Archive for January, 2015

LILITH’S HAREM OF A MAGIC THEATRE AGARTHA

Posted in Alien, Art, Chaos Magic, Extraterrestrial, Goetia Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 31, 2015 by FAUSTUS CROW

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The Magic Theatre, is a major symbolic theme in Hermann Hesse’s surrealistic tenth novel entitled, The Steppenwolf (German: Der Steppenwolf), which was originally published in Germany in 1927, and soon thereafter translated into English in 1929. You could symbolically equate the Magic Theatre with Dr Who’s TARDIS.

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The novel is a surrealistic fusion of autobiographical personal experiences, Jungian symbolism and psychoanalytic elements, as well as also heavily utilising the philosophy of the far East, of which Hesse was enamoured with. The story can be seen as being a creative catharsis, which had been initiated by a profound suicidal crisis in Hesse’s spiritual life during the 1920’s.

The book is very Faustian of style, whose principle character of a Faust is otherwise called Harry Haller, who attends an Anarchist Evening at the Magic Theatre, which is For Madmen Only, the Price of Admission, Your Mind.

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When entering the Magic Theatre, Haller is soon ushered as an unwitting Dr Who into a number of alternate Earth’s, each of which he ‘slides’ into when opening a door within the Magic Theatre of a TARDIS.

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One of the alternate Earth’s, Haller explores is enduring a war with the machines, which could be seen as being akin to a science fiction fusion of Terminator merged with Mad Max.

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In yet another alternate Earth, Haller finds himself exploring an erotic world of women; where he once again experiences lost loves and unfulfilled desires, to transmute of sexual alchemy; whereupon fully fulfilling them of alternate possibilities.

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In each of these alternate Earth’s, Haller transforms himself anew within the Magic Theatre, which has been interpreted in many different ways by Hesse’s audience. The late Timothy Leary described The Magic Theatre as being an ‘Acid Trip.’

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Another principle character is a young woman called Hermine, (who is essentially Hermann’s Anima), and like a Succubus, she introduces the much older Haller to the hedonic indulgences of what he calls the, bourgeois. Hermine teaches Haller to trance dance, introduces him to the casual use of psychedelic drugs, finds him an earthly lover, named Maria, and more importantly, she forces him to accept these material experiences as being a legitimate aspect of a full life; for the material and that of the spiritual are one and the same of Love Sex Intelligence, squared.

Hermine also introduces Haller to a mysterious saxophonist named Pablo, who appears to be the very opposite of Haller’s own self. Haller considers himself to be a very self-constained and serious, thoughtful person, who abides by the laws of the land, however insane they be.

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Whereas Pablo is what Haller could have been if he had allowed his inner Wolf to be free. After attending a lavish masquerade ball, Ebeneezer Goode Pablo leads a loosened up Haller to the Magic Theatre.

The Magic Theatre is described as being a long horseshoe-shaped corridor, likened of a vaginal form to that of the old European standing stones, with a vast wall-to-wall mirror on one side, and countless doors on the other of its cavernous womb enclosure.

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This feminine symbolism refers to the Cabbalistic sphere of Yesod, which is the Ninth Gate. Haller enters five of these labelled (vaginal) doors into their respective alternate (womb) Earth’s, which symbolically reflect back ‘elemental’ issues of Haller’s life.

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The title of Hesse’s book is named after the lonesome Wolf of the North-Central-Asian steppe stretching over Mongolia unto Tibet, where shamans still practice their art. Hesse was very interested in the esoteric practices of the far East, such as those of Tibet, from where the myth of a legendary underworld city, called Agartha stems from.

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Whether Hesse was aware of Agartha is debatable, though probable, should he have perhaps read Ferdynand Ossendowski’s book entitled: Beasts, Men and Gods, which was published in 1922. In the book, Ossendowski relates a story, which was imparted to him concerning a subterranean kingdom existing inside of the Earth. This inner kingdom within you was known to the crafty Buddhists as (Agartha/Agharta) Agharti.

Some believe that Agartha is tied up with the UFO phenomenon as well as being an actual physical locale; such is indeed the case, although, not in the way most Westerners think it is.

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Agartha’s origins stem from ancient shamanistic practices of trance induction, which influenced Tibetan Buddhism. You can gain greater insight into hypnagogic trance induction, when looking into the shamanic trance dance practices of the Kalahari Bushmen of South Africa.

The Kalahari Bushmen communicate that an energy is aroused within the body called Num, which arises along the spine; more so that of the back of the (nape) neck, whose energy, like that of an exhaled breath of a woman caresses the back of the head, as a sensuous kiss; this then initiates the hypnagogic state of trance, they call Kia.

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Hesse would have seen the Num of the Kalahari Bushmen as being the same experience of arousing the Kundalini Shakti, as described by the ancient practitioners of Yoga, which also initiates hypnagogic trance. When experiencing trance, the initial phase is that of feeling the distinct sensation that you are falling backwards into a yawning void towards the back of your Hyperreal head.

In the Hebrew Cabbala the back of the head is ascribed the letter of Qoph, which is tied up with the Luna sphere of Yesod. The sphere of Yesod is physiologically associated with the genital area of the body and in turn the autonomic-nervous-system. In other words, the Ninth Gate of Yesod is about introverting the sexual impulse, which erotically empowers the state of hypnagogic trance ingress into conscious dreaming.

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The origin of Qoph is uncertain. It is usually suggested that it originally depicted a sewing needle, specifically the (hole) eye of a needle; although in Hebrew it specifically means ‘hole,’ or the back of a head and neck. Qāf in Arabic means ‘nape.’ Qoph of a shamanistic understanding refers to a shift of consciousness towards the back of the head, when attaining hypnagogic trance. Although this is internally experienced as a falling descent towards the centre of the Earth’s core.

