MEPHISTOPHELES IS A DEVIL GIRL

The above artwork, which is available as an Art Print, depicts Mephistopheles as being a female (Daemon) spirit, who is primarily associated with the Faust (Dr Faustus) legend of a Sorcerer (scholar) based on the historical Johann Georg Faust, who wagers his soul against the Devil. Mephistopheles first appeared in the late 16th century Faust chapbooks. (If you are interested in the above Art Print, Please Click Here.)

In the 1725 version, which was read by Goethe, Mephistopheles is a Devil in the form of a grey friar summoned by Faust in a wood outside Wittenberg.

The full version of the original Artwork above can be presently seen on Saatchi Art; if you are interested, Please Click Here. 

Mephistopheles is essentially a male archetype of the deified Animus, made as a Jehovah/God-Jesus/Allah and a Satan/Lucifer-Devil/Shaitan.

Whereas, the erotic Anima and her Succubus Great Old Ones, whose Playboy legions reside within the heterosexual male psyche have been entirely castigated out of the symbolic paradigm as the Fallen, which of an archetypal influence is considered as being politically incorrect. Hence the Fallen Anima can be seen as a female Devil, who would manifest as a salacious Nun.

A sexual (Anima) female Devil and her legions of (Succubi) Succubae would have made more symbolic sense, considering that the Devil rebels against the deified Animus, which of a Fifty Shades Of Grey male archetype resides within the psyche of every woman.

It is the reason why Witches dance around their horny Alpha-male Bad-Boy Devil, while Nuns crucify a Beta-male Good-Guy Christ; all of whom adore their All-Father Animus. Such would only apply if the Witch-Nuns are heterosexual of inclination, who carouse with horny Playgirl Unicorns; while homosexual priests have a ready made erotic focus of an all male Military-Industrial-Complex Spartan pantheon, populated by Rainbow elder Gods.

Alas, the symbolic logic of the Anima was never utilised of a rebellion within any of the so called banned Devil tomes, listing Animus archetypes, which are ridden by protesting Witch/Nuns as their Little Ponies.

The name Mephistopheles already appears in the 1527 Praxis Magia Faustiana, printed in Passau, alongside pseudo-Hebrew text. It is best explained as a purposely obscure pseudo-Greek or pseudo-Hebrew formation of Renaissance Magick.

From the chapbook, the name enters Faustian Occultism and literature as well as being used by authors from Marlowe down to Goethe, whom envisaged Faust being carried away by the Goetic spirits of Mephistopheles.

In the 1616 edition of The Tragical History of Doctor Faustus, Mephistopheles became Mephistophilis.

The word derives from the Hebrew mephitz, meaning ‘destroyer,’ and tophel, meaning ‘liar;’ tophel, is short for tophel shequer, the literal translation of which is ‘falsehood plasterer.’

However, the name can be otherwise interpreted as the ‘Destroyer’ of Maya; for Maya is an illusion of a (Matrix) lie, you can equate with a computer simulation, over which Mephistopheles has power to reveal.

In other words, the computer simulation within your ‘Skull’ can be manipulated via your indoctrinated (Triangle Of Art) beliefs, which determines your perception of reality. This is more so the case if you find yourself being unknowingly lulled into (G/Gebo Rune: X) ‘Crossbones’ trance by repetitive, state propaganda.

It is a case of choosing between the ‘Red’ or the blue pill; whether you want to wake up from the symbolic Matrix of the deified Animus or stay asleep. It is your choice. But be prepared for the rollercoaster ride into Fallen Anima Wonderland after conjuring up the ‘Red’ pill.

Mephistopheles in later treatments of the Faust material frequently figures as a title character: in Meyer Lutz’ Mephistopheles, or Faust and Marguerite (1855), Arrigo Boito’s Mefistofele (1868), Klaus Mann’s Mephisto, and Franz Liszt’s Mephisto Waltzes.

Shakespeare mentions “Mephistophilus” in the Merry Wives of Windsor (Act1, Sc1, line 128). By the 17th century the name became independent of the Faust legend, like that of a Tulpa assuming a life of its own.

According to the American historian and religious scholar Burton Russell: “That the name is a purely modern invention of uncertain origins makes it an elegant symbol of the modern Devil with his many novel and diverse forms.” So, spoke a minion of the deified Animus empowering his viral-meme God egregore!

However, the term, Devil is originally derived from the (Sanskrit) Hindu name for a (Anima) Goddess called Devi, which is in turn associated with the word Deva, whose term describes deities made out of (bio-photon) light. Whereas Maya (holographic universe) is seen by the Hindu’s as being Shakti (Anima) of source, and like Salome of the seven rainbow veiled seals, she will only dance naked for the one whose pirate Skull ‘lights’ up crystalline, of a ‘fire’ in the head, when he attains the seventh secret of a Coitus Pactum (Gebo) Rune: X.

Overall, Mephistopheles has had quite an influence upon popular culture as well as the Occult Arts, which is primarily that of an on going Animus fixation.

Whereby the Faustian Artwork rebelliously reinterprets Mephistopheles as being an Anima archetype, manifesting as a most salacious Succubus, who is otherwise called Mephistopheilia or Mephistophina, whom is a Genie of a Chaos Magik Art Muse.

She inspires a rebel Faustus to thereby enter into a Coitus Pactum with her.

There are many a Grimoire, which are supposedly written by Faust. These grimoires feature Seals and Sigils, which were used by Sorcerers in order to conjure Mephistopheles. However, you now have Fallen Anima, Mephistophina to conjure instead.

The name of Mephistophina has thirteen letters, which in numerology adds up to the precession (Goetia) number 72, reduced down to 9. Her name in Runic numerology equates with the 13th Rune of Eihwaz. The thirteenth Rune represents the Multiverse ‘World’-Tree of nine worlds called Yggdrassill, upon which the shaman deity of the ancient Norse called Odin (Saxon: Woden) hangs into trance, whom as a magician, is equated with Faustus. Wherefore, you can deduce that the name of Mephistophina is symbolically powerful.

The font in the above Coitus Pactum is derived from 15th-16th century Grimoires, which was utilised for the Grimoire called the ‘Nine Gates‘ that was featured in Polanski’s film entitled: ‘The Ninth Gate,’ in which Fallen Anima, Diana-Lucifera entered into a Coitus Pactum with her Faustus.

Suffice to say, Mephistophina is somewhat of a ‘Discordian’ Art Muse of Monty ‘Python’ Heyoka wisdom. So, if you are an avid traditionalist, to have entwined your so called magical practice with an indoctrinated religious perspective, you had better keep taking your medicated Communion wafers, drinking fluoridated Wine. The practice of magic is no different to Art; if you believe otherwise, you are practicing religion, not magic.

Wherefore, it be best that you stay well away from ‘Red’ pill Mephistophina, to otherwise live in fear of your blue pill Animus Devil of a Mephistopheles; it will be far safer for you to live in brainwashed continuance of being upended by your deified Animus God trinity of NWO death-metal Illuminati cults out of Abraham’s UR.

Fallen Anima, Mephistophina ‘takes no prisoners,’ she prefers the freedom of the unshackled imagination… no symbolic ‘Matrix’ limits of religious/political prison bars; whereby her Faustus is an Avadhuta rebel, some would see as being a perverse toxic-male Devil; but then the worshippers of the deified Animus are inadvertently conjuring up an Ante-Christos rebellion. You have been duly warned!