Archive for October, 2014

THE EVOCATION OF NIGHTGAUNT NUN GREMORY

Posted in Art, Chaos Magic, Goetia Girls, Goth Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 31, 2014 by FAUSTUS CROW

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This is one of those rare times I am going to relate a personal experience, without using veiled symbolic references. Sometime ago, when as a youth, I decided to conjure up the Fifty-sixth Goetia spirit called Gremory, otherwise named Gamori or Gomory.

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The classical grimoire description of the spirit I had otherwise visualised as a Succubus dressed as a Nun.

The symbolic logic of which was the associated motif of the Camel, upon whose back this described Succubus is said to ride in the Goetia.

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The Camel in Hebrew is Gimel, which of a letter is associated with the thirteenth path of the Cabbala.

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The thirteenth path transverses the hidden Sephira of Da’at, whose path is ascribed to the Tarot card of the High Priestess of the Silver Star: Sirius, linking the Sephira of Tiphareth and Kether.

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Hence, it is the High Priestess II, I am alluding to in regards to Gremory, since fifty-six in numerology reduces down to eleven, of the eleventh Sephira of Da’at.

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Some to say that the name Gremory or Gamori is etymologically related to the French word Grimoire, which, if it is indeed the case, the name is quite apt for the High Priestess, since she is depicted seated in a doorway between two pylons with a Grimoire upon her lap.

I utilised the methodology of meditating upon Gremory’s seal in association with erotic imagery of Nun’s; some of the imagery was derived from photographic material, which I had utilised to create an exquisite corpse photomontage painting. The Frankenhooker creation of which automatically involved in depth meditation. I then utilised Gremory’s seal in association with the artistic creation, upon which I meditated, along with drawing and painting the spirit to thereby create a distinctive personage. This also involved creating a back-story for the spirit of creative writing, in order to give her Nightgaunt Bat wings, so as to fly

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The technique of writing involved visualising the spirit as a Nun, of active-imagination, whom I conjured amidst my Triangle of Art, which had been drawn upon a piece of card; while doing so I visualised myself standing at the centre of a magic circle conducting the ritual of conjuration. The visionary material, which had been imaginatively conjured, I rapidly drew in a sketch pad; this also informed my writing and computer generated art.

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A Ouija board, of a meditation device, was also utilised for the practice of automatism via which a two way dialogue could be established between my conscious mind and my subconscious conjuration. This was done, so that I could determine if there was any subconscious blocks as well as furthering the creation of the artwork, both visual and literary. The experiment was conducted in order to determine whether the utilised symbolism could be implanted into my subconscious, which would then act as a trigger-symbol within the dream. The intention was to initiate a lucid dream interaction with Gremory. The meditation also involved repetitively intoning Gremory’s name as a Mantra, which I then utilised at the Vesica Pisces point of hypnagogic sleep, along with visualising her seal.

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The experiment was conducted over a period of a week, thereabouts; approximately five hours per day or more, since it is part and parcel of my artistic vocation. Sometimes it consumed both day and night of constant working with some intermittent breaks. I had noted that there were certain hours, days and nights, wherein I experienced a flowing creativity of active-imagination visions about a Nun; whereas at other times it was literally an uphill struggle to seer anything at all. These peaks and dips of emotively charged visionary material seemed to be tied up with my circadian rhythms around the Moon phases.

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At a certain juncture of the experiment I became both mentally and physically exhausted; I couldn’t continue anymore, as if burnt out; I just felt like crashing into sleep. I knew from previous experience that this was the time when a dream visitation of the conjured spirit would most likely occur. The onset of which occurred at the point of sleep when I accessed the hypnagogic state; I then experienced the classic Old Hag Syndrome of sleep paralysis and that of a shadowy invisible presence around me. I remembered from other experiences of similarity not to give into my fear, but such had been prior negated by my introverted sexual impulse due to my ritualistic focus upon the eroticised material. I then called out Gremory’s name; whereupon the shadowy invisible presence took on the form of a Nightgaunt Nun amidst her cathedral.

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I will not relate what had occurred within the induced lucid dream, which is a private affair of an out of body experience.

Although I may allude to its inner reality, and that of other experiences, to describe in a roundabout way within my artwork and writing.

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What I will say is that the experiment was successful on the dreaming front. But I did not expect what was soon to occur upon awakening, of an unforeseen event. I decided to go out to the corner shop in order to obtain some cigarettes. I was intending to buy a packet of Camel’s to celebrate my artistic endeavour of dream sorcery, rather than smoking the usual roll ups; while doing so I pondered upon the experience of contacting Gremory within my vivid erotic dream, which led me to suddenly decide, on the spur of the moment, to extend my walk towards another shop beyond a local church, whose graveyard is said to be assailed by grave robbing Satanists of Halloween lore; its truth, I have observed myself, of disrespected scattered bones.

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As to the locality around me and that of its inhabitants, it tends in the main to be quite normal; not much out of the ordinary ever happens. The church, though old, of a previous village focus, has since found its self surrounded by an urban sprawl, to be now in competition with an Alpha course cult across the road, from its Protestant constant warring with the Catholic.

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As I passed by the church, I noticed a black habit Nun walk out of its opening door. I couldn’t believe what I was seeing of a most obvious synchronicity. I then felt very nervous, almost jittery, feeling an itch all over my body, I couldn’t scratch. I thought I was probably hallucinating; whereupon I stopped myself in my tracks to do a double take. This was most definitely not a regular occurrence; not before or since, have I seen a Nun around said church, let alone coming out of it, whose habit was of the classic kind, which had long gone out of fashion amongst practicing Nuns. Although, at another time I had observed such a Nun walking over a highway bridge in the middle of nowhere, which nearly made my shocked friend crash his camper van, within which I was too travelling. My friend’s reaction was no doubt instagated by my conversing about Nightgaunt Nuns, just prior to seeing the flying Nun.

