GOETIA GIRL ANDRAS OF ANARCHIST UFO PUNK ROCK ART
The Sixty-third Succubus is Andras, whose name is derived from the Icenic war Goddess called Andraste, also known as Andrasta or Andred. According to the Roman historian Dio Cassius, Andraste was invoked by blue Wode, Boudica in her fight against the Roman occupation of Britain in AD 60. Andraste may be the same as Andate, mentioned later by the same source, described as, “their name for Victory,”
Romanised as the Goddess Victoria. Some researchers assert that Andraste may be related to Andarta also. As for the Goddess Victoria, she is related to Nike, Bellona, Magna Mater (Great Mother), Cybele, and Vacuna; all of these Goddesses are often depicted riding chariots.
Andras is a Great Marchioness, appearing in the Form of a Punkette Angel wearing a SS officers Hat, if nothing else. This does not mean she is a neo-Nazi, quite the reverse, she absolutely hates Big-Brother fascist Nazis; that is why she rebelled in the first place; whom loathed the jealous Fuehrer of the monotheistic cultists.
The reason for the hat is because of the skull and crossbones motif of an ‘X,’ which is the seventh Rune of Gebo.
Wherefore she sometimes manifests within a lucid dream, dressed in a tight clinging Black Night Raven uniform, wantonly dancing in a trance dance club, or otherwise being nigh naked.
She will also be seen of third eye vision riding upon a Tiger I Tank as her chariot, alongside a strong Black Wolf, while she to wield Tommy guns flourished aloft in her hands. She is very much into the ritual music of the English Punk rock band called Crass, formed in 1977, which promoted anarchism as a political ideology, a way of life and that of a resistance movement.
Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights and environmentalism. The band used and advocated a shamanic DIY Punk ethic approach to its sound collages, leaflets, albums and films.
Crass utilised spray-painted stencilled graffiti messages in the London Underground system and on advertising billboards long before the likes of Banksey, as well as coordinating squats and organised political action. The band expressed its ideals by dressing in black, military-surplus-style clothing and using a stage backdrop, which amalgamated icons of perceived authority, such as the Christian cross, the Swastika, the Union Jack and the Ouroboros.
Alas, at present you only have numerous conspiracy theorists who haven’t got a subculture to fall back upon of a protesting music scene anymore, since it has been utterly commercialised; wherefore heavily controlled of an artistic expression, which is unimaginatively stifling.
Crass was highly critical of punk subculture and youth culture in general during the Thatcherite years, which was rapidly being commercialised by the media empire of the establishment, and thereby controlled via engineered Sex Pistol fashion. Whereas Crass otherwise promoted a personal form of artistic anarchism, whereby they are considered Art Punk in their use of tape collages, graphics, spoken word releases, poetry and improvisation of artistic protest. Hence Andras is a Punk art Muse whose rebellious Office is to inspire her master to engage in sowing artistic anarchy via ninth dimensional planetary sphere surrealism.
However, If a traditionalist Exorcist has not a patriarchal care to know that Andras is in fact Andraste, she will surely Boudica slay the Abrahamic ideals of both him and his monotheist cult fellows.
She governs over 30 Legions of Punkette Succubae, and her Seal is to be meditated upon, alongside that of the Crass logo, while chanting their Punk lyrics.
It just so happened that a crop circle appeared near Stonehenge during the midsummer (Litha) solstice, 21st of June, 2011, which looked like the howling anarchistic Crass logo.
But then, there was much social unrest due to government cutbacks at the time, of similarity to the Thatcherite years of BSE contaminated beef. A growing number of peaceful protests, were causing a lot of grief to the horsemeat scandal Conservative government, with further proposed mass protests being planned during the coming 2012 Summer Olympics.
The Games of the XXX Olympiad took place between 27th July 2012 and 12th August 2012, of media hype end of days, over which an apparent UFO did hover of blimp similarity to George Orwell’s ‘1984’ Los Angeles Olympics.
Although the Los Angeles Overwatch event of George Orwell’s ‘1984’ Big-Brother key-time, was far more Hollywood, of eye in the sky, Spielberg fare. Whereas the London show was somewhat, very subtle, until it went viral over the internet, of a cohered mass 2012 focus at an engineered key-time.
As for the Conservative government, they couldn’t allow for the proposed protests to take place during the games. Wherefore the unwashed populace who were planning to paint themselves protest Wode blue had to be curtailed somehow, since Thatcher’s Humpty Dumpty fall, from her Yuppie wall, still haunts the Conservative psyche.
As if on cue, the Conservative government got what they wanted. Prior to the 2012 Olympic games, between Saturday 6th August and Thursday 11th August 2011, thousands of youths suddenly rioted in several London boroughs and in cities and towns across England. The resulting chaos generated looting, arson, and the eventual mass deployment of police, in certain lucrative areas of London, while impoverished others were left to burn. There was much criticism that the police came onto the stage rather late in the day, whose questionable actions, just before the riot, were also looked into.
The events were also called, BlackBerry riots, because the organised rioters used mobile devices and social media to spur them on, so it is said, of similarity to the Arab Spring protestors. Suffice to say, there were ‘no protests’ during the games, apart from a conspiracy theory UFO hovering over the audience.
In other words, if you want to stem the tide of peaceful protests, all you have to do is to ‘Crucify’ the protestors to look like insane nutcases, by subversively promoting outlandish conspiracy theories, as well as spreading fearful rumours, along with orchestrating yobs to cause a violent riot. It works every time of a political tool of ‘Fascism.’ History repeats itself like that of an ‘Ouroboros.’
You thereby have the crop circle of a Crass logo, whose symbol reminds many an 80’s Punk to remember the Poll Tax riots under BSE brain-dead Thatcher, who considered Crass to be a thorn in her Conservative side. Whereby when to conjure Punkette Andras-te, she has an anarchistic Bjork liking for Crass to be played of ritual music.