘BA’ is sometimes depicted as a human-headed bird flying out of the tomb to join with the ‘Ka’ in the afterlife. The ‘BA,’ essentially describes the Out Of Body Experience. The human headed ‘BA’ bird can be seen as being represented by the Goshawk on Balam’s wrist.

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As for ‘LAM,’ during January through to March of 1918 Aleister Crowley began a series of magickal workings called the Amalantrah Workings, while sojourning amidst the furnished rooms in Central Park West, New York City.

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The workings were performed of sexual and ceremonial Magick (Crowley’s spelling) with the intent to invoke certain entities into physical manifestation. In actuality, the workings manifested as a series of visions and active-imagination communications received through the mediumship of his partner, Roddie Minor.

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The following is Aleister Crowley’s description of Roddie Minor from his, Confessions, (abridged ed., 1969):

“Her name was Roddie Minor, a married woman living apart from her husband, a near artist of German extraction. She was physically a magnificent animal, with a man’s brain well stocked with general knowledge and a special comprehension of chemistry and pharmacy. She was at this time employed in the pathological laboratory of a famous doctor, but afterwards became managing chemist to a prominent firm of perfumery manufactures. I have said that she had a man’s brain, but despite every effort, there was still one dark corner in which her femininity had taken refuge and defied her to expel it. From time to time the garrison made a desperate sortie. At such moments her womanhood avenged itself savagely on her ambition. She was more frantically feminine than any avowed woman could possibly be. She was ruthlessly irrational. Such attacks were fortunately as short as they were severe, but unfortunately too often did irreparable damage.”

Crowley’s, description of a woman as having a man’s brain is as profound a compliment as is possible, coming from him.

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As a sort of aside, Minor’s German origins conjures up an association with the musical, Cabaret, which is set in 1931 Berlin when the Thule society Nazis are rising to power, whose ominous presence surrounds the nightlife of a seedy Kit Kat Klub where Vril Society Witches to Sabbabt gather.

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The story of Cabaret revolves around the ‘Serpent’ wise 19-year-old English cabaret performer Sally Bowles who, in the film version, wears fishnet stockings, corset and distinctive bowler hat.

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The motif of the bowler hat, usually represents the perceived male domain of ‘Bear’ officialdom, where covert intelligence operatives hide within of an abode, such as the likes of a James Bond; wherefore the bowler hat symbolises Bowles male brain, of which Crowley spoke of in relation to Minor.

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The symbolic motif of the Bear, in Siberian shamanism is a title given to a female shaman, being Udagan or Udyan, due to the Bear’s association with the cave and in turn that of the womb. The cave can be symbolically seen as a vaginal tunnel, one can then imaginatively equate with a Time Tunnel, via which a Steampunk H.G Well’s time machine, looking like an egg travels through, of Nikola Tesla ingenuity.

However, you can also see the Time Tunnel of similarity to a depiction in the classic 60’s science fiction TV series of the same name.

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You could then imagine Balama as a witty secret agent, who travels through her vaginal Time Tunnel wearing a bowler, whose elemental weapon is a cloaking device of an umbrella.

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Be that as it may of surrealist symbol crunching, it is said that another order of intelligence was brought into physical manifestation through a magickal portal of a Time Tunnel when Crowley and Minor had engaged themselves in Tantric sex Magick.

(A portal in this context is the inducement of hypnagogic trance, of which the [Bear woman] medium experiences, when to open up an inner Time Tunnel in the fabric of time and space.) This no doubt required Crowley to assume the Tantric guise of a Bull and a Ram, when to mount Minor as his medium.

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The entity, which manifested via Minor’s ecstatic trance of a vaginal Time Tunnel looked like the classic Grey entity of later UFO lore. Although, it could be otherwise seen to look like a ‘foetus.’

Crowley drew a picture of the entity; he stressed that it was actually drawn from real life. This entity either called itself ‘LAM,’ or was otherwise named ‘LAM’ by Crowley. Either way, he considered it to be of interdimensional origin, which of a the term can be otherwise described as being ultraterrestrial. While in communications with ‘LAM,’ the symbolism of the feminine ‘egg’ featured prominently.

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One could conjecture that Crowley was symbolically alluding to Minor having a miscarriage, who then mythologized the whole sad affair. Whatever the case, Crowley included the portrait of ‘LAM’ in his ‘Dead Souls’ exhibition held in Greenwich Village, New York, in 1919.

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In that same year the portrait of ‘LAM’ was published as a frontispiece labelled: The Way, which was Crowley’s commentary of Blavatsky’s The Voice of the Silence.

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Beneath Crowley’s picture of ‘LAM’ is a following inscription: “LAM is the Tibetan word for Way or Path, and ‘LAMA’ is He who Goeth, the specific title of the Gods of Egypt, the Treader of the Path, in Buddhistic phraseology. Its numerical value is 71, the number of this book.”

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Other than this, there is no commentary extant from Crowley upon the subject of ‘LAM’ except for material published by his religious disciples, such as Kenneth Grant, and that of others, who have since associated ‘LAM’ with the UFO mystique of the extraterrestrial Grey aliens.