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I decided to smoke a cigarette; I still had some tobacco left in my pouch to make myself a roll up, and while doing so, determine whether I was indeed hallucinating. The Nun made her graceful way down the church path, whom got ever closer to where I was standing. I then noticed that the Nun was in her early twenties, who was very attractive, looking very much like my ritualistic focus, and what is more, she appeared to be wearing lipstick. I thought, to myself, that I must indeed be hallucinating; but if so, it was bloody three dimensional real, in the flesh, of a Nastassja Kinski look alike.

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The winding path that the Nun hovered along like a black shadow ghost, took her up behind me. I nervously stood my ground, before slowly walking on myself, in order to allow the Nun to pass me. As she passed by, I noticed that she was indeed wearing lipstick and makeup, whom looked at me askance of slanted feline dark eyes; she was aware that I was uncontrollably staring at her out of shock, no doubt looking quite dumbfounded, which made her grin like a Cheshire Cat of a most knowing look.

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As the Nun walked in front of me, a slight distance away, she appeared to make it a point of making her hips to seductively sway on purpose; whereupon I noticed she was wearing high heeled shoes. I looked around to see if anyone else had noticed her. The problem was, there were very few people around of an early morning stroll. However, there was a small group of individuals standing at a bus stop; some of them turned around looking quite perplexed at her carefree passing by.

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I breathed a sigh of relief, that I was not in fact hallucinating; others could see her too. Whereupon, I whimsically conjectured that she was probably a call-girl wearing a kinky Succubus costume, who had just visited the naughty Vicar at his crumbling church, or that she was an actress who was playing a Nightgaunt part in an amateur horror flick. None of my conjectures seemed to fit the facts; the church wouldn’t want such publicity, since it’s flock had been assiduously working towards getting funds to renovate it over a number of years.

As I got closer to my destination, the Nun stopped in front of me; she turned around and wirily smiled; almost looking lustful. She then enquired of me, if she could have a cigarette. I nearly fell over, fumbling. I answered to near stutter, “yeah, sure;” without coughing up my nervous guts as my pounding heart missed a beat.

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She didn’t mind at all that I had to make the cigarette. I placed some tobacco in a paper, and handed it to the Nun; whereupon she asked me to lick it for her. She seemed to be enjoying my nervousness. In retrospect, I should have asked her some very searching questions. Alas, I was but a youth; although to have experienced a plethora of very strange occurrences, this one caught me totally off guard, as if I had inadvertently quantum slid into an alternate reality.

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I gave the cigarette to the Nun, which I then lit for her. As she got closer, I smelt the whiff of perfume, which was musky. She then took a long drag on the cigarette and softly blew the smoke into my face of a noted seduction, or that of a blessing, before thanking me, and then she slowly walked off, her delectable hips swaying.

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I stood for a moment, watching her walk down the road like a catwalk model out of a Vogue magazine, deliberating should I dare follow her, or to just go into the shop and get some Camel’s and a bottle of Casillero del Diablo. I decided to follow her at a discreet distance for a time, just to get my head on straight, so that I could piece together the meaning of this momentous synchronicity.

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The Nun then turned a corner down another road. I was but a short distance behind her; when I got to the turning, she was nowhere to be found, as if she had suddenly disappeared; apart from finding the discarded butt end of the cigarette I had just made, painted with her scarlet lipstick, which I later placed with her seal into a medicine pouch, hanging from my drum.

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There were no houses on either side of the road she could have gone into, which of a long stretch had no available doorways; nor were there any cars parked in the road, into which she could have leapt. If there was an awaiting car, I would have seen it pull away down the road.

I then started to wonder if it was more than just an in my face synchronicity of concordant symbolism, which correlated with my lucid dream experience; that this was an actual physical manifestation of Gremory, or that of a tulpa? Further similar experiences indicate that physical manifestations do indeed occur, or at the very least that of most intriguing synchronicities. I am not at all concerned whether you believe me or not. I really do not care at all; I have nothing to prove, apart from proving it to myself. If you want proof best find out for yourself, if you ever dare to practice the art.

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GOETIA GIRL FURFUR, SHAMAN SPIRIT REINDEER OF SIBERIA

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 28, 2014 by FAUSTUS CROW

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Many a child has been hypnotised by the Christmas story of Rudolph the ‘red’ nosed Reindeer, which of a tale the Thirty-fourth Succubus of the Goetia called Furfur, refers to, who initially manifests amidst the Triangle of Art imagination as a Reindeer with a fiery ‘red’ tail. When a bright eyed child to grow up, becoming as a square headed adult, Rudolph, becomes as a mere fable, just a childhood recollection of opening up branded presents around a brand of a Christmas tree. But at a far deeper level of the collective unconscious the Christmas tree alludes to the multiverse world tree of the horned shaman.

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The multiverse world tree in old Norse was called Yggdrassill, upon which the Norse shaman deity named, Odin hung himself into trance, so that he could travel the tree of worlds from within his lucid dreams. The Saxon’s knew Odin as Woden, who the Christian’s later equated with St Nicholas, or to otherwise castigate as being Old Nick of a fiery ‘red’ horned Devil of Yin and Yang horns, who as a Reindeer horned shaman; when attaining trance ingress, Yin and Yang becomes as the Tao of a Sahasrara crown.

St Nicholas of an Old Nick or Santa Claus, whom was originally Odin/Woden indicates an ancient shamanic legacy from out of North Central Asia unto Siberia. A Siberian shaman would recognise Furfur as a shamanic power animal, which in the Goetia is a powerful Great Countess of the fifth planetary dimensional sphere of volcanic Mars, who rules over twenty-nine legions of Succubae.