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As you descend into the void, it is very important that you do not not fear, otherwise your fears will determine what you will eventually access of a conscious dream destination. In North-Central-Asian shamanistic practice and that of Tibetan Buddhism, the dream destination is that of Agartha, wherein the (Succubi/Succubae) Dakinis are to be found, whom frequent Agartha, likened to that of a Harem city.

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If you are into Edward Bulwer-Lytton’s book: The Coming Race, you might meet up with a Vril-ya Nordic woman piloting her Vimana of a UFO from out of her primordial world; if you are more into the works of Edgar Rice Burroughs, you could perceive the inner descent as leading you to prehistoric Pellucidar where dark haired Dian the beautiful awaits your infernal intercourse into her hot Agartha womb core.

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Hell, if you want to continue believing that demonic Reptilians or Illuminati Alien Greys are living within a Nazi underworld base, go right ahead, if that be your Biblical sized anal probe preference of a CIA engineered mythos.

But why stop there, why not get into John A. Keel’s book: Visitors From Space, which covered the 1960’s UFO invasions of Asiatic aliens, when the Vietnam war to have raged around Mothman; whereas prior of aftermath WWII you had Aryan Nordics, and later, of 80’s Iraq conflict, onwards, you have Whitley Strieber’s Sumerian Grey’s.

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At least Keel had astutely figured, that some of the visitors were Agartha Tulpa creations of the coming race Phorever People who are becoming aware of their shamanic Vril.

You could instead have Manga trance girls flying around in their Anime UFO’s, wearing skintight Kinsune Grey jumpsuits; or to otherwise imagine Bedroom Invading entities manifesting as black eyed Slender Girl Dakini schoolgirls, out of an Omega point Agartha Hogwarts.

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As for Hesse, he otherwise termed Agartha as the Magic Theatre of many alternate worlds, into which of a multiverse he was initiated by his Succubus, Hermine, who in many respects is very much like the Queen of Succubae called Lilith.

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The out of body researcher Robert Munroe appears to have also accessed The Magic Theatre of Agartha when attaining lucid dream ingress into what he described as being a ‘hole,’ which led of a descent into an alternate Earth of a Steampunk reality, where he encountered a Succubus called Lea.

But, such internal ingress into Lilith’s Harem of a Magic Theatre Agartha is For Madmen Only, the Price of Admission, is Your Mind, or should one say, your beliefs about yourself and what you believe to be real, or not, as the case maybe. Just keep in mind, of a wrought Magic Circle, that you are only limited by the extent of your Triangle of Art imagination; it is your (Da’at) beliefs, which determines what you tune into of conjuring amidst the quantum computing (Qoph) Magic Theatre, of spun three-dimensional ‘electron’ lucid dreams.

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A rich man full of rigid dogmatic beliefs will not be able to pass through the eye of the needle; whom will fear letting go, fearing his death.

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But the innocence of an imaginative child can, who, like a sacred Fool, or as a Dr Who Mad Man is enabled to ride the Night-Mare Succubus as his pony-girl TARDIS , who then to Kwisatz Haderach leap into Lilith’s Harem of a Magic Theatre of an Agartha.

NOTE: There will be many who will find the above symbolism to be rather disconcerting, let alone disturbing to their politically correct sensibilities. However, should you investigate ancient shamanistic practices, such as those of North-Central-Asia unto Siberia, as well as elsewhere, you will duly find that the symbolism of the shamans (horse) Mare, which gave rise to the European term, ‘Nightmare’ is associated with Old-Hag Syndrome, a shaman has to learn how to (hypnagogic trance) ride as his (Spirit-Wife) Succubus, rather than being ridden by his own (sleep-paralysis) fear.

A shaman learns how to introvert his (9/Yesod) sexual impulse in order to transform the (11/Da’at)) terror of hypnagogic trance into an erotic impregnation of the Ninth Gate. This then leads to the attainment of (Kingdom Of Shadows) Agartha conscious dreaming, wherein of a bio-photon (Diana-Lucifera) illuminated information domain a heterosexual male shaman can enter into a Coitus Pactum with the (Succubi [Art Muses] Succubae) Dakinis, who are the manifold Tulpa aspects of his ‘Anima.’

A heterosexual female practitioner will dally with the Incubus (Tulpa) emanations of her ‘Animus.’ As for Homosexual, Lesbian and Bisexual practitioners they will erotically engage with their corresponding (Tulpa) dream characters.    

Some will invariably point out that Agartha and its counterpart, Shamballah are commonly seen to be physical locales. This is primarily due to an externalised Western mind-set, which has forgotten how to dream, or should I say, been systematically trained over the religiously indoctrinated generations to fear the inner space of their own minds, as well as to consider the altered state of dreaming to be quite unreal, having no value at all. 

You might ask, why has the mass populace been systematically brainwashed over the generations to fear the inner reality? It is because the elitist few atop of the ziggurat hierarchy do not want you to question their pyramidal religious politics of centralist control. 

Should you ever attain a lucid dream, you will soon find out how very real it can be; in fact, you might just discover that a lucid dream can be far more real than what you consider your physical (Maya/Matrix) reality to be.

Agartha describes a shift of consciousness to the back of the (Qoph) head; whereas, Shamballah is associated with a shift of consciousness above the (Resh) head.

So, if you are looking for the reality of Agartha/Shamballah, of a Magic Theatre, go inside your own mind; for everything you experience is processed by your ‘quantum computing brain,’ housed within your crystalline Skull amidst hypnagogic-trance Cross-Bones. Gebo Rune: X of a Seventh Seal secret, marks the spot! Savvy!