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However, the Greys of a viral-meme icon, was ushered into public consciousness upon the back of the media machine during the 80’s, of a gathering focus upon Iraq when Whitley Strieber’s book, Communion was published, whose cover depicted a Grey; whereas prior, the primary focus was that of aftermath WWII 1940’s-50’s Nordic aliens, followed by Vietnam war 1960’s-70’s Asiatic humanoids.

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Crowley’s foetal ‘LAM’ didn’t take centre stage, since the mass hypnosis media machine of America didn’t have the TV at its disposal, at the time; wherefore, the two-dimensional image of a ‘LAM’ foetus, did not become implanted into the collective unconscious of a three-dimensional dream entity.

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As for Strieber’s Grey’s, he had associated them with the Sumerian/Babylonian Goddess Ishtar as well as equating them with raptors, such as Owls or Hawks. One could otherwise equate the Grey’s with the Egyptian concept of the (Hawk) ‘BA.’ You can then see the discarnate ‘BA’ as seeking to be (foetus) reborn; hence the symbolism of the egg.

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Another perspective is that the ‘BA’ is emanating from a future point in time of coming descendants or even from the ancestral distant past, or both simultaneously, which is a (remote-viewing) LAM (Goshawk) time-traveller.

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This journeying through time is being conducted at the lucid dreaming level, where ‘most precognitive phenomena’ occurs around the Zodiac wheel of ages.

You can thereby perceive a time-traveller of a BA-LAM-A emanating from the future ages of Taurus (Bull) and Aires (Ram), for example, who, as a Succubus Art Muse will inspire erotic dreams of other times via her… vaginal Time Tunnel.

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SECRET SPACE PROGRAM SHADO UFO

Posted in Alien, Art, Chaos Magic, Conspiracy Theory, Discordianism, Extraterrestrial, Film, Goetia Girls, Lucid Dreaming, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , on March 5, 2015 by FAUSTUS CROW

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UFO is a 1970’s science fiction TV classic, which had been created by Gerry Anderson and Sylvia Anderson, along with Reg Hill. It was the Andersons’ first totally live-action TV series.

Many of the TV station executives assumed, and still assume that it was a program for children; however the series was not at all aimed at the kiddies, it was primarily intended for an older audience; more so the males.

Many of the female cast wore politically incorrect tight clinging camel-toe costumes or micro skirts; suffice to say, though I was still young of age, I invariably fell head over heels in love with the Secret Space Program chicks, who secretively became as inspiring Succubae Art Muses within my lucid dreams.

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UFO covered adult themes, such as adultery, drug taking and various convoluted relationship problems.

The basic premise of UFO was that in the near future, which at the time was a fictional version of 1980, whose date is indicated in the opening credits, the Earth is being invaded by humanoid aliens.

These aliens are coming from a dying planet who are covertly harvesting human organs so that they can eventually adapt their own biology and thereby take over the Earth. Although, it does appear of gory Hollywood spectacle that it is the supposed aliens who often get sliced up on the lab slab.

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The main cast of UFO are members of a very Secret Space Program, whose international agency is called SHADO, being an acronym for Supreme Headquarters, Alien Defence Organisation.

SHADO has been established to defend the Earth and humanity against the mysterious invaders as well as learning more about them and their intentions; while at the same time keeping the threat of an alien invasion hidden from the general public at any cost.

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The Supreme NSA Headquarters, of SHADO operates under the cover of the Harlington-Straker Studios movie studio in England.

SHADO is headed by Commander Edward Straker (Ed Bishop), a former United States Air Force colonel and astronaut, who poses as the studio’s chief executive. The studio-as-cover idea for a Secret Space Program is quite brilliant.

A studio as a business involves many unusual events and routines, which would not be at all remarkable or even noticed. Comings and goings at odd times, the movement of  futuristic vehicles, advanced looking equipment, oddly dressed people and exotic materials would not create any undue interest, which could easily be explained away as sets, props, or extras.

So one can deduce that a real Area 51 of a most secretive Dreamland desert secret, of which everyone knows about, would otherwise be very likely located in an underground installation, hidden under a film studio; probably Mickey-Marvel-Mouse Disney studios. Hell; it could even be under Dreamland Disneyland, what a tourist cover that would be.

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SHADO has a variety of high-tech DARPA hardware and snazzy vehicles at its disposal to implement a layered defence of the Earth, which of a technological Singularity is far in advance than that of the more mundane technology the general public are aware of.

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Early warnings of any alien attack come from SID, the Space Intruder Detector. SID is an tracking satellite, which is essentially an artificial intelligence, whose sole purpose is to constantly scan for UFO incursions.

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The primary line of defence is Moonbase from which the three Lunar Interceptor spacecraft, carrying nuclear missiles, are launched.

However, going by intriguing photographs of the Moon, some researchers believe that there is giant Tesla death ray-gun on its surface, of similarity to the one seen on Mars.

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A secondary line of SHADO defence uses Skydiver, which is a submarine mated with a submersible, undersea-launched Sky One interceptor aircraft.

The last line of defence involves man-in-black ground units who use IFV-like SHADO Mobiles, fitted with caterpillar tracks. UFO was and still is a really cool TV series, which deserves to be made into a movie; then again, it may actually be happening for real, or should one say Surreal.

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