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She initially manifests as a Reindeer with the breasts and arms of a woman, having Bat-like Nightgaunt wings, which allows her to carry her master throughout the myriad parallel universes of the multiverse world tree; for she initiates an out of body experience.

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Her tail, as mentioned, is often described as being on fire of arcing electric sparks, whom speaks with a seductive voice.

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She then assumes the form of a most beautiful Reindeer horned woman, who will willingly make love to her master as his spirit wife within his lucid erotic dreams, whom is highly versed in love magic, stirring shamanic visions of Siberia.

She can also raise lightning, thunder and great tempestuous electrical storms against her master’s enemies, whether they be temporal or spiritual. When commanded, she answers, both of remote-viewed secret and also of divine matters.

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She will initiate surrealistic visions until she is compelled into the Triangle of Art vision of her master; though such visions will be inspiring of shamanic artistry. Her name of Furfur, of mundane meaning, and that of an occult blind, means dandruff, indicating an experience of itching all over the body, like a prickly heat. However, the name Furfur refers to her bestowing the ability of generating an internal heat, which is termed Tummo in Yoga.

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You can thereby gauge that such practice is integral to the shamanic practices of the far North, which enables a horned shaman to survive the freezing conditions, under the pole star crowning the neural-net world tree, of his axis-mundi spinal column. The practice of which, as previously noted, initially initiates a sensation of a dandruff itch all over the body. This initial phase is to do with the shedding of the ego, which then leads to a sensation of growing ‘fur,’ as if there is a ‘fiery’ energy pouring out of every pore of the skin, before the shaman senses that his body has become as pure light.

A 1982 study of the physiological effects of Tummo had been conducted by Herbert Benson who is an associate professor of medicine at the Harvard Medical School and president of the Mind/Body Medical Institute at Beth Israel Deaconess Medical Centre in Boston. He firmly believes that studying advanced forms of meditation, “can uncover capacities that will help us to better treat stress-related illnesses.” He extensively studied Indo-Tibetan Yogis in the Himalayas and in India during the 1980s.

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Benson’s research was conducted in Upper Dharamsala in India. Benson found that the subjects under investigation, being three monks, exhibited the capacity to increase the temperature of their fingers and toes by as much as 8.3 °C.

In a 2002 experiment reported by the Harvard Gazette, which was conducted in Norseman Normandy, France, two monks from the Buddhist tradition wore sensors, which recorded changes in heat production and metabolism. Another 2013 study by Kozhevnikov and colleagues showed increases in core body temperature in both expert meditators from Eastern Tibet and Western non-meditators.

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The fiery tail of Furfur symbolically refers to the activation of the Kundalini Shakti to arise from the base (perineum) Chakra along the spinal column of the practitioner, whose shamanic trance practice of Tummo, can be utilised for healing purposes as well, which involves the shaman directing his internal (fire) heat towards an afflicted area of a patient.

This inner heat is also experienced during intense lovemaking where you will sense yourself entirely melding with your partner of Tantric union. The technique was also utilised by the (Norseman) Berserker warriors, which enabled them to attain great (martial) strength via ecstatic (howling/raging) shaman rites, when they had conjured up their Valkyrie spirit wives within their visions. Furfur will inform her master about such shamanic secrets, when to conjure her within his Siberian lucid dreams.

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However, If you be otherwise inclined of a traditionalist sexual orientation, to be enamoured with Crowley’s Biblical Goetia, you can evoke Furfur as an OTO Rudolph the red nosed Hart, who bisexual Crowley viral-meme illustrated as being a phallic fellow; I’m sure he would be most pleased indeed to arouse your indoctrinated perineum to set alight of a continued patriarchal brainwash.

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But should you be rebellious, evoke a Succubus tonight, to keep the Abrahamic exorcist at bay, whose monotheistic egregore seeks to possess your anus with a limiting belief system of mind-control; wherefore negating your shamanic legacy, through fearing a Reindeer Horned shaman as a Devil!

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GOETIA GIRL ANDRAS OF ANARCHIST UFO PUNK ROCK ART

Posted in Art, Chaos Magic, Discordianism, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Surrealism, Tulpa Creation, UFO, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 26, 2014 by FAUSTUS CROW

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The Sixty-third Succubus is Andras, whose name is derived from the Icenic war Goddess called Andraste, also known as Andrasta or Andred. According to the Roman historian Dio Cassius, Andraste was invoked by blue Wode, Boudica in her fight against the Roman occupation of Britain in AD 60. Andraste may be the same as Andate, mentioned later by the same source, described as, “their name for Victory,”

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Romanised as the Goddess Victoria. Some researchers assert that Andraste may be related to Andarta also. As for the Goddess Victoria, she is related to Nike, Bellona, Magna Mater (Great Mother), Cybele, and Vacuna; all of these Goddesses are often depicted riding chariots.

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Andras is a Great Marchioness, appearing in the ‘Anima’ Form of a Punkette Angel wearing a SS officers Hat, if nothing else. This does not mean that her character of an ‘Anima’ archetype is a neo-Nazi, quite the reverse, she absolutely hates Big-Brother fascist Nazis. That is why she is a rebel, who loathes the jealous Fuehrer of the monotheistic ‘Animus’ cultists, whose symbolic ‘Matrix’ of an imprisoning paradigm permeates all levels of culture.

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The reason for the hat is because of the skull and crossbones motif of an ‘X,’ which is the seventh Rune of Gebo.

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The seventh Rune is associated with the Nigredo state of trance into whose hypnagogic vaginal maw a shaman sacrifices himself unto.