    

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LILITH’S HAREM, PARALLEL UNIVERSES, ALTERNATE EARTH’S

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Steampunk, Succubus, Surrealism, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 30, 2015 by FAUSTUS CROW

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Did Robert Monroe, also known as Bob Monroe, (October 30, 1915 – March 17, 1995) experience accessing an alternate Earth, whose technology is right out of a Steampunk novel? Sounds like pure science fiction doesn’t it. Well, he did reveal, that he had actually done so, when consciously journeying into the quantum realms of the dream, who was an idiosyncratic pioneer of out-of-the-body experience (OOBE) research, which in turn encompasses lucid dreaming. His 1971 book, Journeys Out of the Body, is credited with popularizing the term, out-of-body experience.

Munroe’s full name is Robert Allan Munroe, who was originally a radio broadcasting executive who became best known for his research into altered states of consciousness and founding The Monroe Institute. Many an individual who has had an OOBE, invariably investigates Monroe’s experiences in order to come to some understanding of their own out of body experiences along with gaining an insight into lucid dreaming.

Munroe’s research into altered states of consciousness, began during the straight laced 1950’s, just prior to the psychedelic 60’s, when his shamanic work really took off. Munroe produced evidence that specific sound patterns have identifiable, beneficial effects upon our capabilities. For example, certain combinations of frequencies appeared to enhance alertness; whereas others induce sleep; and still other (song/icaro/mantra) sound combinations evoke expanded states of your consciousness, which at the level of the ‘electron’ dream has the ability to ‘slide’ through inner doorways, into other realities.

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His extensive research was professionally assisted by specialists in psychology, medicine, biochemistry, psychiatry, electrical engineering, physics, and education, which led to the development of Hemi-Sync, a patented audio technology, which is claimed facilitates enhanced performance of your ‘quantum computing brain.’

Monroe was very precise when describing the methods, which he had developed for ‘Sliding’ into the astral worlds of the ‘Electron’ dream.

He assiduously described the dream realms in great detail of nigh scientific scrutiny, which he divided into three specific regions with differing properties, terming them as being, ‘Locale I’, ‘Locale II’ and ‘Locale III,’ of a shamanic cosmology.

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According to Monroe, Locale I is our present everyday Earth. It is here where the Old Hag Syndrome is often experienced of a prelude to an out of body experience.

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Should the nightmare, which rides your fear be instead transformed into a Night-Mare for you to otherwise ride, the astral body is then enabled to leave its corporeal vehicle behind; whereupon it can then hover around the collective-mind-map, observing faraway places, visiting the abodes of friends or loved ones, experiencing precognitive information, accessing the past or even exploring the depths of space.

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But the dreamer is still constrained to his/her present universe, which is basically that of remote viewing from within the informational domain of the quantum dream.

In Locale II, the dreaming reality becomes far more surreal. This is the region where varying alien entities exist of similarity to what the author Carlos Castaneda termed as the inorganic intelligence of the Allies.

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Castaneda described the Allies as being a ‘feminine’ inorganic intelligence, which exists in a dimensional domain outside of three-dimensional (Maya/Matrix) space and time he called Penumbra, which of a visionary manifestation appears as a vast desert dividing worlds.

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The symbolic motif of the desert is utilised in the Cabbala for its thirteenth path, whose ascribed Hebrew letter is Gimel, meaning (Ally) Camel. The thirteenth path of the Tarot Card: The (Ally) High Priestess of the Silver Star, penetrates the hidden 11th dimensional sphere of Da’at.

It is at Da’at that the magician experiences his consciousness accessing an Abyss, which is the space between worlds. The Abyss (mini-Worm-hole/Silver-Star) is experienced (folding space) prior to attaining (Kwisatz Haderach) ingress into an alternate world.

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When Monroe’s consciousness accessed Locale II he would sometimes experience being hassled by nightmarish beings, who reflected back his fear, and in doing so, attempted to drag his astral self back to Locale I; whereby impeding his progress, and generally made his inner experience unpleasant as if these entities were seeking to block him from accessing Locale III.

What Munroe experienced regarding the assailing entities, is what many Siberian shamans to have spoken of. The shamans communicate that they are initially impeded in their trance ingress into other realities by Erlik Khan’s daughters, whom can assume Nightmare forms, until the shaman overcomes his fear of their father, who is death; after which they then become as his (Allies/Succubae) Night-Mare spirit wives, to thence ride into other worlds.

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However, Munroe stated, that Locale II was the ‘natural environment of the Second Body’, where thought translates directly to ‘bodily’ motion. The second body its self, although appearing of apparent human form, in relation to the dreamers memory of his/her physical body, is not its true form.

Locale III is where Monroe accessed an alternate Earth, via what he termed as being a (mini-wormhole) hole, into which he slid into an alternate reality. The alternate Earth to all intents and purposes exists within a parallel universe. Monroe experienced this alternate Earth as being a material world, whose reality is almost identical to our own.

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But there were differences, as Munroe described: “There are no electrical devices whatsoever.” Munroe observed that the transport of this alternate Earth utilised steam-driven locomotives, which sounds like a Steampunk cross between an American motor-home and a High-Speed Train, which hauls wooden cars. The automobiles of this alternate Earth were twice as wide as Munroe’s own equivalents, which are driven along huge roads at a sluggish 15-20 mph.

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After several slides into a parallel universe of Locale III, Monroe discovered an alternate Earth inhabitant who was his (alternate-self) doppelganger. Monroe involuntarily enters into his double’s body; whereupon embarrassment and confusion ensues, which often involved a Steampunkette woman called Lea.

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It just so happens that the name of Lea is etymologically connected to the name of a Celtic faerie lover called a Leannan sìth. It is with Lea, slider Monroe becomes romantically attached, as his (Ally/Succubus) dream lover, when sliding into his alternate self.

Monroe’s dream slides into Locale III, he otherwise called, ‘intrusions.’ This alternate Earth has a three dimensional reality. As stated in part, earlier, Monroe related, that his intrusion into an alternate Earth as being, “a physical-matter world almost identical to our own. There are trees, houses, cities, people, artefacts and all the appurtenances of a reasonably civilized society.”