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Wherefore she sometimes manifests within a lucid dream, dressed in a tight clinging Black Night Raven uniform, wantonly dancing in a trance dance club, or otherwise being nigh naked.

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She will also be seen of third eye vision riding upon a Tiger I Tank as her chariot, alongside a strong Black Wolf, while she to wield Tommy guns flourished aloft in her hands. She is very much into the ritual music of the English Punk rock band called Crass, formed in 1977, which promoted anarchism as a political ideology, a way of life and that of a resistance movement.

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Crass popularised the anarcho-punk movement of the punk subculture, advocating direct action, animal rights and environmentalism. The band used and advocated a shamanic DIY Punk ethic approach to its sound collages, leaflets, albums and films.

Crass utilised spray-painted stencilled graffiti messages in the London Underground system and on advertising billboards long before the likes of Banksey, as well as coordinating squats and organised political action. The band expressed its ideals by dressing in black, military-surplus-style clothing and using a stage backdrop, which amalgamated icons of perceived authority, such as the Christian cross, the Swastika, the Union Jack and the Ouroboros.

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Alas, at present you only have numerous conspiracy theorists who haven’t got a subculture to fall back upon of a protesting music scene anymore, since it has been utterly commercialised; wherefore heavily controlled of an artistic expression, which is unimaginatively stifling.

Crass was highly critical of punk subculture and youth culture in general during the Thatcherite years, which was rapidly being commercialised by the media empire of the establishment, and thereby controlled via engineered Sex Pistol fashion. Whereas Crass otherwise promoted a personal form of artistic anarchism, whereby they are considered Art Punk in their use of tape collages, graphics, spoken word releases, poetry and improvisation of artistic protest. Hence Andras is a Punk art Muse whose rebellious Office is to inspire her master to engage in sowing artistic anarchy via ninth dimensional planetary sphere surrealism.

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However, If a traditionalist Exorcist of the deified ‘Animus’ made as a God/Devil, has not a patriarchal care to know that Andras is in fact ‘Anima’ emanation Andraste, she will surely Boudica slay the Abrahamic ideals of both him and his monotheist cult fellows, who be of the fascist Illuminati cults out of oily Ur, and likewise with those thought police totalitarians of the politically correct left.

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She governs over 30 Legions of Punkette Succubae, and her Seal is to be meditated upon, alongside that of the Crass logo, while chanting their Punk lyrics.

It just so happened that a crop circle appeared near Stonehenge during the midsummer (Litha) solstice, 21st of June, 2011, which looked like the howling anarchistic Crass logo.

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But then, there was much social unrest due to government cutbacks at the time, of similarity to the Thatcherite years of BSE contaminated beef. A growing number of peaceful protests, were causing a lot of grief to the horse-meat scandal Conservative government, with further proposed mass protests being planned during the coming 2012 Summer Olympics.

The Games of the XXX Olympiad took place between 27th July 2012 and 12th August 2012, of media hype end of days, over which an apparent UFO did hover of blimp similarity to George Orwell’s ‘1984’ Los Angeles Olympics.

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Although the Los Angeles Overwatch event of George Orwell’s ‘1984’ Big-Brother key-time, was far more Hollywood, of eye in the sky, Spielberg fare. Whereas the London show was somewhat, very subtle, until it went viral over the internet, of a cohered mass 2012 focus at an engineered key-time.

As for the Conservative government, they couldn’t allow for the proposed protests to take place during the games. Wherefore the unwashed populace who were planning to paint themselves protest Wode blue had to be curtailed somehow, since Thatcher’s Humpty Dumpty fall, from her Yuppie wall, still haunts the Conservative psyche.

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As if on cue, the Conservative government got what they wanted. Prior to the 2012 Olympic games, between Saturday 6th August and Thursday 11th August 2011, thousands of youths suddenly rioted in several London boroughs and in cities and towns across England. The resulting chaos generated looting, arson, and the eventual mass deployment of police, in certain lucrative areas of London, while impoverished others were left to burn. There was much criticism that the police came onto the stage rather late in the day, whose questionable actions, just before the riot, were also looked into.

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The events were also called, BlackBerry riots, because the organised rioters used mobile devices and social media to spur them on, so it is said, of similarity to the Arab Spring protestors. Suffice to say, there were ‘no protests’ during the games, apart from a conspiracy theory UFO hovering over the audience.

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In other words, if you want to stem the tide of peaceful protests, all you have to do is to ‘Crucify’ the protestors to look like insane nutcases, by subversively promoting outlandish conspiracy theories, as well as spreading fearful rumours, along with orchestrating yobs to cause a violent riot. It works every time of a political tool of ‘Fascism.’ History repeats itself like that of an ‘Ouroboros.’

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You thereby have the crop circle of a Crass logo, whose symbol reminds many an 80’s Punk to remember the Poll Tax riots under BSE brain-dead Thatcher, who considered Crass to be a thorn in her Conservative side. Whereby when to conjure the protest Art Muse Punkette Andras-te, she has an anarchistic Bjork liking for Crass to be played of ritual music.

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GOETIA GIRL RAUM OF THE MATRIX

Posted in Chaos Magic, Cyberpunk, Film, Goetia Girls, Science Fiction, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 24, 2014 by FAUSTUS CROW

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The Fortieth Succubus is Raum. She is a Great Countess, emanating from the fifth planetary dimensional sphere, who governs over numerous Ancestor Simulations.

She initially appears at first in the Form of a Crow, amidst the Triangle of Art imagination of the Odin sorcerer, to Woden seer, with his Apple eye of Merlin’s Avalon.

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But after the Command of her master, she puts on the form of a most beautiful woman looking somewhat like Trinity out of the Matrix films or otherwise appearing as a female version of The Crow, or combination thereof.

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Her poltergeist office, of a temporal influence, is to reveal that the financial power of the banking industry is an illusory construct, whose virtual money she can carry of digitalised information, wherever she is commanded to the nearest cash machine.

She can also severely disrupt or utterly destroy the religious constructs of the establishment and its illusory political influence, which imprisons the minds of many within its Plato’s cave of a symbolic construct, by pointing out, that it serves the purposes of the elite few, not the many.

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She will tell of all things, Past and What Is, and what Will Be via the technique of psychologically profiling a personality, whose inner self image of a program determines how an individual interacts with his/her environment, which can be predicted.

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This technique can be equally applied to the collective, whose self definition is also a program, which tends to be religious of a construct, due to its constant down the generations of a script to perpetually act out.

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The technique of profiling enables her to cause Love between Friends and Foes by revealing that their thoughts and thereby their actions have been subversively programmed, which is designed to constantly repeat, in order to sustain the symbolic existence of the established illusory constructs.

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Raum was of the Order of Thrones; but she rebelled against the Big-Brother construct of the Abrahamic cults. Whereupon she has been pursued by New-World-Order Abrahamic agents ever since her rebellion. She governs over 30 Legions of Succubae; and her Seal is to be meditated upon.

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Raum is a German word, which symbolically indicates that Raum is a Valkyrie; whereby her name can be translated into Runes. Her name has four letters, which equates to the fourth Rune of Ansuz (Os). The fourth Rune is sacred to the Norse shamanic deity called Odin, whom you could see as being similar to Morpheus out of the Matrix films.

Also, the number 40 in numerology reduces down to 4. When all the Runes of Raum’s name are added together you have 31, which is again reduced down to the 4th Rune of Odin/Morpheus, who is the singular ‘third eye’ dreamer of the multiverse world tree Yggdrassill.

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In German, Raum means, space, room or chamber. Space, can be equated with inner-space, hyperspace or that of cyberspace.

The room or chamber in relation to Raum, is analogous to a vast cavern, or an aquarium for fish.

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In other words, the fish are unaware that they are in an aquarium, as far as they are concerned, it is their entire world; whereupon Raum does not refer to an ordinary living room/chamber as such.

Another analogy is the holodeck (room/chamber) featured in Star Trek, but more so that of the Matrix depicted in the Matrix trilogy of films, which can be equated with Plato’s cave of a room/chamber, or that of a prison, within which the prisoners are totally unaware of their imprisonment, whose inner eye is being mass medicated to shutdown.

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There is however not one chamber/room, there are a myriad number of other chambers/rooms, all of which are simulated universes, over whose (Ancestor Simulation) realities, Raum to Trinity hover as a Valkyrie Crow within the dream.

Alas, the blinded are oblivious to her reality within the dream, and like fish in an aquarium they are being sedated through their water, to never seer beyond the glass. Hell, the fish are even made to pay, in order to purify their own mass medicated Innsmouth water supply. But, without much success, since their food is also medicated with the same chemicals. Suffice to say, the prison wardens do not want you to ever wake up within your dreams, whom greatly fear you seeing through their illusory constructs of temporal control.

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GOETIA GIRL ZATANNA ZAGAN OF INTERDIMENSIONAL LUCID DREAM SEXUALITY

Posted in Alien, Art, Chaos Magic, Comics, Cosplay, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Time Travel, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 23, 2014 by FAUSTUS CROW

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The Sixty-first Succubus is Żagań. She is a Great Queen and President, appearing at first in the Form of a Buffalo with Gryphon’s Wings or having the wings of a Bat, whom is a loving sister of (Lamassu) Haagenti; though twinned, there are differences between them.

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After a while she puts on the form of a most beautiful woman who has horns upon her head, or to otherwise manifest looking like Zatanna out of the alternate reality, DC comic grimoires.

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She makes her master,  Avadhuta wise, when he attunes himself to his circadian rhythms, which are regulated by the light of the Sun, around whose Diana-Lucifera orb, the Earth follows Kepler’s planetary laws.

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She can heighten her master’s erotic emotional states as if he is drunk upon Dionysian Wine, or to otherwise become mellow, like placid Waters, as well as making him hot Blooded of emotion, reaching once again for the Wine, as an ecstatic Dionysius.

Her master will thence become aware that his Watery emotions can be transmuted into ecstatic Wine of a highly charged erotic state under the orbit of the horned Moon. Her master will also realise that his emotional charge empowers hypnagogic trance ingress into spun electron dreams around the Zodiac, of a circadian rhythm star clock.

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She, as a most salacious Muse, inspires Art-Sex, of symbolic alchemy, whom bestows an understanding of the Seven Sacred Rituals of how to mix all the planetary colours of Metals suspended in oils.

Thence her master to paint, of neuro-advertising Chakra Coinage upon cave wall of ancient memory, to alter, canvas upon an easel altar. While doing so, to chant of mantra, “make love not war, around the multiverse world tree, Yggdrassill.”

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Such erotic paintings she to Succubus dream inspire of planetary metals suspended in oils to colour, subliminally influences those emotions of an endocrine system Dominion, that coloured Metal is in. Wherefore she can even make Fools wise to themselves, of Heyoka self observation amidst their Samsara existence of an imprisoning circus. She governs over 33 Legions of Succubae, and her Seal is to be mediated upon, should you desire to conjure her amidst your Triangle of Art imagination.

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Żagań in French and German, is Sagan; in Upper Sorbian it is Zahań, while in Czech it’s Zaháň, and in Latin you have Saganum, which of a name means, Wise One. When made more feminised you have Żagańa or that of an alternate, Zatanna, whom will enable her master to escape the symbolic Matrix of religious indoctrination, whose minions are forever warring.