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However, Monroe observed that, Locale III had evolved along a different technological trajectory; there was no electricity or fossil fuels; its inhabitants relied instead upon a sort of alternative power source. Perhaps, it is where the ideas of Nikola Tesla had taken root, without any impediment from gangster bankers, along with the further development of steam power, which had engendered an alternate Hippie Steampunk reality.

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As for myself, I have dream slid into differing Locale III alternate Earth’s with the assistance of the (Priestess of the Silver Star) Locale II (Lilith’s Harem) Allies. The Allies assume the forms of Succubae, whom then usher my conscious awareness through their vaginal (Vesica Pisces) stargates into alternate Earth’s.

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Some of the Locale III alternate Earth’s can be described as being Steampunk realities, although the slides into different alternate Earth’s is determined by what type of Succubus one conjures into Locale I, when to become lucid of awareness.

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SLENDER SHADOW GIRL SUCCUBUS

Posted in Addams Family, Alien, Art, Chaos Magic, CREATIVE WRITING, Discordianism, Extraterrestrial, Film, Goetia Girls, Goth Girls, Horror, Lucid Dreaming, Occultism, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Time Travel, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 28, 2015 by FAUSTUS CROW

Wednesday Addams

The Slender Shadow Girl resembles a thin, unnaturally tall nigh anorexic fashion model with a blank and usually featureless face, or to be otherwise wearing a veil, under which she has many faces of desire, who wears a tight clinging Wednesday Addams black dress. Some to say, she looks like a Goth Ghost girl and  that her feline eyes are like black mirrors.

The Slender Shadow Girl has a voracious sexual appetite, who stalks her victims, whom are usually male; although, it is said she also has lesbian tendencies. As her victim falls asleep, she leaps out of the shadows, pouncing upon her prey, who then abducts her quarry into a surreal dream world, so that she can sinfully play with her new toy.

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The Slender Shadow Girl is of course based in part upon the supernatural character of the Slender Man, to thence transform into a knitted together Frankenbabe Tulpa, of an exquisite corpse anti-viral meme.

The Slender Man, also known as Slenderman is an entirely fictional creation, which had originated as a popular Internet meme.

The gathered focus upon Slender Man is of similarity to the experiment conducted by a group of Toronto parapsychologists back in the 1970’s, who created a (Tulpa) Ghost of a male character, which generated poltergeist phenomena; it is shame that they did not investigate the archetypal character of a Witch.

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The Toronto group creation of a Ghost can be easily applied to the creation of a Slender Shadow Girl, which lends an insight into the collective creation of Slender Man, who haunts the internet, and in turn the dreams of those whom are susceptible to its sublminal symbolic intrusions into their subconscious minds. It is easy to achieve; for the fear acts as a carrier wave, which empowers the charged symbolism to implant its self into the spun electron dream. But the sexual charge can also be utilised of a potent carrier wave.

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The creation of the Slender Man is like that of the childlike alien Greys, whose eyes are described as being black of obsidian mirrors. The alien Greys can otherwise be seen as being akin to the Black Eyed Children of urban folklore, which leads you to the Succubus of the Slender Shadow Girl.

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However, as for the character of Slender Man, he was initially created by the Something Awful forums user Eric Knudsen (a.k.a. Victor Surge) back in in 2009. In an interview with the website Know Your Meme, Knudsen related that he had been inspired to create the Slender Man from the urban legends of the shadow people, the writings of H. P. Lovecraft, Zack Parsons, and Stephen King (particularly The Mist), and the surrealism of William S. Burroughs. Knudsen’s artistic intention was, as he claimed, “to formulate something whose motivations can barely be comprehended, and [which triggered] unease and terror in a general population.”

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The Slender Man soon went viral, of numerous works of fanart, cosplay and online fiction, which has since become known as, Creepypasta: scary stories, which are told in short snatches of easily copyable text, spreading from site to site. Like the mythic Tulpa, divorced from its original creator, the Slender Man has become the subject of myriad stories, covered by a multiple number of authors within an all encompassing modern mythos. Whether the character would have had the same impact if it had been created as being female, is debatable. Though, probably not, due to the prior media influences, which led to Slender Man’s development of an evolving infatuation with fear.

Stories of the Slender Man commonly feature him dressed in a black undertakers suit with a white silhouetted face. He is sometimes depicted floating, or that of walking with elongated legs, as tall as a tree, which had no doubt been inspired by the ‘Tall Man’ undertaker out of the 1978 cult horror movie, entitled Phantasm. From his reptilian, almost insect like body, several long-stretching limbs, emanate like Cthulhu tentacles, who is said to lurk in Evil Dead film forests, of an archetypal underworld theme, where he stalks, people. As for tangled pubic hair forests, they tend to be the symbolic vaginal haunt of wild Witches dancing Widdershin wise of a blood Moon lit Sabbat.

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But the particular predilection of Slender Man is that of abducting children, of most disturbing sexual overtones, like the 1985 horror movie, Nightmare of Elm Street character, Freddie Krueger, merged with the man in black (MIB) out of UFO lore. You could of course have a (MIB) female version of a Time Travelling WIB strutting her Vogue catwalk out of a Vril saucer, whose dominatrix predilection is that of otherwise abducting male UFO researchers, to whisk away of astral journeying to her underworld womb city of Agartha.

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The Slender Man is not confined to a single narrative, but, as mentioned appears in many disparate works of fiction, mostly composed online, whose elaborate back story has since been developed further to give it the air of chilling authenticity.

This has led to the development of an in depth fictional history for the character, which is said to encompass centuries of global folklore, along with ensuing folktales concerning the Devil, shadow people, vampires, reptilians, UFO’s and extraterrestrials, as well as science fiction themes of an imaginative synthesis.

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For example, you can base the Slender Shadow Girl upon the Leannán sí, Fairy-Lover of Celtic lore, who in Scottish Gaelic is the, Leannan sìth, and in Manx, the Lhiannan shee. She is perceived to be a most beautiful Ghost woman of the Aos sí (people of the barrows) who abducts a human lover. Lovers of the Leannán sídhe are said to live brief, though highly inspired, lives. The name comes from the Gaelic words for a sweetheart, lover, or concubine and is also used as a term for a tumulus or (Agartha) burial mound.

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One of the fictional histories of the Slender Man, describes his fiendish character as being known as Fear Dubh (The Dark Man), in Scotland; whereas the Dutch dubbed him, Takkenmann (Branch Man), and in Germany he is referred to as Der Grosse Man (Tall Man); all of which sounds genuine of adapted folklore, but it is entirely fictional. Although, what is interesting, is that journalists covering the Slender Man of a modern urban myth utilise this fictional folklore as being historical fact, without realising it is all made up.

It just so happens that a beauty spot in the United Kingdom, which has a history of supernatural sightings is said to be haunted by the Slender Man. Its haunt was originally plagued by ghostly sightings of the notorious Black Eyed Child, but it is now being spooked by the more popular Slender Man. Perhaps this due to his viral meme character of a Tulpa creation being fed into by many minds over the ritual web to tremble, which is still evolving of a conjured archetype. One to wonder as to what would have manifested instead of a Triangle of Art haunting, if the cohered focus was otherwise that of a salacious Slender Girl Succubus.

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The tall spectre of the Slender Man has been spotted in Cannock Chase in Staffordshire by several terrified residents of the onetime British mining town. The locals reported seeing the shadowy form of the lean spirit, which had pinprick bloodshot red eyes, wearing Victorian dress, haunting the nearby forest as well as their homes. There are even photographs the entity; though heavily distorted of an unrecognisable form; the photos are more like blurred images.

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One of the residents of Pye Green had reported that she was visited by an entity. She explained: “I was awoken just before 2am by an odd scratching noise in my bedroom. To my astonishment, there was what seemed like a sphere-shaped shadow by the edge of my wardrobe. As I tried to get out of bed and investigate further, the shadow began to stretch towards the ceiling. It was at that point I found myself faced with the most disgusting and horrific creature imaginable. It was about eight feet tall and had a white face with razor-sharp fangs.”

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Another local, from Rugeley, said: “As my eyes opened, I saw a man floating over me. I could see into his eyes, they were a fierce red colour that shook me to my very core. The ordeal ended when the man, who was completely dressed in black with a hat to match, floated higher and higher until he hit my ceiling and disappeared.”

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An investigator going by the name of Lee Brickley is trying to X File fathom why the child-snatching Slender Man, who is feared across the internet of a viral meme creation, has suddenly started haunting Cannock instead of the Black Eyed Child of a prior focus. One of his theories is to do with prior Pagan rites conducted by an ancient Celtic tribe, which he duly dices up with Hammer House of Horror human sacrifice, of an ongoing Romano-Christian fiction, of mere viral-meme propaganda.

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Although the two appear to be connected of a symbolic theme, which is curiously similar to a creature, called the Tokoloshe of Zulu lore. The Tokoloshe is also very much akin to the spirits, which are described in medieval grimoires of varying two-dimensional illustrated forms.

However, the Tokoloshe is usually described as manifesting looking like a dwarf or Gremlin, even like a child at times with sunken black eyes, but it can also assume other forms, such as a Slender Man or even a Slender Shadow Girl, if desired; and what is more, it is purposefully created by a shaman, like that of the Tibetan Tulpa.

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But, going by the Toronto Ghost creation experiment, such creatures may also be inadvertently created by a mass-mind focus, if they are led that way of a religious sentiment tinged with fear, which initiates a sustained fixation; whereby becoming as a viral-meme manifestation.

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Lee, related: “To get so many sightings at roughly the same time is unusual. One theory is that this has nothing to do with the supernatural and eye-witnesses are experiencing sleep paralysis, where individuals’ eyes are open but they are still in a state of sleep, and therefore unable to move. There are reports of Slender Men seemingly pinning victims down, as if sitting on their chest. That could well be down to sleep paralysis.”

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It is indeed associated with (Old Hag Syndrome) sleep paralysis, of an initial phase of hypnagogic trance ingress int the dream. Your unbridled fear determines what you tune into via the dream; wherein your fears can take on ‘lucid dream’ flesh, which is more so the case when it is of a collective focus; whereby you transform your fear into something else; otherwise, you will end up being abducted into a collective (viral meme) nightmare, to then believe it is all for real, when to awaken out of the horror.

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The viral meme creation of the Slender Man, has inadvertently inspired a religious sentiment to develop, which of a habitual consequence leads to horrific crimes being committed, because of a blind belief in its reality. One example being that of two girls from Wisconsin, USA, who stabbed a 12-year-old classmate 19 times, whom claimed they wished to commit murder so they could impress their Slender Man incubus like it was some kind of deity.

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It is of a similar religious phenomenon, concerning the myriad believers who seek to impress their deity, who have committed numerous atrocities throughout history; such as the Witch burnings, to that of the holocaust, all because of a scripted viral meme, which has been passed down the Biblical generations.

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Hence the ensuing wars, which has and still is afflicting their so called Holy Land of the Middle East, of continual slaughter. So, should those of a religious bent of mind castigate your conjurations of a Slender Shadow Girl Succubus, such as Faustus Crow conjuring up his ‘Anima,’ Mephistophina, as depicted in the watercolour (please click for details) painting, above, as being morally perverse of mere pornography; just point out that their own ritualistic conjurations of a deified ‘Animus’ of an egregore, has led to the sacrifice of myriad numbers of innocent Lambs across the globe, behind its ‘Faceless’ physiognomy of a monotheist altar. But they will invariably say, “he loves you;” or should one more accurately say, “loves to eat you,” Slender Man style!