Whereas, Żagań is the name of a town on the Bóbr river, situated in Western Poland. The town is the capital of Żagań County in the historic region of Silesia where Stalag Luft III is situated, from whose WWII prisoner of war camp the Great Escape occurred. Żagań, was first mentioned in a 1202 deed, which then belonged the Duchy of Lower Silesia at Wrocław under the rule of the Piast duke Henry I the Bearded.

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The German astronomer, mathematician and astrologer Johannes Kepler (1571–1630) lived in Żagań from 1628 to 1630, from where the American astronomer Carl Edward Sagan (/ˈSeɪɡən/; November 9, 1934 – December 20, 1996) derived his surname.

Carl Sagan was not only an astronomer, he was also a brilliant astrophysicist, cosmologist, author, science popularizer, and science communicator in astronomy and other natural sciences. His contributions were central to the discovery of the high surface temperatures of Venus. However, he is best known for his contributions to the scientific research of extraterrestrial life, including experimental demonstration of the production of amino acids from basic chemicals by radiation.

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Sagan assembled the first physical messages that were sent into space: the Pioneer plaque and the Voyager Golden Record, universal messages, which could potentially be understood by any extraterrestrial intelligence whom might find them. However, in relation to another sentient species sending a message to us, there are other ways of communicating information throughout space and time.

If there are highly advanced extraterrestrial civilisations frequenting the Angel angles of this dodecahedron universe or that of other universes parallel to our own, of alternate reality possibilities, they will very likely utilise quantum wormholes, via which to communicate with other sentient species. Alas, many a civilisation has a tendency to destroy themselves, whose myriad legions of cosmic ghosts, clairaudient whisper, “do not repeat our mistakes.”

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Wherefore, your (quantum wormhole) electron dreams, would be the perfect arena of (Vesica Pisces) communication throughout space and time. The nature of the communicated information tuned into will of course be dependent upon which Succubus the sorcerer to conjure amidst his Triangle of Art imagination to thereby erotically engage with, when to penetrate her vaginal Stargate via a lucid dream.

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GOETIA GIRL HAAGENTI OF SEXUAL LUCID DREAM ALCHEMY

Posted in Art, Chaos Magic, Goetia Girls, Love Magic, Lucid Dreaming, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 22, 2014 by FAUSTUS CROW

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The Forty-eighth Succubus is Haagenti. She is a President, appearing in the Form of a Mighty Buffalo with Gryphon’s Wings. This is at first, but after, at the Command of her master she putteth on Human Shape as a most beautiful woman wearing horns atop of her head of a crown. Her Office is to make her master wise, and to instruct him in divers things; also to Transmute all Metals into Gold; and to change Wine into Water, and Water into Wine. She governeth over 33 Legions of Succubae, and her Seal is to be meditated upon.

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Haagenti is a composite name, which comprises of Haag and Enti. The word Haag in Dutch means den, which can also refer to a cave. However, you also have Hag, which refers to a Witch and hypnagogic trance, where an individual experiences sleep paralysis prior to being visited by a female entity; while Enti in Finnish means fly, which is a reference to an out of body experience. In ancient times, flies were seen to be the spirits of the departed. You might consider this symbol crunching to be pushing the envelope of believability. But, there are other symbolic formulae of a Haagenti code, which fits together of a jigsaw puzzle.

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It is commonly believed that Haagenti manifests as a Bull with the wings of a Gryphon by patriarchal occultists due to their sustained religious indoctrination. However, the symbolism of Haagenti very likely refers to a Lamassu. The Lamassu is a Sumerian protective deity, which was later heavily adopted by the Assyrian’s.

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The Lamassu is often represented having a Bull or Lion’s body, having Eagle’s wings, with a human head. The Lamassu is portrayed as a female deity; whereas a less frequently used name is Shedu, which refers to the male counterpart of the female Lamassu. You could even theorise that Aleister Crowley’s LAM entity is derived from the LAM-assu.

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In order to understand what the Lamassu and in turn Haagenti represents you will have to go much further back into time to another locale, where you will find a cave painting in the Lascaux caves, which are located in France, near the village of Montignac in the Vezere Valley. They became famous when numerous Palaeolithic cave paintings were discovered adorning their walls. These works of art, portray realistic portrayals of a variety of large animals, which are estimated to be as much as 20,000 years old if not far older.

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One of the cave paintings depicts a pregnant female Bison next to which is a bird headed shaman who appears to be falling backwards with his arms spreading out.

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The shaman has an erection, which is indicative of erotic trance. Next to the bird headed shaman is a staff topped by a bird head, whose symbolism refers to an out of body experience.

The symbolism of the female Bison is an ancient link to the Lamassu and Haagenti, whose Eagle/Gryphon wings refers to the ecstatic out of body flight of a bird headed shamans (Enti) spirit.

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You could conjecture that the bird headed shaman of the Lascaux (Haag) cave is being visited by a (Hag) Succubus whom is the spirit of the female Bison, which is manifesting in human, form within the trance vision of the shaman.

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The Hag visitation of the Succubus is initiating the shamans ecstatic (Enti) flight out of his body through her (Vesica Pisces) vaginal stargate. (This will not sound too odd when to look into the shamanic experiences of Dr John C. Lilly, who spoke of accessing inner (vaginal portals) doorways, which allowed him to attain ingress into alternate realities.)

The shaman in question is probably intending to attain the virility, strength and power of a male (Shedu) Bison via his (microcosmic) trance union with the (Lamassu/Haagenti) Bison mother, whom he has made pregnant, whereby facilitating a (macrocosmic) successful hunt, whose hunters were highly versed in observing ensuing (associative) synchronicities, they probably experienced as signs, portents and omens.

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Should you consider the above conjecture to be rather strange, all you have to do is to is to remember, White Buffalo Calf Woman (Lakota: Pte Ska Win/Pteskawin/Ptesanwi) who is a sacred woman of supernatural origin. She is central to the Lakota religion as the primary cultural prophet. Oral traditions relate that she brought the ‘Seven Sacred Rituals’ to the Teton Sioux.

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The erotic trance erection of the bird headed shaman was later symbolised in Alchemical terminology in regards to changing water into wine. The symbolic usage of wine is a coded reference to emotional ecstasy, which has been transmuted from a base emotional state, associated with water. This is further emphasised in regards to transmuting lead of a base emotion into gold of an ecstatic emotional state, which is attained via shamanic trance ingress into the dream. The realm of the electron dream is symbolised in Alchemy as the Anima Mundi, whose bio-photon fluctuations manifest as Succubae. The shamans ingress into the feminine domain of the dream is termed in Alchemy as the ‘sacred wedding.’

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The motif of the ‘sacred wedding’ is referred to in highly coded form in the Gospel of John, whom describes a wedding that Jesus attended. As the story goes, when the host of the celebration unexpectedly ran out of wine, Jesus performed his celebrated Goetes ‘miracle,’ in which he turned water into more wine. There are many whom believe this literally happened, to have taken it further by attempting to drink petrol, they believe has been transformed into pineapple juice by an insane pastor. The utilised symbolism of transmuting water into wine is not literal. What it is actually describing is the arousal of a shamanic state of erotic trance where the base emotion of water/lead is transmuted into wine/golden ecstasy.

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This is when certain practitioners of Yoga experience the arousal of the Kundalini Shakti (fire snake) the Kalahari Bushmen of South Africa term as the Num. The aroused Num then hits the back of the head, which initiates trance, the Bushmen call Kia. The experience of the Num hitting the back of the head is similar to that of experiencing an orgasm; whereupon a male may experience having an erection.

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As an aside of sorts, there are aboriginal Australian cave paintings, which feature scenes of ‘unparalleled eroticism’ that were blamed for an archaeologist’s unwanted bird man erection during a lecture to his female students. Archaeologist Bruce Byrce, a professor at the University of Hong Kong, was giving a ‘Watery’ talk on the series of drawings found upon the cave roofs amidst the Mad Max wilderness in Arnhem Land in Northern Australia, when a particularly saucy ‘Wine’ slide gave him an unexpected bird man erection.

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Professor Byrce reportedly blushed ‘Red’ as a grape, who bumbled over a series of ‘Watery’ facts to Dionysian lose his ‘Wine’ track. Bryce then attempted to stand at a weird 33 degree angle to the female audience of Maenads in an attempt to mask his throbbing bird man staff.

Bryce honestly related; “I had been excavating the site for the last six months, looking at the sexy cave paintings every day. I didn’t once get a semi that whole time, so imagine my surprise when I went full salute during the lecture.”

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One of the sections of artwork, the archaeologists had excavated depicted three naked copulating couples. The cave paintings have been dated to 28,000 years old, making it one of the oldest Tantric scenes in the whole world, which still has the emotionally charged Haagenti power to transform water into wine, lead into gold. But, if you see such works of art to be mere pornography due to your watery religious upbringing, where sex is considered to be the first sin, rather than leaden ignorance, you will never understand what Haagenti represents of sexual alchemy.

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What Haagenti communicates is quite simple; what turns you on sexually, of symbolic stimuli, can be introverted of an ecstatic (Wine) emotional state in order to empower trance ingress into a lucid dream; for it is your emotional ‘charge,’ which ‘spins,’ your electron dreams into (Gold) lucidity. Wherefore erotic works of art covering cave walls were utilised for this purpose by ancient shamans.

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This most ancient technique is easily overlooked by those who have forgotten how to dream within their square minded dens, whom believe that such imagery is just an expression of pornographic hedonism.

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The sexual imagery was otherwise ‘spiritualised’ by those who have not forgotten how to dream. This is achieved by internalising the sexual impulse, which has been aroused by the power of art.

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Whereupon enabling a shaman to attain an awakened state within the dream, where a two dimensional image of a Succubus is experienced as a three dimensional sensory reality.

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GOETIA GIRL OSE OF THE OUIJA BOARD ZOZO PHENOMENON

Posted in Chaos Magic, Goetia Girls, Lucid Dreaming, Occultism, Sex Magic, Shamanism, Sorcery, Succubus, Tulpa Creation, Witchcraft with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 21, 2014 by FAUSTUS CROW

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Ose is the fifty-seventh Succubus of the Goetia who is a Great President of the eighth dimensional planetary sphere. She rules over thirty legions of Succubae (other authors mentioned three legions; whereas the Pseudomonarchia Daemonum gives no number of legions). She makes her master wise in all liberal sciences and gives true remote viewing answers concerning divine and secret things via her seal of a spirit board. She also brings insanity to any person who afflicts her master with their malign maledictions, making them believe that they are the creature, or thing her master desires; or makes his enemies think they are pompously important wearing aristocratic crowns; though banker headless, they will spew judge-mental expletives, before becoming quite insane, thinking they be all knowing Guru’s, of a next Pope.

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Ose at first manifests as a black Panther or as a Cat, but after a while she transforms of Triangle of Art vision into a beautiful woman, who is very much a Valkyrie due to her name, which is derived from fourth Norse Rune name, of ‘Os’, meaning mouth, as in to chant or sing of spell-casting.

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Wherefore, you can imagine Ose to be a singer of Runic songs, like that of a bird. The technique of using a song refers to the monotonous chanting of a (Mantra) by a shaman, which facilitates hypnagogic trance, of similarity to that of an Icaro.