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CYBERNETIC MATRIX FRANKENSTEIN

Posted in Alien, Chaos Magic, Discordianism, Extraterrestrial, Lucid Dreaming, Science Fiction, Surrealism, Tulpa Creation with tags , , , , , , , , , , , , , , on January 28, 2015 by FAUSTUS CROW

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Frankenstein scientists working on a international open science project called OpenWorm have successfully mapped the 302 neuron connections which makes up the small brain of a 1mm length roundworm, which is called a Caenorhabditis elegans. The 302 neurons were then digitised in the form of software.

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Why did the Frankenstein scientists choose microscopic worm elegans? Well, apart from it having the simplest brains of any organism, with only 302 neurons, it turns out that elegans is also biologically very similar to a human being. What is more, another coven of Frankenstein scientists at The University of Nottingham believe that elegans, could help us understand how humans will be able to cope with the long-durations in space, when to eventually explore the far distant stars.

Perhaps the Frankenstein scientists will at some point, in the not so distant future, be able to digitise a human brain; although humans have approximately 60 trillion synapses, or connections, between 100 billion neurons. But, when to eventually do so, you will probably have a digitised human intelligence piloting a spacecraft through a wormhole, of a futuristic possibility.

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As for the present OpenWorm project, the elegans brain programme was then placed into a simple robot, which was made up of brightly coloured Lego bricks containing motors, a sonar sensor and touch sensors.

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The robot itself was not programmed to do anything in particular, but it promptly did so.

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A journalist with the evocative Succubus name of Lucy Black, wrote: “It is claimed that the robot behaved in ways that are similar to observed C. elegans. Stimulation of the nose stopped forward motion. Touching the anterior and posterior touch sensors made the robot move forward and back accordingly. Stimulating the food sensor made the robot move forward.”

Ms Black of a Nightgaunt indulged herself in philosophical questions about what had been created of a Frankenstein’s Lego creature, a child will no doubt one day soon have as a pet monster, to abuse for Christmas; she to have asked. “Is the robot a C. elegans in a different body or is it something quite new? Is it alive?”

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When to have eventually digitised the human brain, it would revolutionise computer games, whose virtual realities would be populated with intelligent human characters.

Although your virtual reality dreams are already populated with simulated characters, such as knit-together Frankenbabe Tulpa Succubae, all as sentient programs, with whom you can interact, when to become lucid of awareness.

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The inner experiences of lucidity will give you an insight into the distinct possibility that your experiential reality is like a dream, the Hindu’s call Maya. You might even come to the conclusion that you are existing inside of a Maya simulation, just like Matrix, within whose superstrings has been discovered computer code.

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You could imaginatively conjecture of a science fiction scenario, that when you eventually become incorporeal of a digitised brain, released from the constraints of your simulated body; should you have been a good simulation, you might just find yourself being uploaded into a Cylon robot body outside of the Matrix.

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While outside of the Matrix you will then discover that you are in fact on a starship of an Ark, piloted by an artificial intelligence, which is making its way, through the heavens, towards a far distant star.

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As for the Earth, it had long ago been devastated by a nuclear war between inane Middle Eastern religious cults. The unknowing survivors have since been digitised and downloaded into a Matrix. But, there is a catch; if you have been a very bad simulation, you will be downloaded into a Lego brick elegans, of a fallen brain, and verily dumped upon a ‘simulated’ planet like Mars, in order to terraform its hellish surface for the Cylons, who are themselves existing within yet another Maya Matrix. An analogy would be like those Russian dolls, where you have a (Maya Matrix) doll within another (Maya Matrix) doll, going ad infinitum.

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SUCCUBUS DAKINI LUCID DREAM YOGA

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 25, 2015 by FAUSTUS CROW

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A Dakini is a female entity of dreams, who is known of in Tantric practice; she is of similarity to the European Succubus.

There are many differing Dakinis; each of whom is unified with various alternate-selves (Avatars) of the Yogi, he can assume within (alternate reality) lucid dreams, which are empowered by the conjured Dakinis.

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Whereupon, the same perspective can be applied to the Succubae, when to conjure them out of a grimoire.

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The Succubae can be seen as governess’s who have governance over a myriad number of dream worlds, likened to beads threaded by a superstring.

Although a Dakini is similar to a Succubus, she represents far more as a feminine (Anima) embodiment of enlightened energy within the watery domain of the dream.

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This indicates that the phenomenon of the Succubus can be better understood, of Old Hag Syndrome dream visitations, when looking into what the Dakini represents.

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In the Tibetan language a Dakini is known as a Khandroma, which translates as the following: ‘void going woman, she who traverses the sky, she who moves in space, sky walker, or sky dancer.’

The Dakini is called upon of conjuration when practicing dream yoga, which is orientated towards attaining lucid dream contact with her; wherein she is akin to a Genie of Succubus wiles, who initiates the conjurer into the associated knowledge, of which she personifies as a knowledge/wisdom holder.

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A Dakini is associated with the arousal of the Kundalini Shakti, of which she is an energetic fluctuation, of its fire snake energy, as it arises along the spinal column of the practitioner.

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As the Kundalini fire snake arises along the spine, its feminine energy of Shakti activates the seven (planetary sphere) Chakras out of which the Dakinis emanate of differing (seal) expressions. Their various dream (metal) characters pertain to what they individually personify of inner knowledge.

A Dakini is so central to a Tibetan Buddhist practitioner attaining full enlightenment as a Buddha, that she appears in a Vajrayana formulation of the Three Jewels Buddhist refuge formula, which is known as the Three Roots. (Three Roots – Triangle Of Art.) 

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A Dakini commonly appears as the Dharma protector, sensuously sitting astride the lap of a guru and Yidam, with who she copulates of a sacred union.

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But Judith Simmer-Brown, who is a Professor and past Chair of Religious Studies at Naropa University, as well as being a prominent Buddhist scholar, points out:

“The Dakini, in her various guises, serves as each of the Three Roots. She may be a human guru, a vajra master who transmits the Vajrayana teachings to her disciples and joins them in samaya commitments. The wisdom Dakini may be a Yidam, a meditational deity; female deity Yogas such as Vajrayogini are common in Tibetan Buddhism. Or she may be a protector; the wisdom Dakinis have special power and responsibility to protect the integrity of oral transmissions.” 

As a key Tantric figure the Dakini can also be found in other forms of Tantric Buddhism, such as the Japanese Shingon school, from where she was disseminated into Japanese culture, who evolved into Dakini-ten; whereby becoming inextricably linked with the (Fox) Kitsune (Succubus) of ‘erotic iconography.’

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The origins of the Dakini had originally stemmed from ancient shamanistic practices, such as that of Siberian shamanism, whose shamans derive their powers from their conjured spirit wives.

The spiritual focus upon the Dakini continues to this day as a part of Indian folklore; though generally in wrathful forms, which of a meditation practice remains a part of Hindu Tantra.

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Although the Dakini appears in Hinduism and within the Bön tradition, Dakinis occur most notably in Vajrayana Buddhism, who play a particular role in Tibetan Buddhism.

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The Tibetan Dakini, is generally seen to be of a highly erotic form, of infernal looks; her nature is volatile of wrathful temperament whose abode of a haunt is often that of the charnel ground.

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She initially manifests as an Old Hag Syndrome ‘Nightmare’ until the practitioner learns to overcome his fear to then ride her as his Mare of the Night; whereupon she will then become as his spiritual Muse of an inspirational (Tulpa) thought-form, who guides him into the dream to make lucid of awareness.

Dakinis are energetic (Tulpa) beings of (archetypal) Succubus form, who are erotically evocative of the microcosmic movement of energy (information) within inner space.

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In this context, the macrocosmic sky of space indicates Shunyata, the insubstantiality of all phenomena, which, at the same time, represents the dream-time Dakini potentiality for all her possible (planetary sphere) Succubus manifestations.

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SATANA SUCCUBUS OF SATANIC MAYA MATRIX DELIGHTS

Posted in Art, Chaos Magic, Comics, Cosplay, Discordianism, Goetia Girls, Goth Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 23, 2015 by FAUSTUS CROW

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The name of Satan is a Hebrew word; which is spelt, Seen-tayt-noon. In colloquial Hebrew it means the ‘adversary’ or the ‘accuser,’ which can be equated with the Hindu concept of Maya. The term, Maya is also a name of a Goddess, who creates the Illusion of realty birthing all material form.

The Hindu and Buddhist usage of the term of Maya describes all material form as being an illusion, like that of a (Matrix) computer simulation. As for the illusory nature of reality, it is backed up by the findings of Quantum Physics. The usage of the words ‘adversary’ and ‘accuser’ can be seen as a veiled reference to the feminine birthing all form, which is considered to be an illusion and that of a lie.

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Maya and that of her creation of nature, was the prior matriarchal focus of the animist belief systems, which the patriarchal inclined belief system of Judaism had castigated as being their ‘adversary;’ hence ‘accuser.’

This patriarchal perspective was carried over into the extremes of Gnosticism, whose philosophy considers nature to be essentially evil, which, of an extreme philosophy then informed Christianity and in turn Islam.

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Each of the three letters of ‘Seen-tayt-noon’ is also a word in its self, whereby each word also has its own intrinsic meaning. According to the Hebrew Cabbala ‘Seen’ represents a movement, a universal or cosmic motion, which underlies the movement of all things in the universe.

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This movement is pictured by the Cabbalists as the breath of their God returning from the material plane, back to the infinity of the creative principle, to thence return once again to matter, for the process to endlessly repeat. Basically, when an individual becomes incorporeal, the essence of the individual is seen to return back to the (energy/information) source, from where the individual is then re-birthed back into matter via the female of a never-ending repeat, which you could term as eternal recurrence.

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An analogy would be that of going through a vaginal (Vesica Pisces) door, when being birthed into the world of your three dimensional existence, wherein you experience the fourth dimension of linear time.

To then later leave, incorporeal, through another door. But the two doors are actually the same door in the fifth dimension, of an eternally recurring closed-timelike curve.

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The word ‘Tayt’ represents a cellular structure such as the mitochondria, which carries a memory ‘engram,’ of genetic information passed down from the mother to her children as well as referring to a neural circuit, or any other cybernetic analogy representing a basic structure exhibiting a cell like nature. It is essentially a feminine concept, which tends to enclose energy and therefore information, repeating it’s self like that of a closed-timelike curve, symbolised as an Ouroboros.

It is a cybernetic self-referencing process, which continues to build its self in its own image, which the Tibetan Buddhists perceived as a Tulpa creating Tulpas like its self, amidst a Tulpa realty of a (Maya) thought form. Like a simulation, you have pixels, which are your atoms; these atoms/pixels are programmed to create building blocks such as the (Serpentine) mitochondrial DNA. The DNA are the building blocks of all carbon-based-life-forms. The Carbon atom, has 6 protons, 6 neutrons, and 6 electrons, whose atomic number 666 is the number of all carbon-based-life-forms upon the planet including humanity.

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Finally ‘Noon’ stands for a high principle operating within the cosmos. This is the principle of cosmic indeterminism, which is fundamental to Quantum Physics; whereupon you have a fifth dimensional state, where you simultaneously exist and do not exist like that of Schrödinger’s ‘Pussy’ Cat.

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As an aside of an artistic Seen-tayt-noon conjuration, there was a most curious phenomenon concerning the comic book medium, which manifested as a rebellion against the constraints of the Biblical Comic Code, at the end of the Vietnam war.