An Icaro (or Ikaro) is a song sung in Shipibo healing ceremonies, or by Vegetalistas. The word Icaro is believed to be derived from the Quechua verb Ikaray, which means, “to blow smoke in order to heal”. Shipibo shamans relate that the spirits, particularly plant spirits, teach them their Icaros.

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The Icaros are used to bring about the Mareación (the visionary effects of the Ayahuasca), take Mareación away, call in different plant spirits, call in the spirits of others, or the deceased, take away dark spirits and negative emotional energies, for protection and to manage the ceremony. Experienced shamans are able to recite hundreds of Icaros as well as knowing how to be Heyoka wise as a Crow or a Coyote Clown in order to overcome negative influences via contrary wise humour.

Icaros are either whistled or sung, as well as being expressed in any language. The shamans generally sing in a (language of the birds) spirit dialect, which is a mixture of their native language (i.e. Quechua, Shipibo-Conibo, Asháninka, etc.), Spanish, and different evocative sounds. Icaros represent a system of communication between the shaman and the spirits as well as the participants in the ceremony. The shamans believe that every living thing has its own Icaro and that these icaros can be learned. The singing of Icaros is sometimes accompanied by the Chakapa, rattle of bundled leaves, which is used to carry the rhythm of the ceremony. The shaman will use his Chakapa to direct the emotional energy of the Icaros, as well as send away dark or unwanted emotional states.

Other spellings of Ose’s name are: Osé, Oze, Oso, Voso or Zoso and Zozo. The Rune of Os, is also that of the German word, Ose, which means eyelet, small hole, loop or noose. You also have the word, Oz, which is very likely derived from, Ose, and therefore, Os, being the title of L. Frank Baum’s Wizard of Oz. The word Oz specifically refers to the fourth Rune of Os, which is sacred to the shamanic deity of Odin; one of whose power animals is a mercurial Crow. Odin is described as having a singular eye, as in a (third eye) small hole of an eyelet, who is also the lord of the hanged; hence you have a loop of a noose.

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Wherefore, Ose is a (Dakini) Valkyrie Witch (Nightgaunt Succubus) daughter of Odin. Many of the Valkyries assume the shapeshift forms of birds, such as Crows as well as predatory felines and other animal forms, which of a Skinwalker power the Valkyries bestow upon a shaman to whom they are attached as his (Succubus/Spirit Wives) Allies, so that he can travel about in animal forms when to trance and lucid dream.

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The Crow is traditionally associated in occult lore with the planetary sphere of Saturn, whose sigil of lead leads you to the Zoso symbol from page 51 of an 1850 reprint of a 1521 French grimoire, entitled: Dragon Rouge and Poulet Noire (The Red Dragon and The Black Hen), which is also to be found on page 31 of Frinellan’s 1844 book Le Triple Vocabulaire Infernal Manuel du Demonomane. When to look into such works, just remember that during the 16th century, many a Witch was tortured, raped, beheaded, stoned, crucified, let alone being burnt at the stake by insane humans, whom be far worse than their Demonic archetypes, whose poisonous legacy has a repetitive tendency to rear its religious fundamentalist head again of a repeat.

So, it is entirely probable that there are indeed legions of angry ghosts who desire to return back their pain to those whom blindly dance around a three faced deity, whose Rabbis, Priests, Mullahs, and their numerous flocks tend to repeat their blind ways, since they act out a Bronze age script like programmed automatons. Whereby a follower of the Abrahamic faiths has to beware a spirit board, otherwise he or she will conjure up Munnin memories. A variation of the Zoso symbol also appears in Jerome Cardan’s 1557 grimoire, De rerum varietate (page 789 of this 1580 reprint). However the symbol reads, Oso, with what looks like a lightening streak, ‘Zorro,’ shaped sigil before Oso, being one of the alternate names of Ose; wherefore it is generally interpreted as Zoso, leading thence to Zozo.

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It just so happens that in the language of the Basque and (Haitain Vodou) Creole, Zozo (Zoso) is a name applied to a Crow, which is seen to be a ‘sacred fool’ of similarity to the Native American Heyoka clown of a Crow.

In other words Ose empowers a shaman to assume the Skinwalker shapeshift dream form of a Crow who is Avadhuta Monty Python contrary wise. You could cojecture that the Zozo phenomenon is an expression of the howling collective unconscious, which is seeking to initiate a rebellion against a religious brainwash of a viral-meme by creating an anti-viral-meme.

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The motif of hanging concerning Odin is not literal, it symbolically refers to the reptilian brainstem of the throat area having governance over hypnagogic trance ingress; whereas the loop of a noose is associated with the Ouroboros of eternal recurrence, being that of a ‘closed timelike curve’ symbolically represented by a (noose) Torc (Ouroboros) around the neck or that of a nine-fold ring. Ose can reveal the nature of eternal recurrence and that it repeats of a (Karmic) leaden repeat until it is transmuted into (Dharma) gold, which can be in part attained via a Heyoka understanding around a Runic Ouija board of Mantra conjuration.

This is more so the case, when to thereafter observe ensuing synchronistic phenomena. But, if you become far too exorcist serious, allowing your indoctrinated fears to overcome you, your own Inquisitional shadow of a leaden Abrahamic cult Demon will be duly reflected back at you of patriarchal Hell fire. Wherefore you will blindly play into the damned repeat of history as the numbered, where religious fundamentalism returns under the guise of the theocratic New World Order, whose all male pantheon of Angels, Demons, God and Devil will promptly upend your anus to possess.

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However, should you learn to laugh at your self, you will otherwise win a Discordian Pussy Daemon of an anarchistic Ose Ally, whom be a very feline Zozo Succubus.

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