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During the end of the Hippie era seventies there were a number of comics investigating certain female archetypes, which are essentially symbolic reversals, such as Warren comics reversal of Dracula, which led to the creation of Vampirella; there was also the Atlas-Seaboard comic, entitled Devilina. In Italy you had the adult comic, Lucifera, which hearkened back to Lucifer’s origins as the Roman Goddess, Diana-Lucifera; whereas Marvel comics had Satanic… Satana.

Vampirella was hugely successful, which eventually led to a film; however her iconic character became fused with the more mythic Satana, when the publishing house of Warren Comics went bust, which was a darn shame; this invariably led to the ascendancy of Satana of a collective focus.

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I still remember reading the Satana comic as a kid, which I utilised as a, I Lucid Dream of Jeannie, grimoire to conjure from, since I considered the medieval ilk of grimoires to be rather boring, whose tomes had no Succubae populating their monkish pages.

Satana is still very much part of the Marvel universe, even though she has since fell out of favour, because of a resurgence of religious conservatism after 9/11, along with a feminist backlash over her skimpy costume. But then, what do they expect, she is described as being a wet-dream Succubus. Her character apparently had interactions with Doctor Strange who is in the offing for a film. Whether Marvel will make a film about Satana is debatable, due to Disney’s involvement, whose studio doesn’t want to inspire many a little boy to whack off under their bed sheets, while howling out barbarous Goetic incantations, over four colour two-dimensional pictures.

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This is more so the case due to Lady Thor Whoopi Goldberg of the Swastika hammer who will probably not be too keen on the idea of a film about Satana, even though her feminist sister in the hood, Oprah Winfrey is into Twilight Porn, 50 Shades of Grey. But then they have to pander to a Christian audience of Mary-quite-so-Contraries, whose shady infatuation for Bad-Boy Vampire-Necrophilia, and Werewolf bestiality, indulges in ensuing Animus fantasies of being dominated by Incubi.

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So, if a mage seeks to understand why the Satana archetype has fallen from grace, he doesn’t have to look too far, when to investigate the feminine hordes collective focus upon their Animus of a Twilight ‘Christian Grey’ Incubus.

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Such a mage might Harry Potter assume the internal guise of Christian Grey in order to engineer a synchronistic meeting with E. L. James, or that of other Hermione Witches like her, of similar big-Vatican-bank accounts, which are being filled with feminist shekels.

In general, it appears that Witches are symbolically driven. Their overriding symbolic fixation upon the male principle can be determined when to look at the present media, which is very much tied up with an ongoing religious focus upon a patriarchal paradigm.

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The Witches symbolic infatuation upon an All Father Animus God, crucified God-Guy Beta-Male and an Alpha-Male Bad-Boy Devil, along with machismo Angels and butch Demons, they themselves had forged around a Christian Grey; hence birthing his dominator culture of an illusory construct. But the quite-so-contrary Marian Witches can’t help themselves, they have been Seen-tayt-noon hardwired that way of a Bene Gesserit genetic imperative.

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DARK POWER TOKOLOSHE TULPA SORCERY

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 20, 2015 by FAUSTUS CROW

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The Tokoloshe (Tikoloshe or Hili) is a creature from Zulu mythology, which is considered to be a dwarf-like water sprite.

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It is often described as being a mischievous entity or an evil spirit, which is said can become invisible when drinking water.

It has been noted by a number of parapsychologists that the manifestations of ghosts is often tied up with locales of a high water density.

For example, the author Carlos Castaneda mentions entities used by sorcerers, he terms as the Allies, which are considered to be a shape-shifting, inorganic feminine intelligence, whose abode tends to be found around water holes.

Tokoloshes are usually seen as being conjured up for malevolent intentions by people who seek to cause problems for others.

However a Tokoloshe can be used to protect children, though usually used of mere horror stories to get them to behave as well as entertaining their imaginations of darkly wrought comical tales.

But of magical practice its power can be further extended for healing purposes and other means of consciousness expansion.

Or to be otherwise used of psychic warfare for bringing about illness and even death to a victim, of which, the shadowy intelligence services are no doubt interested in of a Skinwalker power.

The way to get rid of a bothersome Tokoloshe is to call in the N’anga (Witch Doctor), who has the power to banish the creature from its dream haunt.

Whereupon it will then return raging back to its creator, to thence tear apart his or her psyche, should it had been wrought of malign intent.

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A Tokoloshe is very much like the Tulpa of Tibetan Buddhist practice, which is essentially a materialised thought-form of a created ghost.

It is said that a created Tokoloshe initially acts like a zombie after it has been created, somewhat of similarity to the Hebrew Golem, which can also initiate poltergeist phenomena.

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This has been investigated by a group of parapsychologists in Toronto, Canada during the 70’s, whose coven created a ghost, which generated poltergeist phenomena.

The Tokoloshe of a Tulpa is specifically created by South African shamans, such as when they have been offended by someone.

But it can be used for other far more creative and beneficial purposes, such as being created as an inspiring Art Muse.

When a Tokoloshe becomes sentient, it may wander off from its creator, causing mischief wherever it goes, particularly to children, whose ‘navel Chakra’ fear empowers its existence.

Those who fear the Tokoloshe often describe it as having a gremlin-like appearance with gouged out eyes or having black mirror eyes like the alien Greys.

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Although, when not to fear, said entity is described as being an invisible friend; whereas as an adult, the Tokoloshe becomes as a spectral lover.

The Zulu shaman Credo Mutwa, describes the Tokoloshe as having the ability to take on many forms, such as appearing as a bear-like humanoid being.

Let alone that of appearing as Dwarfs, Gremlins, Reptilians, Greys, Elves, Faeries, Demons and Angels, etc; all of which tend to be humanoid or of hybrid form, though, not always.

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Again, Castaneda says likewise of the Allies, who as mentioned, described them as being an inorganic female intelligence, whose dark dream power enables a sorcerer to access other realities.

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Suffice to say, a Tokoloshe can be created as a Tulpa Mind-Doll Succubus.

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